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Univerzita Palackého V Olomouci Univerzita Palackého v Olomouci Filozofická fakulta Katedra Muzikologie Hans Hampel Zapomenutý klavírista a skladatel devatenáctého století Bakalářská práce Olomouc 2010 Filip Chobot Vedoucí práce PhDr. Jiří Kopecký, Ph.D. Prohlašuji, že jsem práci zhovotil samostatně a na základě citovaných pramenů a literatury. Olomouc 30. 4. 2010 Upřímně děkuji svému vedoucímu práce PhDr.. Jiřímu Kopeckému, Ph. D., který mě svým příkladem a entuziasmem dovedl ke spistředěnému studiu, svým rodičům a své sestře za jejich neustálou podporu a mé přítelkyni Maryle. Obsah Obsah Obsah....................................................................................................................................................1 Úvod.....................................................................................................................................................4 Pramenná základna...............................................................................................................................5 Skladatelovo prostředí..........................................................................................................................7 Romantismus a jeho nepřítel............................................................................................................7 Praha................................................................................................................................................8 Hudební prostředí........................................................................................................................9 Koncertní provoz....................................................................................................................9 Salonní hudba, přerod od „dvorního“ prostředí k „existenčnímu“......................................10 Skryté společnosti jako nástroj vývoje.................................................................................12 Skladatel kontra Genius........................................................................................................13 Umění........................................................................................................................................13 Časopis Ost und West................................................................................................................14 Stav hudebního vzdělání v 19. století............................................................................................15 Hudební teorie...........................................................................................................................16 Studenti Václava Tomáška........................................................................................................16 Jan Václav Tomášek a jeho institut......................................................................................17 Eduard Hanslick...................................................................................................................17 Jan Hugo Václav Voříšek.....................................................................................................18 Alexander Dreyschock.........................................................................................................18 Julius Schullhof....................................................................................................................19 Ignátz Tedesco......................................................................................................................19 Jakob Emil Hock..................................................................................................................19 Davidovo spiknutí..........................................................................................................................20 Předchůdce v Robertu Schumannovi...................................................................................20 Reakce na Davidovo bratrstvo.............................................................................................20 Členové Davidova spiknutí.......................................................................................................21 August Wilhelm Ambros......................................................................................................21 1 Friedrich Bach......................................................................................................................21 Měnící se tvář hudby......................................................................................................................22 Hudební produkce Lipska..............................................................................................................23 Revoluční rok 1848 jako předěl epoch..........................................................................................24 Druhá polovina století jako éra národní hudby..............................................................................25 Stav německého hudebního prostředí.......................................................................................27 Člověk brodící se v chaosu národních stereotypů.....................................................................28 Hans Hampel......................................................................................................................................30 Biografie........................................................................................................................................30 Hampelův odkaz.......................................................................................................................32 Rozbor skladeb...................................................................................................................................33 Lieb Ahnchen.................................................................................................................................33 I. Liebeslied und Lebeswohl.....................................................................................................33 II. Schwermuth..........................................................................................................................34 III. Trauermarsch.......................................................................................................................34 IV. Am Kirchhof........................................................................................................................35 Ave Maria......................................................................................................................................36 An Laura........................................................................................................................................37 Humoreska.....................................................................................................................................38 Praeludium und Fuge Op. 21.........................................................................................................42 Preludium.............................................................................................................................42 Fuga......................................................................................................................................42 Trauermarsch.................................................................................................................................44 Pět lístků do památníku..................................................................................................................45 Mazurky.........................................................................................................................................47 Op. 31 a 41................................................................................................................................47 Invitation allá Polka op. 17............................................................................................................48 Variace pro levou ruku op. 26........................................................................................................49 Troisiéne Valse Brillante op. 18.....................................................................................................51 Flüchtige Gedanken.......................................................................................................................52 Číslo 10.....................................................................................................................................52 Číslo 11 ....................................................................................................................................53 Číslo 12.....................................................................................................................................53 Vzletné myšlenky op. 44...............................................................................................................54 2 Číslo 13.....................................................................................................................................54 Číslo 14.....................................................................................................................................54 Číslo 15.....................................................................................................................................55 Cyklus Idyly I. – III. op 30 ...........................................................................................................56
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