Surname: HATTAWAY Forename: Michael

1 HATTAWAY CVDECEMBER 2000 CURRICULUM VITAE

SURNAME: HATTAWAY Forename: Michael

ADDRESS: 15 Rayner Drive, Arborfield, Berks, RG2 9FB, United Kingdom. Ph. 0118 976 1238 Mobile. 0774 832 5853 email: [email protected]

DATE OF BIRTH: 28.2.1941 ( Wellington, New Zealand).

NATIONALITY: Dual British and New Zealand.

EDUCATION AFTER SCHOOL: BA in French and English, (New Zealand, 1962) MA in English, 1st Class Honours, (Wellington, N.Z., 1963) PhD (Cambridge [Corpus Christi College], 1967)

CURRENT POSITIONS Professor of English, New York University in London, 2007- Academic Fellow in British Studies, NYUL, 2016-17

APPOINTMENTS IN THE UNIVERSITY OF SHEFFIELD: Professor of English Literature, University of Sheffield (1984-2005) (Head of Department, 1985-8, 1993-6) Director of Learning and Teaching, Faculty of Arts (2000-2005)

PREVIOUS APPOINTMENTS: Junior Lecturer, Victoria University of Wellington, 1963. Lecturer, University of Kent at Canterbury, 1966-82. Senior Lecturer, University of Kent at Canterbury, 1982-84. Visiting posts at Universities of British Columbia (1970-1), Massachusetts (1976- 7). Tutor in English Literature for the Open University, 1978-84.

SUMMARY OF PREVIOUS UNIVERSITY TEACHING: Lecturer and Tutor at British Universities Summer Schools at (i) Stratford-upon-Avon (1969-89: Shakespeare) (ii) Edinburgh (1968-9: Eighteenth Century Literature). Tutor in Drama for the Open University, 1978-81. Tutor in the English Novel for the Open University, 1982-84. Tutor in Shakespeare for the Cambridge University Summer School, 2004-6 2

List of Publications:

(I) BOOKS:

(1) Elizabethan Popular Theatre, Routledge, 1982; reprinted 2005, 2008.

(1a) Excepts from the above printed in translation in Loretta Innocenti (ed.) Il teatro elisabettiano, (Bologna, 1994).

(1b) a chapter reprinted in Neil Taylor and Bryan Loughrey, (ed.), Shakespeare's Early Tragedies: A Selection of Critical Essays, Macmillan, 1990.

(2) Hamlet: The Critics Debate, Macmillan, 1987.

(3) Renaissance and Reformations: An Introduction to Early Modern English Literature, (Blackwell, 2005; reprinted 2008).

(4) William Shakespeare: King Richard II, (Tirril: Humanities-Ebooks, 2008)

Editor of (4) Francis Beaumont, The Knight of the Burning Pestle, (New Mermaid), Benn, 1968 (reprinted 1986, 1991, 1993, 1995, 1996, 1998).

(4a) A completely revised new edition of Francis Beaumont, The Knight of the Burning Pestle, (2003, reprinted 2009, 2012)

(5) Ben Jonson, The New Inn, (Revels), Manchester University Press, 1985 (reissued with corrections and additions 2001).

(6) William Shakespeare, 1 Henry VI, (New Cambridge Shakespeare), Cambridge University Press, 1990.

(6a) The introduction to the above reprinted in Marie Lazzari (ed.), Shakespeare Criticism, 34 (1998).

(7) (With A.R. Braunmuller) The Cambridge Companion to English Renaissance Drama, CUP, 1990

(7a) A completely revised edition of the above, CUP, 2003.

(8) William Shakespeare, 2 Henry VI, (New Cambridge Shakespeare), CUP, 1991.

(9) William Shakespeare, 3 Henry VI, (New Cambridge Shakespeare), CUP, 1993.

(9a) Introduction reprinted in Shakespeare for Students, Vol. 4, (Gale Group, 2007) 3 HATTAWAY CVDECEMBER 2000 (10) A book of essays entitled Shakespeare in the New Europe, (with Derek Roper and Boika Sokolova), Sheffield Academic Press, 1994; republished (Bloomsbury, 2015)1.

(11) William Shakespeare, As You Like It, (New Cambridge Shakespeare), CUP, 2000).

(12) A Companion to English Renaissance Literature and Culture, (Oxford, Blackwell, 2000, reprinted 2007)2

(13) An edited volume for CUP, The Cambridge Companion to Shakespeare’s History Plays (2003)

(14) William Shakespeare: King Richard II, (Tirril, Humanities-Ebooks, 2008),

(15) A New Companion to English Renaissance Literature and Culture, 2 vols, (Oxford, Wiley-Blackwell, 2010)

(II) CONTRACTS AND FUTURE PUBLICATIONS:

(1) A book on early modern English drama and society (Language and Discovery in English Renaissance Theatre) under contract to CUP for publication in 1-2 years.

(III) CONTRIBUTIONS TO BOOKS:

(1) ‘Marlowe and Brecht’, Christopher Marlowe, ed. B. Morris, (London, 1968), 95- 112.

(2) ‘Voici une belle révolution, si seulement nous pouvions la voir’, Aspects du théâtre populaire en Europe au XVIème siècle, ed. Madeleine Lazard, (Paris, 1989), 141-52.

(3) ‘The First Tetralogy and King John’ Shakespeare, New Select Bibliographical Guides, ed. Stanley Wells, (Oxford, 1990), 321-36.

(4) ‘Drama and society’, The Cambridge Companion to English Renaissance Drama, ed. A.R. Braunmuller and Michael Hattaway, (Cambridge, 1990), 91-126; also contributed chronological tables, bio-bibliographies etc. (pp.381-446).

1 ‘One of the most exciting volumes in Shakespeare performance criticism to have appeared in many years ... a brilliant and powerful collection’ (Peter Holland, The European Messenger, 6.2 (1997), 75-7.

2 Awarded a ‘highly recommended’ in Choice, June 2001. 4

(5) ‘“For now a time is come to mock at form”: Henry IV and ceremony’, Henry the Fourth, Milton, Gay, pouvoir et musique, ed. J.-P. Teissedou, Cahiers du Groupe de Recherches et d’Études sur le Théâtre d’Élisabeth I et des Stuarts. (Lille, 1990), 147-74.

(6) (With Jane Howell, Dominique Goy-Blanquet, Michèle Willems) ‘Table ronde: représentations télévisuelles de la guerre’, Shakespeare et la guerre, ed. M.T. Jones- Davies, Les Belles Lettres, (Paris, 1990), 161-70.

(7 i-vii) Seven thousand-word articles on Renaissance plays and playwrights for the International Dictionary of the Theatre, (St Martins Press, 1993).

(8) ‘The story of Gloucester in King Lear , or, how not to do it’, The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642), ed. François Laroque, 2 vols, Collection Astraea, (Montpellier, 1992), 2, 217-33.

(9) ‘L’homme de guerre chez Shakespeare’, L’homme de guerre au XVIe siècle, ed. Gabriel-André Pérouse, André Thierry and André Tournon, (Saint-Étienne, 1992), 325-35.

(10) (With Matt Hector-Taylor) ‘Sheffield experiments with Shakespeare and Enterprise Initiatives’, Enterprise Skills for the Humanities and Liberal Arts, ed. Maureen Guirdham and Katherine Tyler, published on disk by Butterworth- Heinemann, (London, 1992).

(11) ‘Shakespeare’s Histories: The Politics of Recent British Productions’, Shakespeare in the New Europe, ed. Michael Hattaway, Derek Roper and Boika Sokolova, (Sheffield, 1994), 351-369; I am also co-author of the introduction.

(12) ‘Blood is their Argument: Men of War and Soldiers in Shakespeare and Others’, Religion, Culture and Society in Early Modern Britain, ed. Anthony Fletcher and Peter Roberts, (Cambridge, 1994), 84-101.

(13) ‘The Knight of the Burning Pestle and Ritualised Riot’, F. Beaumont and J. Fletcher: The Knight of the Burning Pestle, ed. Pierre Iselin, (Paris, 1996), 161-83.

(14) ‘Images of Blackness: Screen Versions of Othello’, Verbal and Non-Verbal Codes in European Drama, ed. Marta Gibinska, (Kraków, 1996), 19-32.

(15) ‘Christopher Marlowe: Ideology and Subversion’, Christopher Marlowe and English Renaissance Culture, ed. Darryll Grantley and Peter Roberts, (Aldershot, 1996), 198-223.

(15a) Reprinted in Avraham Oz, (ed.), Marlowe, New Casebooks, (Basingstoke, Palgrave, 2003)

(16) ‘Seeing things: Amazons and Cannibals’, Travel and Drama in Shakespeare’s Time, ed. J-P. Maquerlot and M. Willems, (Cambridge, 1996), 179-92. 5 HATTAWAY CVDECEMBER 2000 (17) ‘Describing and Explaining: New Historicism and its Metaphors’, Histoire et secret à la renaissance, ed. F. Laroque, (Paris, 1997), 59-72.

(18) ‘The Representation of Consciousness in Productions of Plays by Marlowe’, Tudor Theatre, Theta 4, ed. André Lascombes, (Bern, 1997), 103-16

(19) ‘ “I’ve processed my guilt”: Shakespeare, Branagh, and the Movies’, Shakespeare in the Twentieth Century: Selected Papers from the World Shakespeare Congress in Los Angeles , ed. Jill Levenson, Jonathan Bate, and Dieter Mehl, (Newark Delaware, 1998), 194-214.

(20) ‘City Comedy and Thomas Dekker: the Representative Ironies of The Shoemaker’s Holiday’, Vita Cittadina nel Teatro fra Cinque e Seicento, ed. M. Chiabò and F. Doglio, (Rome, 1999), 185-204.

(21) ‘Allegorising in Drama and the Visual Arts’, Allegory in the Theatre, ed. Peter Happé, Theta. (Berne, 2000), 5, 187-205.

(22) ‘Edgar in King Lear’, Seventy Years of English and American Studies in Bulgaria, ed. Zelma Catalan, Christo Stamenov and Evgenia Pancheva, (Sofia, 2000), 223-8.

(23) ‘The Comedies on Film’, The Cambridge Companion to Shakespeare on Film, ed. Russell Jackson, (Cambridge, Cambridge University Press, 2000), 85-98. (24) ‘Possessing Edgar: Aspects of King Lear in Performance’, Shakespeare Performed: Essays in Honor of R.A. Foakes, ed. Grace Ioppolo, (Newark, 2000), 198-215.

(25) ‘Introduction’, Michael Hattaway, (ed.), A Companion to English Renaissance Literature and Culture, (Oxford, 2000), 1-9.

(26) ‘Playhouses and the Role of Drama’, Michael Hattaway, (ed.), A Companion to English Renaissance Literature and Culture, (Oxford, 2000), 133-47.

(27) ‘Authentication and Modernisation: Percy Stow’s The Tempest, Christine Edzard’s As You Like It, and Richard Loncraine’s Richard III’, Proceedings of the Murcia Conference, ‘Shakespeare on Film’, ed. Jose Ramon Fernandez, (Amsterdam, in press).

(28) ‘Antic Deaths and Martial Practice: Apotheosis, Scepticism, and Style-Wars in Marlowe and Shakespeare’, Renaissance Refractions: Essays in Honour of Alexander Shurbanov, ed. Boika Sokolova and Evgenia Pancheva, (Sofia, 2001), 69-81.

(29) ‘Tragedy and Political Authority’, Shakespearean Tragedy, ed. Claire McEachern, (Cambridge, 2002), 103-22.

(30) ‘Varieties of Englishness: Richard III on Film’, Shakespeare on Screen: Richard III, ed. Sarah Hatchuel and Nathalie Vienne-Guerrin, (Rouen, 2005), 179-92. 6

(31) ‘Marlowe and the Gods: From Fable to "Mythology"’, Dieu et les dieux dans le théâtre de la Renaissance, ed. Jean-Pierre Bordier and André Lascombes, (Tours, 2006), 523-34.

(32) ‘Ekphrasis in Tudor Drama: The Representation of Representations’, Theta, 7 (2007), 39-50.

(33) ‘Shakespeare Remembered by his Stuart Successors: Reflections of the 2005 "Gunpowder Season" at the Swan Theatre in Stratford’, Shakespeare in Europe: History and Memory, ed. Marta Gibinska and Agnieszka Romanowska, (Krakow, Jagiellonian University Press, 2008), 265-76.

(34) ‘Superfluous Falstaff: Morality and Structure’’, Shakespeare et l'excès: Actes du congrès de la SFS 15-17 mars, 2007, ed. Pierre Kapitaniak and Jean-Michel Déprats, http://www.societefrancaiseshakespeare.org/document.php?id=1033

(34a) The above reprinted in Shakespeare Criticism, 146, Gale Publications, 2012 (in press) (35) ‘Politics and Mise-en-Scène in Television Versions of King Richard II’, Television Shakespeare: Essays in Honour of Michèle Willems, ed. Sarah Hatchuel and Nathalie Vienne-Guerrin, (Mont-Saint-Aignan, Publications des Universités de Rouen et du Havre, 2008), 91-106.

(35a) The above reprinted in Sarah Hatchuel and Nathalie Vienn-Guerrin (eds), The Henriad, ed. (Rouen, Publications des Universités de Rouen et du Harvre, 2008), 59-74.

(36) ‘Shakespeare and the Invention of Landscape: The View from Dover Cliff’, Shakespeare's World/World Shakespeares, ed. Richard Fotheringham, Christa Janson and R. S. White, (Newark, University of Delaware Press, 2008), 73-86. (37) ‘Empire, State, and Nation: Marlowe, Shakespeare, and Peele’, Shakespeare in Europe: Nation(s) and Boundaries, ed. Odette Blumenfeld and Veronica Popescu, (Iasi, Editure Universitatii "Alexandru Ioan Cuza", 2011), 12-29. (38) ‘"Enter Caelia, the Fairy Queen, in her Night Attire" Shakespeare and the Fairies’, Shakespeare Survey, ed. Peter Holland, Cambridge University Press, 2012), 65, 26-41. (39) , ‘The "Closet" Scene in Hamlet: Freud, Localisation, Screen Versions, and Essentialist Characterisation’, Eyes to Wonder, Tongue to Praise: Volume in Honour of Professor Marta Gibinska, ed. Agnieszka Pokojska and Agnieszka Romanovska, (Krakow, Jagiellonian University Press, 2012), 71-85. (40) ‘"A Private Man in Athens": Shakespeare's Timon and the Play's Afterlife’, Peregrinations of the Text: Reading, Translation, Rewriting. Essays in Honour of Alexander Shurbanov, ed. Evgenia Pancheva, et al., (Sofia, Sofia University Press, 2013), 98-108. (41) ‘Thresholds: Engineering and Literature East of the City’, The London Reader 1, ed. Phillip Drummond, (London, The London Symposium, 2012), 54-64. (ebook) 7 HATTAWAY CVDECEMBER 2000

(IV) ARTICLES:

(1) ‘Marginalia by Henry VIII ...’, Transactions of the Cambridge Bibliography Society, 4 (1965), 166-70.

(2) ‘Paradoxes of Solomon: Learning in the English Renaissance’, Journal of the History of Ideas, 29 (1968), 499-530.

(3) ‘The Theology of Marlowe’s Doctor Faustus’, Renaissance Drama, n.s. 3 (1970), 51-78.

(4) ‘Bacon and “Knowledge Broken”: Limits for Scientific Method’, Journal of the History of Ideas, 39 (1978), 183-97.

(5) ‘Two Lears, Back to Back’, Cahiers élisabéthains, 22 (1982), 119-20.

(6) ‘Women and Witchcraft: The Case of The Witch of Edmonton’, Trivium, 20 (1985), 49-68.

(7) ‘Rebellion, Class Consciousness, and Shakespeare’s 2 Henry VI ’, Cahiers élisabéthains, 33 (1988), 13-22.

(7a) The above reprinted in Kathy Darrow ed., Shakespeare Criticism 36, (2000).

(8) ‘Second Natures’, (Review Article) Literature and History, Second Series 1 (1990), 80-84.

(9) ‘On academic vs. vocational training in Higher Education in Britain’, The European English Messenger, 2.2 (1993), 37-8

(10) ‘Fleshing his will in the spoil of her honour: desire, misogyny, and the perils of chivalry’, Shakespeare Survey, 46 (1994), 121-35

(10a) The above reprinted in Marie Lazzari (ed.), Shakespeare Criticism, 33 (1997).

(10b) The above reprinted in Catherine M. S. Alexander and Stanley Wells, (ed.), Shakespeare and Sexuality, (Cambridge, 2001), 92-115.

(11) ‘A Shop Being Discovered: A Chaste Maid in Cheapside at the Swan Theatre’, Around the Globe, Summer 1997, 22-3.

(12) ‘On Teaching Shakespeare’, English Association Newsletter, 178 (2005), 10-13.

(13) (With Claire Allam) ‘Teaching Shakespeare through Film-Making at the University of Sheffield’, International Journal of Learning, 11 (2005), 1461-4.

(14) ‘Baffling: Sports of Honour and Dignity in Henry IV’, Shakespeare Studies in 8

Italy Today, ed. Michael Hattaway and Clara Mucci, Merope. (Pescara, Tracce, 2006), 17, 91-110.

(15) ‘Over their Heads: Iago, Vices, and 'Denotement'’, Théta, 8 (2009), , 89-104.

(16) ‘Dating As You Like It, epilogues and prayers, and the problems of "As the dial hand tells o'er"’, Shakespeare Quarterly 60 (2009), 152-65.

(17) ‘Empire, State, and Nation: Marlowe, Shakespeare, and Peele’, Linguaculture 2 (2010), 9-29.

(18) ‘Houses in the English Novel: Modernisms, Ekphrases, and Thresholds’, University of Bucharest Review, 12 (2010), 5-16.

(19) "Something of Great Constancy": Representing and Reading Fairies on the Tudor Stage, Theta, http://umr6576.cesr.univ- tours.fr/publications/Theta9/fichiers/pdf/hattaway.pdf . (Tours, Centre d’Études Supérieures de la Renaissance, 2010), 9, 205-22.

(20) Michael Hattaway, Globe Theater, Oxford Bibliographies Online, (New York, Oxford University Press, 2013),

(21) ‘Falstaff the Woodman’, Théta, 9 (2012),

(22) ‘‘By Indirections Find Directions Out’: Shakespeare, His Restoration Adapters, and Early Modern Myths of Nature’, Cahiers élisabéthains, (2016), 1-16 (http://cae.sagepub.com/content/early/2016/04/11/0184767816642991.full.pd f?ijkey=UOBh7oYosXhTB6K&keytype=finite)

In press

(23) ‘Lands, Realms, Women, and Texts: Possession, Entitlement, and Occupation (Cahiers élisabéthains, (2016?)

(24) ‘Reading Early Modern Theatrical Performance and a Skimmington at Horn Fair: Evidence from Sibiu’, East-West Cultural Passage (2016),

REGULAR REVIEWS in RES, MLR, etc. including:

T. McAlindon, Shakespeare and Decorum, (1973), RES, 26 (1975), 78-80.

Joel B. Altman, The Tudor Play of Mind, (1978) RES, 31 (1980), 72-4.

Philip Edwards, Threshold of a Nation, (1979), RES, 33 (1982), 240-1.

Sally Beauman, The Royal Shakespeare Company: A History of Ten Decades (1982), Speech and Drama, 32 (1983), 28. 9 HATTAWAY CVDECEMBER 2000 J.C. Bulman and J. M. Nosworthy (eds), Timon, RES, 34 (1983), 215-17.

Gary Wells and Michael Warren (eds), The Division of the Kingdoms ... , RES , 37 (1986).

Simon Shepherd, Marlowe and the Politics of Elizabethan Theatre, ShSt., 38 (1987), 384-7.

Dominque Goy-Blanquet, Le roi mis à nu, 1986. Études anglaises, 40 (1987), 348- 50.

Sheldon P. Zitner ed., The Knight of the Burning Pestle, by Francis Beaumont, Medieval and Renaissance Drama in England, 4 (1989), 322-4.

John D. Cox, Shakespeare and the Dramaturgy of Power, 1989, Shakespeare Jahrbuch (West), 1991, 273-4.

Alan Hager, Shakespeare’s Political Animal: Scheme and Schemata in the Canon, 1990, in Literature and History, 3rd Series, 1 (1992), 105-6.

Marvin Rosenberg, The Masques of Hamlet, 1992, The Yearbook of English Studies, 26 (1996), 272-3.

Heather Kerr, Robin Eaden, Madge Mitton, (ed.), Shakespeare: World Views, (1996), Archiv, 239 (1999), 141-2.

PUBLISHED TAPES (1) (With Juliet Dusinberre) ‘Much Ado about Nothing’, Audio Learning, London, 1976.

(2) (With Peter Davison), ‘The Nature and Structure of Shakespearean Comedy’ and ‘Comedy in the Elizabethan Theatre’, Audio Learning, London, 1981.

TELEVISION AND INTERNET (1) Interviewed along with some of my students for an OU program on Enterprise in Higher Education Initiative, 1993.

(2) ‘Living Literature: the Classics and You’, a teleclass on Hamlet made for Governors State University, Illinois, 1993.

(3) One of my seminars was filmed as an example of good teaching practice by the Staff Development Unit at Loughborough University, 1995 (published in Making the Grade: Achieving High Quality Assessment Profiles. UcosDA and Loughborough University, 1996).

1999 (With Eric Blankinship) The project completed by some of my ‘Alternative Shakespeare’ students at Nether Green Primary School is a 10

website: http://jedi.dorm.umd.edu/nethernet/altskspr.html. It was named as a ‘selected site’ by the Yahoo! search facility in October 1996.

2000 Two video tapes (with Claire Allam): ‘Hamlet for the People’ and ‘The Tempest in the TV Studio’. Learning Media Unit, University of Sheffield, 2000

INVITED LECTURES 1984-90: Universities of Cambridge, Kraków, Gdansk, Strathclyde, Birmingham, Manchester, Paris, Basel, Zurich, Geneva, Sofia, Velika Tarnovo, Münster, Köln, Rouen, Lille, Montpellier, the Open University, and the International Shakespeare Summer School, Stratford-upon-Avon.

1991 Montpellier, Auckland, Waikato, Massey, Wellington, Canterbury (N.Z).

1992 Dundee, Stirling, Kuala Lumpur, International Shakespeare Conference (Stratford- upon-Avon), St Mary’s College (Strawberry Hill), Museum of the City of London, Gdansk, Rouen.

1993 Oxford, Cambridge, Murcia, Alicante, València, Canterbury.

1994 Birmingham (Stratford-upon-Avon), Sofia, Velika Tarnovo.

1995 Krakow (2 papers), Paris, Tours, Nancy — each a separate trip.

1996 Tours (twice), Paris, Lancaster, Odessa (declined), Warwick (twice), Los Angeles (invited plenary lecture to the International Shakespeare Association), Stratford- upon-Avon (invited paper for the Shakespeare on Film Seminar at the International Shakespeare Conference).

1997-8 Tours (twice), Ghent, Shakespeare Association of America (Cleveland Ohio), Paris (declined)

1998-9 Utrecht, Sofia, Anagni (Rome), Ferrara (declined), Stratford-upon-Avon.

1999-2000 Malaga, Tours, Krakow, Auckland, Leeds.

2000-2001 Bucharest, Iasi, Hull, Pescara.

2001-2 Krakow, Cambridge, Tours

2002-3 Bucharest, Sofia, Iasi 11 HATTAWAY CVDECEMBER 2000 2003-4 Havana, Deutsche Shakespeare Gesellschaft (Bochum), Tours

(2004.5) Bucharest, Sofia, Tours, Rouen, Krakow

(2005-6) Craiova, Brisbane, Anglia Ruskin

(2006-7) Paris, Roehampton, Pescara, Iasi, Tours

(2007-8) Dublin, Globe Theatre Conference

(2008-9) Chichester, Fribourg

(2009-10) Tours, Pisa, Bucharest

(2010-11) Iasi

(2011-12) Tours, Sofia

(2012-13) Bucharest

(2013-14) Montpellier, New York, Paris

(2014-15) Worcester (Opening Keynote, European Shakespeare Research Association), Florence, Kingston

(2015-16) Kingston, Lisbon, Sibiu, Bucharest, Iasi

(2016-17) Lyon

GRANTS AND FELLOWSHIPS 1. 1990 From the Enterprise in Higher Education Initiative, £1,023, to develop a course on the teaching of Shakespeare that brings students and practising teachers together and which encourages the development of transferable personal skills, including Information Technology.

2. 1991 From the University of Canterbury, New Zealand, N.Z. $16,000 as a Canterbury Visiting Fellow to spend two months teaching in the Department of English in Christchurch.

3. 1991 From the University Research Fund, £4,000 for computing equipment.

4. 1994 from the Curriculum Development Fund (with C.O’Donovan and G. McIlearney) of ca £2000 for the development and use of various software programmes within the Department.

5. Commendation for a Partnership Award offered by Cadbury-Schweppes for the teaching of Communication Skills (1994). 12

6. 2000-2003 Funds from Curriculum Development Fund to make two teaching videos with Claire Allam of the Learning and Media Unit.

7. Elected Fellow of the English Association, March 2002

8. Recipient of £1500 from the Auber Bequest, Royal Society of Edinburgh Jan 2008 – used for study at Folger Shakespeare Library

CONSULTANCIES External Assessor, St Mary’s College, Strawberry Hill (1989 and 1993) External Assessor, Dept of English, University of Keele (1992) Adviser on modularisation, University of Hull (1994) External Assessor, Dept of English, University of Canterbury, New Zealand (1994) External Assessor, Dept of English, University of Salford (1994) External Assessor, Dept of English, Nottingham Trent University (1999) Adviser, Commonwealth Scholarship Commission in the UK (1994-2000) Advisory Editor Renaissance Forum (1995-) Assessor, Chairs in English, Roehampton Institute (1998, 2003) Assessor, Chair in English, Hashemite University, Jordan (2000)

TEACHING LOAD 2004-5 (STUDY LEAVE, SEMESTER 1)

SEMESTER S2 Renaissance (2 hrs/wk) Shakespeare (2 hrs/wk) The Modern Novella (4 hrs/week) Drama and Society in the English Renaissance (2 hrs/week)

Supervising 2 F/T, 1P/T PhD students

ADMINISTRATIVE DUTIES :

Head of Department of English Literature, (1985-8, 1993-6) Director of Learning and Teaching, Faculty of Arts (2000-5)

University C ommittees: Court Council (1991-4) Senate (1984-) Administrative Staff (1991-4) Centre for English Cultural Tradition and Language Enterprise in Higher Education Initiative (until 1994) Information Technology Strategic Committee Year Abroad (until 1994) Teaching, (Chair, Curriculum Development Fund Working Group until 1997) Chair, Arts and Cultural Committee (Regional Office) Academic Promotions (1994-9) Academic Development Committee (1994-6) 13 HATTAWAY CVDECEMBER 2000 Admissions and Courses Group (1994-6) Direct Appointments Group (1994-6) MEd Advisory Group (1993-) Collegiate Board (1994-6) Management Support Group, Journalism (1994-5) Teaching Quality Review Group (1996-2005)

Faculty Committees: Policy (1985-1993) Honorary Degrees (Chairman, 1992-6)

NYUL Committees Site-Specific Committee, 2013-15 Faculty Liaison Panel, 2013-15

Department Responsibilities Tutor for YA Students (from the USA: until 1993); Convenor of Renaissance and Shakespeare Courses; Moderator for Loxley College Programmes in English (1990-); Chair Teaching Committee (1998-9); Tutor for Erasmus exchanges (1997-).

President of the local branch of the Association of University Teachers (1991-3; Vice-President, 1993-5)

CURRENT OR PAST PROFESSIONAL DUTIES OR ACTIVITIES: External Examiner in Renaissance Literature, University of Essex, 1978-81 External Examiner in English, St Paul’s and St Mary’s Colleges, Cheltenham, 1978- 81 External Examiner in Drama, King Alfred’s College, Winchester, 1983-5 External Examiner in Drama, Huddersfield Polytechnic, 1983-6 External Examiner in English, University of Warwick, 1985-89 External Examiner in English, University of Manchester, 1989-92 External Examiner in English, University of Malaya, 1992-5 External Examiner in English, University of Liverpool, 1992-5 External Examiner in English, University of Surrey, 1994 External Examiner in English, University of York (MA’s), 1995-7 External Examiner in English, University of Bristol, 1995-9 External Examiner in English, University of Oxford, 1997-9 External Examiner in English, University of Newcastle (MA’s), 1999-.2002 External Examiner for the MA Programme, University of Manchester, 2001-2005

External Examiner for PhD’s at Manchester, Birmingham, Bristol, York, Warwick, Oxford, London (King’s College), Open University

Marlowe Theatre Trust (Canterbury), 1970-75 Co-ordinator, Sheffield Cultural Workshop (1995-9) Foundation Governor, Broomhill First School, Broomhill, Sheffield (1994-9)

Editorial Board: International Journal for English Studies

NATIONAL COMMITTEES 14

Member of Council for National Academic Awards Drama Panel, 1978-82 Member of CNAA Arts and Humanities Research Committee, 1979-84 Advisory Committee (Architecture Group) for Shakespeare Globe Trust, 1983- Steering Committee for Council for University English, 1990-3

INTERNATIONAL COMMITTEE British representative, Steering Committee of European Shakespeare Society (2000-)

Regular reader for Cambridge University Press, Macmillans, Manchester UP, Routledge, Wiley Blackwell etc.