Villas in the Dominican Republic
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
NEIL AYLING: COMPOSITE ORDER 17 JANUARY - 1 MARCH, 2014 Private View, Thursday 16 January, 6 - 9Pm
NEIL AYLING: COMPOSITE ORDER 17 JANUARY - 1 MARCH, 2014 Private View, Thursday 16 January, 6 - 9pm Composite Order presents a series of new sculptures by British artist Neil Ayling (b.1983), exploring the interiors of Venetian churches and basilica, specifically St. Giorgio Maggiore on the Palladio Island. Ayling encountered a number of these classical buildings on a recent trip to the Venice Biennale and became fascinated by a particular architectural feature dating from the Renaissance period called Composite Order, that describes a combination of particular decorative styles used to embellish the uppermost section of a column. For his large-scale sculptures, that are up to nine feet high, Ayling used the photographs he made of the architectural details as a starting point, reconfiguring them by cutting and folding the printed image along the lines and angles of the building, creating structural forms that splay out in every angle creating irregular shapes entirely at odds with the logics of classical composition. Some of the sculptures are covered in fragments of the photographic images, applied using wet plaster, similar to the tradition of frescoes and trompe l’oeil common to Venetian churches. The exhibition also includes a site-specific installation made in response to the gallery’s architecture. Installed at ceiling height, the piece twists its way throughout the two gallery buildings, drawing the viewers’ eye upwards and echoing the effect of entering the cavernous interiors of the churches in Venice. Notes for Editors: • Neil Ayling was born in Ascot, Berkshire in 1983 and currently lives and works in London. Ayling graduated from Winchester School of Art, Sculpture, and then went on to the Royal College of Art and graduated in 2010 (MA Fine Art Sculpture). -
Abacus the Uppermost Member of a Capital
FINAL CRA SUBMITTAL GLOSSARY Arcade (fig. g.1) A series of arches supported on piers or columns and attached or detached from the wall. Americans with Disabilities Act (ADA) (fig. g.2) Law prohibiting discrimination to persons with disabilities, by requiring, among other things, that places generally open to the public, such as restaurants and hotels is made accessible. Special rules apply to historic buildings and facilities. Balloon Framing A method of wood frame construction, referring to the skeletal framework of a building. Studs or uprights run from sills to eaves, and horizontal bracing members are nailed to them. Balustrade A series of balusters with a top and bottom rail. Bracket A decorative support element located under eaves or overhangs. Base Flood Elevation The computed elevation to which floodwater is anticipated to rise during the base flood. Base Flood Elevations (BFEs) are shown on Flood Insurance Rate Maps (FIRMs) and on the flood profiles. CRA Design Guidelines Glossary Glossary Page 1 FINAL CRA SUBMITTAL Bay The division of a face of a building, defined by structural spacing, window, and door openings. Beltcourse A flat, horizontal member of relatively slight projection, marking the division in a wall plane. Belvedere (fig. g.3) A rooftop pavilion that affords a view of the landscape or waterscape (see also Roof Deck and Widow’s Walk). Braced Frame A wooden structural system, consisting of heavy corner posts and heavy horizontal timbers and light, closely spaced studs, nailed between the horizontal timbers. Building Envelope-planning (fig.g.4) The building envelope is the remaining volume of space where a principle structure may built after setbacks, height limits, and view corridors are subtracted. -
Scavenger Hunt Glossary
GLOSSARY DOWNTOWN NORFOLK VIRTUAL SCAVENGER HUNT A Hampton Roads Chapter of the American Institute of Architecture HISTORIC PRESERVATION MONTH EVENT May 15-31, 2020 Architecture has a language unto itself. Every piece of a building, every type of ornamentation, every style has a distinct name and so does each detail you will encounter in our Scavenger Hunt. Below are definitions of typical architectural features you will see in the photos embedded in the Virtual Scavenger Hunt Interactive Map and the Official Virtual Scavenger Hunt Entry Form. Choose from these definitions for the description that is the best match to the details to be found. Enter this on the Entry Form (see example on the bottom right of the Official Entry Form). HINT: Not all are used; some are used more than once. Acroterion – A classical ornament or crowning adorning a pediment Fleuron – Ornament at the center of the Ionic abacus. Classically usually at gable corners and crown, generally carvings of monsters, it is a floral ornament, but in modern interpretations, can be sphinxes, griffins or gorgons, sometimes massive floral complexes. anthropomorphic (e.g. human forms). Art Deco Ornament – Popular decorative arts in the 1920s–30s Fretwork – Ornament comprised of incised or raised bans, variously after WWI. Identified by geometric, stylized, designs and surface combined and typically using continuous lines arranged in a ornamentation in forms such as zigzags, chevrons and stylized floral rectilinear or repeated geometric pattern. Also called a Meander. motifs. Geison – The projection at the bottom of the tympanum formed by Bas Relief Ornamentation – Carved, sculpted or cast ornament the top of the Cornice. -
Brief History of the Roman Empire -Establishment of Rome in 753 BC
Brief History of the Roman Empire -Establishment of Rome in 753 BC (or 625 BC) -Etruscan domination of Rome (615-509 BC) -Roman Republic (510 BC to 23 BC) -The word 'Republic' itself comes from the Latin (the language of the Romans) words 'res publica' which mean 'public matters' or 'matters of state'. Social System -Rome knew four classes of people. -The lowest class were the slaves. They were owned by other people. They had no rights at all. -The next class were the plebeians. They were free people. But they had little say at all. -The second highest class were the equestrians (sometimes they are called the 'knights'). Their name means the 'riders', as they were given a horse to ride if they were called to fight for Rome. To be an equestrian you had to be rich. -The highest class were the nobles of Rome. They were called 'patricians'. All the real power in Rome lay with them. Emperors of the Roman Empire -Imperial Period (27BC-395AD) Augustus: Rome's first emperor. He also added many territories to the empire. Nero: He was insane. He murdered his mother and his wife and threw thousands of Christians to the lions. Titus: Before he was emperor he destroyed the great Jewish temple of Solomon in Jerusalem. Trajan: He was a great conqueror. Under his rule the empire reached its greatest extent. Diocletian: He split the empire into two pieces - a western and an eastern empire. -Imperial Period (27BC-395AD) Hadrian: He built 'Hadrian's Wall' in the north of Britain to shield the province from the northern barbarians. -
Me'morchilik Asoslari
M.MUXAMEDOVA ME’MORCHILIK ASOSLARI TOSHKENT 0 ‘ZBEKIST0N RESPUBLIKASI OLIY VA 0 ‘RTA MAXSUS TA’LIM VAZIRLIGI M.MUXAMEDOVA ME’MORCHILIK ASOSLARI O ‘zbekiston Respublikctsi Oliy va о ‘rta maxsus ta ’lim vazirligi tomonidan о ‘quv qo ‘llanma sifatida tavsiya etilgan UO‘K: 72.01(075.8) K BK 85.il М 96 М 96 M.Muxamedova. Me’morchilik asoslari. -Т.: «Fan va texnologiya», 2018,296 Bet. ISBN 978-9943-11-927-7 Mazkur o‘quv qoilanma me’morchilikning estetik talaBlari, texnik mukam- malligi, Binolar klassifikatsiyasi, asosiy soha va turlari, Binolar konstruksiyasi, me’morchilikning rivojlanish an’analari, yangi tipdagi binolaming funksionalligi va konstruktiv mustahkamligi Bilimlarini o‘zlashtirishga yo'naltiriladi. “Me’morchilik asoslari” o‘quv qoilanmasi mazmuniga yetakchi xorijiy oliy o‘quv yurtlarida ishlaB chiqilgan ilmiy qoilanmalar asosida me’morchilikka oid ilmiy yangiliklar kiritilgan. UshBu o‘quv qo‘llanma doirasida Qadimgi Misr, Old Osiyo, Uzoq Sharq me’morchiligi, Qadimgi Gretsiya iBodatxonalarida qurilish konstruksiyalari va order sistemalari (doriy, ion, korinf), qadimgi Rim ustun-to‘sin sistemasiga yangi konstruksiyalar kiritilishi (kompozit va toskan orderlari) akveduk, amfiteatr, forum, insulalar qurilishi, Vizantiya va ilk xristianlar davri arxitekturasi, roman va gotika usluBi me’morchilik asoslari, Uyg‘onish va Barokko davri shaharsozligining rivojlanish an’analari, klassitsizm va ampir usluBi asoslari, eklektizm, modern, konstruktivizm, funksionalizm usluBlarining zamonaviy usluBiar rivojidagi o‘rni, yangi tipdagi Binolaming funksionalligi va konstruktiv mustahkamligini o‘rganish kaBi mavzular mujassamlashtirilgan. O'quv qo‘llanmaning asosiy dolzarBligi talaBalarga Sharq va G‘arB, umuman olganda jahon me’morchiligining tarixi va nazariyasini o‘rgatish, me’morchilik tarixining tadriji, rivojlanish qonuniyatlarini o‘zlashtirish, turli usluBlaming yuzaga kelishi va shu usluBlar ta’sirida Bunyod etilgan oBidalar me’morchiligini yoritiB Berishdir. -
Introduction Over the Past Centuries, the Column Has Been Widely Used As a CONTENTS: Building Element of Great Importance
Introduction Over the past centuries, the column has been widely used as a CONTENTS: building element of great importance. From the ancient temples of the Pharaoh to the royal castle of Stockholm some thousand years Introduction (Page 1) later, the column still serves its function an essential piece of the architectural puzzle. CHAPTER I (Page 1) The Essential Column The reason why I pay a special interest in the column is, mainly, The Anatomy of a Column that I believe that it can sometimes be forgotten in the eyes of the audience, even though it is an essential element that holds our buildings standing over our heads. Thus, I decided to plunge into CHAPTER II (Page 2) the knowledge behind the column to learn more and study its The Column in Terms of History complexity rather than thinking of it as a subject of everyday life. The Classical Orders CHAPTER I - The Essential Column CHAPTER III (Page 3) The column is a vertical element that is used to guide the force The Column in Terms of Construction (compression) from the top to the bottom of an architectural Dealing with Forces structure. The column has a wide range of use: from the vertical Instability structure that transmit forces in structural engineering to the support of statues with great symbolism of grace and honor. It can Final Words (Page 3) also be used as decoration by esthetically means as in large cathedrals or royal palaces. References (Page 3) The Anatomy of a Column Even though we might think the column as a simple vertical supportive structure, it is still backed-up with a handful of thought behind the simplicity that is witnessed by our naked eyes. -
Arch 150: Appreciation of Architecture I
Arch 150: Appreciation of Architecture I Professor Alex T. Anderson 170F Architecture Hall [email protected] campus phone: 616-1261 office hours: W 1:30-3:30 (or by appointment) Course Assistants Shima Mohajeri, Ph.D. [email protected] office hours: TBA Supasai Vongkulbhisal [email protected] office hours: TBA Vy Nguyen [email protected] office hours: TBA Arch 150: Appreciation of Architecture I a broad introduction to the architecture before the modern era in which you should: • gain a sense of the global history of architecture from prehistory to 1400 • be able to identify key works of architecture from the period • have a good understanding of architectural principles and techniques • be able to interpret buildings critically or Read the textbook! Available at the University Book Store (4th edition only) or as an E-Book at Amazon or On reserve in the CBE and Odegaard Libraries Textbook Recommended Text Available as an E-book at the UW Library and On reserve in the CBE Library Use the website! (https://canvas.uw.edu/courses/1062938 ) Use the website! (https://canvas.uw.edu/courses/1062938 ) Arch 150: Appreciation of Architecture I Course grading • 4 online tests (80%) • 2 assignments (20%) Arch 150: Appreciation of Architecture I Please: • avoid distractions during the lectures – no cell phones, computers (except for note-taking), talking, etc. • talk to me after class, rather than before • communicate with us via e-mail or the Canvas site, but don’t expect long or complex answers… Appreciation of architecture? The Parthenon The Parthenon (Temple of Athena Polias, Athens, Greece, 432 bce) The Acropolis (plan, 2nd c. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
SOURCES and INFLUENCES Various Design Traditions And
SOURCES AND INFLUENCES Various design traditions and building technologies have been introduced, applied, and assimilated in the various forms of Philippine architecture. The Southeast Asian Tradition Anthropologists theorize that the cultures of Southeast Asia have a common root, as shown in similarities in their languages classified by linguists as belonging to the Austronesian language family. One of the world’s largest language families, it stretches more than halfway around the world from Easter Island, its easternmost distribution, to Madagascar, its westernmost. It encompasses the islands Southeast Asia, Micronesia, Polynesia, parts of the Malay Peninsula, South Vietnam, Taiwan, the coastal pockets of New Guinea, and, some theorize, Japan. The common culture revealed by these related languages can explain why similar features are found in Southeast Asia, namely, pile or post construction, saddleback roof, and decorative gable-finials shaped like carabao horns. The use of piles or stout posts to raise the floor of the ethnic house is seen, with variations all over the Philippines, both among lowland communities and tribal groups. The bahay kubo (nipa hut) is usually built with wooden posts as its framework. The four posts of the Ifugao house, which is both granary and home, is distinctive for circular rat guards, while the Maranao torogan (sleeping place) stands on stout log posts resting on round stones. Houses built on the sea, like the Badjao houses, are raised on slim posts or stilts. Although Philippine ethnic houses generally lack the graceful curve characteristic of saddleback roofs of the architecture of the Minangkabau in Sumatra or the noble houses at Lemo, Tana Toraja, Sulawesi, their hip roofs are closely related to the saddleback type. -
Ancient Greek the Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS
Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS LET’S LOOK AGAIN It’s best to study architecture when you can actually visit the places and see things up close. It’s fun to look at things up high and down low... to see things from lots of different perspectives. Since we are looking at photographs of the architecture, we’ll need to pay especially close attention to what we see in the pictures. Here are a few different angles from the three build- ings we’re learning about this month. Do you notice anything new? Architecture offers us so much to look at and learn about. We’ll be focusing on one thing this week: columns. Make sure to look at the columns in each building, then write down or chat about your observations. The Parthenon Temple of Olympian Zeus The Erechtheion March 2019 | Week 2 1 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS A TIMELINE OF GREEK ART Geometric Archaic Hellenistic Period Period Period 900-700 BCE 700-600 BCE 600-480 BCE 480-323 BCE 323-31 BCE Orientalizing Classical Period Period March 2019 | Week 2 2 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS GREEK ARCHITECTURE If you’ve ever built a structure out of wooden blocks or legos, you’ve played with the idea of architec- ture. The Greeks took ideas about building that had already been around for centuries, and made them more decorative and extra fancy. Greek Architects were obsessed with beauty. The word arete is often used when art historians talk about Ancient Greek art and architecture, and it means: excellence.