British Diplomatic Oral History Programme
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Notes Introduction 1 . Kristan Stoddart, Losing an Empire and Finding a Role: Britain, the USA, NATO and Nuclear Weapons, 1964–1970 (Basingstoke: Palgrave Macmillan, 2012) and Kristan Stoddart, The Sword and the Shield: Britain, the USA, NATO and Nuclear Weapons, 1970–1976 (Basingstoke: Palgrave Macmillan, 2014). 2 . He eventually defeated Michael Foot in the leadership run-off. Foot would succeed Callaghan as leader in 1980, defeating Denis Healey. 3 . James Callaghan, Time and Chance (London: Fontana, 1988), pp. 385–408. 4 . David McKie, ‘Lord Callaghan Labour prime minister who, uniquely, held all four of the great offices of state, but whose consensus politics were washed away in the late 1970s’, The Guardian , 28 March 2005. 5 . ‘Why grass roots protests are now a “Must”’, The Guardian , 4 March 2010. 6 . Callaghan, Time and Chance , p. 400. 7 . Ibid. p. 448. 8 . Denis Healey, The Time of My Life (London: Penguin, 1990), pp. 388–464. 9 . Ibid. pp. 381, 393, 422–424, 429–435 and Callaghan, Time and Chance , pp. 413–447, 478, 498, 515. 10 . For a comprehensive synopsis see Richard Vinen, Thatcher’s Britain: The Politics and Social Upheaval of the 1980s (London: Simon and Schuster, 2009). 11 . Andy McSmith, ‘Margaret Thatcher obituary: the most divisive political leader of modern times’, The Independent , 8 April 2013. 12 . Quoted in Peter Hennessy, The Prime Minister: The Office and Its Holders Since 1945 (London: Allen Lane, 2000), pp. 408, 397–436. 13 . www.chu.cam.ac.uk/archives/collections/BDOHP/Coles.pdf, accessed 10 August 2013. 14 . John Nott, Here Today, Gone Tomorrow: Recollections of an Errant Politician (London: Politico’s, 2002), p. -
Windsor Park Seminar Berlin: the British Perspective 1945-1990 1-2 September 2009 Cumberland Lodge, Windsor Park, London
The Allied Museum Berlin The Windsor Park Seminar Berlin: The British Perspective 1945-1990 1-2 September 2009 Cumberland Lodge, Windsor Park, London TABLE OF CONTENTS Ambassadors’ Notes......................................................................................................................3 Foreword .........................................................................................................................................4 List of Participants – Windsor Park Seminar .............................................................................5 THE TRANSCRIPT OF THE WINDSOR PARK SEMINAR Notes of Welcome .........................................................................................................................8 Introductory Session ...................................................................................................................12 The German Problem and the Balance of Power Prime Minister Margaret Thatcher 1987-1989 First Panel .....................................................................................................................................36 The Fall of the Berlin Wall: London – Bonn – Berlin (East and West) Second Panel ................................................................................................................................57 Flashpoint Berlin: How Cold was the Cold War? Third Panel ...................................................................................................................................74 Strange Normality: What -
© 2020 Thornton Miller
© 2020 Thornton Miller REACHING THROUGH THE IRON CURTAIN: PRACTICALITIES IN THE ANGLO-SOVIET CULTURAL EXCHANGE OF MUSIC AND MUSICIANS, 1955-1975 BY THORNTON MILLER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology with a minor in Russian, East European, and Eurasian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2020 Urbana, Illinois Doctoral Committee: Associate Professor Christina Bashford, Chair and Director of Research Professor Donna A. Buchanan Professor Diane Koenker, University College London Professor Gayle Sherwood Magee ABSTRACT This dissertation is an investigation of the position of British and Soviet music professionals (such as composers, concert agents, performers, and publishers) in the interchange of music and musicians between the United Kingdom and the Soviet Union from 1955 to 1975. This study determines how they were able to circumvent the difficulties inherent in these exchanges in order to further their own goals, and not on behalf of their governments’ political or ideological aims (which were focused explicitly on reducing Cold War tensions, and implicitly on cultural competition). A significant portion of these professionals were interested in material gain, while others sought to gain access to foreign audiences, music, and musicians. After setting the historical context for the opening of Anglo-Soviet cultural relations in the mid-1950s, I present four case studies that explore different aspects of these exchanges: 1) the concept of compatibility between the musical style of British and Soviet composers, 2) how Soviet performers and theater directors negotiated with the Soviet system to acquire and utilize their agency, 3) the attempts of both British and Soviet parties to facilitate the exchange of intellectual property, and 4) the position of British concert agents who profited from the interchange of performers between the UK and the USSR.