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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Epica Lyriel Freedom Call Robin Trower Bret Hard
www.rtp-bonn.de Nr. 1 · Frühjahr 2012 KÖLN | DÜSSELDORF rockt! Region BONN | KOBLENZ | KOSTENLOS 24.03., Andernach, JUZ EPICA LYRIEL 30.03. FREEDOM CALL Andernach, JUZ ROBIN TROWER mit Terminkalender zum Herausnehmen BRET HARD RECORDS Liebe Leser, * 23.03.1932 � 25.02.2012 das Jahr 2012 ist nun schon zwei Monate alt und einige tolle Konzerte sind mit Erfolg gelaufen. Doch auch in den kommenden Monaten haben wir tolle Events für euch organisiert. In Andernach, Juz schwingen wir die Heavy Metal-Keule mit RAGE, EPICA, FREEDOM CALL, zudem stellen wir euch das Juz vor (schade, so etwas gibt es in Bonn nicht!). Außerdem gibt es Interviews zu kommenden Konzerten mit ROBIN TROWER, PERZONAL WAR, LYRIEL etc. Im Businesstalk stellen wir Chris von Bret Hard Records vor. Wir wünschen euch ein schönes Jahr 2012 und viel Erfolg bei euren Plänen und Vorsätzen. Ach ja, ab jetzt ist das Wir möchten diese Ausgabe dem Bluesmusiker LOUISIANA RED (bürger- lich Iverson Minter) widmen, der am 25.02.2012 im Alter von 79 Jahren Heft komplett farbig, schreibt doch mal, wie Euch das unerwartet gestorben ist. Das geplante Konzert am 7.4. Bonn, Harmonie neue Layout gefällt. fällt damit natürlich aus. Er war einer der letzten großen amerikanischen Delta Blues-Musiker. Die beiden Konzerte, die wir in der Harmonie mit ihm Viel Spaß beim Lesen, veranstaltet haben (2006/07), werden uns immer in toller Erinnerung blei- Jürgen + Manni ben. Rest in Peace, Red! Impressum: INHALT SEITE Verlag: Interview: FREEDOM CALL . 4 SP Medienservice Friesdorferstr. 122, 53173 Bonn Interview: RAGE . 6+7 Tel.: 0228 / 390 22-0, Fax: 0228 / 390 22-10 Business Talk: Chris Brett Hard Records . -
Gesamtübersicht
Gesamtübersicht: INTERPRET TITEL ACCEPT BLOOD OF THE NATIONS ACCEPT RISE OF CHAOS,THE ALTER BRIDGE AB III AMITY AFFLICTION,THE THIS COULD BE HEARTBREAK AMORPHIS UNDER THE RED CLOUD ANNIHILATOR ALICE IN HELL ANNIHILATOR NEVER,NEVERLAND DIE APOKALYPTISCHEN REITER DER ROTE REITER ASKING ALEXANDRIA ASKING ALEXANDRIA AVATARIUM HURRICANES AND HALOS AVENGED SEVENFOLD HAIL TO THE KING BEHEMOTH THE SATANIST BELPHEGOR BLOOD MAGICK NECROMANCE BETONTOD 1000XLIVE BIFFY CLYRO ONLY REVOLUTIONS BIFFY CLYRO OPPOSITES BILLY TALENT AFRAID OF HEIGHTS BLACKBERRY SMOKE LIKE AN ARROW BLINK-182 CALIFORNIA BLUES PILLS LADY IN GOLD BOLT THROWER REALM OF CHAOS BONFIRE PEARLS BROKEN TEETH HC AT PEACE AMONGST CHAOS CAVE,NICK&THE BAD SEEDS LOVELY CREATURES-THE BEST OF CELLAR DARLING THIS IS THE SOUND CELTIC FROST INNOCENCE AND WRATH (BEST OF) CELTIC FROST INTO THE PANDEMONIUM (DELUXE E CELTIC FROST TO MEGA THERION (DELUXE EDITIO CELTRIC FROST MORBID TALES (DELUXE EDITION) CHILDREN OF BODOM HALO OF BLOOD DEFTONES GORE DESTRUCTION UNDER ATTACK DIABLO BLVD ZERO HOUR DIMMU BORGIR DEATH CULT ARMAGEDDON DISTURBED DISTURBED-LIVE AT RED ROCKS DISTURBED IMMORTALIZED DISTURBED INDESTRUCTIBLE THE DOOMSDAY KINGDOM THE DOOMSDAY KINGDOM DORO STRONG AND PROUD DREAM THEATER THE ASTONISHING ENSLAVED E EPICA THE QUANTUM ENIGMA FISCHER-Z BUILDING BRIDGES GOJIRA L‘ENFANT SAUVAGE HALESTORM INTO THE WILD LIFE (DELUXE) HATEBREED THE CONCRETE CONFESSIONAL INTERPRET TITEL IN FLAMES BATTLES IN THIS MOMENT BLACK WIDOW IRON MAIDEN DEATH ON THE ROAD (LIVE) IRON MAIDEN FEAR OF THE DARK IRON MAIDEN -
Live to the Metal Music Živi Uz Metal Muziku
LIVE TO THE METAL MUSIC ŽIVI UZ METAL MUZIKU Autori: JOVANA KAZIMIROVIĆ IVA NICULOVIĆ VIII razred, OŠ “Branko Radičević” Negotin Regionalni Centar za talente Bor Mentor: VESNA PRVULOVIĆ prof. Engleskog jezika i književnosti, OŠ “Branko Radičević” Negotin Negotin, aprila 2013. godine 1 Contents Abstract……………………………………………………………………………………3 Summary…………………………………………………………………………………..4 Introduction………………………………………………………………………………..5 Metal music………………………………………………………………………………..6 Sub-genres of Heavy Metal……………………………………………………………….10 Conclusion………………………………………………………………………………...15 2 Abstract Metal is a movement of music that started essentially with the heavy rock movements. While there was not actual metal during that time, bands were experimenting with heaviness, and it was no surprise that the first metal band (Black Sabbath) was soon to be born. Metal music is a worldwide form of music that has held the attention of younger generations for over 50 years. Metal music has branched off into different sub genres, but one thing is the main motivator for the survival of metal music through all the generations. That is a need for younger generations to rebel against the status quo, to express themselves and their frustration of an outdated way of life. This paper presents the development of metal music from the 1960s to the present day, with special emphasis on some of the metal sub-genre of music. Originally, metal was one genre. But as time passed more genres were born. Today metal is a global movement and has hundreds of sub-genres such as Heavy, Death, Black, Doom, Power, Thrash, Speed, Folk, Industrial, Symphonic, Gothic & Nu-Metal, to name just a few. They range from sheer brutality to smooth and melodic rhythms. -
Heavatar We Sell the Dead Hyborian Saxon Judas
POP EVIL AMERICAN NIGHTMARE BLACK LABEL SOCIETY SAXON WE SELL THE DEAD POP EVIL AMERICAN NIGHTMARE GRIMMEST HITS THUNDERBOLT HEAVEN DOESN’T WANT YOU AND HELL IS FULL EONE RISE RECORDS EONE MILITIA GUARD MUSIC EARMUSIC Pop Evil smashes through the odds like a battering To call American Nightmare an iconic hardcore band Black Label Society bandleader Zakk Wylde wields Since the 1970s, Saxon has consistently showcased an “What if Jack the Ripper had played in aheavy metal ram, weathering the trials and tribulations of paying is an understatement. The enigmatic act may have his guitar like a Viking, bashing out thick riffage and ability to take rock ‘n’ roll and give it an electrifying band?” This is the question that formed and influenced dues with a steadfast resilience that owes much to only released two full-length albums since forming squeezing out expressive squeals as if the glory of his edge, cementing their status as pioneers of the British We Sell the Dead. The band go beyond the strains their blue collar and middle-class backgrounds. As the nearly two decades ago, but the band has risen from Berserker brotherhood depends on it. A charismatic heavy metal wave along the way. “This is album 22 of conventional storytelling and create a multi-media moniker promises, Pop Evil conjures aggressive riffs the ashes with an album that expands their legacy beast and consummate showman, Wylde puts his and it’s called Thunderbolt. It’s a storming smashing experience of premium quality heavy metal music and hard charging sing-a-longs with emotional heft and reestablishes them as titans of the genre. -
Spiritually Uncontrolled Art
Spiritually uncon trolled art: Exploring aesthetics of evil in contemporary music Robert Andersson 2011 Uppsats, magisternivå , 15 hp Religionsvetenskap Människa, natur och religionsprogrammet Handledare: Juan Carlos Gumucio Examinator: Peder Thalén Abstract This essay investigates interpretations of evil as expressed in contemporary music, focusing mainly on lyrics in contemporary popular music. The purpose is to analyze whether there is a certain aesthetic embracing of risk and innovation on display when discussing such subject matters, and to relate such aesthetic connotations to cultural and religious aspects. Lyrical interpretations of evil in a musical context appear to be existent in different forms and are in various ways attempts to integrate the existence of evil acts, as leading to suffering and pain, by incorporating such themes into lyrical material. There appears to be a possible aesthetic embraced when artists are advocating evil acts, however, not totally separable from the aesthetics of the extreme metal scene. Such forms of creative practice appear as reliant on the dialectic between historical perceptions of morality, modern society as globalized, segmented and restructured and the reoccurrence of religion in a secularized perspective. Themes regarding evil appear in this form of aesthetic in different ways to traditional discourse; making use of historical and contemporary images of evil and portraying them as desirable in various ways. In some instances such creative release is also linked to religious belief and practice, making the artistic performance equivalent of a transcendental event. Keywords Aesthetics, contemporary music, culture, extreme metal, evil, modernism, music lyrics. 2 Table of contents Abstract ...................................................................................................................................... 2 Table of contents........................................................................................................................ 3 1. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
La Influencia De La Narrativa De Joseph Conrad En El Cine Y El Rock’N’Roll: Análisis De Tres Canciones Inspiradas En Heart of Darkness
LA INFLUENCIA DE LA NARRATIVA DE JOSEPH CONRAD EN EL CINE Y EL ROCK’N’ROLL: ANÁLISIS DE TRES CANCIONES INSPIRADAS EN HEART OF DARKNESS Jesús Martínez Navajas [email protected] Resumen Este artículo trata sobre la influencia de la novela Heart of Darkness, escrita por Joseph Conrad, en dos de las manifestaciones artísticas más importantes en la cultura popular con- temporánea, el cine y el rock’n’roll, mediante el estudio y análisis de tres canciones cuyas letras se inspiran en esa obra literaria. Palabras Clave: Literatura comparada, Joseph Conrad, Heart of Darkness, rock’n’roll, cine. Abstract This article deals with the influence of the novelHeart of Darkness by Joseph Conrad in rock’n’roll and cinema, two of the main artistic expressions in contemporary popular culture, through the analysis of three songs which are inspired by that literary work. Keywords: Comparative literature, Joseph Conrad, Heart of Darkness, rock’n’roll, cinema. EPOS, XXXI (2015) págs. 453-474 454 JESÚS MARTÍNEZ NAVAJAS 1. INTRODUCCIÓN 1.1. Introducción al estudio y sus parámetros principales a) “Literary covers”: un estudio de literatura comparada Este artículo trata sobre la influencia de la narrativa de Joseph Conrad en el rock’n’roll principalmente y en el cine, con el objetivo de explorar nuevos horizontes de la crítica lite- raria bajo el marco general de los estudios culturales populares1. Al igual que se ha hecho con el cine, este estudio desarrolla una metodología basada a grandes rasgos en la literatura comparada2, con la diferencia de que se comparan textos literarios con musicales, e incluso también fílmicos (guiones), para tratar de desentrañar todas las conexiones existentes entre las tres manifestaciones artísticas. -
Exploring Theater As a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía
MY HEART IS IN THE EAST: EXPLORING THEATER AS A VEHICLE FOR CHANGE, INSPIRED BY THE POETIC PERFORMANCES OF ANCIENT ANDALUCÍA JESSICA LITWAK A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May, 2015 This is to certify that the Dissertation entitled: MY HEART IS IN THE EAST: EXPLORING THEATER AS A VEHICLE FOR CHANGE, INSPIRED BY THE POETIC PERFORMANCES OF ANCIENT ANDALUCÍA prepared by Jessica Litwak is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change Approved by: Carolyn Kenny, Ph.D., Chair date Elizabeth Holloway, Ph.D., Committee Member date D. Soyini Madison, Ph.D., Committee Member date Dara Culhane, Ph.D., Committee Member date Magdalena Kazubowski-Houston, Ph.D., External Reader date Copyright 2015 Jessica Litwak All rights reserved Acknowledgments No theater project is ever created or produced out by one person. No scholarly work comes out of one mind. No community action is a solo endeavor. The following people have believed in my vision and have edged me toward the completion of this project through many challenges. Their support emotionally, intellectually, and artistically enabled this dissertation to reach fruition. Dr. Carolyn Kenny—A sword in the clouds, an iron orchid, a compassionate warrior and a mother lion, Carolyn was my North Star, my Sherpa, my champion, and my challenger. Without her guidance, this dissertation simply would not have been conceived, written, and finished. During hours of doubt or darkness she offered hope in the form of scholarly articles, poems, stories, parables, gentle scolding, and vigorous pep talks. -
Reflections of the Holocaust in Liesel Meminger's
Death, Friendship, and the Power of Words: Reflections of the Holocaust in Liesel Meminger’s Traumatic Story A Thesis Submitted to The Faculty of the College of Arts and Sciences In Candidacy for the Degree of Master of Arts in English By Jerusha Yoder 1 April 2018 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Jerusha J. Yoder ______________________________________________________________________________ Thesis Chair: Dr. Matthew Towles Date ______________________________________________________________________________ First Reader: Dr. Paul Muller Date ______________________________________________________________________________ Second Reader: Professor Nicholas Olson Date 3 “For the dead and the living, we must bear witness” – Elie Wiesel 4 TABLE OF CONTENTS INTRODUCTION......................................................................................................................... 5 The Underlying Fears and Critical Reception of The Book Thief ............................................... 5 The Collective Experience of Liesel Meminger’s Trauma ....................................................... 12 Exploring Liesel’s Recovery: Death, Friendship, and the Power of Words ............................. 15 Chapter One: The Revealing Voice of Death ........................................................................... 18 Liesel’s Encounter with the Traumatic ..................................................................................... 18 Haunted by Death: Liesel’s Symptomatic -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.