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Anna Everett Professor and Chair Department of Film and Media Studies University of California Santa Barbara, CA 93106-4010 805.893.8706 (Phone) 805.893.8630 (Fax) [email protected]
EDUCATION
Dec. 1996 Ph.D. University of Southern California, School of Cinema-TV, Critical Studies, Los Angeles, CA
June 1993 M.A. University of California, at Los Angeles, Department of Film and Critical Studies, Los Angeles, CA
Aug. 1991 B.A. San Jose State University, Department of Radio-Film and Television, San Jose, CA
EMPLOYMENT
2006-Present Chair, Department of Film Studies, University of California, Santa Barbara, CA
2004-Present: Professor, Department of Film Studies, University of California, Santa Barbara, CA
April 2006 Visiting Professor, University of the Center Faculty of Letters and Humanities, Manouba, Tunisia
April 2005 Fulbright Senior Scholar, University of the Center Faculty of Letters and Humanities, Kairouan, Tunisia
2002-2005: Director, Center for Black Studies, University of California, Santa Barbara, CA
2001-2004: Associate Professor, Department of Film Studies, University of California at Santa Barbara, Santa Barbara, CA
1997-2001 Assistant Professor, Department of Film Studies, University of California at Santa Barbara, Santa Barbara, CA Anna Everett, Curriculum Vitae, Page 2
2001 Belle van Zuylen Chair, Visiting Professor, Departments of Women’s Studies and New Media Studies, University of Utrecht, Netherlands
1999-2000 Director of Undergraduate Studies, UCSB, Department of Film Studies
1996.97 Assistant Professor, Film Studies Program, University of Colorado at Boulder, Boulder, CO
1993 Research Assistant, Center for the Study of Women, University of California, Los Angeles, CA
1989-91 Director of Programming and Public Affairs-KSJS Radio San Jose State University, San Jose, CA
FELLOWSHIPS, GRANTS, AND HONORS
2006.7 MacArthur Foundation, Digital Media Learning Grant 2005 Fulbright Senior Scholars Program (University of the Center Faculty of Letters and Humanities, Kairouan, Tunisia) 2005 Ford Foundation Grant, AfroGEEKS: Global Blackness Conference 2005 Interdisciplinary Humanities Center Collaborative Research Grant, UCSB 2004 Interdisciplinary Humanities Center Collaborative Research Grant, UCSB 2002 Rockefeller Foundation Grant, Race in Digital Space, 2.0 2001-02 Harold J. Plous Award, UCSB Outstanding Assistant Professor, 2001 2001-02 UC Presidents’ Fellowship Award 2000-01 Instructional Improvement Grant, UCSB 1999-00 Instructional Improvement Grant, UCSB 1999.3 Netherlands Research Organization Grant 1999 Oxygen Media Research Project Grant 1999 UCSB Committee on Research Grant 1998 Faculty Career Development Award, UCSB 1996 IMPART Grant, Summer Research Award, University of Colorado, Boulder, CO 1993-97 Ford Foundation Pre-Doctoral Fellowship 1992-93 University Fellowship, UCLA 1990 University Research Grant, San Jose State University
PUBLICATIONS Books
AftoGEEKS: Beyond the Digital Divide. Co-edited with Amber Wallace. Santa Barbara, CA: Center for Black Studies Research, 2007 Anna Everett, Curriculum Vitae, Page 3
Star Decades: Screen Stars of the 1990s. Editor Anna Everett. (Forthcoming) New Brunswick, N.J.: Rutgers UP
New Media: Theories and Practices of Digitextuality. Co-edited with John Caldwell. New York and London: Routledge, 2003
Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949. Durham and London: Duke University Press, 2001
The Revolution will be Digitized: Afrocentricity and the Digital Public Sphere. Uitgave Faculteit der Lettern: Universiteit Utrecht, 2001
Inside the Dark Museum: An Anthology of Black Film Criticism, 1909-1959. In Progress (under contract). Durham and London: Duke University Press
Digital Diasporas: A Race for Cyberspace. Unpublished Manuscript. In Press (SUNY Press)
Articles
“‘Spike, Don’t Mess Malcolm Up’i: Courting Controversy and Control in Malcolm X.” The Spike Lee Reader. Ed. Paula Masood. (Forthcoming) Rutgers University Press: New Brunswick, NJ.
“1961: Movies and Civil Rights.” Screen Decades: The 1960s. Ed. Barry Grant. (Forthcoming) Rutgers University Press: New Brunswick, NJ.
“Serious Play: Playing with Race in Contemporary Gaming Culture.” Handbook of Computer Game Studies. Eds. Joost Raessens and Jeffrey Goldstein. Cambridge, Massachusetts, London, England: MIT Press, 2005.
“Daughters of the Dust: Towards a Womanist Film Aesthetic,” Film Analysis: A Norton Reader. Eds. Jeffrey Geiger and R.L. Rutsky. New York: W.W. Norton & Company, 2005.
“Print the Money: Mediating the 2004 Elections,” Flow. 1.2 (2004)
“Click This: From Analog Dreams to Digital Realities,” Cinema Journal. 43. 3 (2004)
“Trading Private and Public Spaces @ HGTV and TLC: On New Genre Formations in Transformation TV.” Journal of Visual Culture, Vol. 3, No.2 (2004). 157-181.
“Double Click: The Million Woman March on Television and the Internet.” Television After TV: Essays on a Medium in Transition. Eds. Lynn Spigel and Jan Olsson. Durham & London: Duke University Press, 2004. Anna Everett, Curriculum Vitae, Page 4
“On Cyberfeminism and Cyberwomanism: High Tech Mediations of Feminism’s Discontents.” Signs, Vol. 30, No. 1 (2004): 1278-1285.
“Issues in the Theory and Practice of Media Convergence,” with John Caldwell. New Media: Theories and Practices of Digitextuality. Eds. Anna Everett and John Caldwell. New York and London: Routledge, 2003. xi-xxx.
“Digitextuality and Click Theory: Theses on Convergence Media in the Digital Age,” New Media: Theories and Practices of Digitextuality. Eds. Anna Everett and John Caldwell. New York and London: Routledge, 2003. 1-28.
“The Revolution will be Digitized: Afrocentricity and the Digital Public Sphere,” Rpt. In Social Text 71, Vol. 20, No. 2 (2002): 125-146.
“The Other Pleasures: The Narrative Function of Race in the Cinema.” Rpt. Working Paper Series. UCSB Center for Black Studies (2001).
“The Black Press In the Age of Digital Reproduction.” The Black Press: Literary and Historical Essays on the ‘Other Front Page.’” Ed. Todd Vogel. Rutgers UP. New Brunswick, New Jersey, and London: Rutgers University Press; 2001. 244-257.
“P.C. (Post Columbine) Youth Violence: What’s the Internet/Video Gaming Got to do With It?” Denver University Law Review. 77. 4 (2000). 689-98.
“Lester Walton’s Ecriture Noir: Transcoding Cinematic Excess.” Cinema Journal. 39. 3 (2000)
“’I Want the Same Things Other People Enjoy’: The Black Press and the Classic Hollywood Studio System.” Spectator. 17. 1 (1997)
“The Other Pleasures: The Narrative Function of Race in the Cinema.” Rpt. Critical White Studies: Looking Behind the Mirror. Eds. Richard Delgado and Jean Stefanic. Philadelphia: Temple UP, 1997.
“The Other Pleasures: The Narrative Function of Race in the Cinema.” Film Criticism. 10. 1-2 (1995-96): 26-38.
“Recolonizing Africa for the 21 Century.” UFAHAMU. 21. 1&2 (1993): 2-14.
“Civil Rights and Television.” The Encyclopedia of Television. Ed. Horace Newcomb. Chicago and London: Fitzroy Dearborn, 1996.
“The Golden Age of Television.” The Encyclopedia of Television. Ed. Horace Newcomb. Chicago and London: Fitzroy Dearborn, 1996. Anna Everett, Curriculum Vitae, Page 5
Editing
2005-Present: Screening Noir: Journal of Black Film, TV and New Media Culture, for the African, African-American Caucus, Society for Cinema and Media Studies
2004-Present: PMLA (Editorial Advisory Board for the Modern Language Association)
2003-05: Cinema Journal (Editorial Advisory Board, Society for the Society for Cinema and Media Studies)
1997-Present: Screening Noir Online, World Wide Web site of African Diasporic Film and Visual Culture—URL: http://filmstudies.ucsb.edu/~everett/news_letter/index.html
1994-97: Screening Noir, Newsletter of the African, African-American Caucus, Society for Cinema Studies
PROFESSIONAL ACTIVITIES Conferences
Sept. 2007 "The New 'Viral Civil Rights Movement': Race, Place and Space in Digital Media." Frontiers of New Media Conference. Multimedia Presentation. University of Utah, Salt Lake City, UT
April 2007 “The Future of Learning.” Roundtable Speaker. HASTAC Conference. Duke University, Durham, NC
March 2007 “Law & Order: Branding Justice and Codifying Televisual Hyperrealism: Or Why We Love Law & Order.” Paper presentation. SCMS Conference. Chicago, IL.
March 2007 SCMS and the Future of Fair Use Workshop. Participant. SCMS Conference. Chicago, IL.
Dec. 2006 “Towards a Theory of Racialized Pedgogical Zones in Computer Games.” Multimedia Presentation. MLA Conference. Philadelphia, PA.
Dec. 2006 Screening the War Machine: Cinema, Sovereignty, Surveillance. Panel Co-Chair. MLA Conference. Philadelphia, PA.
July 2006 “Serious Play: Further Thoughts on Race and Gender in Computer Games.” Keynote Address. Australian & New Zealand Communication Association (ANZCA) Annual Conference. Adelaide, Australia
March 2006 “Fair Use, Intellectual Property, and Copyright in the Information Age: Should SCMS Take a Stand.” Organized and Chaired Workshop. Anna Everett, Curriculum Vitae, Page 6
SCMS Conference. Vancouver, Canada
March 2006 Panel chair, SCMS, International Conference, Vancouver, Canada
Sept. 2005 “How Africa and the African Diaspora Use Internet Journalism to Speak Truth to Power.” Plenary Talk, Highway Africa Conference, University of Rhodes, Grahamstown, South Africa
April 2005 AAUP, Reinvigorating the Humanities Conference, Panel Participant, University of California, Santa Barbara, CA
May 2005 AfroGEEKS: Global Blackness and the Digital Public Sphere Conference, Conference Organizer, University of California, Santa Barbara, CA
Jan. 2004 “Serious Play: Playing with Race in Computer Games.” Multimedia Presentation, Radica Techika conference, University of California San Diego, CA
April 2004 “Dissenting Women: The Internet, Women and Cultures in Opposition, Paper presented at Dissent Conference, University of the Center Faculty of Letters and Humanities, Kairouan, Tunisia
April 2004 AfroGEEKS: From Technophobia to Techophilia Conference, Conference Organizer, University of California, Santa Barbara, CA
June 2004 “Trading Private and Public Spaces @ HGTV and TLC: On New Genre Formations in Transformation TV,” Paper delivered at Console-ing Passions Conference, New Orleans, LA
Nov. 2004 “Spectatorship and Subjectivity in Melvin B. Tolson’s ‘Big House’ Theory of Cinema,” “The Wings of Atlanta: Atlanta and the Black Public Sphere,” Roundtable Presentation at American Studies Association Conference, Atlanta, GA
Dec. 2004 “Confessions of an AfroGEEK,” Paper delivered at Modern Language Association Conference, Philadelphia, PA
Nov. 2003 “Serious Play: Playing with Race in Computer Games.” Multimedia presentation at New York University “Reconsidering Black Film,” conference, New York, NY
Aug. 2003 “Black Atlantans’ Movie Slants: Some Realities Behind the Southern Box Office Myth.” Panel respondent at American Sociological Association, Atlanta, GA Anna Everett, Curriculum Vitae, Page 7
May 2003 “Identity Traumas: Still Color-Struck After All These Years,” Discussant—Paper presented at International Communication Association, San Diego, CA
Nov. 2002 “A New Black Experience: Black Women and the Internet,” Paper presented at American Studies Conference,Houston, Texas
Oct. 2002 Race in Digital Space Conference, Co-organizer, University of Southern California
Oct. 2002 “Entertaining Race: Representin' Race in New Media Environments,” Panel chair at Race in Digital Space, University of Southern California
May 2002 “Serious Play: Playing with Race in Computer Games,” Panel Co-chair and paper presentation at Entertainment Value Conference, University of California Santa Barbara
May 2002 “Tarrying with our Cinematic Past in the Digital Age, or Click This: From Analog Dreams to Digital Realities,” Plenary Talk at SCS Conference, Denver, Colorado
May 2002 “Making the Point for Power Point in the Classroom,” Workshop Co- organizer and presenter at SCS Conference, Denver, Colorado
May 2002 “Droppin’ Science: Imaging Black Geeks in Technoculture,” Paper presented at SCS Conference, Denver, Colorado
May 2002 “Digital Obsessions: Re-embodiment Practices in a Post-human Age,” Keynote multi-media presentation, Society for Literature and Science Conference, Aarhus University, Aarhus, Denmark
May 2002 “Slave Women,” Legacy of Slavery Conference, Panel Chair, University of California, Santa Barbara
May 2002 “Serious Play: Playing With Race in Computer Games,” Co-Organizer, Co-Chair and Paper presentation in Entertainment Values Conference, University of California, Santa Barbara
April 2002 “The Revolution will be Digitized: Afrocentricity and the Digital Public Sphere,” Multimedia paper presented at Transmissions: Technology, Media and Globalization Conference, University of Wisconsin, Milwaukee
March 2002 “Digital Diasporas: New Africanities in the Digital Age,” Multimedia Presentation at Black Inc. Conference / Film Festival, deBalie, Amsterdam, Netherlands Anna Everett, Curriculum Vitae, Page 8
March 2002 “The Revolution will be Digitized: Afrocentricity and the Digital Public Sphere,” Multimedia paper presentation at Blackness in Global Contexts Conference, U C Davis, Sacramento, CA
Nov. 2001 “The Aesthetics and Ethics of ICT’s,” Multimedia paper presented at Missing Links Conference, Utrecht, Netherlands
Nov. 2001 “Negotiating the Ideologies of Gender, Race, and Nationality,” Panel Chair, American Studies Conference, Washington, D.C.
Oct. 2001 “Audiences and Intertexts,” Women and the Silent Screen Conference, Panel Chair, University of California, Santa Cruz
July 2001 “Towards an Aesthetics of Corporate Feminism: Visual and Rhetorical Styles in Oxygen Media’s TV Shows and Online Content,” Plenary Presentation at Console-ing Passions, Bristol, England
July 2001 “Click Theory and Sensory Plenitude: From Channel Surfing to Web Surfing,” Multimedia Paper presented at Console-ing Passions, Bristol, England
May 2001 “Beyond the Digital Divide: The Black Press Migrates to Cyberspace,” Paper presented at Society for Cinema Studies, Washington, D.C.
May 2001 “Pedagogy in the Age of Interactivity: Students as Content Providers,” Multimedia Paper, Society for Cinema Studies, Washington, D.C.
April 2001 Race in Digital Space, Conference Co-organizer and Panel Moderator, MIT, Boston, MA
Feb. 2001 “The Revolution will be Digitized: Afrocentricity and Digital Public Sphere,” Inaugural Lecture, Belle Van Zuylen Chair, Utrecht, Netherlands
Nov. 2000 “Digitextuality: Convergence Media in the Age of Digital Reproduction,” Paper presentation at Media, Cultural Studies and Gender: Looking for the Missing Links Conference, Odense, Denmark
May 2000 “C.L.R. James: The Radical Imagination,” Chair, American Literature Association, Long Beach, CA
March 2000 “The Million Women March and the Internet: Black Women Bridge The Digital Divide,” Paper presentation at the Society for Cinema Studies,” Chicago, IL Anna Everett, Curriculum Vitae, Page 9
March 2000 “The Chicago Defender at the Millennium: A Tribute.” Chair, Society for Cinema Studies, Chicago, IL
March 2000 “P.C. (Post Columbine) Youth Violence: What’s the Internet /Video Gaming Got to do With it?” Invited Speaker at the Symposium on Youth Violence, Sponsored by the Denver College of Law, Denver, CO
Dec. 1999 “The Million Women March and the Internet,” Multimedia Presentation at 30 Years of Ethnic Studies Research: A Dialogue Among UC Ethnic Studies Faculty, UCSB, Santa Barbara, CA
Oct. 1999 "Teaching with Technology: Digital Media Technologies and Pedagogy." Organizer, Workshop Sponsored by Ford Foundation Conference, National Science Foundation, Washington, D.C.
Oct. 1999 "Film Studies in the Age of Digital Reproduction." Multi-media presentation at M.I.T. Media in Transition, Cambridge, MA
Aug. 1999 "Internet Content Analysis: New Critical Paradigms." Workshop On Gender and Media Studies, Sponsored by University of Utrecht, Utrecht, Netherlands
June 1999 "Toward a Theory of Digitextuality: The Internet in the Classroom." Paper presented at "Interactive Frictions" Conference, Sponsored by USC / Annenberg, Los Angeles, CA
June 1999 "Taking it to the Streets: The Million Woman March and the Internet." Paper presented at "Women Transforming the Public" Conference, UCSB, Santa Barbara, CA
Nov. 1998 "The Images of War in American Media." Chair and Respondent, Panel at American Studies Association Conference, Seattle, WA
Oct. 1998 "The Revolution Will be Digitized: Cyberspace and Empowering Communities." Plenary presentation. Ford Foundation Conference, Irvine, CA
April 1998 "The Politics of Teaching Black Film." Workshop presentation at Society for Cinema Studies Conference, San Diego, CA
Oct. 1997 "Getting on the Career Fast Track: Mentoring Pre-Doctoral Students." Workshop presentation at the Ford Foundation Conference, Washington, D.C.
May 1997 "Black Modernist Dialectics: The Film Criticism of Cyril Briggs and CLR James." Paper presented at the American Literature Anna Everett, Curriculum Vitae, Page 10
Association, Baltimore, MD
Oct. 1996 "The Importance of Publishing and Conference Participation in Academia." Workshop presentation at the Ford Foundation Conference, Irvine, CA
May 1995 "Melvin B. Tolson's 'Big House' Theory of Cinema." Paper presented at the American Literature Association, Baltimore, MD
Dec. 1994 "Unrequited: African Americans and the Early Cinema." Paper presented at the Modern Language Association, San Diego, CA
Nov. 1994 Presiding Officer, Film and Literature Panel, Philological Association of the Pacific Coast (now PAMLA), San Francisco, CA
March 1994 "Recolonizing Africa for the 21st Century," Paper presented at the Society for Cinema Studies Conference, Rochester, New York
Nov. 1993 Secretary, Film and Literature Panel, Philological Association of the Pacific Coast, San Diego, CA
July 1993 "Black Crit is in the House: Do the Right Thing and Handsworth Songs." Paper at Screen Conference, Glasgow, Scotland
April 1993 "Black Crit is in the House: Do the Right Thing and Handsworth Songs." Paper presented at the MELUS Conference, Berkeley, CA
Feb. 1993 "The Anatomy of Race in Riot Documentaries." Paper presented at Society for Cinema Studies, New Orleans, LA
Nov. 1992 "Robeson, Representation, and Race in The Emperor Jones." Paper presented at Philological Association of the Pacific Coast
Invited Talks, Lectures and Other Academic Activities
Feb. 2007 Article Review. Cinema Journal
Feb. 2007 Article Review, PMLA
Jan. 2007 “Don’t Play Me Like That: Understanding Games’ Racialized Pedagogical Zones (RPZs).” Invited Talk. Convergence Media Colloquium.” UCLA, Los Angeles, CA Anna Everett, Curriculum Vitae, Page 11
Oct. 2006 Tenure Review, University of Wisconsin, Milwaukee
August 2006 “Digital Re-agency: Cyberwomanism, Net Youth and the New Civil Disobedience.” Invited Speaker. Seminar in Experimental Critical Theory (SECT). UC Irvine, Irvine, California
May 2006 Console-ing Passions International Conference, Executive Board Meeting, University of Wisconsin, Milwaukee
April 2006 Film Program Review, University of Virginia
Jan. 2006 Article Review, Cinema Journal
Nov. 2005 Serious Play: Playing with Race and Gender in Computer Games. Invited Talk. University of Basel, Basel, Switzerland
Nov. 2005 Article Review, PMLA
Sept. 2005 Tenure Review, University of Wisconsin, Milwaukee
Sept. 2005 Tenure Review, University of Arizona, Tucson
July 2005 Book Manuscript Review, University of Illinois Press
June 2005 Article Review, PMLA
May 2005 Article Review, PMLA
April 2005 Series of Classes on Film, TV and New Media Technologies, Fulbright Senior Scholars Program (University of the Center Faculty of Letters and Humanities, Kairouan, Tunisia)
April 2005 Article Review, Cinema Journal
May 2004 EVC Working Group on Graduate Diversity, University of California, Santa Barbara, CA
Oct. 2004 U.C. President’s Post Doctoral Fellowship Annual Meeting. Publications Workshop and Grants Workshop. Oakland, CA
Oct. 2004 Tenure Review, University of Rochester
Oct. 2003 Article Review, Cinema Journal
April 2003 “Serious Play: Playing with Race in Computer Games,” Featured Anna Everett, Curriculum Vitae, Page 12
Speaker, Multimedia Presentation for 15th Arizona Quarterly Sypmposium, University of Arizona, Tucson, AZ
Jan. 2003 Race and Independent Media Project, Colloquium, UCLA Center for Chicano Studies, Los Angeles, CA
Jan. 2003 “Symptoms of an Archive Fetish: Notes on Returning the Gaze.” Featured Speaker, Emory University Colloquium. Atlanta, GA
Feb. 2003 Center for Black Studies’ Black History Month Event: “Screening and Roundtable Discussion on the film Barbershop and the Issue of Reparations.” Organizer, University California, Santa Barbara, CA
Nov. 2002 Center for Black Studies “Food for Thought Lunch Time Colloquium,” Organizer, University of California, Santa Barbara
Nov. 2002 University of California President’s Summit on Faculty Gender Equity, “Improving Campus Climate and Working Conditions for Women Faculty,” Discussion group participant, Oakland, CA
Oct. 2002 Profit, and Nothing But, A Public Screening and Discussion with Filmmaker Raoul Peck, Event Moderator at University of California, Santa Barbara
Nov. 2001 Returning the Gaze, Book Promotion and Panel Discussion at, Le Giornate Del Cinema Muto: Pordenone Silent Film Festival, Sacile, Italy
Aug. 2001 Planning and Organizing Meeting for Race and Digital Space-2.0 International Conference, Sponsored by MIT, USC-Annenberg Center and University of California, Santa Barbara, in Los Angeles
May 2001 “Digitextuality: Theses on Convergence Media,” Multimedia Paper, Faculty Colloquium, Center for Information Technology and Society, UCSB
Feb. 2000 1st Annual University of California System-wide Undergraduate Research Conference, UC, Santa Barbara, Committee Member, Conference hosted by UCLA, Los Angeles, CA
Oct. 1999 - Race in Digital Space, 2001 International Conference on Race and Present Technology, Co-organizer, Planning/Steering Committee Member, M.I.T. Cambridge, MA
May 1999 "The African Diaspora and the Egalitarian Technosphere." Anna Everett, Curriculum Vitae, Page 13
Multimedia Presentation, Ethnic Studies Department, UCSD, San Diego, CA
Dec. 1997 "I Want What Other People Enjoy: Black Film Criticism in the 1930s." Paper presented for Center for Black Studies Faculty Colloquia, UCSB
Nov. 1997 "Digital Diasporas: A Race for Cyberspace." Multimedia presentation for New Faculty Lecture Series, Interdisciplinary Humanities Center, UCSB
Sept. 1997 "Mediating Princess Diana: TV Coverage of Diana's Death." Talk given at Sociology Department's Faculty Colloquia, UCSB
May 1993 Co-Producer, Film Festival, "360 Degrees of African American Experiences," 4th Annual Film Festival, UCLA's African-American Student Filmmakers
Feb. 1992 Organizer, Forum, "Political Correctness and Academia," Association of Graduate Students of African Descent, UCLA
Consulting and Other Professional Activities:
Interview, KRCL Public Radio. On My Participation in Frontiers of New Media Conference. University of Utah. Salt Lake City, UT (September 2007)
Interview, YouTube. On Participation in MacArthur Foundation Digital Media and Learning Series. Chicago, IL (Oct. 2006)
Interview, KPFK Public Radio. On AfroGEEKS Conference. (April 2005)
Chair, Film Division, Modern Language Association (MLA), (2005-08)
Juror, American Film Institute (AFI), 10 Best Films of 2005 Selection Committee, AFI, Los Angeles, CA (December 2005)
Panel Reviewer, National Science Foundation, Arlington, VA (June, 2004)
Panel Reviewer, National Endowment for the Arts, Washington, D.C. (December 2003)
“Baaddass Cinema.” Panel Moderator for Santa Barbara Film Festival, Santa Barbara, CA (March 2003) Anna Everett, Curriculum Vitae, Page 14
“Why is it so hard to say the ‘V’- word,?” Panelist, Community Forum on The Vagina Monologues, Panelist, UCSB Arts and Lectures Series, Santa Barbara, CA (March 2002)
Special Screening: Dark Manhattan and Carmen Jones for Huell Howser Productions,’ Expert Commentary, KCET-TV, Los Angles, CA (February 2002)
“Contemporary Black Cinema,” Panel Disscussant, Odyssey: A Daily Talk Show of Ideas, WBEZ Chicago Public Radio (January 2002)
“Empowering Minority Communities through Technology,” Keynote Speaker, Expert Meeting Sponsored by Southeast Amsterdam Local Government, Amsterdam, Netherlands (February 2001)
“The Revolution will be Digitized,” Multimedia Presentation, “Wiretap: trans_urban connections,” a Public Event sponsored by V-2 Center for Art and Culture, Rotterdam, Netherlands (March 2001)
“Griffith in Context,” Voice-Over Analysis and Commentary for Interactive Critical/Teaching CD-ROM, By Ellen Strain, et.al, Georgia Tech, (March 2000)
San Diego Daily Transcript, Featured New Media Expert in article, “UC Professor Speaks on Racism in Cyberspace,” By Lindsey Robinson, (May 1999)
Santa Barbara News –Press, Featured Media Expert in front page story, “Diana’s Life, Death—Timeless Story,” By Barry Bortnick, (Aug. 1998)
Popular Culture and Other Publications
“Bamboozled: A Review.” Screening Noir. 3.1&2 (2001)
“Bulworth, Clinton and the Starr Report: Some Eerie Parallels. Screening Noir. 2.2&3 (2000)
"Mae Jemison: The Real Star Trek." Star Trek Communicator. 116. (May 1998)
"William Marshall: Daystrom Believer." Star Trek Communicator. 116. (May 1998)
“Are We Ready for the 21st Century.” Screening Noir. 1.2 (1996)
Video/TV/ Radio Production
2007 AfroGEEKS: Beyond the Digital Divide. DVD. Producer. Santa Barbara, CA: Center for Black Studies Research, 2007 Anna Everett, Curriculum Vitae, Page 15
1993 Promotional Video, Africa in the 21st Century, Commissioned by UCLA's James S. Coleman African Studies Center
1992 Documentary Video, SAMS: Sending Minorities to Graduate School, Screened at UCLA's "360 Degrees of African American Experiences," Annual Student Film Festival
University Service and Committees
UCSB Assoc. Vice Chancellor for Diversity, Search Committee, Member 2007 UCSB Chief Information Officer, Search Committee, Member 2005-06 UCSB Humanities AAUTask Force Committee, Member 2004-Present UCSB Harold J. Plous Award Committee, Chair 2004 UCSB Budget Committee, 2003-Present UCSB Harold J. Plous Award Committee, Member 2003 UCSB Center for Black Studies, Director, 2002-Present UCSB Information Technology Committee, Member, 2001-Present Artsbridge, Outreach Program K-12 Education, Faculty Advisor, 2000-01 UCSB Director of Governmental Relations Search Committee, 2000-Present UCSB Director of Information Technology Search Committee, 2000-01 UCSB Associate Vice Chancellor Search Committee, 1999 – 2000 All-UC Artsbridge Conference on K-12 Education, Faculty Representative, 1999 Director of Undergraduate Studies, UCSB Dept. of Film Studies, 1999 - 2000 UCSB Center for Black Studies, Advisory Committee, 1998 – Present UCSB Underrepresented Student Recruitment Drive, 1998 UCSB Black Film Committee, Faculty Mentor, 1997-2003
MEMBERSHIPS AND PROFESSIONAL ORGANIZATIONS
African American Literature and Culture Society (Founding Member) American Literature Association American Studies Association Console-ing Passions (Executive Board) Modern Language Association (Chair, Film Division and PMLA Editorial Advisory Board ) Society for Cinema Studies, African and African-American Caucus (Former Co-Chair) Society for Cinema and Media Studies (Former Chair, and member-Information Technology Committee, and member-TV Interest Group) i