Read Ebook {PDF EPUB} Girls I've Run Away With by Rhiannon Argo "Levitating" lyrics. If you wanna run away with me I know a galaxy and I can take you for a ride I had a premonition that we fell into a rhythm Where the music don't stop for life Glitter in the sky, glitter in my eyes Shining just the way I like If you're feeling like you need a little bit of company You met me at the perfect time. You want me, I want you, baby My sugarboo, I'm levitating The milky way, we're renegading (Yeah, yeah, yeah, yeah, yeah) I got you, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) You, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) I believe that you're for me, I feel it in our energy I see us written in the stars We can go wherever, so let's do it now or never Baby, nothing's ever, ever too far. Glitter in the sky, glitter in our eyes Shining just the way we are I feel like we're forever, every time we get together But whatever, let's get lost on mars. You want me, I want you, baby My sugarboo, I'm levitating The milky way, we're renegading (Yeah, yeah, yeah, yeah, yeah) I got you, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) You, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) You can fly away with me tonight You can fly away with me tonight Baby, let me take you for a ride (Yeah, yeah, yeah, yeah, yeah) (I'm levitating) You can fly away with me tonight You can fly away with me tonight Baby, let me take you for a ride (Yeah, yeah, yeah, yeah, yeah) My love is like a rocket, watch it blast off And I'm feeling so electric, dance my ass off And even if I wanted to, I can't stop (Yeah, yeah, yeah, yeah, yeah) My love is like a rocket, watch it blast off And I'm feeling so electric, dance my ass off And even if I wanted to, I can't stop (Yeah, yeah, yeah, yeah, yeah) You want me, I want you, baby My sugarboo, I'm levitating The milky way, we're renegading. I got you, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) You can fly away with me tonight You can fly away with me tonight Baby, let me take you for a ride (Yeah, yeah, yeah, yeah, yeah) (I'm levitating) You can fly away with me tonight You can fly away with me tonight Baby, let me take you for a ride (Yeah, yeah, yeah, yeah, yeah) I got you, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) You, moonlight, you're my starlight I need you, all night Come on, dance with me (I'm levitating) The takeover: how police ended up running a paedophile site. Exclusive: the inside story of a police operation that secretly took over a child abuse forum in a six-month sting, and the stunning breakthrough that led them to snaring Richard Huckle, ‘Britain’s worst-ever paedophile’ Last modified on Tue 28 Nov 2017 18.07 GMT. It was one of the world’s largest and most secure paedophile networks – an online space where tens of thousands traded horror. The website dealt in abuse; video and images of children, swapped and boasted about on a dark-web forum, accessible only through an encrypted browser. Membership was tightly managed. Quiet accounts raised suspicion and could be suddenly terminated. Those who stayed had to upload new material frequently. More than 45,000 people complied. But what those thousands never realised, even as heavy users began to disappear, was that the site was being run by police. For six months in 2014, inside a pale office block in the Australian city of Brisbane, an elite squad of detectives were administering the site: analysing images, monitoring conversations, connecting users with their crimes. By the time they pulled the plug on the forum 85 children had been rescued and hundreds of people across the globe arrested. Among them was Richard Huckle, a 30-year-old Briton living in Malaysia, one of the board’s most prolific members. Richard Huckle, dubbed ‘Britain’s worst-ever paedophile’. Photograph: NCA/PA. In June Huckle was sentenced to 22 life terms, one for each of the minors he was convicted of abusing. Police believe he had at least 169 other young victims. Huckle had diligently recorded their names in a ledger, detailing the acts he had performed with each one. How he was tracked and arrested is a story of persistence, good fortune and an audacious half-year sting, which key figures inside the specialist police unit responsible, Taskforce Argos in Australia, have granted the Guardian access to share. The trail. The loose thread, that once pulled, would unravel Huckle’s world, leads back five years to Toronto, and the warehouse headquarters of businessman Brian Way. The 42-year-old had built a child-abuse film distribution racket worth $4m, which to this day is among the largest ever discovered. When Canadian police raided his premises they found it piled with refuse, the bathroom sheeted in thick mould. The disarray was typical of a predator’s home. But Way, who was later convicted of 15 charges related to child abuse images and is awaiting sentencing, kept meticulous records. About a tenth of his 370 customers were based in Queensland. Their details were passed onto Insp Jon Rouse, the grave 52-year-old who commands Taskforce Argos. Jon Rouse, the head of Taskforce Argos, a Queensland police unit that specialises in disrupting child sex abuse networks online. Photograph: Michael Safi/The Guardian. Rouse came up through the Queensland police’s child safety group, where he investigated parents who had killed or mistreated their children, before joining Argos in 2000. “When we’re dealing with a video, when you hear children screaming, we’re listening for accents, trying to identify where that abuse is occurring,” he says. “Our job is to investigate it and end it.” His stern mask drops momentarily recalling “the very first time I saw a video of a child being penetratively raped”. “I could not believe it,” he says. “I was so shocked.” But to survive you need to “get past your abhorrence and horror”, he says. “At the end of the day the best way to deal with this is to see it as digital evidence of the commission of a criminal offence against a child.” After Way’s capture, dozens of arrests across Queensland followed, including of one man who subscribed to a site Argos had yet to unearth: a vast, highly organised forum, whose name is still suppressed under a strict court order. “One of the Queensland targets was a member,” Rouse says. “When we arrested him we took over his account.” At that stage “we were just another user”, Rouse says. Police discovered an intricate hierarchy operating on the site. “It ran as a company or business,” Rouse says. Senior administrators took charge of individual boards, grouped around categories such as boys or girls, hardcore or non-nude. Users had to upload material at least every 30 days or risk exile. Each of its 45,000 accounts were ranked according to the quality of their output, with a “producer’s area” walled off to all but the most feted. At the top was one man, “effectively the CEO”. He regularly started his messages with the cheery greeting “hiyas”. Paul Griffiths, a police officer from England with a cropped haircut and a hard stare, worked on Argos in Queensland as a victim identification specialist, scanning gigabytes of images and videos each week looking for clues – a brand of food, a grain of wood – that might give away a child’s location. Above his desk was a whiteboard scrawled with two dozen usernames: the forum’s most wanted. Huckle’s name made the whiteboard because he was a producer, uploading exclusively fresh material. He was zealous about it. “He belittled others [on the forum] for claiming they were paedophiles,” Griffiths recalls. “He thought they were just sitting at home living off other people’s experiences, where he was out there living the life.” “[Huckle] talked about leaving a legacy, where he’d be remembered because of the material he produced,” Griffiths says. “He got to the point where he was actually titling his work, saying it was his studio. He was definitely branding.” To Huckle’s frustration, however, his material was not sought after. “You’ve got the fact he wasn’t particularly popular, he was very arrogant,” Griffiths says. Huckle took precautions, usually blurring faces and backgrounds, and erasing telltale metadata from his work. Advice, including on how to evade police detection, was readily available on the site. One 180-page manual billed itself as “the exclusive step by step guide for practicing safe and fun sex with children”. Huckle had authored his own 60-page tome, titled “Paedophiles and Poverty: Child Lover Guide”. The search. In Brisbane, police laboured over the word “hiyas”, the word use by the site’s de facto CEO. “It didn’t really look like something that I’d use, or that anyone I know would use in conversation,” Griffiths says. When he punched it into Google, it returned thousands of hits. “All the people I could see using it as a greeting were women.” Danish authorities had already supplied Argos thin leads that the site’s kingpin was somewhere in Australia, probably Adelaide. Some of the children in the work he produced were clearly Indigenous. In one of his images, a small girl was splayed on a bed, a sheet of paper beside her reading, “Aussie”. A web search for “hiyas” turns up more than 450,000 results. The odds against police in these investigations are stacked extraordinarily high. What improves them is a basic truth about the people they hunt. “They will make mistakes,” Griffiths says. The man behind the site made at least three, that in time, would lead police crashing through his door. A man was discovered using the giveaway greeting on a four-wheel drive discussion forum. He lived in Adelaide. Griffiths’ eyes went wide at his username. It was a close copy of the handle used by the forum’s chief. Another similarly named user – liberally sprinkling his posts with “hiyas” – was also discovered on a basketball forum. “And I thought, this is just spooky. It’s just too much of a coincidence not to be him,” Griffiths says. The user on the four-wheel drive forum had asked for advice on raising his car’s suspension. People had replied suggesting parts. “I actually found someone on Facebook who was trying to source those parts [the user] had been advised to use,” Griffiths recalls. Victim identification specialist Paul Griffiths, who works with Taskforce Argos. Photograph: Michael Safi/The Guardian. It was a 32-year-old named Shannon McCoole. He worked in childcare. “Suddenly it all fell into place,” Griffiths says. “It was a battle stations moment.” Police moved on McCoole in June 2014. Though news of his arrest was initially suppressed, the fact he worked in state care would eventually trigger a royal commission. It revealed a long trail of red flags raised by McCoole’s colleagues over the four years he spent volunteering for youth services and and eventually working for Families South Australia. They included an anonymous call in March 2011 warning authorities the then-nanny was inappropriately physical with some children. It was ignored, along with a psychological assessment one year later, that found him to be “high risk” and “very unsuitable” for the job. Considering these misses elicits the rarest flash of emotion from Rouse. “Looking at the timeline, it’s quite horrendous,” he says. “It’s sickening. But it’s history now.” Shannon McCoole is serving 35 years in prison. McCoole was jailed to face court, but online, his presence barely faltered. Two officers had immediately assumed control of his account. This was in a different league from the earlier takeover of a Queensland account. Now one of the world’s largest online paedophile networks was suddenly being run from the Brisbane headquarters of the Queensland police. The trap. In Greek myth, Argos Panoptes was a giant who served as a guard for the queen of the gods, Hera. The beast had one hundred eyes, never closing all at once. “Ever vigilant,” Rouse says. For six months in 2014 Task Force Argos was all-seeing too, with access as McCoole to the forum’s every crevice, and the private messages of all 45,000 users. Including Richard Huckle’s. His messages provided early clues the man from Kent might not be preying on children in south Asia after all. He had still been careful never to name a country. But to a paedophile based in the Philippines who wrote to him, “pity you’re so far away,” he had replied, “I’m probably closer than you think”. As well, there was intelligence suggesting the offender had spent time in Malaysia. Access to the full suite of Huckle’s material provided the breakthrough. It was not what he photographed, but what he photographed with . Embedded in some of his images, overlooked when he swept the files of metadata, was the brand and model of his Olympus camera. A tiny clue – but enough. Officers exhaustively swept photography sites such as Flickr and TrekEarth for photos taken in south-east Asia using the make and model. Sure enough, “we find some perfectly legal images from Cambodia, Laos, Vietnam, taken with the same make and model of camera”. The photographer also had a penchant for shooting children, sometimes naked, “but nothing illegal in them”, he says. Police traced the legitimate photographs to an email address, which in turn illuminated his accounts on other websites. In an echo of McCoole’s case, one of these accounts was registered under a similar name to that of a paedophile on their site. “And realistically by that stage it was no chance he would be anyone else,” Griffiths says. The digital trail also led to a studio named Huckool Photography Productions. It was based in Malaysia and linked to Huckle’s public Facebook profile. There, he had been more brazen than police could have imagined. “On his photos on Facebook there were photos of similar children, and the same children, that appeared in the abuse material that he published online,” Griffiths says. The logo for Taskforce Argos. Its symbol is a scorpion, the natural predator of the rock spider, the Australian prison parlance for a child sex offender. Photograph: Michael Safi/The Guardian. Some of Huckle’s profiles are still archived. They are a sea of children: in church, dressed as Christmas angels; knee-deep in water, beaming; bunched together, “delightedly over-excited [at] their English photographing uncle”, he writes. Some show more brooding glances, and you wonder. Griffiths, who had worked as a police officer in his home city of Manchester, called his counterparts at Britain’s National Crime Agency (NCA), passing on the raw intelligence about Huckle’s crimes and his likely identity. But Huckle would remain in Malaysia untouched for another four months. “As I understand it, the Malaysians believed they didn’t have enough evidence to arrest him,” Griffiths says. (Malaysian police say they were only notified of Huckle’s offending by the NCA in May 2016.) They were so close. Police had an identity, a location, an array of online profiles. But no way to way to reach the man himself. Until Huckle provided one. “I just saw a [Facebook] post he made, basically saying, ‘Great news, I’ve just booked a flight home for Christmas’,” Griffiths says. “He had hashtagged the airline. It was almost too easy.” Huckle was arrested at Gatwick airport on 19 December 2014. Computers and hard drives in his possession contained more than 20,000 indecent images of children, around 1,000 depicting children he had himself abused. To this day he has refused to divulge the keys to encrypted files on his laptop, thought to reveal additional victims, and thousands more images and videos. Huckle’s trial received sensational media coverage in the UK, including his branding as “Britain’s worst-ever paedophile”. The endgame. Around the time Huckle was arrested in December 2014, undercover police posted a message from Shannon McCoole’s account to the forum. “[Forum name redacted] is a living creature,” it said. “We have survived a lot of ups and downs. It’s been a passion of mine for a long time, and [forum name redacted] is bigger than ever. “Believe it or not, the board doesn’t run itself and requires a lot of thankless hours from the admins, co-admins and mods. So the board will go into maintenance mode till the new year to give the admin team time to a break. The True Story Behind Operation “Argo” to Rescue Americans From Iran. The true story behind the new movie Argo about how CIA operatives posing as a Hollywood production team rescued six Americans hiding in Iran during the 1979 embassy crisis. An excerpt from Antonio Mendez and Matt Baglio’s new book, Argo . Antonio Mendez. Matt Baglio. Claire Folger / Courtesy of Warner Bros. On Nov. 4, 1979, thousands of Iranians stormed the U.S. Embassy in Tehran, taking 66 Americans hostage, including three CIA officers. The crisis lasted 444 days—a drawn-out drama dubbed “America Held Hostage” on television. But during the tumult, six American consular officials managed to slip by the Iranian mob. As they hid out in the homes of two Canadian diplomats, the Secret Six dreamed up escape plans worthy of Robert Ludlum, and perhaps just as outlandish. That is, until the CIA appeared with a plan even crazier than anything they had imagined: a scheme to have them pose as a crew of politically clueless filmmakers from Tinseltown scouting locations for a sci-fi film. Revolutionary Iran was dangerously chaotic, but the bureaucracy of surveillance and repression hadn’t hardened yet. This was before Google, which meant cover stories were checked by phone, in person, or by fax. It seemed crazy, but it might just work. So began one of the more outlandish stories in American espionage. And Hollywood, which was part of the intrigue in real life, has now adapted the story. The action thriller Argo , directed by Ben Affleck, chronicles the daring escape. In the movie, which premiered recently to great acclaim at the Telluride Film Festival, Affleck plays Antonio Mendez, the CIA chief of technical services, master of disguise and fake IDs, whose job it was to get the Americans out of Tehran undiscovered. Here Mendez remembers what happened. Of all the groups heading into Iran, it wasn’t implausible to imagine a group of self-absorbed Hollywood eccentrics traveling there in the middle of a revolution to find the perfect locations for their movie. Beyond that, it had the one quality that I felt the other potential cover stories lacked. It was fun, which I knew would help the six “houseguests.” We were going to walk them out through Tehran airport and right onto a commercial plane. They might be stopped; they might be questioned about what they did. And they needed to be comfortable with their new identities. We figured anyone knows enough about Hollywood to fake a little movie-making patter. Now I needed to convince everyone else at the CIA—and the Canadians—that this crazy idea was our best shot. And we had to work on the back story. We needed a Hollywood office, so if the Iranians’ people called our people, they’d hear something on the phone that confirmed we were legit. We would need to set up our own production company, which I had decided to call “Studio Six Productions,” after the six houseguests trapped in Iran. And we needed to plant ads and articles in the trade press about our new project. Our first priority was to get office space [ in L.A. ] . Film companies often are created and disbanded overnight, so the film business caters to short-term leases. It only took us about an hour of calling around to find what we needed. Apparently, Michael Douglas had just finished producing The China Syndrome and we could have his offices on the Columbia Pictures lot. I had brought a list of the houseguests in Tehran and their various ages and names. Any credible person in the film business would need a long string of previous credits. The trick was finding those kinds of jobs that give a person clout— art director, cinematographer, transportation coordinator—without the kind of marquis billing that a director or producer might get, which would be easier for the Iranians to check. I had already decided that I would take on the role of the production manager, which would give me a logical reason to keep track of everyone on the trip. My partner, “Julio,” meanwhile, would play an associate producer, representing our production company’s ostensible South American backers. The six hidden consular officials would fill out the other roles. Now that we had our production company, we needed a script. It was then that my Hollywood friend and collaborator on this project, a famous makeup artist, told me about a script pitched to him several months before. The project, based on Roger Zelazny’s science-fiction novel Lord of Light, had fallen through when a member of the production team was arrested for embezzlement, but not before initial preproduction had begun. Even better, the producers had hired Jack Kirby, a famous comic-book artist, to do concept drawings. “What’s it about?” I asked as I looked over the sketches. “Who knows!” said Calloway. “Some space opera set on a colonized planet.” “This is perfect,” I said. “The Iranians won’t be able to understand this stuff.” I was thinking that, for operational purposes, the more confusing the better. If someone were to stop us, then it would be easy for us to overwhelm them with confusing conceptual jargon. “What are we going to call it?” I asked. “Let’s call it Argo, ” Calloway said with a wry smile. It was the name of the ship that Jason and the Argonauts sailed in to liberate the Golden Fleece against impossible odds. “That sounds just like our operation,” I said. The houseguests had been told by one of the Canadian diplomats that they should expect some visitors. Of course he didn’t tell them we were CIA—just that we were coming to help. As I entered the residence in Tehran, I found the whole spectacle weirdly, disconcertingly familiar. A fire burned merrily in the hearth, and the houseguests had laid out hors d’oeuvres. The group seemed rested and eager, even fit. One of them had a nice tan. Our Canadian host went into the kitchen to mix us drinks, and it wasn’t long before we were sipping our cocktails and getting acquainted. If not for the roaming bands of murderous Revolutionary Guards and komiteh patrolling the streets outside, it would have felt just like any other dinner party in Washington, D.C. When I thought we’d broken the ice sufficiently, I started the briefing. I opened the Studio Six portfolio and took out an issue of Variety that had the Argo ad we’d placed. I then handed one of the Studio Six business cards to houseguest Cora Lijec and pointed to the part of the ad that said the film was “from a story by Teresa Harris.” “That’s you,” I said. I showed her the Canadian alias passport with her picture. Cora studied her photo and forged signature with obvious wonderment. Next I picked up the sketch pad and handed it to Kathy Stafford, another of the houseguests. “Here,” I said. “We saw that you have a little art in your background and decided to make you the art director.” I passed out the remaining business cards, which indicated the various roles the others would be playing: Joe Stafford was an associate producer; Mark Lijek was “Joseph Earl Harris,” the transportation coordinator; Lee Schatz was “Henry W. Collins,” the cameraman; and Bob Anders was “Robert Baker,” the locations manager. Before leaving, I sat down with the houseguests once again to go over their cover stories. I handed each of them the personal résumé we had created for them and told them to memorize it backward and forward. “If anyone stops you or hassles you in any way, just act confident and look them in the eye. Think about how someone from Hollywood would react. Remember, Julio and I will be right beside you, so if anything goes wrong let us do the talking.” “Each of you is going to need to make yourself look a little flashier, a little more Hollywood,” I said. I handed Schatz his viewfinder and gave Cora the script. “Julio and I will be back here on Sunday night to go through a little dress rehearsal,” I told them. “But in the meantime, learn your parts. You will be tested!” On Jan. 28, the six departed Iran, right under the noses of the Iranian Revolutionary Guard. Their escape remained unknown for months, and the CIA’s involvement was hidden for 17 years. Reprinted by arrangement with Viking Penguin, a member of Penguin Group (USA) Inc., from ARGO by Antonio J. Mendez and Matt Baglio. Copyright © 2012 by Antonio J. Mendez and Matt Baglio. Girls I've Run Away With by Rhiannon Argo. Matt Beard is relishing the hard work and preparations as he re-integrates with the Liverpool FC Women set-up ahead of the 2021-22 campaign. Matt Beard is relishing the hard work and preparations as he re-integrates with the Liverpool FC Women set-up ahead of the 2021-22 campaign. 'We'll work incredibly hard to achieve our aims' Former Liverpool FC Women captain Sophie Bradley-Auckland has sent her thanks to fans for all their support during her time with the club. 'I wanted to say goodbye and thanks to Liverpool fans' Liverpool FC Women can today confirm the departure of a number of players from the club as they reach the end of their contracts. Liverpool FC Women confirm player departures. Missy Bo Kearns has been voted the Standard Chartered Women's Player of the Season for 2020-21. Missy Bo Kearns wins Standard Chartered Women's Player of the Season. Go behind the scenes of Liverpool FC Women's recent home kit shoot with our video hosted by Taylor Hinds. Video: Behind the scenes of LFC Women's home kit shoot. Rinsola Babajide, Niamh Fahey and Rylee Foster have each been shortlisted for end-of-season FA Women's Championship awards. Three Reds up for end-of-season Women's Championship awards. Liverpool FC Women are delighted to announce Matt Beard has been appointed as the club's new manager. Matt Beard appointed Liverpool FC Women manager. It's time to decide Liverpool FC Women's Standard Chartered Player of the Season. Vote for your LFC Women Player of the Season now. Liverpool FC Women defender Meikayla Moore has been nominated for FA Women's Championship Player of the Month. Meikayla Moore up for FA Women's Championship Player of the Month. Liverpool FC Women fans have named Missy Bo Kearns their Player of the Season for 2020-21. Missy Bo Kearns named LFC Women fans' Player of the Season. Rylee Foster has been voted Liverpool FC Women’s Standard Chartered Player of the Month for April. Rylee Foster named LFC Women’s Standard Chartered Player of the Month. Rhiannon Roberts has signed a new contract with Liverpool FC Women. Rhiannon Roberts signs new deal with Liverpool FC Women. Liverpool FC Women were held to a 2-2 draw by London City Lionesses in their final game of the 2020-21 FA Women's Championship season on Sunday. Match report: Liverpool FC Women 2-2 London City Lionesses. Amber Whiteley praised the spirit and togetherness of the Liverpool FC Women team as they aim to claim runners-up spot in the FA Women's Championship. 'This team has showed great character and I'm proud of them' Liverpool FC Women's final game of the season on Sunday will be broadcast live on the FA Player. LFC Women's season finale to be broadcast live. Liverpool FC Women trained on Wednesday ahead of their final game of the season - check out our gallery of photos from the Solar Campus now. Photos: LFC Women in training ahead of season finale. Taylor Hinds has successfully appealed the red card she received during Liverpool FC Women's win over Sheffield United Women on Sunday. Taylor Hinds' red card rescinded and ban overturned. It's time to pick your Standard Chartered Player of the Month for Liverpool FC Women now. Vote for April's LFC Women Player of the Month. Liverpool FC Women extended their unbeaten run to seven games in the FA Women's Championship by beating Sheffield United 1-0 away from home on Sunday. Report: LFC Women beat Sheffield United in thrilling contest. Liverpool FC Women interim manager Amber Whiteley is proud of the progress made by the team as they aim to secure a top-three finish in the FA Women's Championship. 'There's definitely been progress but we've still got work to do' Liverpool FC Women were in training on Friday ahead of their league clash with Sheffield United Women this weekend. Photo gallery: LFC Women in training for trip to Sheffield United. Liverpool FC Women captain Niamh Fahey has been named the FA Women's Championship Player of the Month for March. Niamh Fahey wins FA Women's Championship Player of the Month. Liverpool FC Women were left frustrated after exiting the Vitality Women's FA Cup in a narrow 1-0 defeat by Leicester City Women on Sunday. Match report: Reds beaten by Leicester in Women's FA Cup. Rachel Furness has spoken of her huge pride in securing qualification for next year's Women's European Championship with Northern Ireland, a feat she admits 'didn't think was possible'. 'It hasn't sunk in yet!' - Rachel Furness on Euros qualification. Rhiannon Roberts believes Liverpool FC Women can take inspiration from Bristol City Women's run to the Continental Cup final earlier this season when they kick off their FA Cup campaign on Sunday. ‘Me and the rest of the girls want to compete for everything on offer’ Amber Whiteley sees Sunday's Vitality Women's FA Cup tie at Leicester City as an ideal barometer for Liverpool FC Women's recent impressive form. 'This cup tie will give us a mark of where we need to be' Check in on Liverpool FC Women's preparations for their Vitality Women's FA Cup tie against Leicester City with our photographs from Friday's training session. Training photos: LFC Women prepare for Leicester cup tie. Liverpool FC Women captain Niamh Fahey has been nominated for the FA Women’s Championship Player of the Month award for March. Niamh Fahey up for FA Women's Championship Player of the Month. The board of Liverpool FC Women today provided an update for supporters on the continued progress towards the appointment of a new manager. Manager update for Liverpool FC Women. Liverpool FC Women or Leicester City Women will face Burnley FC Women or Manchester United Women in the fifth round of the Women's FA Cup. Women's FA Cup fifth-round draw details. Liverpool FC Women interim manager Amber Whiteley has been awarded The FA Women's Championship Manager of the Month trophy for March. Amber Whiteley wins Championship Manager of the Month award. Check out our collection of images from Liverpool FC Women's training match on Sunday afternoon. Photo gallery: Liverpool FC Women's training match on Sunday. Missy Bo Kearns has been voted Liverpool FC Women’s Standard Chartered Player of the Month for March. Missy Bo Kearns wins LFC Women's Player of the Month award. Check out 25 photos from Liverpool FC Women's latest training session at Solar Campus on Friday. Quality Rooms at Wallet-Friendly Prices. Please check for travel restrictions & liaise with your host before booking and travelling to your Homestay. For all booking queries & cancellation terms, please visit our Help Centre. Clara and her husband Pedro were absolutely wonderful hosts who made me feel truly welc. Staying with Tomoko for one and a half month was amazing that I wished I could infinite. I loved Ivis and her son! They were so helpful and friendly! The house was spacious and. Rent out your spare room. Earn extra income renting out your spare room to professionals, international students and tourists looking for nightly, weekly and monthly stays. Experience a home away from home. HAPPENING RIGHT NOW. True value. Offering quality and affordability, homestays are a great value accommodation option for short or long term stays. Real Homes. Every home has a host present and they do more than just hand over keys. They'll help you settle into life in a new place. Real Connections. Use our helpful features to find the perfect host family. Whether you want to borrow a bike or have full access to the kitchen we've the right room for your stay. Student Accommodation. Homestays provide a truly affordable and safe way to stay, when learning a new language, studying abroad on Erasmus or doing an internship. Our secure online booking system, complete with reviews gives you peace of mind that your accommodation is now sorted. Girls I've Run Away With by Rhiannon Argo. From and To can't be the same language. That page is already in . Something went wrong. Check the webpage URL and try again. Sorry, that page did not respond in a timely manner. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Something went wrong, please try again. Try using the Translator for the Microsoft Edge extension instead.