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Beckett and Nothing Or ‘A Pain in the Stomach’– of a More Fundamental Anxiety Whose Object Is Precisely an Unfathomable and Unbearable Nothingness
11 It’s nothing: Beckett and anxiety Russell Smith On 11 August 1936, Samuel Beckett wrote the following passage – in German – in his notebook: How translucent this mechanism seems to me now, the principle of which is: better to be afraid of something than of nothing. In the fi rst case only a part, in the second the whole is threatened, not to mention the monstrous quality which inseparably belongs to the incomprehensible, one could even say the boundless. [. .] When such an anxiety [Angst] begins to grow a reason [Grund] must quickly be found, as no one has the ability to live with it in its utter absence of reason [Grundlosigkeit]. Thus the neurotic, i.e. Everyman, may declare with great seriousness and in all awe that there is merely a minimal difference between God in heaven and a pain in the stomach. Since both emanate from one source and serve one purpose: to transform anxiety into fear.1 August 1936 was a particularly anxious time for Beckett. He had been living in Dublin for about eight months, since returning from London just before Christmas 1935, having broken off his two-year course of psychoanalysis with Wilfred Bion. As James Knowlson notes, Beckett had presented himself to Bion with ‘severe anxiety symptoms’: ‘a bursting, apparently arrhythmic heart, night sweats, shudders, panic, breathlessness, and, at its most severe, total paralysis’. However, the fact that these symptoms – which fl ared up whenever he stayed with his mother in Dublin – continued to plague him in early 1936 perhaps ‘[led] him to despair that nothing had -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Negative Emotion in Music: What Is the Attraction? a Qualitative Study
Empirical Musicology Review Vol. 6, No. 4, 2011 Negative Emotion in Music: What is the Attraction? A Qualitative Study SANDRA GARRIDO University of New South Wales EMERY SCHUBERT University of New South Wales ABSTRACT: Why do people listen to music that evokes negative emotions? This paper presents five comparative interviews conducted to examine this question. Individual differences psychology and mood management theory provided a theoretical framework for the investigation which was conducted under a realist paradigm. Data sources were face-to-face interviews of about one hour involving a live music listening experience. Thematic analysis of the data was conducted and both within-case and cross-case analyses were performed. Results confirmed the complexity of variables at play in individual cases while supporting the hypothesis that absorption and dissociation make it possible for the arousal experienced when listening to sad music to be enjoyed without displeasure. At the same time, participants appeared to be seeking a variety of psychological benefits such as reflecting on life-events, enjoying emotional communion, or engaging in a process of catharsis. A novel finding was that maladaptive mood regulation habits may cause some to listen to sad music even when such benefits are not being obtained, supporting some recent empirical evidence on why people are attracted to negative emotion in music. Submitted 2012 February 12; accepted 2012 June 2. KEYWORDS: music, emotion, negative valence, absorption; rumination WHY do we enjoy “a good cry”? It seems counter-intuitive that people would willingly seek out music or other aesthetic experiences that make them cry when we do our best to avoid things that make us cry in “real life” (Vingerhoets et al., 2001). -
20Th October 2013
THE The Magazine Of Genesis Sci-Fi October 2013 The Magazine Of Genesis Sci-Fi September 2013 Hello, one and all, welcome back to Genesis. First of all, I would like to thank Paul Belsey for last Chairman: month’s programme, and it was so good to see some old Paul Russell favourites not seen in a long time. This month sees the return of Matt as programme editor and quiz master. Now, Vice Chairman this month I have already seen a copy of the programme; David Offen-James unlike last month; and know it is up to Matt’s usual high standard of illustrious innovation (We’re also showing the Treasurer: original Star Trek episode Spock’s Brain - Ed). The choices Matthew Greet for the film vote are somewhat different, but what else would we expect from Matt? Events Secretary: Paul Belsey Now I am “semi” retired, and by this I mean working longer and harder than I ever did when in full time Membership employment, it was with some surprise that I looked at Secretary: my calendar and noticed it was already October! Now of Louise Stanley cause this is probably not news to you, but I thought ‘oh my goodness, where has the year gone to?’ The drawing of Honorary President: the evenings, the fact that I am now going to work in the Jeremy Bulloch dark (often returning in the dark as well) could, of course been construed as clues, but as I have often remarked Website: before I can sometimes be ‘not the sharpest tool in the www.genesis-sf.org.uk box’. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018 Monday October 15, 2018 7:00 PM ET / 4:00 PM PT 8:00 AM ET / 5:00 AM PT John Mayer With Special Guest Buddy Guy The Big Interview John Mayer’s soulful lyrics, convincing vocals, and guitar virtuosity have gained him worldwide Dwight Yoakam - Country music trailblazer takes time from his latest tour to discuss his career fans and Grammy Awards. John serenades the audience with hits like “Neon”, “Daughters” and and how he made it big in the business far from Nashville. “Your Body is a Wonderland”. Buddy Guy joins him in this special performance for the classic “Feels Like Rain”. 9:00 AM ET / 6:00 AM PT The Big Interview 9:00 PM ET / 6:00 PM PT Emmylou Harris - Spend an hour with Emmylou Harris, as Dan Rather did, and you’ll see why she The Life & Songs of Emmylou Harris: An All-Star Concert Celebration is a legend in music. Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, 10:00 AM ET / 7:00 AM PT Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn The Life & Songs of Emmylou Harris: An All-Star Concert Celebration Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Gill, and Buddy Miller. Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn 11:00 PM ET / 8:00 PM PT Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Rock Legends Gill, and Buddy Miller. -
Craig Pinder
3rd Floor, Joel House 17-21 Garrick Street London WC2E 9BL Phone: 0207 420 9350 Email: [email protected] Web: www.shepherdmanagement.co.uk Photo: Ric Bacon Email: [email protected] Website: www.shepherdmanagement.co.uk Craig Pinder Other: Equity, AEA Greater London, England, United Kingdom Eye Colour: Hazel Location: Cambridgeshire, England, United Kingdom Hair Colour: Light/Mid Brown Height: 5'9" (175cm) Hair Length: Bald Weight: 11st. 7lb. (73kg) Facial Hair: Beard Playing Age: 51 - 65 years Voice Quality: Melodious Appearance: Mixed Race, White Voice Character: Natural Stage 2019, Stage, The Constable, Fiddler on the Roof, Playhouse Theatre & Menier Chocolate Factory, Trevor Nunn 2017, Stage, Senator Carlin, The Best Man, Bill Kenwright Ltd & Tour, Simon Evans 2017, Stage, John MacCormick Butts, Veteran's Day, Finborough Theatre, Hannah Boland Moore 2016, Stage, Bee Doyle, Floyd Collins, Wilston's Music Hall, Jonathan Butterell 2016, Stage, Harry the Horse, Guys and Dolls, Runaway Entertainment, Gordon Greenberg 2015, Stage, Dave/Dan, Walking the Chains, Show of Strength Theatre Company, Robin Belfield 2014, Stage, Eli, Hibiscus Hotel, Yellowtale Theatre Company, Robin Belfield 2014, Stage, Robert, Blue/Orange, Canoe Theatre, Julia Thomas 2013, Stage, Seth, High Society, Music and Lyrics, Anna Linstrum 2012, Stage, Parson & Dawn, The White House Murder Case, Orange Tree, Richmnd, Christopher Morahan 2012, Stage, Lewald/Snyder/Sherrill, 1936, Attic Theatre Company, Jenny Lee 2012, Stage, Willy Loman, Death of a Salesman, Upside Out, Amy Bonsall 2012, Stage, Othello, Othello or the Tragedy of Conchy Joe, Yellowtale Theatre Company, Robin Belfield 2011, Stage, Othello, Othello, Nuffield Theatre Southampton, Robin Belfield 2010, Stage, John, The Subject Was Roses, English Theatre of Hamburg, Jenny Lee 2009, Stage, Woodcutter, Rashoman, RADA, MinJae Kang 2008, Stage, Cecil B. -
MEDIA RELEASE Everybody's Talking About Jamie
MEDIA RELEASE 8 March 2020 NICA BURNS, GARRY MCQUINN, SYDNEY OPERA HOUSE, LYNDI ADLER PRESENT THE SHEFFIELD THEATRES PRODUCTION OF Everybody’s Talking About Jamie Sydney Opera House, Sydney Coliseum Theatre West HQ, The Art House Wyong, Arts Centre Melbourne, Queensland Performing Arts Centre, Canberra Theatre Centre, Perth Theatre Trust and Adelaide Festival Centre From 18 July 2020 Tickets On Sale at 9am Tuesday 17 March Waitlist from Sunday 8 March - www.everybodystalkingaboutjamie.com.au “Punchy, funny, fabulous” – Time Out “A burst of joy!” – The Times An inspiring story, feel-good pop score, and one fabulous teen. Meet Jamie New. The critically acclaimed, Olivier Award nominated, West End hit musical Everybody’s Talking About Jamie will have its Australian Premiere Season at the Sydney Opera House from 18 July 2020 prior to a national tour. There’s a reason everybody’s talking about Jamie. It’s rare that a show like this comes along, with the power to grab you by the heart and never let go. Jamie New is sixteen, he lives on a council estate in Sheffield, and is sensitive, witty and strong. If only the bullies would get out of his way. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Inspired by a true story and a BBC documentary “Jamie: Drag Queen at 16”, Everybody’s Talking About Jamie is topical and timely. The joyous, high-spirited musical presents an extended modern “family” of characters that everybody knows and depends on. -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
Hit Sheet 83
www.hitsheet.co.uk 7 JULY 2006 ISSUE #85 Looking Good, Sounding Better... The Best Is Yet To Come Parlophone Record of the Week WordsWords JustJust GetGet inin TheThe WayWay Richard Ashcroft Heading up our Parlophone front and back cover double whammy is one of this country’s leading songwriters, the man who put the Northern soul into Wigan. Having just appeared on the soon to be much missed Top of the Pops performing this track and on the back of a recent sold out show at Manchester’s Old Trafford cricket ground the genius (not madness) of King Richard is only too apparent. This is the 3rd hit to be released from the seminal Keys To The World album. Music Is Power and Break The Night With Colour were both hits, Words Just Get In The Way will be the hat-trick. 2 Hello and welcome to issue #85 of the Hit Sheet! So bird flu developed into world cup fever and we’re now left and should make her the superstar she deserves to be. as sick as parrots. If you look at my editorial last month I Meeting her afterwards was also a thrill as she was both predicted that England would lose on penalties in the quarter gorgeous and friendly! 31 The Birches, London, N21 1NJ finals and that Wayne Rooney would be sent off, so I wasn’t Finally, the Who gig in Hyde Park was fantastic, Pete too surprised. In my opinion England were doomed as soon Townshend’s guitar playing was an inspiration to all. -
AXS TV Schedule for Mon. February 25, 2019 to Sun. March 3, 2019
AXS TV Schedule for Mon. February 25, 2019 to Sun. March 3, 2019 Monday February 25, 2019 4:30 PM ET / 1:30 PM PT 6:00 AM ET / 3:00 AM PT Tim McGraw Smart Travels Pacific Rim The release of his tenth studio album, Southern Voice, represented a new level of depth and Vancouver & Victoria, British Columbia - Vancouver is a vibrant mix of European heritage and intensity for the seasoned country artist, showcased in this concert. With a commanding stage Asian cultures. Rudy explores this mix of cultures that inspires world-class cuisine, a spirited presence, McGraw croons out his reflective and haunting new songs “If I Died Today” and “I’m night life and modern Asian shopping centers. Nature is ever-present and Rudy visits a temper- Only Jesus.” Other show highlights include “Live Like You Were Dying,” “Good Girls” and “Still.” ate rainforest. After a spectacular ferry ride to Victoria Rudy enjoys ‘afternoon tea’ and visit the Butchart Gardens. 5:30 PM ET / 2:30 PM PT CMA Fest 6:30 AM ET / 3:30 AM PT Thomas Rhett and Kelsea Ballerini host as more than 20 of your favorite artists perform their Rock Legends newest hits, including Carrie Underwood, Blake Shelton, Keith Urban, Jason Aldean, Luke Bryan, Diana Ross & The Supremes - America’s most successful female vocal group of all time was Dierks Bentley, Thomas Rhett, Chris Stapleton, Kelsea Ballerini, Jake Owen, Darius Rucker, Broth- formed by four Detroit schoolgirls in the late 50s. Diana Ross, Betty McGlown, Florence Ballard, ers Osborne, Lauren Alaina and more.