Ely Parker Before and After the Civil War
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Proceedings of the Textile Society of America 17Th Biennial Symposium, October 15-17, 2020--Full Program with Abstracts & Bios
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 10-2020 Hidden Stories/Human Lives: Proceedings of the Textile Society of America 17th Biennial Symposium, October 15-17, 2020--Full Program with Abstracts & Bios Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WELCOME PAGE Be Part of the Conversation Tag your posts on social media #TSAHiddenStoriesHumanLives #TSA2020 Like us on Facebook: @textilesocietyofamerica Follow us on Instagram: @textilesociety Attendee Directory The attendee directory is available through Crowd Compass If you have any questions, please contact Caroline Hayes Charuk: [email protected]. Please note that the information published in this program and is subject to change. Please check textilesocietyofamerica.org for the most up-to-date infor- mation. TABLE OF CONTENTS About the Symposium . 1 The Theme .......................................................1 Symposium Chairs ................................................1 Symposium Organizers . .2 Welcome from TSA President, Lisa Kriner . 4 Donors & Sponsors . 8 Symposium Schedule at a Glance . 11 Welcome from the Symposium Program Co-Chairs . 12 Keynote & Plenary Sessions . 14 Sanford Biggers..................................................14 Julia Bryan-Wilson................................................15 Jolene K. Rickard.................................................16 Biennial Symposium Program . -
Open the Program
WELCOME PAGE Be Part of the Conversation Tag your posts on social media #TSAHiddenStoriesHumanLives #TSA2020 Like us on Facebook: @textilesocietyofamerica Follow us on Instagram: @textilesociety Attendee Directory The attendee directory is available through Crowd Compass If you have any questions, please contact Caroline Hayes Charuk: [email protected]. Please note that the information published in this program and is subject to change. Please check textilesocietyofamerica.org for the most up-to-date infor- mation. TABLE OF CONTENTS About the Symposium . 1 The Theme .......................................................1 Symposium Chairs ................................................1 Symposium Organizers . .2 Welcome from TSA President, Lisa Kriner . 4 Donors & Sponsors . 8 Symposium Schedule at a Glance . 11 Welcome from the Symposium Program Co-Chairs . 12 Keynote & Plenary Sessions . 14 Sanford Biggers..................................................14 Julia Bryan-Wilson................................................15 Jolene K. Rickard.................................................16 Biennial Symposium Program . 17 Session Abstracts . 26 Presenter Bios. 128 Awards and Scholarships . 201 TSA Fellows ...................................................201 Founding Presidents Award Nominees............................203 Student & New Professional Awardees............................204 2020 TSA Brandford/Elliott Award for Excellence in Fiber Art ........205 Symposium Scholarship Fee Waiver Recipients . 206 Marketplace -
Copyrighted Material Not for Distribution
Contents List of Figures List of Plates vii xi Foreword Foreword Stephen E. Nash, Joyce Herold Chip Colwell, and xvii Melissa Bechhoefer xv Preface Acknowledgments COPYRIGHTED MATERIAL Laurie Webster, Louise I. Stiver, xxv D. Y. Begay, and Lynda TellerNOT Pete FOR DISTRIBUTION xx 1 2 Introduction Francis and Mary Consultations, Collaborations, Crane and the Making and Curation by Navajo of a Navajo Textile Weavers: A Celebration Collection and History Louise I. Stiver Ann Lane Hedlund 26 3 v 3 4 Changing Markets Crossroads and for Navajo Weaving Navajo Weaving Laurie D. Webster A Weaver’s Narrative 49 D. Y. Begay 78 5 A Weaver’s Path From Generations of Traditional Artistry to Blending New Innovations Lynda Teller Pete 87 Plates and Commentaries 97 Plate Notes Appendix: Textile 207 Technical Information COPYRIGHTED MATERIAL 210 NOT FOR DISTRIBUTION About the Index Authors 224 222 vi CONTENTS Preface LAURIE WEBSTER, LOUISE I. STIVER, D. Y. BEGAY, AND LYNDA TELLER PETE This book began as a simple invitation to write a catalog about the Navajo textile col- lection at the Denver Museum of Nature & Science (DMNS) and grew into a collabo- ration and friendship among Navajo and Anglo textile scholars. The four of us share a love of Navajo textiles, and two of us grew up weaving them. We each contributed different expertise and knowledge and learned from each other in the process. We also had a lot of fun. In early 2013 Dr. Stephen Nash, chair of the DMNS Department of Anthropology, contacted independent scholar Laurie Webster about writing a catalog of the collec- tion. -
2018 Workshops
2018 WORKSHOPS 1 WELCOME TO ARROWMONT IMPORTANT DATES AT A GLANCE “The joy of my work is providing others opportunities to live creative lives. The joy of my life is interacting with creative people. This makes for a wonderful symmetry.” ARTISTS-IN-RESIDENCE APPLICATION DEADLINE The past year at Arrowmont saw events which brought about change, and at the same time February 1, 2018 strengthened our resolve to maintain the values and qualities that make this place extraordinary. In response to the wildfires of the fall of 2016 which destroyed three buildings on campus, we EARLY REGISTRATION DEADLINE began to implement both a strategic plan for our programming and a master plan for our campus. REGISTRATION FEE OF $50 IS WAIVED FOR EARLY REGISTRATION When you come to Arrowmont in 2018 you will enter through a new entrance and enjoy a new February 1, 2018 dormitory with 42 rooms with private baths and a screened porch with an outdoor fireplace perfect for the camaraderie and conversations that are important parts of being here. We have EDUCATIONAL ASSISTANTS continued to make upgrades to studios and have constructed a new three-kiln courtyard. All the PROGRAM APPLICATION DEADLINE buildings on campus — studios and residences — are now air conditioned. We always work to March 1, 2018 improve our facilities and to offer inspiring workshops with outstanding instructors. SCHOLARSHIP Though our campus is transforming, our values remain constant and at the heart of the APPLICATION DEADLINE “Arrowmont Experience.” We offer workshops that provide opportunities for those just being March 1, 2018 introduced to craft, as well as workshops that focus on advanced skills, conceptual exploration and design. -
Melissa Cody Biography
Melissa Cody Biography 1983 2018 Born: No Water Mesa, Navajo Nation, Arizona Edgewater Reflections, Ingham Chapman Gallery, Enrolled Navajo/Diné University of New Mexico, Albuquerque, January 22–February 27 Lives and works in Los Angeles, California Footprints Forward: Navajo Contemporary Artists Post-1868, Navajo Nation Museum, Window Rock, Arizona, October 26–December EDUCATION 2007 2018–2019 Institute of American Indian Arts Casa Tomada, SITE Santa Fe, August 3, 2018– January 6, 2019 SELECTED SOLO EXHIBITIONS 2019 2017 Interwoven, MASS Gallery, Austin, January 25–March 2 Future Tradition: Melissa Cody, Houston Center for Self, Made, Exploratorium, San Francisco, May 23– Contemporary Craft, February 3–May 28 September 2 Artists for a New Era: Nine 4 Ninety, Museum of Northern Arizona, Flagstaff, June 23–October 13 SELECTED GROUP EXHIBITIONS Heritage, Rebecca Camacho Presents, San Francisco, October 4–November 9 2007–2008 Family Ties: Young Navajo Weavers, Heard Museum 2019–2020 West, Surprise, Arizona, September 8, 2007–March Àbadakone | Continuous Fire | Feu continuel, National 30, 2008 Gallery of Canada, Ottawa, November 8, 2019– October 4, 2020 2010 Turning Point: Navajo Weaving in the Late 20th Century, 2019–2022 Cooper Gallery, University of Nebraska State Color Riot! How Color Changed Navajo Textiles, Heard Museum, Lincoln, October 1–November 30 Museum, Phoenix, April 5–September 2, 2019; Museum of Fine Arts, St. Petersburg, Florida, 2012 December 19, 2020–March 14, 2021; Montclair Art Messengers 2012, Rainmaker Gallery, Bristol,