A Bibliography of Literary Theory, Criticism and Philology s106

1 from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

AESTHETICS

General Early works Miscellaneous

General

Adorno, Theodor. W. Aesthetische Theorie. Frankfurt, 1973. _____. Aesthetische Theorie. Frankfurt a/M: Suhrkamp, 1970. _____. Aesthetic Theory. Trans. Christian Lenhardt. Ed. G. Adorno and R. Tiedmann. London: Routledge, 1984. _____. Aesthetic Theory. Trans. Robert Hullot-Kentor. Minneapolis: U of Minnesota P, 1997. _____. Teoría estética. Madrid: Taurus, 1980. _____. Teoría estética. Barcelona: Orbis, 1984. _____. From Aesthetic Theory. In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 232-38.* Alain. Système des beaux-arts. 1920. Paris: Gallimard, 1926.* Babbitt, Irving. The New Laokoon. 1910. Banfi, A. Filosofía del arte. Barcelona: Península, 1987. Batteux (Abbé). Traité des beaux-arts réduits à un même principe. 1746. Bayer, R. Historia de la estética. México: F.C.E., 1975. Beardsley, Monroe C. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace, 1958. _____. Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis and Cambridge: Hackett, 1981.* _____. Aesthetics from Classical Greece to the Present. New York: Macmillan, 1966. Beardsley, Monroe C., and John Hospers. Estética : Historia y Fundamentos. Madrid: Cátedra, 1984.* Bell, Clive. Art. 1913. New York: Capricorn, 1958. Carritt, E. F. Philosophies of Beauty from Socrates to Robert Bridges. Oxford, 1931. Collingwood, R. G. The Principles of Art. 1938. 2 Croce, Benedetto. "Fundamental Theses of an Aesthetic as Science of Expression and General Linguistic" (in Italian). Acts of the Academia Pontatiana 30 (Naples, 1900). Rev. version in the first part of Aesthetic. _____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. London: Macmillan, 1909. 2nd ed., rev., 1922. _____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. Rev. ed. London: Vision Press / Peter Owen, 1953. New ed. 1967.* _____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. New York: Farrar, 1972. _____. "Aesthetic". In Adams 727-735. Trans. from Estetica come scienza dell' espressione e linguistica. 1902. _____. Estetica como ciencia de la expresión y lingüística general. Buenos Aires: Nueva Visión, 1969. _____. Problemi di estetica. Bari, 1910. (Problems of Aesthetic and Contributions to the History of Aesthetic in Italy ). _____. Breviario di Estetica. Bari: Laterza, 1913. _____. Bréviaire d'Esthétique. Trans. Georges Bourgin. Paris, 1923. _____. Breviario de Estética. Madrid : Espasa-Calpe, 1979. _____. "Aesthetics". Trans. R. G. Collingwood. Encyclopaedia Britannica. 14th ed. New York, 1929. Dufrenne, Mikel. Phénoménologie de l'expérience esthétique. Paris: PUF, 1953. _____. The Phenomenology of Aesthetic Experience. Trans. Edward S. Casey et al. Evanston: Northwestern UP, 1973. _____. Fenomenología de la experiencia estética. Valencia: Fernando Torres, 1982. Trans. of Phénoménologie de l'expérience esthétique. Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution. Bloomsbury, 2009; Oxford: Oxford UP, 2009. Eco, Umberto. La definición de arte. Barcelona: M. Roca, 1970. Eyot, Y. Génesis de los fenómenos estéticos. Barcelona: Blume, 1980. Farré, Luis. Categorías estéticas. Madrid: Aguilar, 1967. Ferry, Luc. Homo Aestheticus. Paris: Le Livre de Poche. Fischer, Ernst. La necesidad del arte. Barcelona: Península, 1967. Gabás, Raúl. Estética: El Arte como fundamento de la sociedad. Barcelona: Humanitas, 1984. Gadamer, Hans-Georg. La actualidad de lo bello. El arte como juego, símbolo y fiesta. Trans. Antonio Gómez Ramos. Barcelona: Paidós, 1991. _____. Estética y hermenéutica. Introd. Angel Gabilondo. Trans. Antonio Gómez Ramos. Madrid: Tecnos, 1996. 3 Genette, Gérard. L'Œuvre de l'art, I: Immanence et Transcendance. (Poétique). Paris: Seuil, 1996. _____. La obra del arte: Inmanencia y trascendencia. Trans. Carlos Manzano. (Palabra Crítica 23). Barcelona: Lumen, 1997.* _____. L'Œuvre de l'art, II: La relation esthétique. (Poétique). Paris: Seuil, 1997.* (1. L'attention esthétique. 2. L'appréciation esthétique. 3. La fonction artistique). Gilbert, K. E., and Helmut Kuhn. A History of Esthetics. Bloomington, 1953. Gombrich, E. H. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1963. _____. Art and Illusion. London: Phaidon, 1968. _____. The Story of Art. Oxford: Phaidon, 1988. Goodman, Nelson. The Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Hackett, 1968. 2nd ed. 1978. _____. Los lenguajes del arte. 1968. Barcelona: Seix-Barral, 1976. _____. Langages de l'art. Paris: Jacqueline Chambon, 1990. _____. "Quand y a-t-il art?" In Philosophe analytique et esthétique. Ed. E. Lories. Paris: Méridiens-Klincksieck, 1988. Hamann, R. Aesthetik. 2nd. ed. 1921. Jauss, H. R. Aesthetische Erfahrung und Literarische Hermeneutik. Frankfurt: Suhrkamp, 1982. _____. Aesthetic Experience and Literary Hermeneutics. Minneapolis: U of Minnesota P, 1982. Kaufmann, Fritz. Das Reich des Schönen: Bausteine zu einer Philosophie der Kunst. Ed. H. G. Gadamer. Stuttgart: Kohlhammer, 1960. Langer, Susanne K. Philosophy in a New Key: A Study of the Symbolism of Reason, Myth, and Art. Cambridge: Harvard UP, 1942. 3rd. ed. 1957.* _____. Philosophy in a New Key. New York, 1948. _____. Philosophy in a New Key. Cambridge (MA), 1980. _____. Feeling and Form: A Theory of Art. New York: Scribner's, 1953. _____. Feeling and Form: A Theory of Art. London, 1953.. _____. Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957.* Lukács, Georg. Die Seele und die Formen. Berlin: Fleischel, 1911. _____. Soul and Form. London: Merlin Press, 1974. _____. Die Eigenart des Ästhetischen. In Werke. Neuwied, 1963. Vols. 11 and 12. _____. Aesthetics. 1963. _____. Estética. 4 vols. Barcelona: Grijalbo, 1966-72. _____. Aportaciones a la historia de la estética. México: Grijalbo, 1966. 4 _____. Prolegómenos a una estética marxista. Barcelona: Grijalbo, 1969. _____. Marxism and Art: Writings in Aesthetics and Criticism. New York: McKay, 1972. Marawski, Stefan. Inquiries into the Fundamentals of Aesthetics. Cambridge (MA): MIT Press, 1974. McKeon, Richard. "The Philosophical Bases of Art and Criticism." Moden Philology (Nov. 1943 and Feb. 1944). _____. "The Philosophical Bases of Art and Criticism." In Critics and Criticism. Ed. R. S. Crane. Chicago: U of Chicago P, 1952. 463- 545. Abridged ed. 1957. 191-273.* Muka®ovskÿ, Jan. Aesthetic Function, Norm and Value as Social Facts. 1936. Trans. M. E. Suino. Ann Arbor: U of Michigan P, 1970. 1976. 1979. _____. "Aesthetic Function, Norm, and Value as Social Facts." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 35-8. Nedoncelle, M. Introduction à l'esthétique. Paris: PUF, 1956. Osborne, H., ed. Aesthetics. Oxford, 1972. _____. Estética. México: F.C.E., 1976. Pepper, Stephen C. The Basis of Criticism in the Arts. Cambrige: Harvard UP, 1956. Philipson, Morris, ed. Aesthetics Today. New York: Meridian, 1961. Plazaola, J. Introducción a la estética. Madrid: B.A.C., 1973. Santayana, George. The Sense of Beauty. 1896. New York: Dover, 1955. 1970. _____. Reason in Art. 1905. _____. La razón en el arte y otros escritos de estética. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008.* _____. "¿Qué es estética?" In Santayana, La razón en el arte y otros escritos de estética. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008. 149-56.* Valéry, Paul. Aesthetics. New York: Pantheon Books, Bollingen Series, 1964. Valverde, José María. Breve historia y antología de la estética. Barcelona: Ariel, 2011. _____. Breve historia y antología de la estética. (Grandes pensadores españoles). Barcelona: Planeta-DeAgostini, 2011. Vivas, Eliseo. "The Esthetic Judgment." Journal of Philosophy 33 (1936): 57-69. _____. The Artistic Transaction. Columbus: Ohio State UP, 1963. Volkelt, Johannes. System der Ästhetik. 1925. Witasek, Stephan. Grundzüge der allgemeinen Ästhetik. Leipzig, 1904. Wölfflin, Heinrich. Kunstgeschichtiche Grundbegriffe. 1915. 5 _____. Principes fondamentaux de l'Histoire de l'Art. Trans. Marcel Raymond and Claire Raymond. Paris: Plon, 1953. _____. Principios fundamentales de la historia del arte. 3rd ed. Madrid: Espasa-Calpe, 1952.

Early works

Batteux (Abbé). Traité des beaux-arts réduits à un même principe. Paris, 1747. Bosanquet, Bernard. A History of Aesthetics. New York, 1892. Burke, Edmund. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. In Burke, Works. London: 1899. Vol. 1. _____. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. (World's Classics). Oxford: Oxford UP, 1990.* _____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio López Férez. Madrid: Tecnos, 1987. _____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio López Férez. Barcelona: Altaya, 1995.* Du Bos, Jean-Baptiste (Abbé). Réflexions critiques sur la poésie et sur la peinture. 1719. Paris, 1740. In Baldine Saint-Girons, Esthétiques du XVIIIe: Le modèle français. Paris: Philippe Sers, 1990. _____. Critical Reflections on Poetry, Painting, and Music. Trans. Thomas Nugent. 3 vols. 1748. Emerson, Ralph Waldo. "Art." 1841. In Emerson, Essays. London: Dent; New York: Dutton, 1906. 192-203.* _____. "El arte." In Emerson, Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 65-72.* _____. "El arte." In Emerson, Ensayos. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Espasa-Calpe, 2001. 262-74.* _____. Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso (Analecta Malacitana; Anejos, 30). Málaga: Universidad de Málaga, 2000.* Goethe, J. W. Goethes Werke. Ed. Erich Trunz. Vol. 12, Schriften zur Kunst, Schriften zur Literatur, Maximen und Reflexionen. Hamburg: Wegner, 1969. _____. Essays on Art and Literature. Ed. John Gearey. Trans. Ellen von Nardroff and Ernest H. von Nardroff. Vol. 3 of Collected Works. New York: Suhrkamp, 1986. 192-94. 6 Hazlitt, William. Ensayos sobre el arte y la literatura. Introd., select. and trans. Ricardo Miguel Alfonso. (Espasa Órbitas). Madrid: Espasa-Calpe, 2004.* Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835. _____. Ästhetik. Berlin, 1965. _____. Vorlesungen über die Aesthetik. 1835. In Hegel, Werke in zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13. _____. The Introduction to Hegel's Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886. _____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920. _____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975. _____. Aesthetics: Lectures on Fine Art. 2 vols. Trans. T. M. Knox. Oxford: Clarendon Press, 1998. _____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox. New York, 1975. _____. From Lectures on Fine Art. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.* _____. Esthétique. Trans. S. Jankélévitch. Paris: Aubier, 1954. _____. Estética. 1835. Buenos Aires: El Ateneo, 1954. _____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona: Península, 1985. _____. Introducción a la estética. Ediciones de Bolsillo. _____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958. _____. Filosofía del arte o Estética [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry). Holz, Arno. Die Kunst: Ihr Wesen und ihre Gesetze. Berlin, 1891. Hugo, Victor. Preface to Cromwell. 1827. (Selection). In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 541-45.* Hutcheson, Francis. An Inquiry into the Original of Our Ideas of Beauty and Virtue. New York: AMS Press, 1978. Kant, Immanuel. Observaciones acerca del sentimiento de lo bello y lo sublime. Madrid: Alianza, 1990. Trans. of Beobachtungen über das Gefühl des Schönen und Erhabenen. Königsberg: Kanter, 1764. 7 _____. Kritik der Urteilskraft. 1790. (Beauty, Taste, Perfection, Emotion, Agreeable, Pleasure, Judgment, Universality, Sublimity, Satisfaction, Nature, Aesthetics, Objectivity, Sensations, Common sense, Art, Genius, Teleology, Antinomies, Understanding, Universe; Theology, God) _____. Kritik der Urtheilskraft. In Kantswerke, Akademie- Textausgabe, V. _____. Kritik der Urteilskraft. Stuttgart, 1924. _____. Kritik der Urteilskraft. Hamburg: Felix Meiner, 1974. _____. Kritik der Urteilskraft. In Werkausgabe vol. 10. Ed. Wilhelm Weischedel. Frankfurt a/M, 1979. _____. Critique of Judgment. Trans. J. H. Bernard. 2nd. ed. London, 1914. 1931. _____. Critique of Judgment. Trans. J. H. Bernard. New York: Hafner, 1951. 1966. _____. Critique of Judgment. Trans. Werner S. Pluhar. Indianapolis: Hackett, 1987. _____. Critique of Judgment. Excerpt. In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 35-66.* _____. The Critique of Judgement. Trans. James Creed Meredith. Oxford: Clarendon, 1988. _____. Critique of the Power of Judgment. Trans. and ed. Paul Guyer and Eric Matthews. Cambridge, UK and New York: Cambridge UP, 2000. _____. Crítica del Juicio. Madrid: Espasa-Calpe, 1984.* Ker, W. P. "On the Philosophy of Art." 1883. In Ker, Collected Essays. London: Macmillan, 1925. 2.234-71.* Lessing, G. E. Laokoon oder über die Grenzen der Malerei und Poesie. 1766. In Lessings Werke. Ed. R. Riemann. Leipzig: Reclam, n. d. 4.7-171. _____. Laokoon. Ed. W. G. Howard. New York, 1910. _____. Laocoon. Trans. Sir Robert Phillimore. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.* _____. Laocoön: An Essay on the Limits of Poetry and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP, 1984. _____. Laocoonte, o sobre los límites de la poesía y la pintura. Trans. Enrique Palau. Barcelona: Orbis, 1985.* _____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984. Lévêque, Charles. Estética o ciencia de lo bello. Trans. Santos Santamaría del Pino. Valladolid: Hijos de Rodríguez, 1878. Llanas Aguilaniedo, José María. Alma contemporánea: Estudio de estética. 1899. Ed. Justo Broto Salanova. Huesca: Instituto de Estudios Altoaragoneses, 1991.* 8 López Sáenz, Carmen. "Razones estéticas: Zambrano y Merleau- Ponty." V Boletín de Estudios de Filosofía y Cultura Manuel Mindán. Online at Academia https://www.academia.edu/8182392/Razones_est %C3%A9ticas_Zambrano_y_Merleau-Ponty 2015 Menéndez y Pelayo, Marcelino. Historia de las ideas estéticas en España. 1883-91. 2 vols. Madrid: C.S.I.C., 1974. _____. Historia de las ideas estéticas en España: Las ideas estéticas entre los antiguos griegos y latinos. Desarrollo de las ideas estéticas hasta fines del siglo XVII. ("Sepan cuantos...", 475). México: Porrúa, 1985.* Moritz, Karl Philipp. (Essai de réunion de tous les beaux-arts et sciences sous la notion d'accomplissement en soi. In German). 1785. The Polite Arts. Anonymous essay. 1749. Quinet, Edgar. Considérations philosophiques sur l’art, thèse de philosophie. Strasbourg: F.-G. Levrault, 1839. Richter, Jean Paul. Vorschule der Ästhetik. Hamburg, 1804. Ed. Norbert Miller. Munich, 1963. _____. Introducción a la estética. 1804. Ed. Pedro Aullón de Haro and Francisco Serra. Trans. Julián de Vargas. Madrid: Verbum, 1991. Schiller, Johann Cristoph Friedrich von. Über die ästhetische Erziehung des Menschen. 1795. In Schiller, Gedichte und Prosa: Über den Grund des Vergnügens. Über die tragische Kunst. Vom Erhabenen. Über das pathetische. Über Anmut und Würde. Über die ästhetische Erziehung des Menschen. Über naive und sentimentalische Dichtung. Ed. Emil Staiger. Zürich: Manesse Verlag, 1984.* _____. On the Aesthetic Education of Man. Bilingual ed. Ed. and trans. E. M. Wilkinson and L. A. Willoughby. Oxford: Oxford UP, 1983. _____. From On the Aesthetic Education of Man (Letters 2, 6, 9). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.* Schlegel, August Wilhelm. Vorlesungen über schöne Literatur und Kunst. Heilbronn, 1884. Schopenhauer, Arthur. "On the Inner Nature of Art." In Schopenhauer, The World as Will and Representation. New York: Dover, 1969. 406-11.* _____. Die Welt als Wille und Vorstellung. 1819. (Existence, World, Plato, Kant, Upanishads, Knowledge, Idealism, Causality, Brain, Metaphysics, Will, Perception, Consciousness, Body, Freedom, Life, Strife, Aesthetics, Beauty, Ethics). 9 _____. The World as Will and Representation. Trans. E. F. J. Payne. 2 vols. New York: Dover, 1969. _____. El mundo como voluntad y representación. Introd. E. Friedrich Sauer. Trans. E. Ovejero y Maury. México: Porrúa, 1987. _____. El mundo como voluntad y representación. Introd. Ignasi Roviró Alemany. Barcelona: RBA, 2004. _____. El mundo como voluntad y representación (volumen primero). Trans. Rafael-José Díaz Fernández and Mª Montserrat Armas Concepción. Introd. Luis Fernando Moreno Claros. (Grandes Pensadores Gredos). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014.* Shaftesbury (Anthony Ashley Cooper, 3rd Earl of). "Treatise V. viz. The Moralists, A Philosophical Rhapsody." 1709. In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times. In Three Volumes. 1711. _____. Soliloquy, or Advice to an Author. London: John Morphew, 1710. (Aesthetics; Morality; Introspection; Dialogue; Criticism; Taste) _____. "Treatise III. viz. Soliloquy: or Advice to an Author." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, In Three Volumes. London, 1711. _____. From "Soliloquy, or, Advice to an Author." (On Milton and Heroic Poetry). From Characteristicks, 1727. From "Soliloquy, or, Advice to an Author," from Characteristicks, In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 145.* _____. "Treatise VI. viz. Miscellaneous Reflections, &c." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times. In Three Volumes. London, 1711. Shaw, Bernard. The Sanity of Art. 1895. In Shaw, Major Critical Essays. London: Constable, 1932. 281-332. Shklovsky. Bowstring. Dalkey Archive Press. Smith, Adam. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." In Smith, Essays Philosophical and Literary. London, n.d. Solger, Friedrich. Erwin: Vier Gespräche über das Schöne und die Kunst. Leipzig, 1829. Spence, Joseph. Polymetis. (Aesthetics, poetry and sculpture). 1747. _____. Crito. Aesthetics. 1752. London: Dodsley, 1761. Taine, Hippolite. Lectures on Art. Trans. John Durand. New York, 1877. _____. Filosofía del arte. 2 vols. Valencia: F. Sempere [1915?]. _____. Filosofía del arte. Buenos Aires: Espasa-Calpe, 1944. Tieck, Ludwig, ed. Phantasien über die Kunst fur Freunde der Kunst. Hamburg: Perthes, 1799. 10 Ussher, James. Clio: Or a Discourse on Taste. London: Davies, 1767. Online at Google Books http://books.google.co.uk/books?id=gYFKAAAAcAAJ 2014 _____. Clio: or, A Discourse on Taste. Addressed to a Young Lady. By I. Usher. The Second Edition, with Large Additions. London: Printed for T. Davies, 1769. (Taste; Aesthetics; Sublime; Conversation; The arts; Enthusiasm) Veron, Eugène. L'Esthétique. Paris: Reinwald, 1890. Vischer, Friedrich Theodor. Ästhetik. Stuttgart, 1846-1857. Vives, Juan Luis. De discipliniis. 1531. (Disciplines, Arts, Letters, Grammar, Dialectic, Rhetoric, Natural philosophy, Medicine, Mathematics, Moral Philosophy, Civil Law, Metaphysics, Probability, Truth, Argumentation, Logic). _____. Las disciplinas. Trans. Lorenzo Riber (Real Academia Española). Introd. Francisco José Fortuny. Madrid: Aguilar, 1948. _____. Las disciplinas. Trans. Lorenzo Riber. Introd. Francisco José Fortuny. 2 vols. (Historia del Pensamiento, 83, 84). Barcelona: Orbis, 1985.* Wackenroder, Wilhelm Heinrich, and Ludwig Tieck. Phantasien über die Kunst. 1799. Ed. Wolfgang Nehring. Stuttgart: Philipp Reklam, n. d. Wolf, F. A. Darstellung der Altertumwissenschaft nach Begriff, Umfang, Zweck und Wert. Vol. 1 of Museum der Altertumswissenschaft. Ed. F. A. Wolf and Philip Buttman. Berlin, 1807.

Miscellaneous

Adler, Mortimer J. Art and Prudence. New York, 1937. Aesthetics: Proceedings of the 8th International Wittgenstein Symposium, Kirchberg. Part I. Vienna: Holder-Pichler-Tempsky, 1984. Altieri, Charles. "The Values of Articulation: Aesthetics after the Aesthetic Ideology." In Beyond Representation: Philosophy and Poetic Imagination. Cambridge: Cambridge UP, 1996. 66-89. Baader, Franz X. von. Über Liebe, Ehe und Kunst, aus den Schriften, Briefen und Tagebüchern. Munich: Kösel, 1953. Bardavío, José María. La versatilidad del signo. Madrid: Alberto Corazón, 1975.* Bennett, Tony. "Really Useless 'Knowledge': A Political Critique of Aesthetics." Literature and History 13.1 (Spring 1987). 11 Bense, M. Estética: consideraciones metafísicas sobre lo bello. Buenos Aires: Nueva Visión, 1973. Bernstein, J. M. Art, Metaphysics and Modernity: The Fate of Aesthetics from Kant to Derrida. Bourdieu, Pierre. Les Règles de l'art: Genèse et structure du champ littéraire. (Libre Examen). Paris: Seuil, 1992. (Literary theory; ideology; social semiotics; sociology of literature; Flaubert; 19th-century French literature; authorship; aestheticism; perspective; reading; Mallarmé, Baudelaire, writing, literature, value, aesthetics). _____. Les Règles de l'art: Genèse et structure du champ littéraire. (Points; Essais, 370). Paris: Seuil, 1998.* _____. Las reglas del arte: Génesis y estructura del campo literario. Trans. Thomas Kauf. (Argumentos, 167). Barcelona: Anagrama, 1995. 2nd ed. 1997. 3rd ed. 2002. 4th ed. 2005. 5th ed. 2011.* _____. The Rules of Art: Genesis and Structure of the Literary Field. 1992. Trans. Susan Emanuel. (Meridian: Crossing Aesthetics). Stanford (CA), 1995. 1996. Boyd, Brian. "9. Art, Narrative, Fiction." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 129-31.* Bruyne, Edgar de. Etudes d'esthétique médiévale. 3 vols. Brussels: De Tempel, 1946. _____. Estudios de estética medieval. 3 vols. Madrid: Gredos, 1958. _____. The Esthetics of the Middle Ages (1-volume abridgement of Etudes d'esthétique médiévale). Trans. Eileen B. Hennessey. New York: Ungar, 1969. Calabrese, O., ed. El lenguaje del arte. Barcelona: Paidós, 1985. Carroll, Noël, and John Gibson, eds. The Routledge Companion to Philosophy of Literature. London: Routledge, 2015. (Part 1: Historical Foundations; Part 2: What is Literature?; Part 3: Aesthetics and Appreciation; Part 4: Meaning and Interpretation; Part 5: Metaphysics and Epistemology; Part 6: Ethics and Political Theory) Cavell, Stanley. "Aesthetic Problems of Modern Philosophy." In Critical Theory since 1965. Ed. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 24- 39.* Clark, Michael P., ed. Revenge of the Aesthetic: The Place of Literature in Theory Today. Berkeley (CA): U of California P, 2000.* Colvin, Sidney. "Fine Arts." Encyclopaedia Britannica 11th ed. Cooper, David. A Companion to Aesthetics. Oxford: Blackwell, 1995. Danto, Arthur C. La Transfiguration du banal. (Poétique). Paris: Seuil, 1989. 12 _____. L'Assujettissement philosophique de l'art. (Poétique). Paris: Seuil. de Man, Paul. Aesthetic Ideology. Ed. Andrzej Warminski. Minneapolis: U of Minnesota P, 1996. Dessoir, Max. Ästhetik und allgemeine Kunstwissenschaft. Stuttgart, 1906. Dewey, John. Art as Experience. New York, 1934. Diderot. Diderot on Art. Ed. and trans. John Goodman. Introd. Thomas Crow. New Haven: Yale UP, 1995. Dohrn, Wolf. Die künstlerische Darstellung als Problem der Aesthetik. Hamburg, 1907. Dubuffet, Jean. Escritos sobre arte. Barcelona: Barral, 1975. Ducasse, Curt. The Philosophy of Art. New York, 1929. Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990. Eco, Umberto. Obra abierta. Barcelona: Planeta, 1984. Trans. of Opera aperta. Milano: Bompiani, 1962. _____. The Open Work. New York: Hutchinson, 1989. _____. La estructura ausente. Barcelona: Lumen, 1981. _____. Arte e bellezza nell'estetica medioevale. Milan: Bompiani. _____. Arte y belleza en la estética medieval. (Palabra en el Tiempo). Barcelona: Lumen. Elton, William, ed. Essays in Aesthetics and Language. Oxford, 1954. Fry, Roger. Transformations: Critical and Speculative Essays on Art. 1920. New York: Arno, 1968. Gadamer, Hans-Georg. Verdad y método: Fundamentos de una hermenéutica filosófica. Trans. Ana Agud Aparicio and Rafael de Agapito. Salamanca: Sígueme, 1977. Trans. of Wahrheit und Methode. 4th ed. Tübingen: Mohr, 1975. _____. "Estética y hermenéutica." Daimon 12 (1996): 5-12. http://revistas.um.es/daimon/article/viewFile/8311/8081 2011 García-Trevijano, Antonio. El ateísmo estético. Gardner, Howard. Verdad, belleza y bondad reformuladas. Barcelona: Paidós, 2011. Garroni, Emilio. Semiotica ed estetica. Bari: Laterza, 1968. Goodman, N., and C. Elgin. Esthétique et Connaissance. Paris: L'Eclat, 1990. Grabes, Herbert, ed. "Aesthetics and Contemporary Discourse." REAL 10 (1994). Greene, Theodore M. The Arts and the Art of Criticism. Princeton, 1947. _____. "The Scope of Aesthetics." Journal of Aesthetics and Art Criticism 8 (June 1950). 13 Guattari, Félix. Chaosmosis: An Ethico-Aesthetic Paradigm. Trans. Paul Bains and Julian Pefanis. Bloomington: Indiana UP, 1995. Harrison, Charles. Essays on Art & Language. Oxford, 1991. Hauser, Arnold. Teorías del arte: Tendencias y métodos de la crítica moderna. Trans. Felipe González Vicén. 5ª ed. Barcelona: Labor, 1982. Trans. of Philosophie der Kunstgeschichte. _____. Teorías del arte. Barcelona: Guadarrama. Heidegger, Martin. Der Ursprung des Kunstwerks. Introd. H. G. Gadamer. Stuttgart: Reclam, 1965. _____. "The Origin of the Work of Art." In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 256-79. _____. "L'origine de l'œuvre d'art." 1935, 1956. In Heidegger, Chemins qui ne mènent nulle part. Paris: Gallimard, 1986. 13-98. _____. "La provenance de l'art et la destination de la pensée." 1967. Trans. J. L. Chrétien and M. Reinfenrath. In Martin Heidegger. Paris: L'Herne, 1983. Heinich, Nathalie, and Jean-Marie Schaeffer. Art, Création, Fiction. Éditions Jacqueline Chambon, 2004. Helm, J., ed. Essays on the Verbal and Visual Arts. Seattle: U of Washington P, 1967. Heyfelder, Erich. Ästhetische Studien. Freiburg i/B., 1904. Hulme, T. E. Speculations: Essays on Humanism and the Philosophy of Art. 1924. Ed. Herbert Read. London: Routledge, 1936. 1977. _____. Further Speculations. Ed. Samuel Hymes. Minneapolis: U of Minnesota P, 1955. Hume, Nancy G., ed. Japanese Aesthetics and Culture: A Reader. (SUNY Series in Asian Studies Development). Albany: SUNY Press, 1995.* Iser, W. Immanente Aesthetik, ästhetische Reflexion. Munich: Fink, 1969. Jardí, Enric. Esquema d'una sociología de l'art. Barcelona: Dalmáu, 1963. _____. Un altre Laocoont. Barcelona, Ariel, 1963. _____. Otro Laocoonte: Reflexiones sobre los límites de las artes plásticas. Madrid: Aguilar, 1968.* Jauss, Hans-Robert, ed. Die nicht mehr schönen Kunste. Munich: Fink, 1968. Jiménez, José. Imágenes del hombre: Fundamentos de estética. Madrid: Taurus, 1966. _____. La estética como utopía antropológica. Madrid: Tecnos, 1983. _____. "El arco de la estética." A los 70 años de LA DESHUMANIZACIÓN DEL ARTE: Ortega y las vanguardias. Revista de Occidente 168 (May 1995): 5-22.* 14 Kadish, Mortimer R. Reason and Controversy in the Arts. Cleveland: Case Western Reserve UP, 1968. Keene, Donald. "Japanese Aesthetics." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 27-42.* Kockelmans, Joseph J. Heidegger on Art and Art Works. Dordrecht: Martinus Nijhoff, 1985. Krieger, Murray. "My Travels with the Aesthetic." In Revenge of the Aesthetic: The Place of Literature in Theory Today. Ed. Michael P. Clark. Berkeley (CA): U of California P, 2000. 208-36.* Kuhn, H. Vom Wesen und Wirken des Kunstwerks. 1961. Lamarque, Peter. "Criticism, Aesthetics and Analytic Philosophy." In Twentieth-Century Historical, Philosophical and Psychological Perspectives. Ed. Christa Knellwolf and Christopher Norris. Vol. 9 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2001. 323-34.* _____, ed. Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen: Aberdeen UP, 1983. Levinson, Jerrold. Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge UP, 1999. Lewis, Wyndham. Wyndham Lewis on Art: Collected Writings, 1913- 1956. Ed. Walther Michel and C. J. Fox. 1969. Lipps, Theodor. Grundlegung der Ästhetik. Hamburg, 1903. Listowel, C. de. Historia crítica de la estética moderna.. Buenos Aires: Losada, 1954. López Quintás, A. Estética de la creatividad. Madrid: Cátedra, 1978. López Sáenz, Mª Carmen. El arte como racionalidad liberadora: Consideraciones desde Marcuse, Merleau-Ponty y Gadamer. (Aula abierta). Madrid: UNED, 2000.* Lories, E., ed. Philosophie analytique et esthétique. Paris: Méridiens- Klincksieck, 1988. Lovell, Terry. Pictures of Reality: Aesthetics, Politics, and Pleasure. London: British Film Institute, 1982. Machán, S. La estética en la cultura moderna. Barcelona: Gustavo Gili, 1982. Marcuse, Herbert. Die Permanenz der Kunst. Munich, 1977. Medicus, Fritz. "El problema de una historia comparada de las artes." In Emil Ermatinger et al. Filosofía de la ciencia literaria. Trans. Carlos Silva. México: FCE, 1946. 1984. 195-250. Michel, A. La Parole et la beauté: Rhétorique et Esthétique dans la tradition occidentale. Paris: Belles Lettres, 1982. Moles, Abraham A. Information Theory and Aesthetic Perception. Trans. Joel C. Cohen. Urbana: U of Illinois P, 1965. Monpurgo-Tagliabue, G. La estética contemporánea. Buenos Aires: Losada, 1971. 15 Morawski, S. Fundamentos de estética. Barcelona: Península, 1977. Morris, C. W. "Esthetics and the Theory of Signs". Journal of Unified Science 8 (1939): 131-150. Rpt. in Writings on the General Theory of Signs. The Hague, 1971. 415-33. Mukarovsky, Jan. "L'art comme fait sémiologique". Actes du VIIIe Congrès International de Philosophie. Prague, 1936. 1065-72. Munro, Thomas. The Arts and Their Interrelations. New York, 1949. Nolte, Fred O. Art and Reality. Lancaster (PA): Lancaster Press, 1942. Ogden, Richards, and Wood. Foundations of Aesthetics. O'Keefe, Katherine O'Brien, and Margaret J. M. Ezell, eds. Cultural Artifacts and the Production of Meaning. Princeton: Princeton UP, 1993. Ortega y Gasset, José. "Ensayo de estética a manera de prólogo." In Ortega, La deshumanización del arte y otros ensayos de estética. Madrid: Espasa-Calpe, 1987. 139-62. _____. "Diálogo sobre el arte nuevo." In Ortega, La deshumanización del arte y otros ensayos de estética 168-74. Panofsky, E. Idea: Contribución a la historia de la teoría del arte. Madrid: Cátedra, 1980. Pareyson, Luigi. Estetica: Teoria della formatività. Torino, 1954. _____. L'estetica e i suoi problemi. Milan, 1961. Parkhurst, Helen. Beauty: An Interpretation of Art and the Imaginative Life. Prall, D. W. Aesthetic Judgment. Prieto, D. Estética. México: Edicol, 1977. Racionero, Luis, [ed.] Textos de estética taoísta. Madrid: Alianza, 1983. Rader, Melvin. A Modern Book of Esthetics: An Anthology. New York, 1952. Railey, Jennifer M. "Dependent Origination and the Dual Nature of the Japanese Aesthetic." Asian Philosophy 7.2 (1997): 123-33. Ramos, Eugenio. Estudios de estética. México: Instituto de Investigaciones Estéticas, 1963. Raval, Suresh. "Immanuel Kant and Aesthetic Theory." In Raval, Metacriticism. Athens (GA): U of Georgia P, 1981.* Read, Herbert. Arte y sociedad. Trans. Manuel Carbonell. Barcelona: Península, 1970. Trans. of Art and Society. 1936. _____. The Philosophy of Modern Art . London: Faber, n. d. Reid, L. A. A Study in Aesthetics. 1931. Roberts, David. Art and Englightenment: Aesthetic Theory after Adorno. U of Nebraska P, 1991. Ross, Stephen David. A Theory of Art: Inexhaustibility by Contrast. State U of New York P. Rubert de Ventós, Xavier. El arte ensimismado. 1963. Barcelona: Península, 1978. 16 _____. Teoría de la sensibilidad. Barcelona: Península, 1968. _____. La estética y sus herejías. Barcelona: Anagrama, 1974. Sánchez Vázquez, A. Estética y marxismo. México: Era, 1975. Sartre, Jean-Paul. Essays in Aesthetics. New York Washington Square Press. Schaeffer, Jean-Marie. Les Célibataires de l'art: Pour une esthétique sans mythes. (NRF Essais). Paris: Gallimard, 1996. _____. Adieu à l'esthétique. Paris: PUF, 2000. _____. Adiós a la estética. Antonio Machado Libros, 2006. Schlobin, Roger C. The Aesthetic of Fantasy, Literature and Art. Ed. Roger C. Schlobin. Notre Dame: U of Notre Dame P, 1982. Schmidt, S. J. Text, Bedeutung, Aesthetik. Munich: Bayerischer Schulbuch Verlag, 1970. _____. Aesthetizität: Philosophische Beiträge zu einer Theorie des Aesthetischen. Munich: Bayerischer Schulbuch Verlag, 1972. _____, ed. Empirie in Literatur- und Kunstwissenschaft. Munich: Fink, 1979. Schuwer, C. Les deux sens de l'art. Paris: PUF, 1962. Shklovski, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14. _____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.* _____. "Art as Technique." Selection. In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 48-56.* _____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5. _____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.* _____. "L'art comme procédé." In Todorov, Théorie de la littérature 76-97. Shusterman, Richard. Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford: Blackwell, 1992. Souriau, Etienne. La Correspondance des Arts. 1947, 1969. _____. La correspondencia de las artes: Elementos de estética comparada. México: F.C.E., 1965. Sparshott, F. E. The Structure of Aesthetics. Stanco, Michele. "Art and Beauty: Linguistic versus Psychological Aesthetic Theories." RANAM: Recherches anglaises et nord- américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 47-68.* Suly, James. "Aesthetics." Encyclopaedia Britannica. 11th ed. 17 Tatarkiewicz, Wladislaw. History of Aesthetics. 3 vols. The Hague: Mouton, 1970. _____. Historia de seis ideas: Arte, belleza, forma, creatividad, mímesis, experiencia estética. Trans. Francisco Rodríguez Marín. Madrid: Tecnos, 1987. Trans. of Dzieje szesciu pojec. Warsaw: Panstwowe Wydawnictwo Naukowe, 1975. Theodore de Bary, Wm. "The Vocabulary of Japanese Aesthetics, I, II, III." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 43-76.* Tschumi, Raymond. Genése de l'expression littéraire et artistique. Paris, 1993. Uscatescu, J. Fundamentos de estética y estética de la imagen. Madrid: Reus, 1979. Valente, José Angel. "Cuatro referentes para una estética contemporánea." Fin de siglo y futuro de las artes. Revista de Occidente 181 (1996): 21-32.* Valéry, Paul. Teoría poética y estética. Trans. Carmen Santos. Madrid: Visor, 1990. Valverde, J. M. Cartas a un cura escéptico en materia de arte moderno. Barcelona: Seix-Barral, 1959. _____. Introd. to El arte ensimismado. By Xavier Rubert de Ventós. 1963. 2nd ed. Barcelona: Ediciones de Bolsillo, 1979. Wittgenstein, Ludwig. "Lectures of Aesthetics." In Wittgenstein, Lectures and Conversations on Aesthetics, Psychology and Religious Belief. Ed. Cyril Barrett. Oxford: Blackwell, 1978. 1- 40. _____. Lectures and Conversations on Aesthetics, Psychology, and Religious Belief. Ed. Cyril Barrett. Berkeley: U of California P, 1967. Wollheim, Richard. Art and Its Objects. 1980. _____. Art and Its Objects: Second Edition: With Six Supplementary Essays. Cambridge: Cambridge UP, 1992.

Anthologies

Bromwich, David, ed. Romantic Critical Essays. Cambridge: Cambridge UP, 1987.* Carritt, E. F., ed. A Calendar of British Taste from 1600 to 1800. (Anthology). London, 1949. Coleman, Francis J., ed. Contemporary Studies in Aesthetics. New York: McGraw-Hill, 1968. Dickie, George, and Richard Sclafani, ed. Aesthetics: A Critical Anthology. New York: St Martin's, 1977. 18 Genette, Gérard, ed. Esthétique et poétique. (Points; Essais, 249). Paris: Seuil, 1992. Harrison, Charles, and Paul Wood, with Jason Gaiger, eds. Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998.* _____, eds. Art in Theory 1900-1990: An Anthology of Changing Ideas. Oxford: Blackwell, 1992. 1998.* Hertz, Richard, ed. Theories of Contemporary Art. Englewood Cliffs, NJ: Prentice Hall, 1985. Hofstadter, A., and Richard Kuhns, eds. Philosophies of Art and Beauty. New York: Random House, 1964. Roe, John, and Michele Stanco, eds. Inspiration and Technique. Ancient to Modern Views on Beauty and Art. Bern: Peter Lang, 2007.

Bibliographies

Draper, John W. Eighteenth Century English Aesthetics: A Bibliography. Heidelberg, 1931. "Estetica: Una bibliografia internazionale." Società Italiana di Estetica website. http://www.siestetica.it/f 2009 García Landa, José Angel. "Aesthetics: General." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (damnscribed) 29 Jan. 2015.* https://es.scribd.com/doc/254050295/ 2015 _____. "Aesthetics." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (MaríaJoséFradeValentín) 8 Aug. 2015.* https://es.scribd.com/doc/273897457/Bibliografia-Estetica 2015 Wikipédia: L'Éncyclopédie libre (Liste d'historiens de l'art et de théoriciens de l'art). http://fr.wikipedia.org/wiki/Bibliographie_d %27histoire_et_de_th%C3%A9ories_de_l%27art 2010 19 Dictionaries

Hall, J. Diccionario de temas y símbolos artísticos. Trans. J. Fernández Zulaica. Madrid: Alianza, 1974. 1983.

Journals

Aesthetics and Philosophy of Art eJournal SSRN http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html 2013

Aisthesis: Pratiche, linguaggi e saperi dell'estetico Vol. 8.1 (2015) Firenze University Press http://www.fupress.net/index.php/aisthesis/issue/current 2015

Arte, individuo y Sociedad Servicio de Publicaciones de la Universidad Complutense de Madrid Vol. 15 (2003). http://www.ucm.es/BUCM/revistasBUC/portal/modules.php? name=Revistas2&id=ARIS 2007-01-25

British Journal of Aesthetics 22.3 (Summer 1982).

Journal of Aesthetic Education 3 (1969).

Representations University of California Press Journals 2120 Berkeley Way Berkeley C A USA 94720 Phone: 510/642 Fax: 510/643-7127 Vol. 8 (1984).

Revue d'Esthétique. Special Samuel Beckett issue, 1986. 20

Rivista di Estetica 2 (1984).

Symbolism: An International Journal of Critical Aesthetics. Ed. Rüdiger Ahrens. (U of Würzburg). New York: AMS Press. 56 East 13th St. New York, NY 10003-4686. Fax (212) 995-5413. Vol 1 (1998).

Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 3 (1908), 4 (1909).

Series

(Meridian: Crossing Aesthetics, 1). Series ed. Werner Hamacher. Stanford (CA): Stanford UP, 2001.

(Foundations in the Philosophy of the Arts). Series ed. Philip Alperson. Oxford: Blackwell, c. 2008.

(Meridian: Crossing Aesthetics). Ed. Werner Hamacher. Stanford (CA): Stanford UP, c. 2000.

Societies and institutions

Società Italiana di Estetica http://www.siestetica.it/f 2009