125 Derek Sivers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spring 2016 Issue
palaver e /p ‘læve r/ n. A talk, a discussion, a dialogue; (spec. in early use) a conference between African tribes-people and traders or travellers. v. To praise over-highly, flatter; to cajole. To persuade (a person) to do something; to talk (a person) out of or into something; to win (a per- son) over with palaver. To hold a colloquy or conference; to parley or converse with. © Palaver. Spring 2016 issue. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, without prior written permission from Palaver. Rights to individual submissions remain the property of their authors. Graduate Liberal Studies Program University of North Carolina Wilmington 105 Bear Hall Wilmington, NC 28403 www.uncw.edu/gls Masthead | Spring 2016 Founding Editors Copy Chiefs Contributing Editors Sarah E. Bode John Dailey Dr. Josh Bell Ashley Elizabeth Hudson Mikkel Lysne Michelle Bliss Melissa Slaven-Warren Sarah E. Bode Executive Editor Dr. Theodore Burgh Patricia Turrisi Staff Lauren B. Evans Holli Terrell-Cavalluzi Dr. Carole Fink Editor-in-Chief Jonny Harris Courtney Johnson Ashley Elizabeth Hudson Travis Henry Katja Huru Linda McCormack Rebecca Lee Managing Editor Janay Moore Johannes Lichtman Erin Ball Dr. Marlon Moore Dr. Diana Pasulka Layout Editors Dr. Alex Porco Ashley Elizabeth Hudson Nick Rymer Erin Ball Dr. Michelle Scatton-Tessier Dr. Anthony Snider Layout Assistant Erin Sroka Gabe Reich Dr. Patricia Turrisi Cover Art: “The Indistinct Notion of an Object Trajectory” by Ryota Matsumoto Back Cover Art: “Surviving in the Multidimensional Space of Cognitive Dissonance” by Ryota Matsumoto Thank you to the Graduate Liberal Studies Program at UNCW for letting us call you home. -
The Big List (My Friends Are Gonna Be) Strangers Merle Haggard 1948 Barry P
THE BIG LIST (MY FRIENDS ARE GONNA BE) STRANGERS MERLE HAGGARD 1948 BARRY P. FOLEY A LIFE THAT'S GOOD LENNIE & MAGGIE A PLACE TO FALL APART MERLE HAGGARD ABILENE GEORGE HAMILITON IV ABOVE AND BEYOND WYNN STEWART-RODNEY CROWELL ACT NATURALLY BUCK OWENS-THE BEATLES ADALIDA GEORGE STRAIT AGAINST THE WIND BOB SEGER-HIGHWAYMAN AIN’T NO GOD IN MEXICO WAYLON JENNINGS AIN'T LIVING LONG LIKE THIS WAYLON JENNINGS AIN'T NO SUNSHINE BILL WITHERS AIRPORT LOVE STORY BARRY P. FOLEY ALL ALONG THE WATCHTOWER BOB DYLAN-JIMI HENDRIX ALL I HAVE TO DO IS DREAM EVERLY BROTHERS ALL I HAVE TO OFFER IS ME CHARLIE PRIDE ALL MY EX'S LIVE IN TEXAS GEORGE STRAIT ALL MY LOVING THE BEATLES ALL OF ME WILLIE NELSON ALL SHOOK UP ELVIS PRESLEY ALL THE GOLD IN CALIFORNIA GATLIN BROTHERS ALL YOU DO IS BRING ME DOWN THE MAVERICKS ALMOST PERSUADED DAVID HOUSTON ALWAYS LATE LEFTY FRIZZELL-DWIGHT YOAKAM ALWAYS ON MY MIND ELVIS PRESLEY-WILLIE NELSON ALWAYS WANTING YOU MERLE HAGGARD AMANDA DON WILLIAMS-WAYLON JENNINGS AMARILLO BY MORNING TERRY STAFFORD-GEORGE STRAIT AMAZING GRACE TRADITIONAL AMERICAN PIE DON McLEAN AMERICAN TRILOGY MICKEY NEWBERRY-ELVIS PRESLEY AMIE PURE PRAIRIE LEAGUE ANGEL FLYING TOO CLOSE WILLIE NELSON ANGEL OF LYON TOM RUSSELL-STEVE YOUNG ANGEL OF MONTGOMERY JOHN PRINE-BONNIE RAITT-DAVE MATTHEWS ANGELS LIKE YOU DAN MCCOY ANNIE'S SONG JOHN DENVER ANOTHER SATURDAY NIGHT SAM COOKE-JIMMY BUFFET-CAT STEVENS ARE GOOD TIMES REALLY OVER MERLE HAGGARD ARE YOU SURE HANK DONE IT WAYLON JENNINGS AUSTIN BLAKE SHELTON BABY PLEASE DON'T GO MUDDY WATERS-BIG JOE WILLIAMS BABY PUT ME ON THE WAGON BARRY P. -
NEWSPAPER $3.00 We Bring You the Music That Brings in Your Audience
September 10, 1983 NEWSPAPER $3.00 We bring you the music that brings in your audience. Its true. BMI, the worlds largest performing rights organization, licenses the music audiences prefer. In every one of the last five years, the majority of the music on the charts was licensed by BMI. BMI is a non-profit-making organization, dedicated to meeting the needs of creators, publishers, and all users of music. We've always accepted and encouraged every kind of music. So, for over forty years, we’ve been making sure that you have the most uncomplicated, hassle- free access to all types of music. Bringing you more of the most popular music. Helping you capture a larger audience. That’s BMI. Wherever there's music, there's BMI. BOX MUSIC / COIN MACHINEdSH/ HOME ENTERTAINMENT ^HE INTERNATIONAL WEEKLY VOLUME XLV — NUMBER 15 — September 10, 1983 OISHBCK EDITORML It Doesn’t Make Sense Coming on the heels of the surfacing of what ap- “Pyro'^gnig ” and we should be able to seethatthis pears to be a feud between the Recording Industry was most likely due to a revolutionary advance in Assn, of America (RIAA) and the Electronic In- the field of audio hardware — the Walkman. An ad- GEORGE ALBERT dustries Assn. (El A) of it President and Publisher over the issue home taping, vance in the hardware field plainly helped boost the might be well worth it to examine the MARK ALBERT announcement sales of both cassettes and tape players. President and General Manager Vice last week that Def Leppard’s “Pyromania” has not That is how it should be. -
Respect for Acting Ffirs.Qxd 5/7/08 12:54 PM Page Ii
ffirs.qxd 5/7/08 12:54 PM Page vi ffirs.qxd 5/7/08 12:54 PM Page i respect for acting ffirs.qxd 5/7/08 12:54 PM Page ii Respect for Acting was first published in 1973 with the cover above. This edition reprints the original without alteration. ffirs.qxd 5/7/08 12:54 PM Page iii respect for acting uta hagen with haskel frankel John Wiley & Sons, Inc. ffirs.qxd 5/7/08 12:54 PM Page iv Copyright © 1973 by Uta Hagen. All rights reserved Foreword copyright © 2008 by David Hyde Pierce Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropri- ate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
What Are ICMA's Next Generation Initiatives?
THE NEXT GENERATION INITIATIVE A Collection of Articles from PM Magazine 2003—2014 What Are ICMA’s Next Generation Initiatives? ICMA’s Next Generation Initiatives were created to attract a wide and diverse group of people into the local government management profession, including students, early and mid-career professionals, and individuals from other fields. ICMA’s activities under this initiative fall under four strategies: • Promoting awareness of the local government management profession and encouraging individuals to con- sider careers in the field. • Helping new and early careerists land their first jobs in local government. • Engaging local government management professionals in ICMA early in their careers. • Building the leadership pipeline by engaging and developing promising individuals so that they are prepared to step into leadership roles, both in their local governments and in ICMA. Learn more about these initiatives at ICMA’s Career Network Web site (icma.org/careers). What’s the big deal? Quiet crisis. Retirement tidal wave. Workforce retention and recruitment. Next generation. Succession planning, pipeline, coaching. If you haven’t been hearing these terms, now is a good time to tune in. The local government management profession is approaching a crossroads as baby boomers that make up the majority of local government managers approach retirement at a quickening pace, and statistics indicate that the greatest numbers of retirees will come from the managerial ranks. The problem? A much smaller group of young and career-changing professionals are in line and prepared to fill their shoes. There just aren’t enough people. Many candidates are unaware of or choose to ignore the potential career satisfaction that can come from leading a local government through times of innovation and change. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
360DRUMS-BOOK-ZERO.Pdf
Copyright © 2019 by Joost Visser. All rights reserved. No part of this publication may be reproduced, distributed, or transmit- ted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addres- sed “Attention: Permissions Coordinator,” at the address below. Popschool Twenterand Burgemeester Koetjestraat 2a 7681 ZP Vroomshoop the Netherlands Ordering Information: Quantity sales. Special discounts are available on quantity purchases by corporations, as- sociations, and others. For details, contact the publisher at the address above. For digital ordering please visit http://www.360drumsbook.com or send a mail to [email protected]. Printed in the Netherlands. INTRODUCTION To be able to play an instrument requires a long journey. For some, this journey goes surpri- singly quick, for others it seems an eternal quest. Anyway, to master the drums it is key to focus on three main skills. 1) Play along with musicians (or audio) in different tempos and styles. 2) Play beats (or grooves) in which the feel and independence is trained. 3) Play fills in which technique, style and chops (or licks) are combined. Often these 3 main skills are studied separately, which is perfect to obtain a good and so- lid foundation. But the next step is crucial: Learning to combine these three topics. And that is what this book is about! But do not forget that this is only a very small selection from book 1 and book 2. -
Bandworks Registration Form – February 2012 Session Begins the Week of February 6, 2012
BandWorks Registration Form – February 2012 Session begins the week of February 6, 2012 I. Personal Info Name: ________________________________________Date of Birth: ____________ Female Male Check here if you are sure we already have your current contact information, then skip to section II. Name of parent or legal guardian (if under 18): ____________________________________________ Address: __________________________________________________________________________ City:__________________________________________ State:_____ Zip:_____________________ Phone: (home)__________________ (cell)______________________ (work) ___________________ Parent’s email (for students under 18): _______________________________________________________ Student’s email: ____________________________________________________________________ Music teacher: (name) _______________________________________________________________ (phone) ___________________________________________________________________________ (email) ___________________________________________________________________________ School Attending (for students under 18): _____________________________________________________ If you are new to BandWorks, how did you hear about us? Friend ____________________ Music teacher School teacher YouTube Web search Newspaper, TV, etc. Flyer/postcard Facebook Other__________________________ Please briefly describe student’s musical experience, including # years experience on your instrument(s), and any band or performing experience you have: _________________________________________________________________________________ -
Bandworks Registration Form – February 2012 Session Begins the Week of February 6, 2012
BandWorks Registration Form – February 2012 Session begins the week of February 6, 2012 I. Personal Info Name: ________________________________________Date of Birth: ____________ Female Male Check here if you are sure we already have your current contact information, then skip to section II. Name of parent or legal guardian (if under 18): ____________________________________________ Address: __________________________________________________________________________ City:__________________________________________ State:_____ Zip:_____________________ Phone: (home)__________________ (cell)______________________ (work) ___________________ Parent’s email (for students under 18): _______________________________________________________ Student’s email: ____________________________________________________________________ Music teacher: (name) _______________________________________________________________ (phone) ___________________________________________________________________________ (email) ___________________________________________________________________________ School Attending (for students under 18): _____________________________________________________ If you are new to BandWorks, how did you hear about us? Friend ____________________ Music teacher School teacher YouTube Web search Newspaper, TV, etc. Flyer/postcard Facebook Other__________________________ Please briefly describe student’s musical experience, including # years experience on your instrument(s), and any band or performing experience you have: _________________________________________________________________________________ -
KARAOKE CATALOGUE: R Artist Song Title R&J Stone We Do It [Duet] R
C K A A T R A A L O O K G E U E Songs in English: R KARAOKE CATALOGUE: R Artist Song Title R&J Stone We Do It [Duet] R. B. Greaves Take a Letter Maria R. City ft Adam Levine Locked Away R. City ft Adam Levine Locked Away [Duet] R. Dean Taylor Gotta See Jane R. Dean Taylor Indiana Wants Me R. Dean Taylor There's a Ghost in My House R. Kelly Bad Man R. Kelly Bump n' Grind R. Kelly Feelin' on Yo Booty R. Kelly Feelin' Single R. Kelly Gotham City R. Kelly Hair Braider R. Kelly Happy People R. Kelly I Believe I Can Fly R. Kelly I Can't Sleep Baby R. Kelly I Wish R. Kelly If I Could Turn Back the Hands of Time R. Kelly Ignition R. Kelly Just Like That R. Kelly Lady Sunday R. Kelly Love Letter R. Kelly Only the Loot Can Make Me Happy R. Kelly Radio Message R. Kelly She's Got That Vibe R. Kelly Slow Wind R. Kelly Step in the Name of Love R. Kelly The Storm Is Over Now R. Kelly The World's Greatest R. Kelly Thoia Thoing R. Kelly When a Man Lies R. Kelly When a Woman Loves R. Kelly When a Woman's Fed Up R. Kelly & Celine Dion I'm Your Angel [Duet] R. Kelly & Public Announcement She's Got That Vibe R. Kelly ft Jay-Z and Boo & Gotti Fiesta [Trio] R. Kelly ft Soweto Spiritual Singers Sign of a Victory R.E.M. -
Red Hot Chilli Peppers Blood Sugar Sex Magik Full Album Zip
Red Hot Chilli Peppers, Blood, Sugar, Sex, Magik Full Album Zip 1 / 4 Red Hot Chilli Peppers, Blood, Sugar, Sex, Magik Full Album Zip 2 / 4 3 / 4 Red Hot Chili Peppers Stadium Arcadium Album Download Zip; Red Hot Chili Peppers Stadium ... English new movies download torrent 2017 full. ... Sure, 1991's breakthrough Blood Sugar Sex Magik was as long as a classic double LP, but .... Download Red Hot Chili Peppers Blood Sugar Sex Magik (Deluxe Version) Zip Album MP3.. 1984 - The Red Hot Chili Peppers download-button. 1985 - Freaky Styley ... 1991 - Blood Sugar Sex Magik download-button. 1995 - One Hot .... Blood Sugar Sex Magik, 11. Under The Bridge, 12. Naked In The Rain, 13. Apache Rose Peacock, 14. The Greeting Song, 15. My Lovely Man, 16. Sir Psycho .... Red Hot Chili Peppers – Blood Sugar Sex Magic (1991) ... 'radio-friendly' tracks into the mix, and the whole affair is disappointingly average. ... back to 1991 and the release of the band's fifth album, Blood Sugar Sex Magik.. Records ( blood sugar sex magik, one hot minute, californication, by the way . ... Stream red hot chili peppers greatest hits (full album) by glaubex from ... download red hot chilli peppers greatest hits rar zip grandes exitos .... Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991 by Warner Bros. Records.. Album · 1991 · 17 Songs. Available with an Apple Music subscription. Try it free.. [Álbum completo] Red Hot Chili Peppers - Blood Sugar Sex Magik [1991] [320 KBPS]. 1. The Power Of Equality. 2.