TH-U MODEL LIST OVERLOUD MODEL LIST
WHAT’S NEW DVmark Triple Six CH1 It is the official modelling of the Clean circuit of the DVmark Triple Six head, a pure evil 120W amp. When you turn this head on, be prepared to hear sounds that could only come from a dark and nasty place! The CH1 offers a lot of dynamics to play rhythmic parts which a great impact. DVmark Triple Six CH2 It is the official modelling of the Crunch circuit of the DVmark Triple Six head, a pure evil 120W amp. When you turn this head on, be prepared to hear sounds that could only come from a dark and nasty place! The CH2 offers a crisp overdriven tone, perfect for playing power chords without too much gain. DVmark Triple Six CH3 It is the official modelling of the Lead circuit of the DVmark Triple Six head, a pure evil 120W amp. The CH3 delivers a massive amount of gain for playing solo parts with a lot of sustain, while keeping the picking dynamics.
Polyphone Clean Created by a Californian company since 1968, this “Mini” solid state combo has become one of the standard amplifier for jazz players. Clean channel delivers a very warm and smooth tone, with a certain amount of top cut.
Polyphone Overdrive Created by a Californian company since 1968, this “Mini” solid state combo has become one of the standard amplifier for jazz players. The Overdrive channel delivers low to medium amount of gain and it is mainly designed to add sustain on solo parts.Great in combination with 335-like guitars. Brit S. Lead This 100W “Super” British head was the amp that started it all for the greatest loud rock and roll tones of the 60’s. It defined the standard by which all rock guitar tone are judged. Its tone is based on four EL-34 tubes and three three ECC-83 pre-amp tubes, all hand-wired.