Main Topic: the Secret Language of the Renaissance Led by Anne B

Talking About Symbolic Colours helped celebration Art June 6 th 2016 Objects: The us identify when the town first painting Summary characters : of Ascoli was ‘Madonna Mary : dark blue received of the Swallow’ as expensive partial (Crivelli b1490 lapis lazuli was Introduction: independence Each of the fruits reserved for the from the Starters – a were symbolic most important wordsearch and e.g. quince for characters Church. slide 1 hidden fertility and the Peter – yellow The light from symbols! pomegranate for and blue. St John God beamed Welcome to all the Christian the Evangelist – down on Mary and our new Church. The red and green whose room swallow was a The two angels- member/£1/ contained symbol of the white (according Registration/ symbols e.g. resurrection to Acts Ch.1) the candle News- June since it was St Francis meets symbolising sends her believed to a Knight Jesus as the regards/What’s hibernate (Sassetta c1437): Light of the on?/2016 (disappear) in St. Francis’ coat World. The programme to the banks of was originally a rivers then deep burgundy spiritual light date return. colour so was the real On the left was expensive to light reflecting Main topic: The St Jerome give to the poor from the items Secret Language knight (Francis holding a bible in gold leaf. of the was wealthy at and identifiable The light Renaissance led by his hat and this stage). In reflecting on by Anne B the lion. On the the second part A general intro right was St. of the work, he items of the had parted Sebastian. material world was given with his Further was only regarding the worldly explanation was imaginary. historical context possessions. given regarding Further details and the Symbolic Light the significance were given Renaissance and Shade: The of the swallow about the Anne began the Annunciation and its layered significance of symbolic (Crivelli ppt with an the light and introduction to meanings. 1486)The painting was shade pointing the use of Symbolic colour : The commissioned the viewer to symbols in the Ascension (di as a political the political Renaissance. Cione c 1370 and religious and religious events and and rotational revealed that sinner was the their being symmetry. The Scrovegni was wolf, a symbol similar. body of each at the base of of evil but also The artist character had the cross. He how there showed that been had been could be a both events deliberately forced into transformation were thought arranged using building the to being good. to come from mathematical church or be The God. calculations by declared Annunciation Perspective: bankrupt by (Botticelli Madonna and the artist. the council of 1489) Gabriel Composition: Padua. was kneeling Child (Masaccio The Last Gesture: before Mary, 1426) This Judgment Legend of the God’s chosen painting was a (Giotto 1305) Wolf of Gubbio maiden. Mary’s good example Anne explained (Sassetta 1437- hand gesture of the viewer’s the different 1444) displayed her eye being levels of Members surprise at the directed to the composition. heard a brief news she vanishing point The characters outline of the received – Jesus’ toes on to Jesus’ right legend of the Allegory: His right foot were the wolf of Gubbio. Triumph of St which pointed righteous and The gestures of Thomas towards the closest to Jesus. some of the Aquinas Adoration of They would be town’s people (Filipino the Magi below. rewarded on led the viewer’s Lippi)This The the day of eye to the wolf. work perspective judgement by Some gestures symbolised also created going up to pointed to the how the the illusion of heaven. To the wolf while Christian reality left below him others seemed Church had Geometry: were the to pray. The superseded Martyrdom of wicked. The lesson to be pagan ideas. St Sebastian judgement on learned was Thomas’ was (dell Polliavola them was to be that everyone depicted using 1475) An sent to hell and was to forgive if his foot to example of the damnation a sinner crush a person artist using the Further repented. In who golden triangle explanation this story, the symbolised evil. The book Renaissance Was this a legal given through he held also art as well as a document of to the Ndebele bore a similar review of some their marriage? oppressing by message. In of the symbols Was the mirror the Boers the addition, the mentioned. representing continued to painting served ‘The Arnolfini the Eye of God the 1960s. The to underline Wedding’ by watching as colour and Thomas’ Jan Van Eyck they made shapes were teachings 1434. Could their vows? In symbolic of e.g. about the members solve the mirror, domestic Trinity- God in its mystery?! seemed to be events as wells three persons There was the the reflections resistance and . story behind of a priest and continuation. A All members the characters the artist. short film thanked Anne followed by the Eyck’s illustrated how for such an symbols used signature was the art has interesting and to provide evident on the evolved to the enlightening different levels back wall. Did 21st century presentation. of meaning. he witness the and its Again, a lot of Symbols were marriage? technology. time and effort used to show However, to bring all this their wealth Arnolfini’s wife Thank you to to the meeting. such as their died in 1433 Anne and all clothing and but it could out TAA Personal furniture have been his members for choice Others cousin who another There followed represented married in wonderful a personal their marriage 1447 BUT Eyck meeting. choice section obligations died six years Anyone know featuring such as the previously. the mystery Northern lady’s dress, The answer is painting from Renaissance bed and prayer out there!! June’s and a mystery beads. The mystery meeting??!!! item was the item! It started Thirdly, House with a brief symbols Paintings of overview of the represented the Ndebele differences their desire for People. ??? between Italian fertility. The historical and Northern context was Next meeting: July 4th : Main Choice : A Mystery Item ` Personal Choice: Whistler led by Neil