Widow Pension Beneficiaries of Chandani Chowk Constituency 2017-18
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
QUESTION BANK (LEVEL-I) Class - IV Session - (2019 -20)
QUESTION BANK (LEVEL-I) Class - IV Session - (2019 -20) Note - Revise the syllabus and Prepare for Unit Test- I Solve the QUESTION BANK in RESPECTIVE SUBJECT NOTEBOOKS. ENGLISH Q. 1.Answer the questions based on the Unseen Passages given below: 1. The Snow Caps Not all mountains have snow on top, only the highest ones. That's because when water gets very cold, it freezes and turns into snow or ice -and the higher up a mountain, the colder it gets. The place where a mountain begins to be covered with snow is called its snowline. Sometimes on high mountains, a mass of snow will suddenly slip and begin to slide downhill. This is an avalanche The worst avalanche hurtle downwards like racing cars, at more than 160 km/h. The pressure of snow and ice can crack and break rocks, slowly wearing away the mountains. The most powerful mountain-movers are glaciers, these massive blocks of ice, snow and rock form high in the mountains and flow downhill like vast frozen rivers, carving out valleys. i. What is an avalanche? ii. How are valleys formed? iii. 'Downhill is a compound word. –The meaningful word formed by joining two meaningful words. Think and write three more compound words beginning with 'down' ______________ _____________ _______________ 2. Penguins Penguins are a group of aquatic, flightless birds living mostly in Antarctica.Penguins have dark and white feathers .They have flippers for movement in water.Most penguins feed on fish,squid and other forms of sealife caught while swimming underwater.They spend half of their life on land and half in the oceans.Emperor penguins are the largest living species and the blue or fairy penguins are the smallest species .Most of the penguin species live in large colonies . -
Photo Tour of Golden Triangle with Pushkare Fair in 2018
PHOTO TOUR OF GOLDEN TRIANGLE WITH PUSHKARE FAIR IN 2018 11 Nov 2018 Arrival Delhi Traditional welcome on arrival and transfer to hotel for overnight stay. (Only one arrival transfer is included in our tour package, supplement cost of USD 20 will be applicable if any guest will arrive in different flight) Note – Please note that check in time of hotel is 12 Noon 12 Nov 2018 Delhi After breakfast first photo opportunity at Humayun Tomb. Humayun's tomb is the tomb of the Mughal Emperor Humayun in Delhi, India. The tomb was commissioned by Humayun's first wife Bega Begum in 1569-70, and designed by Mirak Mirza Ghiyas, a Persian architect chosen by Bega Begum Later we will take you to the Qutab Minar which is the tallest brick minarety in the world, and the second tallest minar in India after Fateh Burj at Mohali. Qutub Minar, along with the ancient and medieval monuments surrounding it, form the Qutb Complex, which is a UNESCO World Heritage Site. Made of red sandstone and marble, Qutub Minar is a 73-meter (240 feet) tall tapering tower with a diameter measuring 14.32 meters (47 feet) at the base and 2.75 meters (9 feet) at the peak. Inside the tower, a circular staircase with 379 steps leads to the top Afternoon (After Lunch) we will take you to the photo tour of Old Delhi. In the 17th century, the Mughal emperor, Shah Jahan, made his capital in the area that broadly covers present-day Old Delhi—he called it Shahjahanabad. -
Street the Heat
Food & Drink FINAL.qxd 7/16/2009 5:20 PM Page 36 Shahjahanabad coolers Street the heat Feeling a bit parched in purani Dilli, Sonal Shahquenches her thirst at various local institutions. Photography Taveeshi Singh Murarilal Inderjit Sharma Bikaner Sweet Shop The crowd outside Murari’s Compared to some surround- lassi, dahi, milk and paneer outlet ing vendors, this namkeen in Kinari Bazaar is relentless. shop is a newbie, having been Established about 60 years ago, established only 27 years ago. the dairy stall uses two of Delhi’s That certainly doesn’t stop Food & Drink classic “Sultan” machines to passers-by from availing of the churn creamy – but not excessive- shop’s convenient location in ly thick – lassi in kullars and steel Dariba, just out of the sun of glasses. Some of the area’s mer- Chandni Chowk. A bucket of chants bring their own silver cups ice holds bottles of kaju milk, to be filled. A squirt of kewra is pista milk and badam milk. added and the glass is topped with 255 Dariba Kalan, off Chandni a thin, creamy-crisp slab of malai Chowk (2328-1971). before serving. A namkeen ver- m Chandni Chowk. Rs 20. sion is also available. 2178 Kinari Bazaar (2327-1464). m Chandni Chowk. Rs 20. Sheher-e-sharbat Though the line of sharbats is manu- factured in the dusty industrial Amritsari Lassi Wala area of Lawrence Road and despite The thickest lassi we’ve found in the fact that most of the ingredients old Delhi is available at this well- listed involve preservatives, known neon-yellow shop. -
Magazine July-2020
VOLUME-1 | ISSUE-14 | JULY 2020 Sino-India Stand-off CHINA EXPLAINS THE LADDAKH CONFLICT HAS INDIA OVERPLAYED ITS HAND? CPEC – A NOSH FROM HEAVEN? IN INDIA CLASH, CHINA SHOWS OFF MUSCLE FIXING PAKISTAN'S AVIATION THE SINO-INDIAN STANDOFF 13-K F-7 Markaz (051) 8437318 Islamabad | FROM INTIMATE HUG TO ESTRANGEMENT SUPERIORITY, THE RACE TO BE ONE UP. @WILDWINGSPAKISTAN @WILDWINGSPK f matrixxmedia matrixxmedia matrix.media matrixmag.com TEAM MATRIX Editor in Chief Content Editor Imtiaz Gul Aliya Naseer Farooq Managing Editor Content Writer Sameena Durrani Jehangir Khattak Associate Editor Content Writer Saad Gul Faizah Gillani Editor at large Content Writer Zeeshan Salahuddin Saddam Hussein Special Contributors Shaan Mehdi - Toronto Rafiq Jan - Doha Sitwat Bokhari Haroon Gul CONTENTS EDITOR’S NOTE The Sino-Indian Stand off 04 A deadly clash on June 15 between the Chinese and Indian soldiers close to Ladakh stand-off: China-Pakistan closer than ever before! 06 Patrol Point 14 in the Galwan Valley of eastern Ladakh, more than 4,300 metres above sea level, resulted in 20 Indian fatalies. China says the China explains the Laddakh Conflict 08 Galwan Valley falls enrely within its territory and blamed New Delhi for the clash and stated the clash occurred on the Chinese side of the Line of Actual India Imports over 80% of Pharma Raw Materials From China 09 Control (LAC) - the de facto border between the two Asian rivals. As both sides traded allegaons with confused messaging on the incident In India clash, China shows off muscle 10 out of New Delhi, the episode also alarmed the enre world, with analysts conjecturing as to whether this could flare up into a full-fledged Indo-China Efforts towards intra-Afghan negotiations pick up momentum 12 war. -
CC Village Internship
Application No. -
Tourism ABSTRACT Heritage Walk Area Interpretation and Experiences
Research Paper Volume : 2 | Issue : 7 | July Tourism 2013 • ISSN No 2277 - 8179 Heritage Walk Area Interpretation and KEYWORDS : Heritage, Walk, Experiences Interpretation, Experiences, Circuits etc. Dr. Arvind Kumar Assistant Professor and Programme Coordinator – BTS, BHM, MHA, EMBAHM, Dubey MIHM, NCHMCT programmes & MCC. ABSTRACT Delhi as one of the ancient cities, with its multiple layers of built heritage and living tradition offers a unique heritage walks experience to tourists. In order to experience and visualize these multiple layers of heritage and culture, tourists and locals are taking up heritage walks of some areas which offer a kaleidoscope of deep interest and significance such as Old Delhi , Mehrauli, Hauz Khas, Hazrat Nizamuddin, Lodhi Garden and Imperial Delhi. The present study has employed extensive field survey and literature review to obtain an understanding of why people undertake heritage walks, tourist expectations and their experiences on heritage walks. Introduction: Delhi, Delhi ridge, Hauzkhas, Hazrat Nizamuddin, Mehrauli, Lo- It is a well understood fact that conducting heritage walk is an dhi Garden and New Delhi (Imperial Delhi). These locations are art. Most of the tourists who are visiting any historical /cultural well marketed and appreciated in heritage walk circles. But it is site/ city are very much interested in understanding cultural interesting to note that certain valuable resources for conduct- and historical resources through heritage walk. But heritage ing heritage walks not yet developed and marketed are areas walk requires unique attributes such as stamina, curiosity, an such as Old Fort, Kotla Feroz Shah, Roshanara Bagh to Pir Ghaib eye for nature, inclination to listen and understand, endur- and Jahanpanah (Bijay Mandal to Begumpuri Masjid). -
The Perfume That Harnesses the Monsoon
The perfume that harnesses the monsoon Years ago, an Indian acquaintance told me of a particularly special perfume, one that is a distillation of the first rains of the monsoon. Iʼd long wanted to find it – but with the modern proliferation of synthetic-based scents, traditional attars, or oil-based perfumes, are increasingly hard to source. Gulab Singh Johrimal in Old Delhi, I was told, is likely to have it. Gulab Singh Johrimal has been dispensing attars for more than 200 years. Soon after rolling up the shutters in the morning, the perfumery attracts a steady stream of visitors of all stripes, from well-dressed women with cut- glass accents to teenage suitors buying a scent for their paramour. All know Gulab Singh Johrimal as the house of sublime scents. Gulab Singh Johrimal has been selling attars in Old Delhi for more than 200 years (Credit: Peter Lopeman/Alamy) Dariba Kalan, the bustling, narrow street that is home to the perfumery, is just off Chandhi Chowk, Old Delhiʼs main thoroughfare. The old city, first built in 1659, is the walled former capital of the erstwhile Mughal Empire, and Chandni Chowk was once a wide and graceful boulevard bisected by a canal and dotted with intricate buildings. But now, its former beauty has been swallowed up by the masses. When I arrived at Gulab Singh Johrimal at 10 am, the street was teeming with cars, buses and rickshaws, humans, horses and the occasional goat also trying to carve out space. The shop was barely distinguishable from the outside. Its interior was unadorned and functional – a handful of men sat behind a counter, waiting on customers. -
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz Ur Rehman Niazi
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz ur Rehman Niazi Abstract This paper discusses the introduction and evolution of color film technology in Pakistani cinema. It focuses on the transitional period from the 1960s to the 1980s and highlights the major technological and practical changes in the production of films in Pakistan, contextualizing the semiotics and importance of color for this film industry. While discussing this transition from black and white to color film in Pakistan, it also connects this shift with the evolution and introduction of color film technology on a global level, including earlier technologies of color and colorization. The research is supported by a short analysis of some early Pakistani color films. Field research at Evernew Studios, one of Pakistan's oldest film studios, also sheds some light on how the industry transitioned to color film and how technology and filmmaking was affected. Keywords: Color Film Technology, Development of Pakistani Film, Pakistani Film Studios, Film Technology and Infrastructure Introduction Color films have evolved greatly since they were first introduced in Pakistan in the 1960s. Unfortunately, there is little literature available that can address the questions of the technology and techniques that were used to make color films in the country at that time. Azra (dir. Munshi Dil, 1962) is known to be the first Pakistani color film. However, color was not new to the subcontinent. Azra came out twenty-five years after the first Hindi color film Kisan Kanya (dir. Moti B. Gidwani, 1937). Early color films in the subcontinent were either hand painted or used color film stock, like those is western countries. -
A Tribute to Iconic Sabiha Khanum (1935-2020)
E-CineIndia April-June 2020 ISSN: 2582-2500 Tribute Aijaz Gul A Tribute to Iconic Sabiha Khanum (1935-2020) First lady of Silver Screen of Pakistan Sabiha His first wife, Jamila Begum, was a house- Khanum passed away in the United States on wife). Sabiha and Santosh, together became June 13 at the age of eighty-five. the most likeable, romantic and bankable cou- ple of film trade. Their casting together was a sure bet for ringing box office cash regis- Born as Mukhtar Begum, she spent her child- ter. She was now teaming only with Santosh. hood in Gujrat. She began her career as stage Sabiha also produced successful Punjabi film artist in Butt Shikhan in Lahore. She moved Naji (1959) in which she repeated the role of into films with debut in Beli (1950), direct- mentally unstable woman, played earlier by ed by Masood Pervaiz in 1950 with Santosh her in Gumnam. She won tremendous appre- Kumar and Shahina. Director Anwar Kemal ciation for both these roles. Pasha, notable director from the fifties and sixties, found out the real talent in her. Her teaming with Santosh Kumar under Anwar Since, songs are an integral part of our films Kamal Pasha, resulted in some of the most (at times even when they don’t belong there), memorable films: Ghulam (1953), Gumnam Sabiha Khanum holds the credit of over a doz- (1954), Qatil (1955) and Sarfarosh (1956). In en memorable melodies filmed on her. It was Late-fifties, she got married to Santosh Kumar first Iqbal ‘Bano’ and Munawar Sultana who (this was Santosh Kumar’s second marriage. -
Dk;Kzy; Ftyk F'k{Kk Inkf/Kdkjh] Vksjaxkckn
dk;kZy; ftyk f'k{kk inkf/kdkjh] vkSjaxkckn नियोिि इकाई का काउंसनऱंग की िरीक्षा का Øekad जिऱा प्रख赍ड अ땍यिी का िाम पििा / िनि का िाम tUe frfFk श्रणे ी नियुपि ग्रेड नियुपि पिषय es/kk vad िाम निनि प्रकार 1 AURANGABAD Rafiganj Nagar Panchayat 05-Jul-21 RANJANA KUMARI ANUP PRASAD RAJAK 01.02.1980 SC BTET VI To VIII Hindi Language 63.32 2 AURANGABAD Rafiganj Nagar Panchayat 05-Jul-21 SMITA KUMARI RAMBRIKSH BHAGAT 12.04.1994 EBC CTET VI To VIII Hindi Language 64.99 3 AURANGABAD Rafiganj Nagar Panchayat 05-Jul-21 VIVEK AMAN VINOD KUMAR 24.05.1996 BC CTET VI To VIII Urdu 71.74 4 AURANGABAD Rafiganj Nagar Panchayat 05-Jul-21 KULSUM SULTANA BAKHTAWAR HUSAIN 08.10.1992 EBC CTET VI To VIII Urdu 69.61 5 AURANGABAD Rafiganj Nagar Panchayat 05-Jul-21 DHARMESH RANJAN ASHOK KUMAR 06.06.1992 BC BTET VI To VIII Math and Science 85.58 6 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 SHALINI TRIPURARI SHARAN 24.02.1998 GEN CTET I to V General 81.22 7 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 NITU KUMARI MANOJ PRASAD 27.12.1998 GEN CTET I to V General 79.25 8 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 SWETA KUMARI KAMESHWAR TIWARI 28.11.1997 EWS CTET I to V General 76.02 9 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 RINKI KUMARI SINGH RAMESH KUMAR SINGH 28.08.1994 BC CTET I to V General 79.16 RAMCHANDRA 10 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 RESHAM KUMARI 10.01.1996 EBC CTET I to V General 76.39 PRASAD GUPTA 11 AURANGABAD Rafiganj Nagar Panchayat 06-Jul-21 NEHA RANI SURENDRA PRAJAPAT 23.09.1997 EBC CTET I to V General 75.66 12 AURANGABAD Rafiganj -
Newsletter 21/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 21/06 DIGITAL EDITION Nr. 192 - Oktober 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 21/06 (Nr. 192) Oktober 2006 editorial Hallo Laserdisc- und DVD-Fans, ellen Planung wird Ausgabe 193 dafür mit Home Video und auch Universal preschen liebe Filmfreunde! nur einer Woche Abstand publiziert wer- mit Re-Releases in exklusiver Verpackung Wer unseren neuen Newsletter genau unter den. So zumindest in der Theorie. Ob wir’s auf den Markt. Wer die entsprechenden die Lupe nimmt und danach fest der Mei- aber auch praktisch so hinbekommen, wird Filme noch nicht in seiner Sammlung hat, nung ist, man sollte schleunigst eine sich dann noch zeigen. Mit ein wenig dem soll durch die attraktive Verpackung Vermisstenanzeige für die fehlenden Infos Glück und viel Fleiß wird dann auch be- jetzt der Mund wässrig gemacht und der zu amerikanischen DVD-Releases aufge- reits unser Bericht vom Karlsruher Festival Geldbeutel geöffnet werden. Keine Frage: ben, den können wir beruhigen. Das ameri- zu lesen sein. Was die aktuelle Ausgabe die metallenen Verpackungen liegen wirk- kanische Kapitel haben wir aus Platz- angeht, so dürften Freunde deutscher und lich gut in der Hand und machen auch we- gründen im vorliegenden Newsletter aus- auch japanischer Silberscheiben jedenfalls sentlich mehr her als die fast schon schnö- gelassen und werden das umso ausführli- voll auf ihre Kosten kommen, wie wir mei- de Amaray-Schachtel.