A Walk Thru Faith
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A Pedagogy of Freedom: Using Hip Hop in the Classroom to Engage African-American Students
A PEDAGOGY OF FREEDOM: USING HIP HOP IN THE CLASSROOM TO ENGAGE AFRICAN-AMERICAN STUDENTS _______________________________________________________________________ A Dissertation Proposal presented to the Faculty of the Graduate School University of Missouri-Columbia ________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Education ________________________________________________________________________ by TRACY D. HALL Dr. Barbara N. Martin, Dissertation Supervisor DECEMBER 2007 © Copyright by Tracy D. Hall 2007 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled A PEDAGOGY OF FREEDOM: USING HIP HOP IN THE CLASSROOM TO ENGAGE AFRICAN-AMERICAN STUDENTS ___________________________________________________ Professor Barbara Martin ___________________________________________________ Professor Sandy Hutchinson ___________________________________________________ Professor Patricia Antrim ______________________________________________________ Professor Doug Thomas _____________________________________________________ Professor Michael Jinks ACKNOWLEDGMENTS I am grateful to God for the wonderful people who have assisted me along the way to fulfilling my dream of earning a doctorate degree. First, my sincere appreciation to my dissertation supervisor, Dr. Barbara Martin, for your encouragement, support, guidance and great humor, throughout this dissertation writing process. For encouraging me -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Kirk Franklin Just For Me 5:11 2019 Gospel 182 Disk Local 2 Kanye West I Love It (Clean) 2:11 2019 Rap 4 128 Disk Closer To My Local 3 Drake 5:14 2014 Rap 3 128 Dreams (Clean) Disk Nellie Tager Local 4 If I Back It Up 3:49 2018 Soul 3 172 Travis Disk Local 5 Ariana Grande The Way 3:56 The Way 1 2013 RnB 2 190 Disk Drop City Yacht Crickets (Remix Local 6 5:16 T.I. Remix (Intro 2013 Rap 128 Club Intro - Clean) Disk In The Lonely I'm Not the Only Local 7 Sam Smith 3:59 Hour (Deluxe 5 2014 Pop 190 One Disk Version) Block Brochure: In This Thang Local 8 E40 3:09 Welcome to the 16 2012 Rap 128 Breh Disk Soil 1, 2 & 3 They Don't Local 9 Rico Love 4:55 1 2014 Rap 182 Know Disk Return Of The Local 10 Mann 3:34 Buzzin' 2011 Rap 3 128 Macc (Remix) Disk Local 11 Trey Songz Unusal 4:00 Chapter V 2012 RnB 128 Disk Sensual Local 12 Snoop Dogg Seduction 5:07 BlissMix 7 2012 Rap 0 201 Disk (BlissMix) Same Damn Local 13 Future Time (Clean 4:49 Pluto 11 2012 Rap 128 Disk Remix) Sun Come Up Local 14 Glasses Malone 3:20 Beach Cruiser 2011 Rap 128 (Clean) Disk I'm On One We the Best Local 15 DJ Khaled 4:59 2 2011 Rap 5 128 (Clean) Forever Disk Local 16 Tessellated Searchin' 2:29 2017 Jazz 2 173 Disk Rahsaan 6 AM (Clean Local 17 3:29 Bleuphoria 2813 2011 RnB 128 Patterson Remix) Disk I Luh Ya Papi Local 18 Jennifer Lopez 2:57 1 2014 Rap 193 (Remix) Disk Local 19 Mary Mary Go Get It 2:24 Go Get It 1 2012 Gospel 4 128 Disk LOVE? [The Local 20 Jennifer Lopez On the -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The United States Vs Billie Holiday
THE UNITED STATES VS BILLIE HOLIDAY Screenplay by Suzan-Lori Parks Based on the Book, “Chasing the Scream” by Johann Hari FINAL PICTURE SCRIPT OVER BLACK: IN 1937, A BILL TO FINALLY BAN THE LYNCHING OF AFRICAN- AMERICANS WAS CONSIDERED BY THE SENATE. IT DID NOT PASS. BILLIE HOLIDAY ROSE TO FAME IN PART DUE TO HER SONG STRANGE FRUIT, A LYRICAL, HORRIFYING DESCRIPTION OF A LYNCHING. FADE IN: NEW YORK CITY MAY 3, 1957 A1 INT. TBD JANKY APARTMENT/RADIO STATION - NIGHT A1 BILLIE, strung out, but dressed to the nines, forces a smile as she sits for an interview with REGINALD LORD DEVINE - an aging white gossip columnist. Think Skip E. Lowe. MISS FREDDY, her devoted stylist, stands by watching. Reginald grabs an item from his bar, sets it on his desk next to the recorder, then places the microphone on top of it. REGINALD DEVINE I’m going to put this up here so I can get both of us. Reginald then starts recording. Reginald and Billie both have drinks. REGINALD DEVINE (CONT'D) My next guest has played Broadway. She’s sold out Carnegie Hall. She played in Hollywood movies opposite the likes of Louis Armstrong. I am Reginald Lord Devine - and oh my god. Oh my god. I can’t believe we have the opportunity to interview, as I live and breathe, the legend, the lady, my hero - Miss Billie Holiday, Miss Lady Day. Which do you prefer, honey? FREDDY She’d prefer you pay her her money first. Reginald grabs the cash from his desk drawer, hands it over to Freddy. -
Wandering Souls of the Graveyard
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 Wandering Souls of The Graveyard Brandon Rizzuto University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Nonfiction Commons Recommended Citation Rizzuto, Brandon, "Wandering Souls of The Graveyard" (2015). University of New Orleans Theses and Dissertations. 2006. https://scholarworks.uno.edu/td/2006 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Wandering Souls of The Graveyard Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English Professional Writing by Brandon Rizzuto B.A. University of New Orleans, 2006 May, 2015 Table of Contents Abstract…………………………………………………………………………………………...iii Prologue…………………………………………………………………………………………...1 -
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’S Rebels
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito Southwestern College Chula Vista, CA, USA ISBN 978-3-030-02480-2 ISBN 978-3-030-02481-9 (eBook) https://doi.org/10.1007/978-3-030-02481-9 Library of Congress Control Number: 2018958592 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
TUNECODE WORK TITLE Value Range 280558AW
TUNECODE WORK_TITLE Value Range 280558AW Counting Stars ££££ 290448BN What In Xxxtarnation ££££ 223217DQ The Hills (Eminem Remix) ££££ 238077HP No Problem ££££ 177302DP Fester Skank ££££ 223627BR Been You ££££ 187547FT Liquor ££££ 218951CM All My Friends ££££ 292083AW Transportin ££££ 290741BR Live Up To My Name ££££ 220664BT The Girl Is Mine Ft Destiny's Child & Brandy££££ 188327BP 679 ££££ 290619CW Lil Pump ££££ 289311FP I Spoke To The Devil In Miami ££££ 258307KS My Shit ££££ 216907KR Dude ££££ 222736GU Baseman - Everyday Ft J Hus ££££ 236174GT Wavy ££££ 223575ET Children ££££ 095432GS All Of Me ££££ 281093BS Rolex ££££ 275790LM Ispy ££££ 222769KN We Are ££££ 182512EN Classic Man ££££ 288771KR Peek A Boo ££££ 297690CM Gospel ££££ 185912CR Trap Queen ££££ 311205DQ Change ££££ 222206GM Me Myself & I ££££ 179963AU Planes ££££ 048114BM I Want That Old Thing Back ££££ 268596EM Paris ££££ 262396GU My Love 4 U ££££ 287983DM Fall For You ££££ 264910GU 1 Night ££££ 249558GW Rock & Roll ££££ 238022ET Lockjaw ££££ 290057FN Look How Life's Changed ££££ 230363LR Crossfire Part Iii ££££ 002363LM Don't Stop Believin ££££ 215643KP Keep Up ££££ 256492DU 44 Bars ££££ 114279DP Poetic Justice ££££ 151773HQ Til It's Gone ££££ 093623GW Mistletoe ££££ 231671KP 502 Come Up ££££ 286839HP 6ixvi & C Biz - Super ££££ 309350BW You Said ££££ 180925LN Shot Caller ££££ 250740DN Detox ££££ 177392AN Wet Dreamz ££££ 180889GW I Know There's Gonna Be (Good Times)££££ 135635BT Stay High (Habits Remix) ££££ 264296HW Floyd Mayweather ££££ 290984EN Catch Me Outside ££££ 191076BP -
From Habermas to "Get Rich Or Die Tryin": Hip Hop, the Telecommunications Act of 1996, and the Black Public Sphere
Michigan Journal of Race and Law Volume 12 2007 From Habermas to "Get Rich or Die Tryin": Hip Hop, The Telecommunications Act of 1996, and the Black Public Sphere Akilah N. Folami St. John's University School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, Law and Race Commons, Law and Society Commons, and the Legislation Commons Recommended Citation Akilah N. Folami, From Habermas to "Get Rich or Die Tryin": Hip Hop, The Telecommunications Act of 1996, and the Black Public Sphere, 12 MICH. J. RACE & L. 235 (2007). Available at: https://repository.law.umich.edu/mjrl/vol12/iss2/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. FROM HABERMAS TO "GET RICH OR DIE TRYIN": HIP HOP,THE TELECOMMUNICATIONS ACT OF 1996, AND THE BLACK PUBLIC SPHEREt Akilah N Folami* This Article explores the manner in which gangsta rappers, who are primarily young urban Black' men, navigate the mass media and rap's commercialization of the gangsta image to continue to provide seeds of political expression and resistance to that image. While other scholars have considered the political nature of rap in the context of the First Amendment, this Article's approach is unique in that it is the first to explore such concepts through the lenses of Habermas' ideal public sphere and those of his critics. -
The Transcendentalist Hip-Hop Movement
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2012 The rT anscendentalist hip-hop movement Justin Michael Atwell Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Literature Commons, Literature in English, North America Commons, and the Music Commons Recommended Citation Atwell, Justin Michael, "The rT anscendentalist hip-hop movement" (2012). Graduate Theses and Dissertations. 12263. https://lib.dr.iastate.edu/etd/12263 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The Transcendentalist hip-hop movement by Justin M. Atwell A thesis submitted to the graduate faculty in partial fulfillment for the requirements of the degree of MASTERS OF ARTS Major: English (Literature) Program of Study Committee: Matthew Wynn Sivils, Major Professor Barbara Ching Benjamin Percy Iowa State University Ames, Iowa 2012 Copyright © Justin M. Atwell, 2012. All rights reserved. ii TABLE OF CONTENTS ACKNOWLEDGMENTS iii CHAPTER 1. INTRODUCTION 1 CHAPTER 2. SIMPLICITY AND SELF IMPROVEMENT: HENRY DAVID THOREAU’S WALDEN MEETS MIDWESTERN HIP-HOP 10 CHAPTER 3. NEW SPACES: THE “URBAN PASTORAL” IN MIDWESTERN HIP-HOP 27 CHAPTER 4. I NEED JUST A MINUTE WITH ME: DESSA AND THE FEMINIST MOVEMENT IN HIP-HOP 47 WORKS CITED 60 iii Acknowledgments First and foremost, I would like to thank my major professor, Dr. -
Most Requested Songs of 2014
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2014 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Williams, Pharrell Happy 4 Black Eyed Peas I Gotta Feeling 5 V.I.C. Wobble 6 Bon Jovi Livin' On A Prayer 7 AC/DC You Shook Me All Night Long 8 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 9 Pitbull Feat. Ke$Ha Timber 10 Morrison, Van Brown Eyed Girl 11 DJ Casper Cha Cha Slide 12 Usher Feat. Ludacris & Lil' Jon Yeah 13 B-52's Love Shack 14 Mars, Bruno Marry You 15 Beatles Twist And Shout 16 Lmfao Sexy And I Know It 17 Isley Brothers Shout 18 Legend, John All Of Me 19 Outkast Hey Ya! 20 Jackson, Michael Billie Jean 21 Def Leppard Pour Some Sugar On Me 22 Daft Punk Feat. Pharrell Williams Get Lucky 23 Sir Mix-A-Lot Baby Got Back 24 Beyonce Single Ladies (Put A Ring On It) 25 Brooks, Garth Friends In Low Places 26 Lynyrd Skynyrd Sweet Home Alabama 27 Timberlake, Justin Sexyback 28 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 29 Rihanna Feat. Calvin Harris We Found Love 30 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 31 Loggins, Kenny Footloose 32 Thicke, Robin Feat. Pharrell & T.I. Blurred Lines 33 Pink Raise Your Glass 34 Sinatra, Frank The Way You Look Tonight 35 Bryan, Luke Country Girl (Shake It For Me) 36 Psy Gangnam Style 37 Sister Sledge We Are Family 38 Temptations My Girl 39 Macklemore & Ryan Lewis Feat. -
I Gotta Testify: Kanye West, Hip Hop, and the Church
Wright et al.: I Gotta Testify: Kanye West, Hip Hop, and the Church Published by VCU Scholars Compass, 2019 1 Journal of Hip Hop Studies, Vol. 6, Iss. 1 [2019], Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony B. Pinn, Rice University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica R. Miller, Lehigh University Travis Harris, Doctoral Candidate, College of William and Mary Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary, Dr. Sabine Kim, Obama Institute of Transnational American Studies, Mainz University, Germany Editorial Board: Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Dr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Jon Gill, Claremont University Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Anthony J. Nocella II, Hamline University Dr. Darron Smith, University of Tennessee Health Science Center Media Manager: Darryl Armstrong Editors of this Special Issue: Dr. Joshua K. Wright, Trinity Washington University Dr. VaNatta S. Ford, Williams College Dr. Adria Y. Goldman, University of Mary Washington VOLUME 6 ISSUE 1 2 https://scholarscompass.vcu.edu/jhhs/vol6/iss1/1 2 Wright et al.: I Gotta Testify: Kanye West, Hip Hop, and the Church Sponsored By: North Park Universities Communication Arts Department (https://www.northpark.edu/academics/undergraduate-programs/majors/communication- arts/communication-studies/) Save The Kids Foundation (http://savethekidsgroup.org/) VOLUME 6 ISSUE 1 3 Published by VCU Scholars Compass, 2019 3 Journal of Hip Hop Studies, Vol. -
About Gods, I Don't Believe in None of That Shit, the Facts Are B JOURNAL of HIP HOP STUDIES
Bey: About Gods, I Don't Believe in None of That Shit, the Facts Are B JOURNAL OF HIP HOP STUDIES . About Gods, I Don’t Believe in None of That Shit, the Facts Are Backwards: Slaughterhouse’s Lyrical Atheism Marquis Bey Hip Hop group Slaughterhouse’s multi-membered, perversely holy quadrinity provides a fertile site for a pseudo-non-theological theological reading—a theology with and without god, that is, with god’s titular presence but bereft of any ethos of a mover and shaker god. God, in my reading of Slaughterhouse’s lyrics, is impotent. Rather than the Word, Slaughterhouse publishes sacred texts (albums and mixtapes) that speak to Black embodied life; their albums are the scriptural holy ghetto-Word, the Gospels that of Royce, Crooked, Joell, and Joey, rather than Matthew, Mark, Luke, and John. Through the lyrics of Slaughterhouse’s songs, they craft a god that is but is not; a god that does lyrical “work” in the sense that the name of god has cultural capital and produces effects, but is not “God,” that is, a being that commands the heavens and the Earth. “About gods, I don’t believe in none of that shit, the facts are backwards. Nas is the rebel of the street corner…” — Nas, “Represent” “Hip-hop was more like the blues that signified religious beliefs than the spirituals that informed the content of my faith. I thought my religion provided liberation, provided an answer to life's worries, but hip-hop raised questions about this assumption.”— Anthony B. Pinn, Writing God’s Obituary To me, hip-hop says, "Come as you are." We are a family.