Large Uniface Oval Bronze Medal, Unsigned 1396
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Renaissance Medals by G· F· Hill and G· Pollard Renaissance Medals from the Samuel H· Kress Collection at the National Gallery of Art
COMPLETE CATALOGUE OF THE SAMUEL H· KRESS COLLECTION RENAISSANCE MEDALS BY G· F· HILL AND G· POLLARD RENAISSANCE MEDALS FROM THE SAMUEL H· KRESS COLLECTION AT THE NATIONAL GALLERY OF ART BASED ON THE CATALOGUE OF RENAISSANCE MEDALS IN THE GUSTAVE DREYFUS COLLECTION BY G·F·HILL REVISED AND ENLARGED BY GRAHAM POLLARD PUBLISHED BY THE PHAIDON PRESS FOR THE SAMUEL H·KRESS FOUNDATION THE REPRODUCTIONS IN THIS VOLUME ARE FROM NBW PHOTOGRAPHS TAKEN BY BULLATY-LOMBO PHOTOGRAPHERS' NBW YORK CITY ALL RIGHTS RESERVED BY PHAIDON PRESS LTD' LONDON SW 7 PRINTED IN GREAT BRITAIN I967 BY ROBERT MACLEIIOSE & CO. LTD A GLASGOW CONTENTS PREFACE page V11 INTRODUCTORY NOTE page IX CATALOGUE page 3 ILLUSTRATIONS page 133 CONCORDANCES page 273 INDEX OF INSCRIPTIONS page 278 GENERAL INDEX page 293 . INDEX OF PERSONS page 300 INDEX OF ARTISTS page 306 PREFACE HE first and only catalogue of the collection of medals formed by Gustave Dreyfus appeared in I93 I. Its author was Sir George Hill, who had studied the collection in depth when it was still T in Dreyfus' hands in the Boulevard Malesherbes in Paris. In a prefatory note, Hill observed that 'keenly as Gustave Dreyfus appreciated all his beautiful things, he had a particularly soft place in his heart for the Italian medals, and ... he would have agreed with the German critic who declared that the medallic art was par excellence the art of the Renaissance, the expression of the quintessence of the spirit of that age.' The preface continues with the tribute: 'His was perhaps the finest collection that has ever been in the hands of a private collector - the "perhaps" might be omitted, but that it is difficult to range the great collections in a true perspective.' Thanks to the Kress Foundation, the Dreyfus collection of medals was not dispersed, like so many other medallic collections, but is preserved intact in the National Gallery of Art in Washington, where it bears out Hill's claim to be regarded as the finest private collection of medals ever to have been formed. -
Illustrated Guide to the National Museum in Naples : Sanctioned By
ILLUSTRATED GUIDE IONAL MUSEUM IN NAPLES SANCTIONED BY THE MINISTRY OF EDUCATION RICHTER & CO, - NAPLES PUBLISHERS ILLUSTRATED GUIDE TO THE NATIONAL MUSEUM IN NAPLES EDITORS: G. DE PETRA, formerly Director of the Natio- nal Museum and professor at the University of Naples. A. SOGLIANO, Director of the Ex- cavations at Pompei and professor at the Univer- of sity Naples. G. PATRONI , Professor at the University of Pavie. L. MAR1ANI, Pro- fessor at the University of Pise. E. GABRICI, Director of the Coin Collection in the Natio- nal Museum. D. BASS1 , Director of the Collection of Papyri from Herculaneum. O. MARUCCHI, Director of the Egyptian Col- lection in the Vatican. A. CONT1, Director of the Picture Gallery in the National Museum. PUBLISHERS RICHTER & Co. NAPLES All rights reserved. PREFATORY NOTE This guide book is, with the exception of those pages describing the Picture Gallery, an excerpt from the ency- clopaedic Guida Illustrata del Museo Nazionale di Na- poli, approvata dal Ministero della Pubblica Istruzione, compilata da D. Bassi, E. Gabrici, L. Mariani, O. Ma- rucchi, G. Patroni, G. de Petra, A. Sogliano, per cura di A. Ruesch . The numbers preceding the several descrip- tive notes are identical with those in the Italian work referred to above. In parenthesis are quoted in many cases the numbers affixed to the various objects on the occasion of a recent inventory. For literary references and further information the student is referred to the original Italian edition. ..II..II.JI..II..II ' The National Museum. In the year 1738 the Bourbon King Charles of Naples conceived the idea of presenting the capital of his newly-acquired kingdom with a Mu- seum which should contain all the collected art treasures inherited under the Farnese bequest. -
Renaissance & Baroque Medals & Plaquettes
THE SALTON COLLECTION RENAISSANCE 6- BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART MCMLXV THE SALTON COLLECTION Digitized by the Internet Archive in 2015 https://archive.org/details/saltoncollectionOObowd THE SALTON COLLECTION RENAISSANCE & BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART BRUNSWICK, MAINE MCMLXV COPYRIGHT 1965 THE PRESIDENT & TRUSTEES OF BOWDOIN COLLEGE, BRUNSWICK, MAINE PREFACE Few artifacts of any age have come down to us charged with the meaning of so many facets of their time as the Renaissance medal. Though relatively diminutive in size, they embody to an exceptional degree that fusion of art and thought which is one of the chief glories of the Renais- sance. Indeed, in their beauty and their learning, these medals are a reflection in microcosm of the civilization which produced them. They represent a world which celebrated not only princes and prelates but poets and scholars as well, and they have been preserved down through the years by those who have cherished them as enduring expressions of the Humanistic tradition. ^ The present collection, one of the finest of its kind in private hands, belongs to Mr. and Mrs. Mark Salton of New York. The Salton Collection is particularly distinguished for the extremely high level of quality of the specimens in it; many of them, indeed, have come from the illustrious collections of the past. No fewer than seventeen examples are unique. While the origins of the Salton Collection date from before World War II, most of the pieces it now contains were col- lected since that time. Mrs. Salton has taken as great an interest as her husband in the formation of the collection, and her enthusiasm for, and knowledge of, medals is evident in her Introduc- tion to the Catalogue. -
Imago Triumphalis: the Function and Significance of Triumphal Imagery for Italian Renaissance Rulers
Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers Margaret Ann Zaho PETER LANG Imago Triumphalis Renaissance and Baroque: Studies and Texts Eckhard Bernstein General Editor Vol. 31 PETER LANG New York y Washington, D.C./Baltimore y Bern Frankfurt am Main y Berlin y Brussels y Vienna y Oxford Margaret Ann Zaho Imago Triumphalis The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers PETER LANG New York y Washington, D.C./Baltimore y Bern Frankfurt am Main y Berlin y Brussels y Vienna y Oxford Library of Congress Cataloging-in-Publication Data Zaho, Margaret Ann. “Imago triumphalis”: the function and significance of triumphal imagery for Italian Renaissance rulers / Margaret Ann Zaho. p. cm. — (Renaissance and Baroque: studies and texts; v. 31) Includes bibliographical references and index. 1. Art, Renaissance—Italy—Themes, motives. 2. Art, Italian—Themes, motives. 3. Triumph in art. 4. Triumphal arches—Italy. 5. Processions in art. I. Title. II. Series. N6915 .Z34 704.9’4935516’094509024—dc21 2002151379 ISBN 0-8204-6235-7 ISSN 0897-7836 Bibliographic information published by Die Deutsche Bibliothek. Die Deutsche Bibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data is available on the Internet at http://dnb.ddb.de/. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. © 2004 Peter Lang Publishing, Inc., New York 275 Seventh Avenue, 28th Floor, New York, NY 10001 www.peterlangusa.com All rights reserved. Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited. -
Renaissance & Baroque Medals & Plaquettes
THE SALTON COLLECTION RENAISSANCE & BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART MCMLXIX Digitized by the Internet Archive in 2015 https://archive.org/details/saltoncollectionOObowd_0 THE SALTON COLLECTION THE SALTON COLLECTION RENAISSANCE & BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART BRUNSWICK, MAINE MCMLXIX COPYRIGHT 1965 THE PRESIDENT & TRUSTEES OF BOWDOIN COLLEGE, BRUNSWICK, MAINE REVISED EDITION, I969 LIBRARY OF CONGRESS CARD NO. 74-7725I PREFACE Few artifacts of any age have come down to us charged with the meaning of so many facets of their time as the Renaissance medal. Though relatively diminutive in size, they embody to an exceptional degree that fusion of art and thought which is one of the chief glories of the Renais- sance. Indeed, in their beauty and their learning, these medals are a reflection in microcosm of the civilization which produced them. They represent a world which celebrated not only princes and prelates but poets and scholars as well, and they have been preserved down through the years by those who have cherished them as enduring expressions of the Humanistic tradition. ^ The present collection, one of the finest of its kind in private hands, belongs to Mr. and Mrs. Mark Salton of New York. The Salton Collection is particularly distinguished for the extremely high level of quality of the specimens in it; many of them, indeed, have come from the illustrious collections of the past. No fewer than seventeen examples are unique. While the origins of the Salton Collection date from before World War II, most of the pieces it now contains were col- lected since that time. -
FSU ETD Template
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 The Renaissance Portrait Medal and the Court Context: On the Origins and Political Function of Pisanello's Invention Tanja L. Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE THE RENAISSANCE PORTRAIT MEDAL AND THE COURT CONTEXT: ON THE ORIGINS AND POLITICAL FUNCTION OF PISANELLO‘S INVENTION By TANJA L. JONES A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2011 © The members of the committee approve the Dissertation of Tanja L. Jones defended on March 24, 2011. _______________________________________ Jack Freiberg Professor Directing Dissertation _______________________________________ David Stone University Representative _______________________________________ Paula Gerson Committee Member _______________________________________ Robert Neuman Committee Member Approved: _____________________________________ Adam Jolles, Chair, Department of Art History _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii In memory of my wonderful parents, Joan Pelham Smith and Norman D. Jones iii ACKNOWLEDGEMENTS This project would not have been possible without the support of a great number of individuals and institutions. I am profoundly grateful to my major professor, Dr. Jack Freiberg, for his endless enthusiasm for this project and for holding me to the unfailing standard of scholarly excellence that is his guiding principle. Dr. Freiberg served as a constant source of inspiration, posing questions that challenged me and encouraged my efforts. -
The Stack Collection Important Renaissance Medals and Plaquettes
The Stack Collection Important Renaissance Medals and Plaquettes To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Day of Sale: Wednesday 9 December 2009 at 10.30 am and 2.00 pm Public viewing: 45 Maddox Street, London W1S 2PE Sunday 6 December 10.00 am to 4.30 pm Monday 7 December 10.00 am to 4.30 pm Tuesday 8 December 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 41 Price £20 Enquiries: James Morton or Tom Eden Cover illustrations: Lot 136 (front); Lot 73 (back); Lot 233 (inside front); Lot 131 (inside back) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd’s Conditions of Business, and are offered without reserve. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. A Buyer’s Premium of 15% is applicable to all lots in this sale.