Water Safety Instructor's Manual
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Best Swimmer in the World 2014
Best swimmer in the world 2014 I also did the same to the world rankings to give a comparison on what Sun is still one of the most famous swimmers in the world, even. The Top 10 Swimming Performances of by Swimming World Magazine showcases some of the most talented Swimmers in the world and. World's Best Swimmer ever - - - - Best Swimmer in the world Лучший пловец в мире Beste Schwimmer der Welt. Phelps had won the title of World Swimmer of the Year Award six times and and one bronze medal, he was one of the world's best swimmers in the s. Here are the top female swimmers in the world. Ledecky slipped under the WR for the first time in August of at US Nationals, and then again a her way with her smooth, powerful butterfly stroke to an all-time best of to win gold. 4x50, 4x, 4x FR-R, MED-R. LC, SC. Gender: Male and Female Male Female Mixed Gender. Date: Named Date Range. , , , , Swammy Award winner for Male World Swimmer of the Year Chad age of seven, but nothing good enough to warrant being on this site. Submit a Story · Submit a Job · SwimOutlet VolleyMob Bratter. © Swim Swam Partners, LLC. All rights reserved. FTC Disclaimer | Terms of Use & Privacy. Bim Adewunmi: The Jamaican m breaststroke swimmer has double cause to celebrate after her record-breaking win at the Fina World. Aussie World Trials Wrap Up (And Let Down) was in the pool as fans chose Royal Easter Show over world's best swimmers. -
BATSMAN COMMENCING INNINGS 1. Substitutes
LAW 2 SUBSTlTUTES AND RUNNERS; BATSMAN OR FIELDER LEAVING THE FIELD; BATSMAN RETIRING; BATSMAN COMMENCING INNINGS 1. Substitutes and runners (a) If the umpires are satisfied that a player has been injured or become ill after the nomination of the players, they shall allow that player to have (i) a substitute acting instead of him in the field. (ii) a runner when batting. Any injury or illness that occurs at any time after the nomination of the players until the conclusion of the match shall be allowable, irrespective of whether play is in progress or not. (b) The umpires shall have discretion, for other wholly acceptable reasons, to allow a substitute for a fielder, or a runner for a batsman, at the start of the match or at any subsequent time (c) A player wishing to change his shirt, boots, etc. must leave the field to do so. No substitute shall be allowed for him. 2. Objection to substitutes The opposing captain shall have no right of objection to any player acting as a substitute on the field, nor as to where the substitute shall field. However, no substitute shall act as wicket keeper. See 3 below. 3. Restrictions on the role of substitutes A substitute shall not be allowed to bat or bowl nor to act as wicket-keeper or as captain on the field of play. 4. A player for whom a substitute has acted A player is allowed to bat, bowl or field even though a substitute has previously acted for him. 5. fielder absent or leaving the field If a fielder fails to take the field with his side at the start of the match or at any later time, or leaves the field during a session of play, (a) the umpire shall be informed of the reason for his absence. -
Being on the Bench Was Not a Choice That They Made
Being-on-the-Bench: An Existential Analysis of the Substitute in Sport Abstract Being a substitute in sport appears to contradict the rationale behind being involved in that sport, especially in those sports whereby substitutes frequently remain unused or are brought on to the field of play for the final moments of that game. For the coach or manager, substitutes function as a way to improve the team achieving a particular end, namely to win the game; whether to replace an injured or tired player, to change a team’s structure or tactics, to complete a specialised manoeuvre (such as goal kicking in American football or a short corner in hockey), or to run down the clock. Whether a substitute is afforded an opportunity of playing the game appears to be directed by others; arguably if one had a choice in the matter one would chose to be on the field of play rather than off it. Nevertheless, the Existentialist position is that our situation is always inexorably one that is freely chosen. To argue that one has not freely chosen one’s position is to be ‘inauthentic’. Furthermore, to conceptualise one’s manifestation and to be treated by others as a thing ‘in-itself’ – such as a substitute - is to fall into ‘bad faith’. Culbertson (1) has already argued that elite competitive sport is an arena which promotes rather than avoids bad faith due to its constituent factors. Culbertson’s frame of reference primarily applied to sporting events that involve individuals competing in co-active, parallel competition - such as athletics, swimming or weightlifting - whereby bad faith is generated via a tacit acceptance of ever- improving and quantifiable performance. -
Performance Studies, Sport, and Affect in the Twenty-First Century
Performance Studies, Sport, and Affect in the Twenty-First Century by Kelsey Blair M.A., University of British Columbia, 2014 M.A., University of Toronto, 2010 B.A., University of British Columbia, 2007 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Kelsey Blair 2019 SIMON FRASER UNIVERSITY Spring 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Kelsey Blair Degree: Doctor of Philosophy Title: Performance Studies, Sport, and Affect in the Twenty-First Century Examining Committee: Chair: Clint Burnham Professor Peter Dickinson Senior Supervisor Professor Dara Culhane Supervisor Professor Coleman Nye Supervisor Assistant Professor Ann Travers Internal Examiner Associate Professor Department of Sociology and Anthropology Susan Bennett External Examiner Professor Department of English University of Calgary Date Defended/Approved: April 16, 2019 ii Abstract Richard Schechner, one of the founders of performance studies, urges scholars to expand their conceptualization of performance to include a broad spectrum of framed and/or displayed human behaviours. While this call to action has strongly influenced the interdisciplinary impulse of performance studies and prompted important cross- disciplinary investigations between performance genres such as theatre, dance, performance art, political performance, ritual, and play, sport has remained under- theorized in the field. In this project, I begin to fill this gap by approaching the practices, activities, and events of twenty-first century sport through the lens of performance studies. -
Wonderful Wacky Water Critters
Wonderful, Wacky, Water Critters WONDERFUL WACKY WATER CRITTERS HOW TO USE THIS BOOK 1. The “KEY TO MACROINVERTEBRATE LIFE IN THE RIVER” or “KEY TO LIFE IN THE POND” identification sheets will help you ‘unlock’ the name of your animal. 2. Look up the animal’s name in the index in the back of this book and turn to the appropriate page. 3. Try to find out: a. What your animal eats. b. What tools it has to get food. c. How it is adapted to the water current or how it gets oxygen. d. How it protects itself. 4. Draw your animal’s adaptations in the circles on your adaptation worksheet on the following page. GWQ023 Wonderful Wacky Water Critters DNR: WT-513-98 This publication is available from county UW-Extension offices or from Extension Publications, 45 N. Charter St., Madison, WI 53715. (608) 262-3346, or toll-free 877-947-7827 Lead author: Suzanne Wade, University of Wisconsin–Extension Contributing scientists: Phil Emmling, Stan Nichols, Kris Stepenuck (University of Wisconsin–Extension) and Mike Miller, Mike Sorge (Wisconsin Department of Natural Resources) Adapted with permission from a booklet originally published by Riveredge Nature Center, Newburg, WI, Phone 414/675-6888 Printed on Recycled Paper Illustrations by Carolyn Pochert and Lynne Bergschultz Page 1 CRITTER ADAPTATION CHART How does it get its food? How does it get away What is its food? from enemies? Draw your “critter” here NAME OF “CRITTER” How does it get oxygen? Other unique adaptations. Page 2 TWO COMMON LIFE CYCLES: WHICH METHOD OF GROWING UP DOES YOUR ANIMAL HAVE? egg larva adult larva - older (mayfly) WITHOUT A PUPAL STAGE? THESE ANIMALS GROW GRADUALLY, CHANGING ONLY SLIGHTLY AS THEY GROW UP. -
Midwest Cricket Tournament Code of Conduct, T20 Playing Conditions - 2021
MIDWEST CRICKET TOURNAMENT CODE OF CONDUCT, T20 PLAYING CONDITIONS - 2021 MIDWEST CRICKET TOURNAMENT CODE OF CONDUCT, T20 PLAYING CONDITIONS - 2021 REVISED APRIL 2021 1 Copyrights © reserved by Midwest Cricket Tournament 2021 MIDWEST CRICKET TOURNAMENT CODE OF CONDUCT, T20 PLAYING CONDITIONS - 2021 Table of Contents 1. General Information ....................................................................................................................................................... 4 1.1 The Spirit of Cricket............................................................................................................................................. 4 1.2 Sign the waiver .................................................................................................................................................... 4 2. Code of Conduct ............................................................................................................................................................. 4 2.1 Disputes during the match .......................................................................................................................................... 5 2.2 Sledging & Penalties ............................................................................................................................................ 6 3. The Players ................................................................................................................................................................. 6 3.1 Roster Submission .............................................................................................................................................. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
69 Tiago Barbosa Ccaracterização Biofísica Da Técnica De Mariposa
Caracterização biofísica da técnica da Mariposa 1 Tiago Barbosa CCaracterização biofísica da técnica de Mariposa 69 69 Tiago Barbosa CCaracterização biofísica da técnica de Mariposa SÉRIE EDIÇÃO DO INSTITUTO POLITÉCNICO DE BRAGANÇA 4 Tiago Barbosa Título: Caracterização biofísica da técnica de Mariposa Autor: Tiago Barbosa Edição: Instituto Politécnico de Bragança · 2004 Apartado 1038 · 5301-854 Bragança · Portugal Tel. 273 331 570 · 273 303 200 · Fax 273 325 405 · http://www.ipb.pt Execução: Serviços de Imagem do Instituto Politécnico de Bragança (grafismo, Atilano Suarez; paginação, Luís Ribeiro; montagem e impressão, António Cruz; acabamento, Isaura Magalhães) Tiragem: 200 exemplares Depósito legal nº 211587/04 ISBN 972-745-076-8 Aceite para publicação em 2000 Caracterização biofísica da técnica da Mariposa 5 Índice I ·Introdução _______________________________________ 7 II · As técnicas de nado______________________________ 11 III · A técnica de Mariposa __________________________ 13 1. Caracterização_________________________________ 13 2. Origem e evolução ______________________________ 13 2.1. Origem __________________________________ 13 2.2. Evolução _________________________________ 14 3. Determinantes regulamentares ___________________ 16 4. Modelo técnico _________________________________ 18 4.1. Acção dos membros superiores ______________ 19 4.1.1. Trajecto motor subaquático ____________ 19 4.1.1.1. Entrada e acção lateral exterior _______ 19 4.1.1.2. Acção lateral interior ________________ 20 4.1.1.3. Acção ascendente____________________ 20 4.1.2. Saída e recuperação ___________________ 21 4.2. Acção dos membros inferiores _______________ 22 4.2.1. Batimento Descendente ________________ 22 6 Tiago Barbosa 4.2.2. Batimento ascendente _________________ 23 4.3. Sincronização das acções dos membros superiores e dos membros inferiores ________________________ 23 4.4. A posição e o movimento do corpo ___________ 24 4.5. -
How to Use Performance Management to Gauge Marketing Investment What My Son’S Swimming Experience Taught Me About the Importance of Performance Measurement
Putting the science into your casino marketing. How to Use Performance Management to Gauge Marketing Investment What my son’s swimming experience taught me about the importance of performance measurement Az Husain December 19, 2016 My 12-year-old son, Gil, started competitive swimming this year. As a data guy, I look at my son’s swimming activity under a different lens than most parents. I try to find meaning in all of the swim data: start time, intermediate time, finish time, improvement time, placement, aggregate swimmer times, etc. Prior to Gil’s first swim meet, I knew his best event would be the 50m breaststroke. His weakest event would be the 50m butterfly. So, in my mind, I had set my assumptions on Gil’s performance. Sure enough, he excelled at the breaststroke. But, to my surprise, he also performed well in the butterfly. The data also showed an unexpected problem. So, what happened? Putting the science into your casino marketing. At the start of Gil’s 50m butterfly, he entered the water in a weak position. He was last off of the starting block, and didn’t jump out far enough. His time underwater before breaking to the surface was short, which meant he needed to start into his stroke sooner, which is a disadvantage. (Off the block swimmers try to stay underwater as long as possible to maximize their start speed before surfacing.) I was already thinking that a slow start along with a weak stroke would likely mean a finish close to the bottom. But, to my surprise, Gil made up the time and finished 3rd. -
KEEFUS CIANCIA (Discography)
KEEFUS CIANCIA 1/1/19 (Discography) Recording Album / Project Artist Credit Beyond the Palace Walls Paragon Taxi Piano, Keyboards (1993) Jazz in the Present Tense The Solsonics Keyboards (1993) Bop Gun Ice Cube Keyboards (1993) Fo Life Mack 10 Keyboards (1993) Cool Struttin The Pacific Jazz Alliance Keyboards (1994) Keyboards, Moog Synthesizer, N Gatz We Truss South Central Cartel (1994) Claves Nut-Meg Sez "Bozo the Town" Weapon of Choice Keyboards, Vocals (1994) Clavinet, Fender Rhodes, Moog Back to Reality Jeune (1995) Lead Highperspice Weapon of Choice Keyboards, Vocals (1996) I Am L.V. L.V. Keyboards (1996) Radio Odyssey Various Artists Keyboards (1996) The Jade Vincent Moy Producer, Composer, Musician (1996) Experiment Concepto Sol d'Menta Keyboards (1998) Nutmeg Phantasy Weapon of Choice Keyboards (1998) Whitey Ford Sings the Blues [Clean] Everlast Keyboards, Performer (1998) Another True Fiction Jerry Toback Moog Synthesizer (1999) Eat at Whitey's Everlast Bass, Keyboards, Band (2000) Loud Rocks Various Artists Keyboards (2000) Moog Synthesizer, Claves, You Know, for Kids Hate Fuck Trio (2000) Wurlitzer Synthesizer, Farfisa Organ, The ID Macy Gray (2001) Composer Motherland Natalie Merchant Piano, Keyboards (2001) Stimulated, Vol. 1 Various Artists Keyboards (2001) Diana Priscilla Ahn (2001) Organ, Keyboards, Clavinet, C'mon, C'mon Sheryl Crow (2002) String Samples Keyboards, Producer, Engineer, Soul of John Black The Soul of John Black (2003) Associate Producer Piano, Keyboards, Moog Thousand Kisses Deep Chris Botti (2003) Synthesizer, -
2016 Michael Phelps Swim Spa Owners Manual International
INTERNATIONAL OWNER’S MANUAL MASTER SPAS OWNER’S MANUAL Welcome To Ultimate Relaxation! Thank you for choosing your new swim spa built by Master Spas. Please read the entire Owner’s Manual before installing and using your swim spa. The goal of this manual is to provide you with safety and operational information plus some tips that will help you enjoy your swim spa to its fullest. At the time of print, this manual is accurate in its information. Master Spas reserves the right to change or improve its product without prior notice. Please visit www.masterspas.com to check for product information updates and click the Resources link on the page to review support information. Record Of Ownership Name ________________________________________________________________________________ Address ______________________________________________________________________________ City _________________________________________________________ State ______ Zip _________ Phone # (______)________-__________ Date Purchased ______ /______ /_______ Model _________________________________ Serial # _______________________________________ Dealer Name _________________________________________________________________________ Service Tech Rep ______________________________________________________________________ Serial Number Location The serial number for your swim spa is located near the filter area, on the swim spa system pack, or on the listing plate on the skirting. It will start with “H” followed by a 6 digit number. Ex. H171234 Register Your Swim Spa Please be sure to register your swim spa so we can efficiently assist with any questions you may have. Until your swim spa has been registered, Master Spas Inc. will not have record of your ownership. To register your swim spa, visit www.MasterSpas.com and click the Resources link on the page. This area will offer Swim Spa Registration capability along with other support information. -
A WHALE of a Band!
Flipper http://www.markprindle.com/flipper.htm#dvd A WHALE of a band! special introductory paragraph! Generic Flipper Gone Fishin' Live Target Video 1980-81 DVD Blow'N Chunks Live Public Flipper Limited Live 1980-1985 Sex Bomb Baby! American Grafishy Flipper were one of the leading punk rock bands over in San Francisco in the early- to mid-80s, giving a big "frig you" to the rest of the punker scene by playing a louder SLOWER mess of the blues that relied wholly on attitude and bass line. See, the guitarist just played a bunch of scraggly noise. So the drummer would play his little rhythm and if they weren't too doped up, one of the two bass players (Will Shatter or Bruce Lose) would try to keep in time enough to play a catchy four-note bass line for you to tap your toe to. Then the OTHER of the two bassists (whichever one wasn't playing bass at the time) would yell some words that would seem nihilistic but would also occasionally make a statement about how important it is to rise above all the garbage that life throws at you and SURVIVE. They also had a great sense of humor (sample lyric: "Who cares anyway/who it is or what I say?/This song rhymes/And we play it in time!). Unfortunately drug habits have "dogged" the band since day one, resulting in one premature death and one immature reunion. Great ass band though, giving us more catchy bass lines than any band since The Tarney Spencer Group or whatever that band was that did that Run For Your Life album that my dad used to have.