Finding China's Edge. Engineering
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Put in a Bind with New Law
KEVIN FRAYER/GETTY WEEK 24, 2021 I MA G ES CHINA INSIDER FOREIGN BUSINESSES IN CHINA PUT IN A BIND WITH NEW LAW See Page 2 2 | CHINA INSIDER Week 24, 2021 Week 24, 2021 CHINA INSIDER | 3 WILL RUSSELL/GETTY IMAGES OPINION Beijing’s ‘Anti-Foreign Sanctions’ Law Puts Global Businesses in Further Bind KEVIN FRAYER/GETTY IMAGES FAN YU People walk by an H&M oreign companies doing busi- store in Beijing on ness in China will soon find their March 30, operating environment littered 2021. with economic roadblocks be- cause of a series of new “anti- Fforeign sanctions” rules that China’s leg- islature rushed to pass on June 10. The new rules were introduced as coun- termeasures against foreign nations enact- ing sanctions on Beijing. This development may put foreign organizations and indi- viduals enforcing their home countries’ sanctions against China in a tough position going forward. The new law expands the Chinese re- gime’s toolkit to fight back against sanc- tions and can be used in conjunction with the existing Unreliable Entities List of com- panies it created last year. The measures are extensive and give the Chinese Communist Party (CCP) broad powers to sanction organizations and indi- viduals complying with sanctions against China. So, what exactly can it do? The CCP The Chinese consulate in Perth, Australia, on March 24, 2014. could deny visas for, deport, and restrict travel for affected entities, seize properties bank complying with President Joe Biden’s measures casually, these measures are now they have within China, block business updated executive order to affirm the available to the CCP under the new law. -
Media Capture with Chinese Characteristics
JOU0010.1177/1464884917724632JournalismBelair-Gagnon et al. 724632research-article2017 Article Journalism 1 –17 Media capture with Chinese © The Author(s) 2017 Reprints and permissions: characteristics: Changing sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1464884917724632DOI: 10.1177/1464884917724632 patterns in Hong Kong’s journals.sagepub.com/home/jou news media system Nicholas Frisch Yale University, USA Valerie Belair-Gagnon University of Minnesota, USA Colin Agur University of Minnesota, USA Abstract In the Special Administrative Region of Hong Kong, a former British territory in southern China returned to the People’s Republic as a semi-autonomous enclave in 1997, media capture has distinct characteristics. On one hand, Hong Kong offers a case of media capture in an uncensored media sector and open market economy similar to those of Western industrialized democracies. Yet Hong Kong’s comparatively small size, close proximity, and broad economic exposure to the authoritarian markets and politics of neighboring Mainland China, which practices strict censorship, place unique pressures on Hong Kong’s nominally free press. Building on the literature on media and politics in Hong Kong post-handover and drawing on interviews with journalists in Hong Kong, this article examines the dynamics of media capture in Hong Kong. It highlights how corporate-owned legacy media outlets are increasingly deferential to the Beijing government’s news agenda, while social media is fostering alternative spaces for more skeptical and aggressive voices. This article develops a scholarly vocabulary to describe media capture from the perspective of local journalists and from the academic literature on media and power in Hong Kong and China since 1997. -
New Media in New China
NEW MEDIA IN NEW CHINA: AN ANALYSIS OF THE DEMOCRATIZING EFFECT OF THE INTERNET __________________ A University Thesis Presented to the Faculty of California State University, East Bay __________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication __________________ By Chaoya Sun June 2013 Copyright © 2013 by Chaoya Sun ii NEW MEOlA IN NEW CHINA: AN ANALYSIS OF THE DEMOCRATIlING EFFECT OF THE INTERNET By Chaoya Sun III Table of Contents INTRODUCTION ............................................................................................................. 1 PART 1 NEW MEDIA PROMOTE DEMOCRACY ................................................... 9 INTRODUCTION ........................................................................................................... 9 THE COMMUNICATION THEORY OF HAROLD INNIS ........................................ 10 NEW MEDIA PUSH ON DEMOCRACY .................................................................... 13 Offering users the right to choose information freely ............................................... 13 Making free-thinking and free-speech available ....................................................... 14 Providing users more participatory rights ................................................................. 15 THE FUTURE OF DEMOCRACY IN THE CONTEXT OF NEW MEDIA ................ 16 PART 2 2008 IN RETROSPECT: FRAGILE CHINESE MEDIA UNDER THE SHADOW OF CHINA’S POLITICS ........................................................................... -
Btb Independent Article
The Independent – Student – News http://www.independent.co.uk/student/news/bournemouth-graduates-celebrating-oscar- glory-for-their-work-on-gravity-9168893.html Bournemouth graduates celebrating Oscar glory for their work on 'Gravity' by JOE NERSSESSIAN on Tuesday 04 March 2014 Graduates from two Bournemouth Universities are celebrating this week after Gravity picked up seven Oscars at Sunday’s ceremony. 50 Animation and Film graduates from Bournemouth University (BU) and Arts University Bournemouth (AUB) worked on the visual effects part of the film for London-based company, Framestore. The work undertaken by the graduates was specifically recognised as the movie claimed a technical award for Visual Effects, and also won a BAFTA in the same category last month. Framestore, whose senior representatives collected the Oscar at the 86th Academy Awards, are world leaders in visual effects and have an outpost on the AUB campus, where some of the work was completed. The outpost is “very important” to students' development, according to the lecturer in animation at BU, Adam Redford, who also spent six months working on the film. “It can be a great opportunity for graduates to get their first job, and first taste of proper industry experience by working there,” Adam told The Bournemouth Rock. ”I felt really proud to have been involved in a film that won so many awards, especially for the visual effects. It’s a good feeling to know that you have had some input, however small, into something that has been received so positively by the visual effects community and the general public,” said Adam. -
Targeting the Anti- Extradition Bill Movement
TARGETING THE ANTI- EXTRADITION BILL MOVEMENT China’s Hong Kong Messaging Proliferates on Social Media The Digital Forensic Research Lab (DFRLab) is a start-up incubated at the Atlantic Council and leading hub of digital forensic analysts whose mission is to identify, expose, and explain disinformation where and when it occurs. The DFRLab promotes the idea of objective truth as a foundation of governance to protect democratic institutions and norms from those who would undermine them. The Scowcroft Center for Strategy and Security works to develop sustainable, nonpartisan strategies to address the most important security challenges facing the United States and the world. The Center honors General Brent Scowcroft’s legacy of service and embodies his ethos of nonpartisan commitment to the cause of security, support for US leadership in cooperation with allies and partners, and dedication to the mentorship of the next generation of leaders. The Scowcroft Center’s Asia Security Initiative promotes forward-looking strategies and con-structive solutions for the most pressing issues affecting the Indo- Pacific region, particularly the rise of China, in order to enhance cooperation between the United States and its regional allies and partners. COVER PHOTO (BACKGROUND): “Hong Kong Waterfront,” by Thom Masat (@tomterifx), Unsplash. Published on June 6, 2018. https://unsplash.com/photos/t_YWqXcK5lw This report is written and published in accordance with the Atlantic Council Policy on Intellectual Independence. The authors are solely responsible for its analysis and recommendations. The Atlantic Council and its donors do not determine, nor do they necessarily endorse or advocate for, any of this issue brief’s conclusions. -
Due Impartiality”;
Sanction 138 (20) CGTN Sanction: Decision by Ofcom Sanction: to be imposed on Star China Media Limited (SCML) For material broadcast on China Global Television Network Channel (CGTN) between 11 August 2019 and 21 November 20191. Ofcom’s Sanction against: SCML (the “Licensee”) in respect of its service CGTN (previously TLCS000575BA/22). For: Breaches of the Ofcom Broadcasting Code (the “Code”)3: Rule 5.1: “News, in whatever form, must be reported with due accuracy and presented with due impartiality”; Rule 5.11: “Due impartiality must be preserved on matters of major political and industrial controversy and major matters relating to current public policy by the person providing a service…in each programme or in clearly linked and timely programmes”; and Rule 5.12: “In dealing with matters of major political and industrial controversy and major matters relating to current public policy an appropriately wide range of significant views must be included and given due weight in each programme or in clearly linked and timely programmes. Views and facts must not be misrepresented”. Decision: To impose a financial penalty (payable to HM Paymaster General) of £125,000. 1 See Broadcast and On Demand Bulletin 403, 26 May 2020 (“the Breach Decisions”). 2 Ofcom revoked the Licence on 4 February 2021 under section 238(4) of the Communications Act 2003 and Condition 28(2)(a) of the Licence on the basis that SCML had ceased to provide the CGTN service and, in the circumstances, it was appropriate to revoke the Licence. The reasons for Ofcom’s decision are set out in the Notice of Revocation. -
Defending 2020
© 2021 The Alliance for Securing Democracy Please direct inquiries to The Alliance for Securing Democracy at The German Marshall Fund of the United States 1700 18th Street, NW Washington, DC 20009 T 1 202 683 2650 E [email protected] This publication can be downloaded for free at https://securingdemocracy.gmfus.org/defending-2020/. The views expressed in GMF publications and commentary are the views of the authors alone. Cover design by Katya Sankow Alliance for Securing Democracy The Alliance for Securing Democracy (ASD), a nonpartisan initiative housed at the German Marshall Fund of the United States, develops comprehensive strategies to deter, defend against, and raise the costs on autocratic efforts to undermine and interfere in democratic institutions. ASD has staff in Washington, D.C., and Brussels, bringing together experts on disinformation, malign finance, emerging technologies, elections integrity, economic coer- cion, and cybersecurity, as well as Russia, China, and the Middle East, to collaborate across traditional stovepipes and develop cross-cutting frameworks. About the Authors Jessica Brandt is head of policy and research for the Alliance for Securing Democracy and a fellow at the Ger- man Marshall Fund of the United States. She was previously a fellow in the Foreign Policy program at the Brook- ings Institution, where her research focused on multilateral institutions and geopolitics, and where she led a cross-program initiative on Democracy at Risk. Jessica previously served as special adviser to the president of the Brookings Institution, as an International and Global Affairs fellow at the Belfer Center for Science and Inter- national Affairs at Harvard University, and as the director of Foreign Relations for the Geneva Accord. -
Anthropocenema: Cinema in the Age of Mass Extinctions 2016
Repositorium für die Medienwissenschaft Selmin Kara Anthropocenema: Cinema in the Age of Mass Extinctions 2016 https://doi.org/10.25969/mediarep/13476 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Kara, Selmin: Anthropocenema: Cinema in the Age of Mass Extinctions. In: Shane Denson, Julia Leyda (Hg.): Post-Cinema. Theorizing 21st-Century Film. Falmer: REFRAME Books 2016, S. 750– 784. DOI: https://doi.org/10.25969/mediarep/13476. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ 6.2 Anthropocenema: Cinema in the Age of Mass Extinctions BY SELMIN KARA Alfonso Cuarón’s sci-fi thriller Gravity (2013) introduced to the big screen a quintessentially 21st-century villain: space debris. The spectacle of high- velocity 3D detritus raging past terror-struck, puny-looking astronauts stranded in space turned the Earth’s orbit into not only a site of horror but also a wasteland of hyperobjects,[1] with discarded electronics and satellite parts threatening everything that lies in the path of their ballistic whirl (see Figure 1). While the film made no environmental commentary on the long-term effect of space debris on communication systems or the broader ecological problem of long-lasting waste materials, it nevertheless projected a harrowing vision of technological breakdown, which found a thrilling articulation in the projectile aesthetics of stereoscopic cinema. -
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Conformance of Social Media As Barometer of Public Engagement
S.© Moon: 2016 by Conformance the authors; oflicensee Social RonPubMedia as, L Barometerübeck, Germany. of Public This Engagement article is an open access article distributed under the terms and conditions of the Creative Commons Attribution license (http://creativecommons.org/licenses/by/4.0/). Open Access Open Journal of Big Data (OJBD) Volume 2, Issue 1, 2016 www.ronpub.com/ojbd ISSN 2365-029X Conformance of Social Media as Barometer of Public Engagement Songchun Moon A, B A College of Business, KAIST, 85 Hoegi, Dongdaemun, Seoul, South Korea, [email protected] B School of Computing Sciences, Newcastle University, Newcastle upon Tyne NE1 7RU, United Kingdom, [email protected] ABSTRACT There have been continuously a number of expectations: Social media may play a role of indicator that shows the degree of engagement and preference of choices of users toward music or movies. However, finding appropriate software tools in the market to verify this sort of expectation is too costly and complicated in their natures, and this causes a number of difficulties to attempt technical experimentation. A convenient and easy tool to facilitate such experimentation was developed in this study and was used successfully for performing various measurements with regard to user engagement in music and movies. TYPE OF PAPER AND KEYWORDS Research paper: Social media, user engagement, user preference, music, movie, Twitter 1 INTRODUCTION or enterprises involved in the analysis of user behaviours are just not willing to disclose any details 1.1 Background about their findings on the correlation between users’ particular activities and viewership changes. Although there are a lot of wordings and hypes around Talking with details about this phenomenon how to analysis user behaviors related to the use of prevailing in these industries, G. -
Reality Check of US Allegations Against China on COVID-19
Reality Check of US Allegations Against China on COVID-19 Reality Check of US Allegations Against China on COVID-19 Catalog 1.Allegation: COVID-19 is “Chinese virus” Reality Check: WHO has made it clear that the naming of a disease should not be associated with a particular country or place. 2.Allegation: Wuhan is the origin of the virus Reality Check: Being the first to report the virus does not mean that Wuhan is its origin. In fact, the origin is still not identified. Source tracing is a serious scientific matter, which should be based on science and should be studied by scientists and medical experts. 3.Allegation: The virus was constructed by the Wuhan Institute of Virology Reality Check: All available evidence shows that SARS-CoV-2 is natural in origin, not man-made. 4.Allegation: COVID-19 was caused by an accidental leak from the Wuhan Institute of Virology Reality Check: The Wuhan National Biosafety Laboratory (Wuhan P4 Laboratory) in the WIV is a government cooperation program between China and France. The Institute does not have the capability to design and synthesize a new coronavirus, and there is no evidence of pathogen leaks or staff infections in the Institute. 5.Allegation: China spread the virus to the world Reality Check: China took the most stringent measures within the shortest possible time, which has largely kept the virus within Wuhan. Statistics show that very few cases were exported from China. 6.Allegation: The Chinese contracted the virus while eating bats Reality Check: Bats are never part of the Chinese diet. -
China Innovation Investment Limited Update About False
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. CHINA INNOVATION INVESTMENT LIMITED 中國創新投資有限公司 (Incorporated in the Cayman Islands with limited liability) (Stock Code: 1217) UPDATE ABOUT FALSE NEWS REPORTS (9) Reference is made to the announcements (the “Announcements”) of China Innovation Investment Limited (the "Company") about the false news reports dated 24 November 2019, 25 November 2019, 5 December 2019, 12 December 2019, 17 December 2019, 27 December 2019,30 December 2019, 17 February 2020 and 27 February 2020. Unless otherwise defined, capitalised terms used in this announcement shall have the same meanings as those defined in the Announcements. On 2 June 2020, the Company received a notice from executive Director Mr. Xiang Xin (“Mr. Xiang”) and the alternate director Ms. Kung Ching (“Ms. Kung”), in which Mr. Xiang and Ms. Kung (collectively the “Petitioners”) commissioned Taiwan lawyers to submit the third petition to the Taipei District Prosecutors Office (the “Prosecutor”) for lifting the departure restrictions on 1 June 2020, and are currently awaiting the review of the Prosecutor. In the opinion of the Petitioners, it is clear that the reasons and basis for restricting the Petitioners’ departure are unfounded since the case has been actively investigated by the Prosecutor for more than half a year. Not only has it reached the level of non- prosecution, but also the revocation of departure restrictions should be made.