Some Enchanted Evening

Total Page:16

File Type:pdf, Size:1020Kb

Some Enchanted Evening ®@ [fiJi) @ ~ [Ii) ©[fu tID [ft) ~ @@] ~ \Yl @[jl) 0[Ii) @J Sydney Singer Galveston, Texas I was startled, to say the least. I assumed that my life was in danger, but since I have never watched a vampire movie long enough to see the part When the vampire is killed, I didn't know what to do. I thought I remembered something about steaks, butbeing avegan, I knew that killing the vampire with flesh foods was out of the question. I did feel a bit more secure in knowing that I usually smelled from garlic. But I couldn't stop images in my mind of this vampire ripping my neck open with his teeth. I instinctively clutched my throat. Sensing my concern, the vampire held up his hand and said, "Bubby, vy the big fright scene? I'm not going to hoit you. Let me introduce myself. I'm Murray. So, I know you are not going to believe this story. I nu, what's your name?" wouldn't either, had I not experienced it myself. It I couldn't believe my ears. Here, standing in my happened about a year ago, on a quiet Sunday night, living room, was a vampire named Murray who spoke around midnight. I was recovering from an animal like a New Yorker with aYiddish accent. I felt like I had rights demonstration against fur apparel at the shopping entered a bad Isaac Beshevis Singer story. Confused, I mall. We yelled at fur wearers, and someone even asked, "How come you have a Yiddish accent?" splashed red paint at a fur-clad passerby. Worn out but He looked around my living room slowly and still emotionally upset from the day, I sat in my reading intently. "Well, to tell you the truth, I'm really Irish. chair wearing my cotton pajamas. I began to thumb O'Murray is my name, but every time someone sees through women's magazines and draw moustaches me they go for a crucifix. I figured that using aYiddish on the models in fur ads, when I felt an eerie sense that accent would throw you off. But now that I see the I was not alone in the house. Iglanced out of the comer ceramic "Shalom" hanging on your wall, Iguess Idon't of my eye to see a bat flying toward the dark end of have to worry about you pointing a crucifix at me. So the room. I went to get a glove to carefully pick up the I won't put on such a heavy accent." creature and put it back outside; when I returned the bat was gone. Whereithad landed now stood avampire. I had never before seen a vampire, but I never expectedone to look like this. He looked likea munchkin from the Land of Oz, but with a pending malpractice suit against an orthodontist. His black cape and, "Have FICTION you hugged a vampire today" tee-shirt, further clarified his identity. Between the Species 148 Summer 1990 Some Enchanted Evening This was clearly one ofyour clever vampire types. human blood dip," he explained, looking at my neck. 1 "What do you want," 1said in a loud, frightened voice, didn't wantto be thatgood a host, so 1removed the food. clenching my fists. 1 wondered if it would be possible 1reasoned that Murray was notan immediate threat for me to punch-out a vampire. to me, or he would have attacked me by now. We "Firstofall, please loweryourvoice. As youknow, decided to siton the sofa and discuss this vampire rights 1ampartbat,and my hearing is very sensitive. Also, you business rationally. "You see," Murray began, ''I'm like o have no right to be violent. Have 1 done anything to other predators, like lions and tigers, for example. So, hurt you?" you can't try to kill me unless 1 am attacking you. "What are you talking about? You're a vampire, Otherwise, God forbid, someone could argue that one and vampires kill people, suck their blood, and turn could go out and kill all other predators of humans them into more blood-thirsty vampires." because of the potential danger." Murray smiled confidently and slowly turned 1smiled. "But those animals have no choice. They around. One book was stuffed into each rear pocket of arenotcapableofanalyzing theiractions, sothey arenot his trousers. Acold chill ran down my spine as 1read the acting immorally. You, on the other hand, seem to be titles of the books. One was Animal Liberation, and the rational and intelligent, although you dress funny. You other was The Struggle fQr Animal Rights. This was no have no claim of innocence in killing as the lions and run of the mill vampire. 1knew 1 was in fortrouble. tigers have." 1 knew he wouldn't be able to get out of Murray spun around to face me and gleefully that one. announced, "That'sright, I'm an animal rights vampire. But somehow he did. "My human friend," Murray And 1say you have no right to harm me." He threw open said shaking his head. "Youdon'tunderstand. SUTe, I'm his capetoreveala button whichread, 'Vampireliberation rational. I'm thought of as a very smart and wise is human liberation." vampire by my friends, may they rest in peace. But "I can harm you since you live on human blood. despite my rationality, 1 have no choice in having to That makes you a predator of humans, and my killing drink human blood if1am to continue to exist. Afterall, you would beout ofself-defense." This vampire wasn't many animal rights ethicists believe that it's okay for dealing with some animal rights ignoramus. I'd read all humans to eatanimal oreven human flesh if it is the only the books, too. alternative for survival. Sometimes, ofcourse, thereare "First, let's get one thing straight. Vampires drink other alternatives, but people don't see them. Since it is human blood, but they do drink other things as well. allowed to kill animals and humans in emergencies, and You know what I'm saying?" since what is thought to be an emergency might simply "No, not exactly," 1 said. bejusta figment ofsomeone's inadequate imagination, "I'm saying I'm thirsty, you jerk. Didn't your itfollows thatyou humansacceptthatyou will sometimes mother bring you up to have any manners?" kill for no other reason than your own stupidity and "She did leave out the part about being nice shortsightedness. Since 1 am a vampire, 1 am certain, to vampires who drop by unexpectedly. What do which you humans can never be, that 1 have no you want?" alternatives. 1 must have blood. "How about a virgin Bloody Mary?" "Then you're nothing more than a mosquito," 1 "Sorry, 1 should have known." Great, 1 thought, retorted. "And even animal rights activists have a tough now I'm in a Woody Allen movie. As 1fixed his drink time not killing mosquitos." 1 figured 1 might as well put together some snacks. 1 "But mosquitos are different enough from humans know it sounds silly, but with his animal rights beliefs, for you to have little empathy for them. As it happens, 1hoped there was a chance he was a vegetarian vampire. 1 like mosquitos, both as individuals with admirable 1 quickly spread some humus on a few whole wheat careers and as a snack. They taste wonderful after they wafers, took a fist full ofalfalfa and radish sprouts from have fed on humans." Murray smiled broadly and my sprout jar on the sink, and grabbed some pre-cut licked his lips. 1 turned away in disgust. My eyes fell carrot and celery sticks. on a magazine on my coffee table opened to an ad for 1 served Murray his drink and offered him some Kentucky Fried Chicken, captioned with the words, food. "Thanks anyway. 1only like vegetables with a "Finger Lickin' Good," in big letters. Summer 1990 149 Between the Species Some Enchanted Evening "You can't think of me as a mosquito, human, Finally, I found the words to say. "I hear you saying because I am very much like you. I have pleasures and you have a right to your own life. But I don't have to pains, a future andpast, and Ican cease to exist, just like allow you to kill me, since I have a right to my life as you. I am no different than some humans who prey on well. Also, I could use a utilitarian argument and say the flesh and blood of animals, except that I have no that killing you, while admittedly a harm to you, will choice. Humans are simply my prey. So don't try to save the lives of many people, which is a much greater kill me, Mr. Hypocrite, unless you also kill all those good that outweighs your harm. predatory humans in your society." "Sure," heconfidently said, "but then you would be I was baffled by this point. What Murray said sanctioning the killing ofall predators to save their prey, made some sense. Mter all, he should have intrinsic which I am sure you do not condone. Besides, are you value as any other sentient creature, and I should God that you know how to interfere with the balance respect his right to life as much as I respected that of of nature. Human animal rights ethicists say that you any predator. need to maximizepleasuresand minimize pains. Besides "I don't condone human killing of animals for the obvious arrogance in assuming you humans know food," I said, trying to regain my composure.
Recommended publications
  • South-Pacific-Script.Pdf
    RODGERS AND HAMMERSTEIN'S SOUTH PACIFIC First Perfol'mance at the 1vlajestic Theatre, New York, A pril 7th, 1949 First Performance in London, Theatre Royal, Drury Lane, November 1st, 1951 THE CHARACTERS (in order of appearance) NGANA JEROME HENRY ENSIGN NELLIE FORBUSH EMILE de BECQUE BLOODY MARY BLOODY MARY'S ASSISTANT ABNER STEWPOT LUTHER BILLIS PROFESSOR LT. JOSEPH CABLE, U.S.M.C. CAPT. GEORGE BRACKETT, U.S.N. COMMDR. WILLIAM HARBISON, U.S.N. YEOMAN HERBERT QUALE SGT. KENNETH JOHNSON SEABEE RICHARD WEST SEABEE MORTON WISE SEAMAN TOM O'BRIEN RADIO OPERATOR, BOB McCAFFREY MARINE CPL. HAMILTON STEEVES STAFF-SGT. THOMAS HASSINGER PTE. VICTOR JEROME PTE. SVEN LARSEN SGT. JACK WATERS LT. GENEVIEVE MARSHALL ENSIGN LISA MANELLI ENSIGN CONNIE WALEWSKA ENSIGN JANET McGREGOR ENSIGN BESSIE NOONAN ENSIGN PAMELA WHITMORE ENSIGN RITA ADAMS ENSIGN SUE YAEGER ENSIGN BETTY PITT ENSIGN CORA MacRAE ENSIGN DINAH MURPHY LIAT MARCEL (Henry's Assistant) LT. BUZZ ADAMS Islanders, Sailors, Marines, Officers The action of the play takes place on two islands in the South Pacific durin~ the recent war. There is a week's lapse of time between the two Acts. " SCENE I SOUTH PACIFIC ACT I To op~n.o House Tabs down. No.1 Tabs closed. Blackout Cloth down. Ring 1st Bar Bell, and ring orchestra in five minutes before rise. B~ll Ring 2nd Bar three minutes before rise. HENRY. A Ring 3rd Bar Bell and MUSICAL DIRECTOR to go down om minute before rise. NGANA. N Cue (A) Verbal: At start of overt14re, Music No.1: House Lights check to half.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Wedding Ceremony Jazz and Blues
    Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St.
    [Show full text]
  • An Evening of Song: ​From Schubert to Verdi
    An Evening of Song: ​From Schubert to Verdi Logan Campbell, bass-baritone Deb Watts Elliott, piano UIS Faculty Series Illinois Symphony Orchestra Guild Event February 20, 2021 7:00 pm University of Illinois - Springfield Performing Arts Center Program Order “La Vendetta” from ​Le Nozze di Figaro M​ ozart ​(1756-1791) “Bois épais” from ​Amadis L​ ully ​(1632-1687) “Quia fecit mihi magna” from ​Magnificat Bach ​(1785-1750) “Der Doppelgänger” from ​Schwanengesang S​ chubert ​(1797-1828) “Romans” from ​3 Songs for Bass Voice Sjögren ​(1853-1918) INTERMISSION “Some Enchanted Evening” from ​South Pacific R​ odgers and Hammerstein ​(1902-1979) (1895-1960) “Il lacerato spirito” from ​Simon Boccanegra V​ erdi ​(1813-1901) Old American Song Set #1 C​ opland The Dodger ​(1900-1990) Long Time Ago Simple Gifts I Bought Me A Cat Performer Biographies Logan Campbell​, ​ ​bass-baritone, ​ ​is a recent addition to the faculty at The University of Illinois - Springfield as Music Director and Conductor of the UIS Orchestra. Campbell enjoys a budding career as a conductor, equally at home with Symphonic repertoire, Pops, Opera, and Musical Theatre. He is presently in his first season as Assistant Conductor of the Illinois Symphony Orchestra and Conductor of the Illinois Symphony Youth Orchestras.Logan has worked as a guest conductor, rehearsal conductor, or cover conductor with area orchestras like the Knoxville Symphony Orchestra, Scruffy City Orchestra, Morristown Community Orchestra, and Brevard Philharmonic. As a student at UT, he worked with the UT Symphony Orchestra, UT Opera Orchestra, UT Chamber Orchestra, VolOpera, and UT Opera Theatre. Logan performed with the UT Opera Theatre from 2018-2020 in productions of La Finta Giardiniera​ and ​Carmen​, with the Knoxville Opera in ​Lucia di Lammermoor​, the Furman Lyric Opera in ​Die Zauberflöte​, and the Franco-American Vocal Academy in ​Le Nozze di Figaro​ and ​Bastien und Bastienne ​in.
    [Show full text]
  • Rodney Earl Clarke Christopher Gould
    HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould 1 Oh, What a Beautiful Mornin’ 3’05 from Oklahoma! music by Richard Rodgers, words by Oscar Hammerstein II 2 If I loved you 2’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 3 Soliloquy 7’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 4 You’ll never walk alone 2’00 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 5 Love Walked In 3’18 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 6 Just Another Rhumba 3’16 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 7 Younger Than Springtime 3’17 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 8 Some Enchanted Evening 3’27 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 9 This Nearly Was Mine 3’28 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 10 Joey, Joey, Joey 3’38 from The Most Happy Fella music and words by Frank Loesser 11 Come Home 2’49 from Allegro music by Richard Rodgers, words by Oscar Hammerstein II 12 Ol’ Man River 2’51 from Showboat music by Jerome Kern, words by Oscar Hammerstein II 13 Lonely Town 3’59 from On the Town music by Leonard Bernstein, words by Betty Comden and Adolph Green 14 The Impossible Dream (The Quest) 2’44 from Man of La Mancha music by Mitch Leigh, words by Joe Darion 47’42 Rodney Earl Clarke baritone Christopher Gould piano Rodney Earl Clarke takes us to the golden age of the American musical theatre song focussing on the composers that solidified the modern, story-driven, integrated art genre that we now enjoy.
    [Show full text]
  • South Pacific
    Broadway Buzz: Buzz Extra- South Pacific SOME ENCHANTED EVENING An enchanted evening awaits you at PlayhouseSquare: SOUTH PACIFIC by Rodgers and Hammerstein arrives as part of the KeyBank Broadway Series February 1- 13. 31 AWARDS SOUTH PACIFIC originally opened in New York in 1949. It was a smash hit, winning nine Tony Awards including Best Musical, Best Original Score and Best Libretto. The show went on to win not only the New York Drama Critics Circle Award for Best Musical, but also the 1950 Pulitzer Prize for Drama. It played 1,925 performances before it closed in 1954. The revival that this National Tour http://www.playhousesquare.org/buzzextra/south-pacific/ (1 of 3) [1/25/2011 10:12:18 AM] Broadway Buzz: Buzz Extra- South Pacific presents opened at Lincoln Center in Read More... Photo Credit: Tim Gulan and the Seabees Photo by Matt Polk Have you ever seen a live Buzz Extra is a publication of the production of SOUTH Community Engagement & Education PACIFIC (not the movie)? Department at PlayhouseSquare Yes Vice President of Theatricals: No Gina Vernaci Director of Community Engagement & Education: Colleen Porter Director of Ticket Sales & Marketing: Share This Micropoll.com Autumn Kiser Editors: Linda Jackson, Cindi Szymanski http://www.playhousesquare.org/buzzextra/south-pacific/ (2 of 3) [1/25/2011 10:12:18 AM] Broadway Buzz: Buzz Extra- South Pacific Official South Pacific Tour Website Writer: "Like" South Pacific on Facebook Robin Pease Visit the South Pacific Video Gallery Photos: Peter Coombs, Joan Marcus, Matt Polk, Craig Schwartz Home Some Enchanted Evening Download and read the printable version of the Dear Oscar Buzz (535Kb in PDF format) here You've Got to Be Taught Archives: Blue Man Group Talking with Conductor Lawrence Goldberg Billy Elliot The Musical Tales of the South Pacific We welcome your feedback and suggestions for the Enrich Your Experience: Buzz Extra.
    [Show full text]
  • Some Enchanted Evening from South Pacific Sheet Music
    Some Enchanted Evening From South Pacific Sheet Music Download some enchanted evening from south pacific sheet music pdf now available in our library. We give you 3 pages partial preview of some enchanted evening from south pacific sheet music that you can try for free. This music notes has been read 3653 times and last read at 2021-09-22 16:57:37. In order to continue read the entire sheet music of some enchanted evening from south pacific you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Cello Solo Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music This Nearly Was Mine From South Pacific This Nearly Was Mine From South Pacific sheet music has been read 3477 times. This nearly was mine from south pacific arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-24 12:38:53. [ Read More ] This Nearly Was Mine From South Pacific Tenor Sax Solo With Piano And Optional Bass This Nearly Was Mine From South Pacific Tenor Sax Solo With Piano And Optional Bass sheet music has been read 4335 times. This nearly was mine from south pacific tenor sax solo with piano and optional bass arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-24 18:41:37. [ Read More ] Some Enchanted Evening Some Enchanted Evening sheet music has been read 4016 times. Some enchanted evening arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-24 23:37:09.
    [Show full text]
  • Leonard A. Anderson M. Seth Re~Nes Execut~Ved~Rector Art~St~Cd~Rector
    NATIONAL ALLIANCE Illinois hlrrA-iitlon for MUSICAL THEATRE Leonard A. Anderson M. Seth Re~nes Execut~veD~rector Art~st~cD~rector I I This program is partially supported by a grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. " ""c. c. I Kari Cataldo, M.D. DECATUR MEMORIAL HOSPITAL I Volney 1. Willett Ill, M.D. Family Practitioner Treating- Babies Children Teens Adults Seniors Call 728-2042 for an appointment. Sullivan Medical Center 1220 West Jackson Sullivan, Illinois MASTERING MODERN -- - Artistic Director Seth Reines, Musical Director Jason Yarcho, Education Director Marie Jagger Taylor and I have recently conducted actor auditions and technical personnel interviews for the 2007 summer season company. We attended the Midwest Theatre Auditions at Wehster University in St. Louis where 55 different theatres auditioned over 400 young actors and actresses and interviewed about 100 theatre technicians. 84 children auditioned here in Sullivan for the children's roles in THE SOUND OF MUSIC and over 65 adults attended our Sullivan auditions. And ... we saw another 87 people at our Actors' Equity Association audition call in Chicago. (In addition, Seth Reines attends other auditions in his role as Artistic Producer for the Prather Family Dinner Theatres and has seen over 700 people.) From all of this, we will assemble a company of approximately 100 people including only 30-35 different actors. I am sure that we have found talented performers who will produce the quality productions that you have become accustomed to here at The Little Theatre On The Square. We are glad you are here and we know you will enjoy the show.
    [Show full text]
  • South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua
    Young Critics Reviews Fall 2011-2012 South Pacific By Richard Rodgers, Oscar Hammerstein II and Joshua Logan At the Hippodrome Theatre through October 9 By Amanda Sztein UNBALANCED SOUTH PACIFIC FAILS TO COMMIT The characters, writers and production staff of “South Pacific” all failed to commit. The writers were tempted by a myriad of themes, plots and subplots. Unforgiving accents, repetitive songs and lack of direction tempted the characters. The production staff could not decide on a single style throughout the show. The combination of these three factors results in an amount of temptation equaled only by a supposedly faithful boyfriend at a lingerie fashion show. Both the original material and the current execution of this acclaimed Broadway musical, now at the Hippodrome Theatre, suffer from this indecision. The original 1949 run of “South Pacific” garnered 10 Tony awards, while the 2008 revival earned seven more. These are very misleading figures, as “South Pacific” has several internal flaws that even the best production could not overcome. “South Pacific” is based on James A Michener’s collection of short stories. The attempt to tackle many different themes and stories creates a show with far too many plots and subplots. The musical both starts and ends with the tumultuous relationship between Southern nurse Nellie Forbush (Katie Reid) and exiled Frenchman Emile de Becque’s (Marcelo Guzzo), who experience many trials and tribulations due to his Polynesian children from a previous marriage. Had the play explored this theme fully, it would have been more controversial, especially in the 1940s, but would also have had a more cohesive energy.
    [Show full text]
  • Top of the Line Karaoke Broadway Musicals
    Top of the Line Karaoke Broadway Musicals Title Title 42nd Street Bye Bye Birdie 42nd Street Kids We're In The Money Lot Of Livin' To Do, A Ain't Misbehavin' Put On A Happy Face Your Feet's Too Big You Gotta Be Sincere Annie Cabaret Chewing Gum Cabaret It's The Hard Knock Life Don't Tell Mama Little Girls Maybe This Time Maybe Mein Herr Tomorrow Money Makes The World Go 'Round Annie Get Your Gun Money Song Anything You Can Do I Can Do Better Wilommen There's No Business Like Show Business Camelot Anything Goes Camelot Anything Goes Carousel You're The Top If I Loved You Avenue Q June Is Busting Out All Over Avenue Q Theme You'll Never Walk Alone Everyone's A Little Bit Racist Cats Fantasies Come True MacAvity For Now Memory I Wish I Could Go Back To College Mister Mistoffelees If You Were Gay Rum Tug Tugger Internet Is For Porn Chenoweth, Kristin Mix Tape Girl In 14 G, The Money Song Going To The Dance With You More You Ruv Someone Hangin' Around With You My Girlfriend Who Lives In Canada How Long Has This Been Going On Purpose If You Hadn't But You Did Schadenfreude I'll Tell The Man In The Street School For Monsters The Money Song I'm A Stranger Here Myself School For Monsters The Money Song My Funny Valentine (Reprise) Nobody Else But Me Special Nobody's Heart Belongs To Me Why Can't I There Is Life Outside Your Apartment Taylor, The Latte' Boy There's A Fine Fine Line You'll Never Know What Do You Do With A B.A.
    [Show full text]
  • South Pacific Medley (Some 3
    120785bk SouthPacific 23/7/04 9:18 PM Page 2 1. Overture 3:31 9. I’m Gonna Wash That Man Right 21. Bali Ha’i 3:15 23. My Girl Back Home 2:59 Orchestra Outa My Hair 3:25 Ezio Pinza with Orchestra conducted by Mary Martin with Percy Faith’s Orchestra Columbia 4556-M, mx CO 41180-1 Mary Martin & Girls’ Chorus Lehman Engel Columbia 27-G, mx CO 45812 2. Dites-Moi 1:23 Columbia 4562-M, mx CO 41185-1 Columbia 4588-M, mx CO 41489 Recorded 8 June 1951 Barbara Luna 10. A Wonderful Guy 3:30 Recorded 10 October 1949 24. South Pacific Medley (Some 3. A Cock-Eyed Optimist 1:42 Mary Martin & Girls’ Chorus 22. The Loneliness of Evening 3:21 Enchanted Evening—A Wonderful Mary Martin Columbia 4561-M, mx CO 41186-1 Mary Martin with Percy Faith’s Orchestra Guy—Bali Ha’i—Younger Than Both Columbia 4557-M, mx CO 41184-1 11. Younger Than Springtime 3:24 Columbia 27-G, mx CO 45813 Springtime) 6:35 4. Twin Soliloquies (Wonder How It William Tabbert Recorded 8 June 1951 Eadie & Rack, Piano Duet Feels) 2:24 Columbia 4560-M, mx CO 41182-1 Decca 24707, mx W 75069-1, 75070-1 Recorded 14 July 1949 Mary Martin & Ezio Pinza 12. Happy Talk 3:30 Columbia 4558-M, mx CO 41189-1 Juanita Hall All selections recorded in New York 5. Some Enchanted Evening 2:59 Columbia 4559-M, mx CO 41191-1 Transfers & Production by David Lennick • Digital Restoration by Graham Newton Ezio Pinza 13.
    [Show full text]
  • Rodgers and Hammersteins Carousel the Complete Book and Lyrics of the Broadway Musical 1St Edition Download Free
    RODGERS AND HAMMERSTEINS CAROUSEL THE COMPLETE BOOK AND LYRICS OF THE BROADWAY MUSICAL 1ST EDITION DOWNLOAD FREE Richard Rodgers | 9781495056581 | | | | | Data Protection Choices Awards for Carousel. South Pacific: Some Enchanted Evening. He would have to abandon Julie; a married barker cannot evoke Rodgers and Hammersteins Carousel The Complete Book and Lyrics of the Broadway Musical 1st edition same sexual tension as one who is single. Andrea rated it it was amazing Nov 19, Read more He also built up the secondary couple, who are incidental to the plot in Liliom ; they became Enoch Snow and Carrie Pipperidge. The Broadway Collection. Caught in the act and facing the certainty of prison, he takes his own life and is sent "up there. Non-necessary Non-necessary. Outstanding Revival of a Musical. My Favorite Things. Rittmann initially felt that Rodgers mistrusted her because she was a woman, and found him difficult to work with, but the two worked together on Rodgers' shows until the s. Theatre World Award []. A Lovely Night. However, it was unfortunately not a financial success for the duo. The Best of Broadway. When Louise refuses to take it, he strikes her. Billy goes to Julie, telling her at last that he loved her. Siobhan marked it as to-read Jun 21, The recording of the Lincoln Center revival featured Raitt reprising the role of Billy. VarietyMay 23—29,p. Catarina Marcato rated it it was ok Jul 15, Outstanding Director of a Musical. I never witnessed anything so brisk and brave in my life. Outstanding Featured Actor in a Musical.
    [Show full text]