New Bracteate Finds from Early Anglo-Saxon England by CHARLOTTE BEHR1
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ABSTRACT Savannah Dehart. BRACTEATES AS INDICATORS OF
ABSTRACT Savannah DeHart. BRACTEATES AS INDICATORS OF NORTHERN PAGAN RELIGIOSITY IN THE EARLY MIDDLE AGES. (Under the direction of Michael J. Enright) Department of History, May 2012. This thesis investigates the religiosity of some Germanic peoples of the Migration period (approximately AD 300-800) and seeks to overcome some difficulties in the related source material. The written sources which describe pagan elements of this period - such as Tacitus’ Germania, Bede’s Ecclesiastical History of the English People, and Paul the Deacon’s History of the Lombards - are problematic because they were composed by Roman or Christian authors whose primary goals were not to preserve the traditions of pagans. Literary sources of the High Middle Ages (approximately AD 1000-1400) - such as The Poetic Edda, Snorri Sturluson’s Prose Edda , and Icelandic Family Sagas - can only offer a clearer picture of Old Norse religiosity alone. The problem is that the beliefs described by these late sources cannot accurately reflect religious conditions of the Early Middle Ages. Too much time has elapsed and too many changes have occurred. If literary sources are unavailing, however, archaeology can offer a way out of the dilemma. Rightly interpreted, archaeological evidence can be used in conjunction with literary sources to demonstrate considerable continuity in precisely this area of religiosity. Some of the most relevant material objects (often overlooked by scholars) are bracteates. These coin-like amulets are stamped with designs that appear to reflect motifs from Old Norse myths, yet their find contexts, including the inhumation graves of women and hoards, demonstrate that they were used during the Migration period of half a millennium earlier. -
Nancy L. Wicker and Henrik Williams. Futhark 3
Futhark International Journal of Runic Studies Main editors James E. Knirk and Henrik Williams Assistant editor Marco Bianchi Vol. 3 · 2012 © Contributing authors 2013 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Unported License, http://creativecommons.org/licenses/by-nc-nd/3.0/ All articles are available free of charge at http://www.futhark-journal.com A printed version of the issue can be ordered through http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-194111 Editorial advisory board: Michael P. Barnes (University College London), Klaus Düwel (University of Göttingen), Lena Peterson (Uppsala University), Marie Stoklund (National Museum, Copenhagen) Typeset with Linux Libertine by Marco Bianchi University of Oslo Uppsala University ISSN 1892-0950 Bracteates and Runes Review article by Nancy L. Wicker and Henrik Williams Die Goldbrakteaten der Völkerwanderungszeit — Auswertung und Neufunde. Eds. Wilhelm Heizmann and Morten Axboe. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde 40. Berlin and New York: Walter de Gruyter, 2011. 1024 pp., 102 plates. ISBN 978-3-11-022411-5, e-ISBN 978-3-11-022411-2, ISSN 1866-7678. 199.95 €, $280. From the Migration Period we now have more than a thousand stamped gold pendants known as bracteates. They have fascinated scholars since the late seventeenth century and continue to do so today. Although bracteates are fundamental sources for the art history of the period, and important archae- o logical artifacts, for runologists their inscriptions have played a minor role in comparison with other older-futhark texts. It is to be hoped that this will now change, however. -
Context Analysis and Bracteate Inscriptions in Light of Alternative Iconographic Interpretations
Context analysis and bracteate inscriptions in light of alternative iconographic interpretations Nancy L. Wicker Although nearly 1000 Scandinavian Migration Period (fifth- and sixth-century) gold pendants called bracteates have been discovered in Scandinavia and throughout northern and central Europe, only about twenty percent of these objects have inscriptions. The writing is mostly in the elder futhark but also in corrupted Latin copied from inscriptions on Late Roman coins and medallions, which are presumably the models for bracteate imagery. Relatively few of the 170 bracteates with runic inscriptions—which are known from only 110 different dies (Düwel 2008: 46)—are semantically meaningful. While the research of the late Karl Hauck has dominated bracteate scholarship for the past forty years, his theory of bracteate iconography is not the only possible interpretation of this imagery that may illuminate our understanding of the inscriptions. In this paper, I will high- light other interpretations of bracteates, not as definitive answers to the meaning of bracteates but instead to emphasize the tenuous nature of all such theories. I also propose the use of what Michaela Helmbrecht (2008) has termed ‗context analysis‘ to focus on the various contexts in which bracteates have been discovered in order to shed additional light upon their meaning. Before presenting alternate explanations, I will review basic information about bracteates and their inscriptions, and I will summarize the basic tenets of Hauck‘s thesis. Bracteate classification and iconography From the earliest research on bracteates, scholars including C. J. Thomsen (1855), Oscar Montelius (1869), and Bernhard Salin (1895) focused on organizing these artifacts by classi- fying them into types according to details of images depicted in the central stamped field of decoration. -
Viking Art, Snorri Sturluson and Some Recent Metal Detector Finds. Fornvännen 113
•• JOURNAL OF SWEDISH ANTIQUARIAN RESEARCH 2018:1 Art. Pentz 17-33_Layout 1 2018-02-16 14:37 Sida 17 Viking art, Snorri Sturluson and some recent metal detector finds By Peter Pentz Pentz, P., 2018. Viking art, Snorri Sturluson and some recent metal detector finds. Fornvännen 113. Stockholm. This paper seeks to contribute to a recent debate on the use of private metal detect- ing and its value within archaeology. Specifically it explores – by presenting some recently found Viking Period artefacts from Denmark – how private metal detect- ing can contribute to our understanding of Viking minds. By bringing together the myths as related by Snorri Sturluson in the early 13th century with the artefacts, I argue that thanks to private metal detecting through the last decades, our ability to recognise Viking art as narrative art has improved substantially. Peter Pentz, National Museum of Denmark, Ny Vestergade 10, DK–1471 København K [email protected] Over 60 years ago, Thorkild Ramskou (1953) the main problems in understanding Viking art described Viking art as almost exclusively deco- is the scarcity of reference materials. We largely rative, only functioning as a covering for plain know Norse mythology and its narratives through surfaces. In the rare cases where it was represen- Medieval Christian authors, in particular Snorri. tative, quality was poor. Viking artists, he stated, Hence, the myths have come down to us biased, preferred to portray scenes from myths of the reinterpreted and even now and then propagan- gods and heroic legends. Such scenes functioned dised. Furthermore, what survived is only a selec- as mnemonics; for the viewer they would recall tion. -
Signs and Symbols Represented in Germanic, Particularly Early Scandinavian, Iconography Between the Migration Period and the End of the Viking Age
Signs and symbols represented in Germanic, particularly early Scandinavian, iconography between the Migration Period and the end of the Viking Age Peter R. Hupfauf Thesis submitted for the degree of Doctor of Philosophy, University of Sydney, 2003 Preface After the Middle Ages, artists in European cultures concentrated predominantly on real- istic interpretations of events and issues and on documentation of the world. From the Renaissance onwards, artists developed techniques of illusion (e.g. perspective) and high levels of sophistication to embed messages within decorative elaborations. This develop- ment reached its peak in nineteenth century Classicism and Realism. A Fine Art interest in ‘Nordic Antiquity’, which emerged during the Romantic movement, was usually expressed in a Renaissance manner, representing heroic attitudes by copying Classical Antiquity. A group of nineteenth-century artists, including Dante Gabriel Rossetti, Holman Hunt and Everett Millais founded the Pre-Raphaelite Brotherhood. John Ruskin, who taught aesthetic theory at Oxford, became an associate and public defender of the group. The members of this group appreciated the symbolism and iconography of the Gothic period. Rossetti worked together with Edward Burne-Jones and William Morris. Morris was a great admirer of early Scandinavian cultures, and his ideas were extremely influential for the development of the English Craft Movement, which originated from Pre-Raphaelite ideology. Abstraction, which developed during the early twentieth century, attempted to communicate more directly with emotion rather then with the intellect. Many of the early abstract artists (Picasso is probably the best known) found inspiration in tribal artefacts. However, according to Rubin (1984), some nineteenth-century primitivist painters appreciated pre-Renaissance European styles for their simplicity and sincerity – they saw value in the absence of complex devices of illusio-nist lighting and perspective. -
The Idea of Rome Beyond Rome
Античность на ребрах европейского Средневековья 369 УДК 7.01; 930.85 ББК 85.03 DOI:10.18688/aa155-4-39 Alexandra Uscatescu1 The Idea of Rome beyond Rome One of the most constant features of art history is the way an art object is transmitted and transformed. So it is not surprising to observe how much late antiquity owes to Classical Roman art. The Classical art in Settis’ words seems to play two roles: the basis for the develop- ment of medieval art and a privileged source from which models are extracted [48, pp. 129– 130]. The issue is not so simple. As I am aware of the impossibility of coping with this issue in the space available here, in the following pages, I will focus on a single element: the idea of Rome as it is materialized in the legend of Romulus and Remus. This myth was synthesized in the lupa romana image2. Augustus adopted this icon because of its very simplicity: the Au- gustean she-wolf denotes pietas and uirtus [54, pp. 156, 245]. This myth summarizes perfectly the idea of Rome, which survived its own destruction and was handed over to other political centres ruled by other people alien to the ancient Roman Empire. Basically, what I present here is the analysis of the appropriation of icons by certain human groups facing to dominant powers and cultures. So I will focus on the re-use of this artistic image by Anglo-Saxons, Franks, Lombards or Sogdians, between the 5th and 9th centuries. THE FALL OF ROME Paradoxically, after the fall of Rome an increasing number of panegyrists dedicated their praises to Rome, a well-known topos since Tibullus’ Roma Aeterna [55], although the real Rome didn’t exist any longer as an imperial city. -
Using Bracteates As Evidence for Long-Distance Contacts
Using bracteates as evidence for long-distance contacts Charlotte Behr Roehampton University Introduction together with other bracteates, other pendants or beads' With more than 900 finds they form one of the largest The study of golden pendants, so-called bracteates, can find groups in migration-period northern European contribute to the understanding of long-distance contacts archaeology. Currently about 620 different die images are in northern, western and central Europe in the 5th and 6th known mostly from one bracteate but also from series centuries. It is well known from the extensive with up to 14 die-identical bracteates' The central archaeological record that the countries north and east of images of the pendants have always a diameter of the Roman Empire were far from being isolated from the between 2 and ·2.5 cm. Some were stamped on a larger networks of trade and exchange in the Roman Empire disk and the central image was surrounded by one or and beyond, links that often survived the end of the more concentric rings that were decorated with individual western Roman Empire in the 5th century. Among the stamps usually with geometric designs and sometimes numerous finds made in northern and central Europe that small images of animals or anthropomorphic heads. In belonged predominantly to a sphere of wealth and luxury some instances it is possible to show that the same stamp were Roman coins, glass vessels, bronze pots, precious was used in the border zone on two different bracteates.6 and semi-precious stones, even a Buddha statue was The edge of the disk was surrounded with gold wire and a found on the island of Helga in the Malaren area.' loop was attached. -
Texts & Contexts of the Oldest Runic Inscriptions
www.RodnoVery.ru www.RodnoVery.ru TEXTS & CONTEXTS OF THE OLDEST RUNIC INSCRIPTIONS NW-4-looijenga.qxd 23/06/2003 13:17 Page 2 THE NORTHERN WORLD North Europe and the Baltic c. 400-1700 AD Peoples, Economies and Cultures EDITORS arbara rawford B www.RodnoVery.ruC (St. Andrews) David Kirby (London) Jon-Vidar Sigurdsson (Oslo) Ingvild Øye (Bergen) Przemyslaw Urbanczyk (Warsaw) VOLUME 4 NW-4-looijenga.qxd 23/06/2003 13:17 Page 3 TEXTS & CONTEXTS OF THE OLDEST RUNIC INSCRIPTIONS BY TINEKE LOOIJENGA www.RodnoVery.ru BRILL LEIDEN • BOSTON 2003 NW-4-looijenga.qxd 23/06/2003 13:17 Page 4 Cover illustration: Hantum, whale ivory object with inscription: k:aha:, chapter nine, no. 15. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Looijenga, Tineke. Texts & contexts of the oldest Runic inscriptions / by Tineke Looijenga. p. cm. — (The northern world ; v. 4) Includes bibliographical references and index. ISBN 90-04-12396-2 1. Inscriptions, Runic. 2. Runes—History. I. Title: Texts and contexts of the oldest Runic inscriptions. II. Title. III. Series. PD2013.L66 2003 430—dc21 2003051996 www.RodnoVery.ru rune font: johan nordlander, umeå ISSN 1569–1462 ISBN 90 04 12396 2 © Copyright 2003 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Nancy L. Wicker. Futhark 5
Bracteate Inscriptions and Context Analysis in the Light of Alternatives to Hauck’s Iconographic Interpretations Nancy L. Wicker Abstract Runic inscriptions on Scandinavian Migration Period gold bracteates have long been considered problematic. Although many of them are readable, only a few are interpretable. One of the major questions about bracteate texts is whether they are related to the images depicted on the pieces. During the past quarter century, these inscriptions have been interpreted chiefly on the basis of Karl Hauck’s identification of the major figure depicted on bracteates as Odin. However, there are other interpretations of the pictures that may also assist our understanding of the texts. This paper examines some of these alternative explanations of bracteate imagery, with particular reference to how the objects were used and by whom, the aim being to arrive at a better understanding of the inscriptions. Keywords: bracteates, Migration Period, older runic inscriptions, iconography, imagery nscriptions are not essential to Scandinavian Migration Period (fifth- Iand sixth-century) bracteates, yet writing in some form appears on about twenty per cent of these gold pendants, which have been discovered in Scandi navia and throughout northern and central Europe. According to Morten Axboe’s list of December 2010, 1003 bracteates were then known, including 222 with inscriptions from a total of 153 unique dies (2011, Wicker, Nancy L. “Bracteate Inscriptions and Context Analysis in the Light of Alternatives to Hauck’s Iconographic Interpretations.” Futhark: International Journal of Runic Studies 5 (2014, publ. 2015): 25–43. © 2015 Nancy L. Wicker. This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. -
Bracteates – the Thinnest Coins of Monetary History
Bracteates – the Thinnest Coins of Monetary History Bracteates were doubtless the most curious and interesting types of coins among the pfennigs of the German Middle Ages. Whereas traditional pfennigs bore different images on obverse and reverse, bracteates were minted on one side only. Their obverse showed the image as embossed relief, while on the reverse it was indented. Additionally, most images on bracteates were strictly symmetric. This allowed to break the coins neatly in two, for this is what people did in order to get small change. Bracteates were issued for local circulation. The ephemerality of these coins stood in harsh contrast to their high quality – a quality that medieval coinage in Germany reached neither before nor after ever again. For far trade or long-term use, bracteates were too fragile. In economically developed regions they therefore never achieved acceptance. In those parts of Germany, people preferred the solid two- sided pfennigs. 1 von 12 www.sunflower.ch Holy Roman Empire, Margraviate of Brandenburg, Albert the Bear (1123-1170), Pfennig (Bracteate), Wegeleben Denomination: Pfennig (Bracteate) Mint Authority: Margrave Albert the Bear Mint: Wegeleben Year of Issue: 1123 Weight (g): 0.82 Diameter (mm): 27.0 Material: Silver Owner: Sunflower Foundation Albert the Bear, whom we see on this penny, was a man who – be it by diplomacy, be it by force –, took every opportunity for expansion. From early on, he concentrated his interest on the eastern territories. Albert is held as one of the initiators of the Wendish Crusade of 1147. Ten years later, he conquered Brandenburg and became the first Margrave of Brandenburg. -
Elite Networks and Courtly Culture in Medieval Denmark Denmark in Europe, 1St to 14Th Centuries
ELITE NETWORKS AND COURTLY CULTURE IN MEDIEVAL DENMARK DENMARK IN EUROPE, 1ST TO 14TH CENTURIES _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Maria R. D. Corsi May, 2014 . ELITE NETWORKS AND COURTLY CULTURE IN MEDIEVAL DENMARK DENMARK IN EUROPE, 1ST TO 14TH CENTURIES _________________________ Maria R. D. Corsi APPROVED: _________________________ Sally N. Vaughn, Ph.D. Committee Chair _________________________ Frank L. Holt, Ph.D. _________________________ Kairn A. Klieman, Ph.D. _________________________ Michael H. Gelting, Ph.D. University of Aberdeen _________________________ John W. Roberts, Ph.D. Dean, College of Liberal Arts and Social Sciences Department of English ii ELITE NETWORKS AND COURTLY CULTURE IN MEDIEVAL DENMARK DENMARK IN EUROPE, 1ST TO 14TH CENTURIES _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Maria R.D. Corsi May, 2014 ABSTRACT This dissertation advances the study of the cultural integration of Denmark with continental Europe in the Middle Ages. By approaching the question with a view to the longue durée, it argues that Danish aristocratic culture had been heavily influenced by trends on the Continent since at least the Roman Iron Age, so that when Denmark adopted European courtly culture, it did so simultaneously to its development in the rest of Europe. Because elite culture as it manifested itself in the Middle Ages was an amalgamation of that of Ancient Rome and the Germanic tribes, its origins in Denmark is sought in the interactions between the Danish territory and the Roman Empire. -
Old English (Ęnglisc, Anglisc, Englisc) Or Anglo-Saxon[1] Is an Early Form
THE MINISTRY OF HIGHER AND SECONDARY SPECIAL EDUCATION OF THE REPUBLIC OF UZBEKISTAN ANDIZHAN STATE UNIVERSITY NAMED AFTER Z.M.BOBUR FACULTY OF FOREIGN LANGUAGES DEPARTMENT OF ENGLISH GRAMMAR AND PRACTICAL COURSE Specialty: Foreign Languages (English Language and Literature - 5141400) THEME: Writings in old English and problems of linguodidactics Compiled by: the student of the group 301 Meliroziyeva G Supervisor: Ergashev T. Andizhan 2014 Writings in old English and problems of lingvodidactics Plan: Introduction. The subject of history of English. Chapter 1 1. Writings in old English period. 2. Runic inscriptions. Chapter 2 1. Writings in West-Saxon. 2.Old English alphabet. Conclusion. Recommended literature. Introduction Subject of History of English In studying the English language of to-day, we are faced with a number of peculiarities which appear unintelligible from the modern point of view. These are found both in the vocabulary and in the phonetic and grammatical structure of the language. There are some considerations pointing the same way. Study of history of a concrete language is based on applying general principles of linguistics to the language in question. Foundations of our science are studied in introduction to linguistics. Thus, for example, the notion of sound law, familiar from this introductory subject, is to be tested on the facts of English language history. The same may be said about other general notions, such as development of grammatical structure, etc. The purpose of the subject is a systematic study of the language`s development from the earliest times to the present day. Such study enables the student to acquire a more profound understanding of the language of to-day.