Norms of Testimony in Broad Interdisciplinarity: the Case of Quantum Mechanics in Critical Theory
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UC Berkeley Recent Work
UC Berkeley Recent Work Title Emotional Meaning Making with Data Permalink https://escholarship.org/uc/item/5nn8m5nj Author Howell, Noura Publication Date 2020-04-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Emotional Meaning Making with Data by Noura Howell Adissertationsubmittedinpartialsatisfactionofthe requirements for the degree of Doctor of Philosophy in Information Management and Systems and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Associate Professor Kimiko Ryokai, Chair Professor John Chuang Associate Professor Greg Niemeyer Associate Professor Abigail De Kosnik Spring 2020 1 Abstract Emotional Meaning Making with Data by Noura Howell Doctor of Philosophy in Information Management and Systems in School of Information and the Designated Emphasis in New Media University of California, Berkeley Associate Professor Kimiko Ryokai, Chair How many steps did you take today? Counting steps may seem like a clear-cut number, but this number is embroiled in bigger goals around health, broadly conceived, how we feel about our bodies, behavior, and lifestyle. We engage these issues on a personal level while also influenced by social relationships and societal narratives. Technologies such as step- counters influence what “counts”, or what seems important, valid, or worthwhile. In addition to step counts, other physiological sensors are increasingly embedded in wearables, walls, and furniture, producing data–implicitly deciding what “counts”–about people’s bodies, behaviors, and even claiming to measure thoughts and feelings. My work in this space starts from the simple yet often-overlooked observation that these are embodied social and emotional issues. -
Sounding Situated Knowledges
Title Sounding Situated Knowledges - Echo in Archaeoacoustics Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/15312/ Dat e 2 0 1 7 Citation Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1 3 5 3-4 6 4 5 Cr e a to rs Goh, Annie Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Articles Sounding Situated Knowledges: Echo in Archaeoacoustics 1. Introduction What is at stake in considering how sound and listening produce knowledge? This article proposes that sound studies, largely occupied with theorizing how knowledge is produced through sound and listening, requires a greater interrogation of the subject-object relation via feminist epistemologies. I draw on the language of science studies to understand all sound studies scholarship as some form of sonic knowledge production. Feminist epistemologies, positioned against a presumed neutrality in science and philosophy, have demonstrated the uncritical continuation of a traditional subject-object dualism to be a crude limitation on knowledge practices. Much of this work has taken the gesture of ‘opening up’ and asking how re-thinking commonly held notions can lead to new insights into existing paradigms.11 This has been articulated in Evelyn Fox Keller’s hugely influential work on gender and science where notions of the masculinist objectivity in Western science are analysed. Keller writes of her investigation into how a ‘different subjectivity […] would affect our conception of science’ and alludes to a goal of ‘enabling us to glimpse what a science less constrained by such an ideology might look like’. -
Data Science As Machinic Neoplatonism
Data Science as Machinic Neoplatonism Dan McQuillan Philosophy & Technology ISSN 2210-5433 Philos. Technol. DOI 10.1007/s13347-017-0273-3 1 23 Your article is published under the Creative Commons Attribution license which allows users to read, copy, distribute and make derivative works, as long as the author of the original work is cited. You may self- archive this article on your own website, an institutional repository or funder’s repository and make it publicly available immediately. 1 23 Philos. Technol. DOI 10.1007/s13347-017-0273-3 RESEARCH ARTICLE Open Access Data Science as Machinic Neoplatonism Dan McQuillan 1 Received: 22 October 2016 /Accepted: 2 August 2017 # The Author(s) 2017. This article is an open access publication Abstract Data science is not simply a method but an organising idea. Commitment to the new paradigm overrides concerns caused by collateral damage, and only a coun- terculture can constitute an effective critique. Understanding data science requires an appreciation of what algorithms actually do; in particular, how machine learning learns. The resulting ‘insight through opacity’ drives the observable problems of algorithmic discrimination and the evasion of due process. But attempts to stem the tide have not grasped the nature of data science as both metaphysical and machinic. Data science strongly echoes the neoplatonism that informed the early science of Copernicus and Galileo. It appears to reveal a hidden mathematical order in the world that is superior to our direct experience. The new symmetry of these orderings is more compelling than the actual results. Data science does not only make possible a new way of knowing but acts directly on it; by converting predictions to pre-emptions, it becomes a machinic metaphysics. -
Final Paper-Pure
A version of this paper has been accepted for publication on the DATA BASE for Advances in Information Systems, Vol. 47, issue 3, 2016 Doing Sociomateriality Research in Information Systems Amany Elbanna Royal Holloway University of London Abstract This paper agrees with Mueller et al.’s (2016) view that researchers who want to adopt a sociomaterial approach often find themselves confused regarding research methods. However, it departs from Mueller’s et al. suggestion to seek guidance from the structural-functionalist approach of Parsons’ and Shils’ (1951) General Theory of Action. The paper argues that finding a methodological framework for research following a sociomaterial approach has to be consistent with the philosophy, ontology and roots of this approach and that it is limiting to read the post-human approach of sociomateriality through a structural-functionalist lens. The paper briefly reviews the roots of the sociomaterial approach in sociology and information systems and offers a methodological guidance based on Actor Network Theory (ANT) and post ANT/Feminist lenses. Keywords: Sociomateriality, Actor Network Theory, agential realism, research methodology. ACM Categories: J.4, K.2, K.6.0, K.4.0 Introduction In their paper, Mueller et al. (2016) highlight the methodological uncertainty IS researchers experience when doing research based on the ‘sociomateriality’ thinking (Mueller et al. 2016). They then offer methodological guidance based on Parsons and Shils’ (1951) general theory of action (Parsons and Shils 1951a). I agree with Mueller’s et al stance that many scholars have expressed concerns when adopting the sociomateriality approach regarding their data collection and analysis methods. However, I voice concerns regarding seeking methodological guidance from social theories that are fundamentally different from the sociomateriality approach in terms of ontology and philosophical orientation. -
Material Knowledges. Intra-Acting Van Der Tuin's New Materialism With
Enrahonar. An International Journal of Theoretical and Practical Reason 60, 2018 75-91 Material knowledges Intra-acting van der Tuin’s new materialism with Barad’s agential realism Beatriz Revelles-Benavente Universitat de Barcelona. Departament d’Arts Visuals i Disseny [email protected] Reception date: 13-7-2017 Acceptance date: 7-11-2017 Abstract The paper will discuss the theory of Iris van der Tuin’s New Materialism together with Karen Barad’s Agential Realism. The purpose of this approach is to find differing practices that help to construct a turn to what is considered a relational ontology in which ethics, epistemology, ontology and methodology merged into each other. This new paradigm is a transversal approach that generates genealogies of minoritarian philosophies and feminist theories in order to approach matter as a dynamic, agentive and relational entanglement in which human and non-human practices intra-act equally. As a result, a different point of departure is produced in order to generate knowledge, since instead of thinking through separate entities, new materialism and agential realism depart from the relations of those entities understanding them as dynamic processes. Apart from an active approach to mat- ter, these theories are framed under an affirmative approach to theory making, queering the traditional sense of linearity and moving away from dichotomical binaries. Palabras clave: new materialism; contemporary feminism; agential realism; diffractive readings; affirmative critique; queer linearity Resum. Intraaccionar el nou materialisme de Van der Tuin amb el realisme agencial de Karen Barad Aquest article proposa una discussió sobre la teoria del nou materialisme entès per Iris van der Tuin conjuntament amb la teoria del realisme agencial de Karen Barad. -
Expanded Notions of Artmaking Through New Materialism
Artmaking as Entanglement: Expanded notions of artmaking through new materialism Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ramya Nathan Ravisankar, M.F.A. Graduate Program in Arts Administration, Education and Policy The Ohio State University 2019 Dissertation Committee Dr. Jennifer Richardson, Advisor Dr. Jack Richardson Dr. Melinda Rhoades 1 Copyrighted by Ramya Nathan Ravisankar 2019 2 Matter and materiality are integral to the artmaking process, but research into materiality in this realm has been largely unexplored. Instead, discussions and explorations of artmaking practice are articulated with the assumption that the artist is the primary active agent. This dissertation interrogates how artmaking and philosophical inquiry can expand current understandings of the concepts of matter, material, and materiality in artmaking. This study looks to the philosophies of Heidegger and Merleau- Ponty and their reaction to the pervasiveness of Cartesian dualism in Western and their contributions to notions of subjectivity, Being, being-in-the-world, embodiment, and perception, and these ideas form the basis from which this study develops. New materialist thought offers a significant contribution to the discussion of materiality and artmaking practice enacted through this study. This dissertation is expanded through an engagement with the new materialist theories of the feminist philosopher and theoretical physicist Karen Barad. Particularly, Barad’s concept of entanglements as they pertain to her theory of agential realism and her notion of onto-epistemology, or knowing in being, inform the research process in this dissertation. Moving away from merely reflexive accounts that privilege the artist and researcher as the prime subject in artmaking, this study instead embraces a diffractive methodology. -
Queer of Color, Becoming (With) Nonhuman
Queer of Color, Becoming (with) Nonhuman Author: Jiachen Xu Main supervisor: Liamar Durán Almarza, University of Oviedo Support Supervisor: Eszter Timar, Central European Unviersity CEU eTD Collection UNIVERSITY OF OVIEDO, 2018 ERASMUS MUNDUS MASTER’S DEGREE IN WOMEN’S AND GENDER STUDIES Queer of Color, Becoming (with) Nonhuman Author: Jiachen Xu Main supervisor: Liamar Durán Almarza, University of Oviedo Support Supervisor: Eszter Timár, Central European Unviersity University of Oviedo, 26 June 2018 Approval signature: CEU eTD Collection Liamar Durán Almarza i Máster Erasmus Mundus en Estudios de las Mujeres y de Género Erasmus Mundus Master in Women’s and Gender Studies AUTORIZACIÓN PARA CONSULTA DE TESIS DE MÁSTER CON FINES DE INVESTIGACIÓN PERMISSION FOR ACCESS TO MA THESIS FOR RESEARCH PURPOSES Dña./D. / Ms / Mr Jiachen Xu con D.N.I. /pasaporte / passport no.G59543947, como autora/autor de la Tesis de máster titulada / as author of the MA thesis entitled: Queer of Color, Becoming (with) Nonhuman. por medio de este documento expresa su autorización para que dicha obra sea utilizada con carácter no lucrativo y con fines exclusivos de investigación. Deberán respetarse, en todo caso, los derechos que le asisten, establecidos en el Real Decreto Legislativo 1/1996 de 12 abril, por el que se aprueba el Texto Refundido de la Ley de Propiedad Intelectual y en particular, conforme a su artículo 14.3º, el de que sea siempre reconocida su condición de autora/autor del trabajo, con inclusión del nombre y la referencia completa de la fuente, cuando se proceda a la reproducción directa o indirecta del contenido o de las ideas que aparecen en él. -
Placentations: Agential Realism and the Science of Afterbirths
Placentations: Agential Realism and the Science of Afterbirths By Rebecca Scott Yoshizawa A dissertation submitted to the Department of Sociology in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario August 2014 Copyright © Rebecca Scott Yoshizawa Abstract According to biological sciences, placentas are transient organs that are necessary for mammalian fetal development and produced by interaction of maternal and fetal cells, a process called “placentation.” The aim of this dissertation is to understand as well as elucidate effects of placentations. I employ an agential realist framework to do this analysis. As developed by Karen Barad, agential realism is a performative theory of the irreducible entanglement of matter and discourse that relates knowing and being as inseparable. Intra-action is the foundational operationalization of agential realism. Unlike interaction, which assumes that agential entities pre-exist their meeting, intra-action refers to the entanglement of mutually constituted agencies. Informed by this ‘onto- epistemology,’ I define placentation as the differential and entangled intra- and inter- species, intra- and inter-cultural, and intra- and inter-disciplinary production of placentas. This definition is ‘naturalcultural,’ presuming that nature and culture are not distinct realms occupied by distinct kinds of beings. Rather, such a duality is a performative effect of what Barad calls agential cuts enacted by the specific apparatuses that are employed to understand it. To understand placentation naturalculturally requires the breaching of disciplinary boundaries that relegate ‘culture’ as a topic proper to the social sciences and ‘nature’ to science. This dissertation breaches these boundaries, and in so doing opens up new avenues for thinking about placentations and their consequences. -
I Am Because We Are. - Ethical Consequences of Agential Realism
I am because we are. - Ethical consequences of agential realism Rows and rows of shipping containers filled with consumption [photo: Stephan Zirwes, www.stephanzirwes.com] By: Nils Patrik Svensson Supervisor: Anders Bartonek Södertörn University | School of Culture and Education Bachelor’s thesis 15 credits Philosophy | Spring 2021 Patrik Svensson Contents Abstract ...................................................................................................................................... 3 Introduction ................................................................................................................................ 4 Creating the void .................................................................................................................... 4 A new foundation ................................................................................................................... 6 Part 1: What is agential realism? ............................................................................................... 9 Performative research ............................................................................................................. 9 Phenomena and apparatuses ................................................................................................. 10 Agential cuts and agency...................................................................................................... 11 Part 2: Forgetting the void ...................................................................................................... -
Social Studies of Science
Social Studies of Science http://sss.sagepub.com/ Erasers and Erasures: Pinch's Unfortunate 'Uncertainty Principle' Karen Barad Social Studies of Science published online 20 April 2011 DOI: 10.1177/0306312711406317 The online version of this article can be found at: http://sss.sagepub.com/content/early/2011/04/20/0306312711406317.citation Published by: http://www.sagepublications.com Additional services and information for Social Studies of Science can be found at: Email Alerts: http://sss.sagepub.com/cgi/alerts Subscriptions: http://sss.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Downloaded from sss.sagepub.com at UNIV OF CALIFORNIA SANTA CRUZ on April 24, 2011 Author’s Response Social Studies of Science 1–12 Erasers and erasures: © The Author(s) 2011 Reprints and permission: sagepub. Pinch’s unfortunate co.uk/journalsPermissions.nav DOI: 10.1177/0306312711406317 ‘uncertainty principle’ sss.sagepub.com Karen Barad Feminist Studies, History of Consciousness, and Philosophy, UC Santa Cruz, Santa Cruz, CA, USA ‘What could and should the relationship be to our subject matter in science studies – especially when we increasingly work on the same sorts of topic as the people we study?’ This is the question that Trevor Pinch (2011: p. 1) places at the center of his review of Meeting the Universe Halfway (Barad, 2007). The nature of the relationship between science and science studies is an important issue that I care about a great deal, and the opportunity to engage this question constructively motivates my response. While Pinch and I agree on the question’s importance, I depart from his theoretical assessment of the issues, his approach to answering the question, and the answer he proffers. -
Photomediations: a Reader Photography / Media Studies / Media Arts
Photomediations: A Reader A Photomediations: Photography / Media Studies / Media Arts Photomediations: A Reader offers a radically different way of understanding photography. The concept that unites the twenty scholarly and curatorial essays collected here cuts across the traditional classification of photography as suspended between art and social practice to capture the dynamism of the photographic medium today. It also explores photography’s kinship with other media - and with us, humans, as media. The term ‘photomediations’ brings together the hybrid ontology of ‘photomedia’ and the fluid dynamism of ‘mediation’. The framework of photomediations adopts a processual, and time-based, approach to images by tracing the technological, biological, cultural, social and political flows of data that produce photographic objects. & Zylinska Kuc Contributors: Kimberly K. Arcand : David Bate : Rob Coley : Charlotte Cotton : Joseph DePasquale : Alexander García Düttmann : Mika Elo : Paul Frosh : Ya’ara Gil-Glazer : Lee Grieveson : Aud Sissel Hoel : Kamila Kuc : Zoltan G. Levay : Frank Lindseth : Debbie Lisle : Rafe McGregor : Rosa Menkman : Melissa Miles : Raúl Rodríguez-Ferrándiz : Travis Rector : Mette Sandbye : Jonathan Shaw : Ajay Sinha : Katrina Sluis : Olivia Smarr : Megan Watzke : Joanna Zylinska Cover image: Bill Domonkos, George, 2014 CC BY-SA PHOTOMEDIATIONS: A READER edited by Kamila Kuc and Joanna Zylinska Photomediations: A Reader Photomediations: A Reader arose out of the Open and Hybrid Publishing pilot, which was part of Europeana Space, a project funded by the European Union’s ICT Policy Support Programme under GA n° 621037. See http://photomediationsopenbook.net Photomediations: A Reader Edited by Kamila Kuc and Joanna Zylinska In association with Jonathan Shaw, Ross Varney and Michael Wamposzyc OPEN HUMANITIES PRESS London, 2016 First edition published by Open Humanities Press 2016 © Details of copyright for each chapter are included within This is an open access book, licensed under Creative Commons By Attribution Share Alike license. -
The Social Organisation of Science As a Question for Philosophy of Science
JAANA EIGI The Social Organisation of Science as a Question for Philosophy of Science University of Tartu 2016ŀ The dissertation has been accepted for defence of the degree of Doctor of Philosophy (PhD) in Philosophy by the Council of the Institute of Philosophy and Semiotics, University of Tartu, on the 6 th of June 2016. Supervisor: Dr Endla Lõhkivi Opponent: Dr Kristina Rolin (University of Helsinki, Finland) Defence: the dissertation will be defended at the University of Tartu, Estonia, on the 17 th of August 2016, at 14.15, in the Senate Hall of the University of Tartu. The work on the dissertation has been supported by the Graduate School of Linguistics, Philosophy and Semiotics at the University of Tartu; the European Social Fund’s Doctoral Studies and Internationalisation Programme DoRa, which is carried out by Foundation Archimedes; the national scholarship programme Kristjan Jaak, which is funded and managed by Archimedes Foundation in collaboration with the Ministry of Education and Research; the Centre of Excellence in Estonian Studies (European Union, European Regional Development Fund) and the research projects IUT20-5 (Estonian Ministry of Education and Research) and PUT732 (Estonian Research Council). 2 ACKNOWLEDGEMENTS.......................................................................5 INTRODUCTION ......................................................................................7 CHAPTER 1. PHILOSOPHY GONE SOCIAL ...................................10 1.1 Introduction ...................................................................................................................