Still on the Road 2010 Us Summer Tour
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Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Grateful Dead Records: Artwork MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
New York Clipper (Jul 1923)
"* V J'l Mr f^^apfeff\^ "#c/x<7^ JNEW TvaRiv ^ j ^ THE QLpgST THEA1:R1CA1^ lu Hi it i ivi III ii ii tij lii ^11 in Iff fjfs ^» wr-m '' - 2 THE NEW YORK CLIPPER July 4, 1923 FOREIGN NEWS NEAR RIOT AT THOMPSON OPENING CUTTING VARIETY PRICES "AREN'T WE ALL" CLOSING REVWINC WAGNER OPERAS London, July 2.—A small-sized riot London', July 2.—Various provincial London July Z—"Aren't We All," Berlin, Jul/ 2.—The Wagner Festival witnessed the opemnK of "Phanis, the theatre centers are seriously thinking of Frederick Lonsdale's comedy will close here Committee has reached a dennite decision Egyptian," known in America as "Tbomp- lowering the prices of admission of varie^ shortly. It is not a big success here and to revive thi< great musical event next son. the Egyptian," at the Palladimn shows in an effort to stimulate more busi- theatregoers are surprised at the enthusias- year with the presentation of "Parsifal," theatre here. "Pharos" pifesents an offer- ness for the houses, which is admittedly at tic reports received from the United States "Lohengrin," and the "Meistersinger," and ing exploiting "nerve-therapy," by which a very low ebb. If the quality of the where at the Gaiety Theatre^ New York; the singers- started rehearsals today at he dauns to relieve pain by means of shows in question are kept up the move Cyril Maude is scoring one of the biggest Bayreuth. The Festival will be held from simple nerve-pressure, without the use ot is believed to be a good one for the in- hits of his entire career. -
Still on the Road 1980 a Musical Retrospective Tour
STILL ON THE ROAD 1980 A MUSICAL RETROSPECTIVE TOUR NOVEMBER 9 San Francisco, California Fox Warfield Theatre 10 San Francisco, California Fox Warfield Theatre 11 San Francisco, California Fox Warfield Theatre 12 San Francisco, California Fox Warfield Theatre 13 San Francisco, California Fox Warfield Theatre 15 San Francisco, California Fox Warfield Theatre 16 San Francisco, California Fox Warfield Theatre 17 San Francisco, California Fox Warfield Theatre 18 San Francisco, California Fox Warfield Theatre 19 San Francisco, California Fox Warfield Theatre 21 San Francisco, California Fox Warfield Theatre 22 San Francisco, California Fox Warfield Theatre 24 Tucson, Arizona Tucson Community Center Arena 26 San Diego, California Golden Hall 29 Seattle, Washington Paramount Northwest Theatre 30 Seattle, Washington Paramount Northwest Theatre DECEMBER 2 Salem, Oregon The Armory 3 Portland, Oregon Paramount Theater 4 Portland, Oregon Paramount Theater Still On The Road: 1980 A Musical Retrospective Tour 5920 Fox Warfield Theatre San Francisco, California 9 November 1980 1. Gotta Serve Somebody 2. I Believe In You 3. Like A Rolling Stone Carolyn Dennis: Walk Around Heaven All Day (Cassietta George) 4. Man Gave Names To All The Animals 5. Precious Angel 6. Ain't Gonna Go To Hell For Anybody 7. Girl From The North Country 8. Slow Train Regina McCrary: Till I Get It Right (Red Lane/Larry Henley) 9. Abraham, Martin And John (Dick Holler) 10. Let's Keep It Between Us 11. Covenant Woman 12. Solid Rock 13. Just Like A Woman 14. When You Gonna Wake Up 15. Señor (Tales Of Yankee Power) 16. In The Garden — 17. Blowin' In The Wind First concert of A Musical Retrospective Tour. -
1. Name 3. Classification 4. Owner of Property
NPS Form 10-900 OMB No. 1024-0018 Exp. 1O-31-84 United States Department off the Interior National Park Service National Register of Historic Places t 3 Inventory—Nomination Form APR I 0 See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Market Street Theatre and Loft District NOV Z 0 1985 and/or common None 2. Location UHB Roughly: 982-1112 Market St. (northwest side), 973-1105 Market St. street & number (southeast side). One Jones St. and 1-35 Taylor St. #/A not for publication city, town San Francisco N/A vicinity of N/A state California code 06 county San Francisco code 075 3. Classification Category Ownership Status Present Use y district public x occupied agriculture museum building(s) x private unoccupied x commercial park Structure both work in progress educational private residence $itp Public Acquisition Accessible x entertainment religious object . in process yes: restricted government scientific W/A being considered x yes: unrestricted industrial transportation no military otherr 4. Owner of Property name Multiple, see continuation page 1 street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Hall of Records City Hall street & number city, town San Francisco state California 6. Representation in Existing Surveys__________ title Multiple, see continuation page 6 . has this property been determined eligible? __ yes _x_ no date _______________________^—federal __state __county local city, town state 7. Description Condition Check one Check one deteriorated unaltered x original s ite excellent N/A ——x — aoody »»»»•— .: , , . ruins x altered moved date fair __ unexposed Describe the present and original (iff known) physical appearance The Market Street Theatre and Loft District is an imposing but somewhat rundown group of commercial buildings on both sides of Market Street, San Francisco, for nearly 1200 feet from Sixth Street to Seventh Street and a little beyond in both directions. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
The Cultural World of Bob Dylan, Fall 2013
FS 101–26: the Cultural World of Bob Dylan Fall Semester 2013 • Time and location: MWF 9:00–9:50, Arter 213. • Instructor: Judson Herrman, [email protected]. • Office hours: every day (when classes are in session) 11:00–12:15 in Ruter 304. • Description: an examination of Dylan as a musical, literary, and general cultural phenomenon, in the context of popular and higher literary culture of the last fifty years, but also in the context of those long- lived literary and musical cultures with which he works. We trace the evolution of his songs and lyrics from their early folk, blues, rock, gospel, and protest roots, through the transition from acoustic to electric, in studio and performative contexts, and also through the many evolutions and reinventions that continue to characterize his career in music, literature, film, and painting. Coursework emphasizes the development of effective oral and written communication skills with a focus on description, summary, and critical thinking.1 • Course books: — Chronicles Bob Dylan, Chronicles: Volume One (New York, 2004). — Wilentz Sean Wilentz, Bob Dylan in America (New York, 2010). — Hacker Diana Hacker, A Writer’s Reference (Boston and New York, 7th edition, 2011). We will use this item as needed for reference regarding grammar, style, and formatting in writing and citations. Students should consult this item for questions of this sort that arise as they write. Students are also encouraged to ask in class when they have questions about this material. • Electronic resources: — http://www.expectingrain.com : a daily collection of links to all sorts of Dylan media coverage. -
Still on the Road: 2013 Europe Fall Tour
STILL ON THE ROAD 2013 EUROPE FALL TOUR OCTOBER 10 Oslo, Norway Spektrum 12 Stockholm, Sweden Stockholm Waterfront Auditorium 13 Stockholm, Sweden Stockholm Waterfront Auditorium 15 Copenhagen, Denmark Falconer Salen 16 Copenhagen, Denmark Falconer Salen 18 Hannover, Germany Swiss Life Hall 19 Hamburg, Germany Congress Center Hamburg 20 Hamburg, Germany Congress Center Hamburg 22 Düsseldorf, Germany Mitsubishi Electric Halle 24 Berlin, Germany Tempodrom 25 Berlin, Germany Tempodrom 26 Berlin, Germany Tempodrom 28 Geneva, Switzerland Geneva Arena 30 Amsterdam, The Netherlands Heineken Music Hall 31 Amsterdam, The Netherlands Heineken Music Hall NOVEMBER 2 Milan, Italy Teatro degli Arcimboldi 3 Milan, Italy Teatro degli Arcimboldi 4 Milan, Italy Teatro degli Arcimboldi 6 Rome, Italy Atlantico 7 Rome, Italy Atlantico 8 Padova, Italy Gran Teatro Geox 10 Brussels, Belgium Vorst Nationaal 12 Paris, France Le Grand Rex 13 Paris, France Le Grand Rex 14 Paris, France Le Grand Rex 16 Esch-sur-Alzette, Luxembourg Rockhal 18 Glasgow, Scotland Clyde Auditorium 19 Glasgow, Scotland Clyde Auditorium 20 Glasgow, Scotland Clyde Auditorium 22 Blackpool, England Opera House Theatre 23 Blackpool, England Opera House Theatre 24 Blackpool, England Opera House Theatre 26 London, England Royal Albert Hall 27 London, England Royal Albert Hall 28 London, England Royal Albert Hall Bob Dylan: Still On The Road – 2013 Europe Fall Tour Bob Dylan: Still On The Road – 2013 Europe Fall Tour 35160 Spektrum Oslo, Norway 10 October 2013 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' (Bob Dylan-Robert Hunter/Bob Dylan) 4. What Good Am I? 5. Pay In Blood 6. -
Grateful Dead Marathon ‘Thank You’ Gift Description
2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No. -
Still on the Road 2016 Tour of Japan
STILL ON THE ROAD 2016 TOUR OF JAPAN APRIL 4 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 5 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 6 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 9 Miyagi, Japan Tokyo Electron Hall Miyagi 11 Osaka, Japan Festival Hall 12 Osaka, Japan Festival Hall 13 Osaka, Japan Festival Hall 15 Nagoya, Japan Century Hall 18 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 19 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 21 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 22 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 23 Tokyo, Japan Tokyo Dome City Hall 25 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 26 Tokyo, Japan Bunkamura Orchard Hall, Shibuya 28 Yokohama, Japan Pacifico -Yokohama Bob Dylan: Still On The Road −−− 2016 Tour of Japan Bob Dylan: Still On The Road −−− 2016 Tour of Japan 37310 Bunkamura Orchard Hall, Shibuya Tokyo, Japan 4 April 2016 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' (Bob Dylan -Robert Hunter/Bob Dylan) 4. What'll I Do? (Irving Berlin) 5. Duquesne Whistle (Bob Dylan -Robert Hunter/Bob Dylan) 6. Melancholy Mood (Walter Schumann & Vick R. Knight Sr.) 7. Pay In Blood 8. I'm A Fool To Want You (Jack Wolf, Joel Herron, Frank Sinatra) 9. That Lucky Old Sun (Beasley Smith, Haven Gillespie) 10. Tangled Up In Blue 11. High Water (For Charley Patton) 12. Why Try To Change Me Now? (Cy Coleman, Joe McCarthy) 13. Early Roman Kings 14. The Night We Called It A Day (Matt Dennis, Tom Adair) 15. Spirit On The Water 16. Scarlet Town 17. -
2010 Europe Summer Tour
STILL ON THE ROAD 2010 EUROPE SUMMER TOUR MAY 29 Athens, Greece Terra Vibe Park 31 Istanbul, Turkey Cemil Topuzlu Open-Air Theatre JUNE 2 Bucharest, Romania Zone Arena 3 Sofia, Bulgaria National Palace of Culture 4 Skopje, Macedonia Metropolis Arena 6 Belgrade, Serbia Belgrade Arena 7 Zagreb, Croatia Salata 9 Bratislava, Slovak Republic Incheba Expo Arena 11 Prague, Czech Republic O2 Arena 12 Linz, Austria Tips Arena 13 Ljubljana, Slovenia Hala Tivoli 15 Padova, Italy Palafabris 16 Viareggio, Italy Cittadella del Carnevale 18 Parma, Italy Parco Ducale 19 Dornbirn, Austria Messehalle 20 Lyon, France Halle Tony Garnier 22 Nice, France Palais Nikaia 23 Marseille, France Le Dome 24 Barcelona, Spain Poble Espanyol 26 Vitoria, Spain Alex Chilton Stage, Azkena Rock Festival 28 Carcassonne, France Theatre Jean Deschamps 29 Bordeaux, France Patinoire Meriadeck JULY 1 St. Herblain, France Zenith Nantes Metropole 3 Paddock Wood, England The Hop Farm, Hop Farm Festival 4 Limerick, Ireland Thomond Park Stadium Bob Dylan: Still On The Road – 2010 Europe Summer Tour Bob Dylan: Still On The Road – 2010 Europe Summer Tour 32020 Terra Vibe Park Athens, Greece 29 May 2010 1. Rainy Day Women # 12 & 35 2. Lay Lady Lay 3. I'll Be Your Baby Tonight 4. Stuck Inside Of Mobile With The Memphis Blues Again 5. Just Like A Woman 6. Honest With Me 7. Desolation Row 8. Ballad Of Hollis Brown 9. Rollin' And Tumblin' 10. The Lonesome Death Of Hattie Carroll 11. Highway 61 Revisited 12. Workingman's Blues #2 13. Thunder On The Mountain 14. Ballad Of A Thin Man — 15.