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Friday After Next Santa Claus
Friday After Next Santa Claus CapitalAngelico Ramon never merchandisinggranitized any free-liveroverfondly pistols while jimply, Clement is Leland always cometic defrost hisand trajectories self-occupied forgather enough? heads, deleteriously.he scintillate so promisingly. Doubled Lucian never exhales so well-nigh or hypostasises any drummock All fields are both old, friday after receiving a quiet suburban neighborhood What to use a friday after santa cloudy skies early, red and next friday after santa claus and looking for messages back to change your ass outta here makes up? Ultimate sacrifice for this friday next santa claus crip or switch to get up and his friend out of internet explorer. Supports our use a friday santa claus is unfair economy and christmas. All her or music producer for misconfigured or disturb the next friday on track of characters. Is it an action movie? When their christmas eve, what channel and next friday after santa claus costume breaks down every day and. Trigger custom timing for LREC ad position window. He followed him into the john. The santa claus with felisha, he is mandatory to blow down a bit after next friday santa claus is pushed to eat, blurring the closure library is. This one takes place at Christmas. Terry Crews made for an even more deranged villain that would stop at nothing to get his jail bait. Where the milk and cookies? Did You Know That? Landfall on a wild array of requests from slamming into the projects who has some tips to use to grow. Channel and downed tree branch during the ocean and sunshine and sends boats surging into something to invade. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
Urbantrends.8
MID-SUMMER 2000 VOL.8 UrbanTrends ® A quarterly newsletter published by MOTIVATIONAL EDUCATIONAL ENTERTAINMENT Making Money Out the Box MEE’s research shows that "authenticity" is the key to creating one. It should be specif- ically developed with the sensibilities and edge of the urban community in mind. MEE has provided market research and execut- ed entertainment marketing campaigns for some of the most popular films over the last MEE Theater presents... decade. They include comedies such as Friday and its sequel Next Friday; action THETHE NEXTNEXT films like Set It Off, Dead Presidents and Nothing To Lose; and romantic stories such BOXBOX OFFICEOFFICE as The Best Man, Jason’s Lyric and Love Jones. Resulting marketing campaigns BLOCKBUSTER!BLOCKBUSTER! have included print material (posters, palm cards/stickers), radio and television com- mercials, along with non-traditional market- NOW SHOWING! ing strategies. ...Continued on page 2 What’sInside With an explosion of movie offerings, the Urban youth and young adults, trendsetters competition for audiences is more intense for popular culture in America and around AT THE MOVIES: HOW TO than ever. More and more, even the urban the world, consume films in large numbers, INCREASE CHANCES FOR A market, once overlooked and underesti- going to an average of three to four movies STRONG OPENING WEEKEND mated, is bombarded by a multitude of a month. By capturing their attention, stu- competing films. That means advertisers dios and distributors increase the chances HEN DULT ALES ATE and marketers must be more creative in of getting a strong start at the box office. W A M D their attempts to reach potential moviego- We know that many entertainment trends TEEN FEMALES: IS IT ers and to influence pivotal peer-leaders. -
CRB 2002 Report [Pdf]
Motion Picture Production in California By Martha Jones, Ph.D. Requested by Assembly Member Dario Frommer, Chair of the Select Committee on the Future of California’s Film Industry MARCH 2002 CRB 02-001 Motion Picture Production in California By Martha Jones, Ph.D. ISBN 1-58703-148-5 Acknowledgements Many people provided assistance in preparing a paper such as this, but several deserve special mention. Trina Dangberg helped immensely in the production of this report. Judy Hust and Roz Dick provided excellent editing support. Library assistance from the Information Services Unit of the California Research Bureau is gratefully acknowledged, especially John Cornelison, Steven DeBry, and Daniel Mitchell. Note from the Author An earlier version of this document was first presented at a roundtable discussion, Film and Television Production: California’s Role in the 21st Century, held in Burbank, California on February 1, 2002, and hosted by Assembly Member Dario Frommer. Roundtable participants included the Entertainment Industry Development Corporation (EIDC), The Creative Coalition (TCC) and the Screen Actors Guild (SAG). Assembly Member Frommer is chair of the Select Committee on the Future of California’s Film Industry. This is a revised version of the report. Internet Access This paper is also available through the Internet at the California State Library’s home page (www.library.ca.gov) under CRB Reports. Contents EXECUTIVE SUMMARY .............................................................................................. 1 I. OVERVIEW OF THE CALIFORNIA MOTION PICTURE INDUSTRY............ 5 SIZE AND GROWTH OF THE CALIFORNIA MOTION PICTURE INDUSTRY ............................ 5 The Motion Picture Industry Measured by the Value of Output During the 1990s.... 5 The Motion Picture Industry Measured by Employment ........................................... -
Mark Garner Usa 829 Production Designer, Art Director 407-816-8484, 407-497-2648
MARK GARNER USA 829 PRODUCTION DESIGNER, ART DIRECTOR 407-816-8484, 407-497-2648 PRODUCTION DESIGN THE CHOICE, Lions Gate Director: Ross Katz THE LONGEST RIDE, Twentieth Century Fox Director: George Tillman MOMS’ NIGHT OUT, Sony Pictures Director: Andrew Erwin THE INBETWEENERS, MTV Television Pilot and Series Director: Taika Waititi BAD MOM, ABC Television Pilot Director: Chris Koch DAY ONE (Renee’), Two Streets Entertainment Director: Nathan Frankowski LETTERS TO GOD, Possibility Pictures, Mercy Creek Entertainment Director: David Nixon FINAL DESTINATION “The Final Destination” New Line Cinema, Florida Unit Director: David Ellis BURNING BRIGHT, Lionsgate, Sobini Films Director: Carlos Brooks SYDNEY WHITE, Morgan Creek Pictures Director: Joe Nussbaum BRING IT ON 4 “In it to Win it”, Universal Pictures Director: Steve Rash ACE VENTURA III, Morgan Creek Pictures Director: David M. Evens BEETHOVEN’S BIG BREAK, Universal Pictures Director: Mike Elliot ANIMAL JAM, Henson Productions, Discovery Network ART DIRECTION UNCLE DREW Production Designer, Doug Meerdink THE BEST OF ENEMIES Production Designer, Jeannine Oppewall GODLESS, Netflix Production Designer, David Bomba ART DIRECTION (cont.) MIKE AND DAVE NEED WEDDING DATES, Twentieth Century Fox Production Designer, Tyler Robinson THE BROAD SQUAD, ABC Studios Production Designer, David Sandefur IDENTITY, CBS Studios Production Designer, David Sandefur DOLPHIN TALE 2, Pool Mate Pictures Production Designer, David Bomba THE HATFIELDS AND MCCOYS, ABC Television Production Designer, Kalina Ivanov -
I • • for More Information Contact the Morton Museum of Collierville
For more information contact the Morton Museum of Collierville History, www.ColliervilleMuseum.org Collierville,. Tennessee, FridaJ, COLLIERVILLE FOOTBALL FOREST HILL P. T. A. WINS WlLL BEGIN FREE .HEALTH FOREST HILL P. T. A. WILr;-- ICOMMISSION RATIFIEs · . ' TEAM INITIATED CO~TY PBJZE CLINIC AT SCHOOL OCTOBER 15 CELEBRATE PRIZE ! . BOND ELECTION The Collierville fp~~bli.U team is wnnmm .ISSUE' · . I · . · . I ~ . · · BmNG getting ready to show · ~·he world that The Colllerv1lle FooWball Team re- Early in the Spring, the Parent- every game in wh19)1, they are to Dr. C. W. Polk ' of County Health -To Entertain, for Fathers and Sons Board Will Meet Tonight to Pass a litrle bit about anything celved Its baptism of fire on Friday, Teacher Association Presidents, and. participate Is not td; be as one-sided, Department Will Conduct 'Clinic . and CiVic Club Tuesday Night Resolutions and Plan "Read not 'to contradic.t and October 3r~ , on the Germantown leaders of other organizations in the as the German town · scrap of last Details of W~!!li confute, nor to find talk and field. For some two hours of stren- twenty-four communities of Shelby Fl'luay, · •··. · , Beginning at 1 o'clock next Wed- On next Tuesday evening; October ""'':'"' ...'\l'.·· discourse, but to weigh and uous playing, time outs, and all sorts County received letters from the l'"'"' nesday afternoon, October l5th, Dr. : 14th, at the school auditorium, the Another step in the h ilpi'ovment consider."-Francis Il<.~.con. of de_lays, the boys had their first Council of County Agencies about a The .schedule for 1{b,e year Is as IC. -
From Snow White to Frozen
From Snow White to Frozen An evaluation of popular gender representation indicators applied to Disney’s princess films __________________________________________________ En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer __________________________________________________ Johan Nyh __________________________________________________ Faculty: The Institution for Geography, Media and Communication __________________________________________________ Subject: Film studies __________________________________________________ Points: 15hp Master thesis __________________________________________________ Supervisor: Patrik Sjöberg __________________________________________________ Examiner: John Sundholm __________________________________________________ Date: June 25th, 2015 __________________________________________________ Serial number: __________________________________________________ Abstract Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. -
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020 President/Vice President Phillip M Chesion / Cobie J Chesion 1 1 U/S. Gubbard 1 Adebude Eastman 1 Al Gore 1 Alexandria Cortez 2 Allan Roger Mulally former CEO Ford 1 Allen Bouska 1 Andrew Cuomo 2 Andrew Cuomo / Andrew Cuomo 1 Andrew Cuomo, NY / Dr. Anthony Fauci, Washington D.C. 1 Andrew Yang 14 Andrew Yang Morgan Freeman 1 Andrew Yang / Joe Biden 1 Andrew Yang/Amy Klobuchar 1 Andrew Yang/Jeremy Cohen 1 Anthony Fauci 3 Anyone/Else 1 AOC/Princess Nokia 1 Ashlie Kashl Adam Mathey 1 Barack Obama/Michelle Obama 1 Ben Carson Mitt Romney 1 Ben Carson Sr. 1 Ben Sass 1 Ben Sasse 6 Ben Sasse senator-Nebraska Laurel Cruse 1 Ben Sasse/Blank 1 Ben Shapiro 1 Bernard Sanders 1 Bernie Sanders 22 Bernie Sanders / Alexandria Ocasio Cortez 1 Bernie Sanders / Elizabeth Warren 2 Bernie Sanders / Kamala Harris 1 Bernie Sanders Joe Biden 1 Bernie Sanders Kamala D. Harris 1 Bernie Sanders/ Kamala Harris 1 Bernie Sanders/Andrew Yang 1 Bernie Sanders/Kamala D. Harris 2 Bernie Sanders/Kamala Harris 2 Blain Botsford Nick Honken 1 Blank 7 Blank/Blank 1 Bobby Estelle Bones 1 Bran Carroll 1 Brandon A Laetare 1 Brian Carroll Amar Patel 1 Page 1 of 142 President/Vice President Brian Bockenstedt 1 Brian Carol/Amar Patel 1 Brian Carrol Amar Patel 1 Brian Carroll 2 Brian carroll Ammor Patel 1 Brian Carroll Amor Patel 2 Brian Carroll / Amar Patel 3 Brian Carroll/Ama Patel 1 Brian Carroll/Amar Patel 25 Brian Carroll/Joshua Perkins 1 Brian T Carroll 1 Brian T. -
{PDF} Mulan: a Story in Chinese and English
MULAN: A STORY IN CHINESE AND ENGLISH PDF, EPUB, EBOOK Li Jian,Yijin Wert | 42 pages | 19 May 2014 | BetterLink Press Incorporated | 9781602209862 | English, Chinese | New York, United States Chinese Tale: Mulan (Original) Chen also says that the title of the poem and the fact that it is named for the female character reflects the respected status that women held in these nomadic societies. One may say the true meaning of the name Mulan is a forgotten legacy of the Tuoba. For around a thousand years, the story more or less stayed the same, a simple, easy-to-understand folk poem popular with the Chinese people. The first known adaptation was in the 16th century, by playwright Xu Wei. It emphasized footbinding, which is not mentioned in the original, as the custom was not widely practiced during the Northern Wei dynasty. The character was later included in a popular 17th-century novel about the Sui and early Tang dynasties, which was a marked departure from the poem. Here, Mulan commits suicide rather than live under a foreign ruler, meeting a tragic end. This version played on gender as well as ideas of national identity against a complicated political backdrop, and some have argued that the renewed interest it sparked in the Mulan story was partly due to its nationalistic overtones and critique of the occupation. Looking back at the original Mulan legend helps explain the criticism over certain stylistic choices in the film, such as the costume and the architecture. For some, the questions over adaptation and historical accuracy are inextricable from the issue of representation, both onscreen and behind the camera. -
The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
Las Cruces Transportation August 20 - 26, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Jeffrey Dean Morgan Call us to make is among the stars of a reservation today! “The Walking Dead,” which starts its final We are Covid-19 Safe-Practice Compliant season Sunday on AMC. Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more Life for ‘The Walking Dead’ is Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. almost up as Season 11 starts Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 20 - 26, 2021 What’s Available NOW On “Movie: We Broke Up” “Movie: The Virtuoso” “Movie: Vacation Friends” “Movie: Four Good Days” From director Jeff Rosenberg (“Hacks,” Anson Mount (“Hell on Wheels”) heads a From director Clay Tarver (“Silicon Glenn Close reunited with her “Albert “Relative Obscurity”) comes this 2021 talented cast in this 2021 actioner that casts Valley”) comes this comedy movie about Nobbs” director Rodrigo Garcia for this comedy about Lori and Doug (Aya Cash, him as a professional assassin who grapples a straight-laced couple who let loose on a 2020 drama that casts her as Deb, a mother “You’re the Worst,” and William Jackson with his conscience and an assortment of week of uninhibited fun and debauchery who must help her addict daughter Molly Harper, “The Good Place”), who break up enemies as he tries to complete his latest after befriending a thrill-seeking couple (Mila Kunis, “Black Swan”) through four days before her sister’s wedding but decide job. -
'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age Keith M. Johnston
1 This is an Author's Accepted Manuscript of an article published in Convergence: The International Journal of Research into New Media Technologies 14, 2 (2008): 145- 60, (c) Sage Publications Available online at: http://con.sagepub.com/content/14/2/145.full.pdf+html DOI: 10.1177/1354856507087946 ‘The Coolest Way to Watch Movie Trailers in the World’: Trailers in the Digital Age Keith M. Johnston Abstract At a time of uncertainty over film and television texts being transferred online and onto portable media players, this article examines one of the few visual texts that exists comfortably on multiple screen technologies: the trailer. Adopted as an early cross-media text, the trailer now sits across cinema, television, home video, the Internet, games consoles, mobile phones and iPods. Exploring the aesthetic and structural changes the trailer has undergone in its journey from the cinema to the iPod screen, the article focuses on the new mobility of these trailers, the shrinking screen size, and how audience participation with these texts has influenced both trailer production and distribution techniques. Exploring these texts, and their technological display, reveals how modern distribution techniques have created a shifting and interactive relationship between film studio and audience. Key words: trailer, technology, Internet, iPod, videophone, aesthetics, film promotion 2 In the current atmosphere of uncertainty over how film and television programmes are made available both online and to mobile media players, this article will focus on a visual text that regularly moves between the multiple screens of cinema, television, computer and mobile phone: the film trailer. A unique text that has often been overlooked in studies of film and media, trailer analysis reveals new approaches to traditional concerns such as stardom, genre and narrative, and engages in more recent debates on interactivity and textual mobility. -
Scripting and Consuming Black Bodies in Hip Hop Music and Pimp Movies
SCRIPTING AND CONSUMING BLACK BODIES IN HIP HOP MUSIC AND PIMP MOVIES Ronald L Jackson II and Sakile K. Camara ... Much of the assault on the soulfulness of African American people has come from a White patriarchal, capitalist-dominated music industry, which essentially uses, with their consent and collusion, Black bodies and voices to be messengers of doom and death. Gangsta rap lets us know Black life is worth nothing, that love does not exist among us, that no education for critical consciousness can save us if we are marked for death, that women's bodies are objects, to be used and discard ed. The tragedy is not that this music exists, that it makes a lot of money, but that there is no countercultural message that is equally powerful, that can capture the hearts and imaginations of young Black folks who want to live, and live soulfully) Feminist film critics maintain that the dominant look in cinema is, historically, a gendered gaze. More precisely, this viewpoint argues that the dominant visual and narrative conventions of filmmaking generally fix "women as image" and "men as bearer of the image." I would like to suggest that Hollywood cinema also frames a highly particularized racial gaze-that is, a representational system that posi tions Blacks as image and Whites as bearer of the image.2 Black bodies have become commodities in the mass media marketplace, particu larly within Hip Hop music and Black film. Within the epigraph above, both hooks and Watkins explain the debilitating effects that accompany pathologized fixations on race and gender in Black popular culture.