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Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Reading Religion, Race and Gender in Ms. Marvel (Kamala Khan)
1-24 The African Journal of Gender and Religion Vol. 24 No 2 (December 2018) Debunking Marvel Comics’ First Pakistani-American Born Muslim Female Superhero: Reading Religion, Race and Gender in Ms. Marvel (Kamala Khan) Johannes A Smit1 and Denzil Chetty2 Abstract Over the past decade, we have witnessed a comic book renaissance. The impact of this renaissance can be described as three-fold. First, we have seen comic books emerge as a compelling component of popular culture; second, as a “hybrid” form of texts and graphics, comic books have attained a new level of literary acceptance; and third, we have seen the advent of comic studies as an academic discipline in various higher education institutions. In addition, by drawing on myth and history, fantasy and reality, comic books have reproduced society’s values, ideals, prejudices, and aspirations, thereby producing various ideological contestations. It is within this context that Marvel Comics’ latest creation Ms. Marvel (Kamala Khan), portraying a first-generation American Muslim female teenager, born of Pakistani immigrants as the legendary Ms. Marvel – an American superhero – offers a unique opportunity to unpack the socio-cultural and political nuances embedded in comic books. Hence, by drawing on Ms. Marvel (Kamala Khan) as a case study, this paper seeks to provide a critique of the intersections between religion, race and gender in contemporary comic books. To do this, we employ “social constructionism” as an interpretive and analytical theoretical approach to a selection of scenes from the Ms. Marvel corpus. Our hypothesis is that the intersections between religion, race and gender as “played” out in Ms. -
Females and Feminism Reclaim the Mainstream: New Superheroines in Marvel Comics
FEMALES AND FEMINISM RECLAIM THE MAINSTREAM: NEW SUPERHEROINES IN MARVEL COMICS By Sara Marie Kern A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English Middle Tennessee State University December 2015 Thesis Committee: Dr. Martha Hixon, Chair Dr. David Lavery I dedicate this research to real-life superheroines like my great-grandmother, who risked her reputation to educate women about their bodies. ii ACKNOWLEDGEMENTS I owe an immense debt to my family for supporting me in the pursuit of this degree, which at times seemed unachievable. Their unwavering emotional support and willingness to sacrifice for my benefit was at times overwhelming, and their generosity truly made this dream possible. I am likewise indebted to Dr. Martha Hixon and Dr. David Lavery, who encouraged me to push forward after a year-long furlough; Dr. Hixon’s consistent enthusiasm for my topic—and then my second topic—sustained me when the work was daunting. Finally I would like to thank the other contributors without whom this research would not exist: the creative teams for Thor, Ms. Marvel¸ and Storm; the librarians at the James E. Walker, UC Berkeley, and Berkeley Public libraries; and David Pemberton, who brought me back to Marvel, and helped to keep me sane. Note: the images reproduced in this thesis appear under the Fair Use agreement, and all copyrights remain with DC, Marvel Comics, and Avatar Press. I owe special thanks to these publications for their cooperation. iii ABSTRACT Representations of females in visual media continue to be problematic. As media studies increasingly reveals the influence of visual representation upon our internalized ideologies, the significance of positive female representation only increases. -
In-Between Identities and Ms
Middle East Centre IN-BETWEEN IDENTITIES AND MS. MARVEL AND THE REPRESENTATION OF CULTURES YOUNG MUSLIM WOMEN Jennifer Jackson-Preece and Manmit Bhambra LSE Middle East Centre Paper Series | 50 | May 2021 About the Middle East Centre The Middle East Centre builds on LSE’s long engagement with the Middle East and provides a central hub for the wide range of research on the region carried out at LSE. The Middle East Centre aims to enhance un- derstanding and develop rigorous research on the societies, economies, polities and interna- tional relations of the region. The Centre pro- motes both specialised knowledge and public understanding of this crucial area and has out- standing strengths in interdisciplinary research and in regional expertise. As one of the world’s leading social science institutions, LSE com- prises departments covering all branches of the social sciences. The Middle East Centre harnesses this expertise to promote innovative research and training on the region. Middle East Centre In-Between Identities and Cultures: Ms. Marvel and the Representation of Young Muslim Women Jennifer Jackson-Preece and Manmit Bhambra LSE Middle East Centre Paper Series | 50 May 2021 About the Authors Abstract Jennifer Jackson-Preece is an Associate Can superheroes tell us something Professor at the European Institute and important about changing public Department of International Relations, attitudes towards young Muslim women? LSE. Since the 1990s, she has had a sus- To answer this question, we compare tained engagement with problems and how young people react to the portrayal practices of minorities and migrants. of the superhero Ms. Marvel as a young Muslim woman in different locations in Manmit Bhambra is the Research Officer the Middle East and beyond. -
Volume 1, Issue 1 April 2019 Superheroes in Contemporary Media
Volume 1, Issue 1 April 2019 Superheroes in Contemporary Media General Information Panic at the Discourse: An Interdisciplinary Journal is published by graduate students and early career researchers from the Cultural Studies Program at Queen’s University. All material is copyrighted. Written permission must be obtained from the editors before copying or reprinting figures or more than 500 words of text. Submissions for each volume are chosen by the journal’s Executive Editorial Collective and go through a review process before publication. Each author is responsible for any omissions or errors in their article. ISSN 2562-5411 (Print) ISSN 2562-542X (Online) Key title: Panic at the discourse (Print and Online) Panic at the Discourse: An Interdisciplinary Journal Attn: Morgan Oddie Cultural Studies Program, Queen’s University B176 Macintosh-Corry Hall Kingston, ON, CAN K7L 3N6 Please contact us at: [email protected] www.panicdiscourse.com © 2019 Panic at the Discourse. All rights reserved. Editorial Team: Panic at the Discourse Volume 1, Issue 1, April 2019 Executive Editorial Collective Brittainy R. Bonnis is a PhD student in Cultural Studies at Queen’s University. Her master’s degree is in Media Studies, and her graduate work examines the intersections of religion, media and culture. Particularly concerned with representations of belonging and otherness in plural societies, her current work examines the representation of religious minorities in media forms from editorials to situation comedies. Morgan Oddie is a PhD candidate in Cultural Studies at Queen’s University. Her dissertation examines the dynamics of gendered bodies, pain, and power in consensual sadomasochistic (BDSM) women’s communities. -
'Comic Book' Superhero
Wayne State University Wayne State University Dissertations 1-1-2015 Turning The aP ge: Fandoms, Multimodality, And The rT ansformation Of The comic' Book' Superhero Matthew Alan Cicci Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons, and the Other Communication Commons Recommended Citation Cicci, Matthew Alan, "Turning The aP ge: Fandoms, Multimodality, And The rT ansformation Of The c' omic Book' Superhero" (2015). Wayne State University Dissertations. Paper 1331. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. TURNING THE PAGE: FANDOMS, MULTIMODALITY, AND THE TRANSFORMATION OF THE “COMIC BOOK” SUPERHERO by MATTHEW ALAN CICCI DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: ENGLISH (Film & Media Studies) Approved By: ____________________________________________ Advisor Date ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ DEDICATION I would like to dedicate this work to my wife, Lily, and my three children, Maya, Eli, and Samuel. Without my wife’s ceaseless support, patience, and love, I would have been unable to complete this work in a timely manner. And, without the unquantifiable joy my children bring me, I am positive the more difficult parts of writing this dissertation would have been infinitely more challenging. ii ACKNOWLEDGMENTS I would like to thank all of my committee members—Dr. Jeff Pruchnic, Dr. Steven Shaviro, and Dr. -
The Evolution of Female Superheroes in Comics and Film
Digital Commons @ Assumption University Honors Theses Honors Program 2020 Super or Sexist? The Evolution of Female Superheroes in Comics and Film Jordan Gablaski Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Gablaski, Jordan, "Super or Sexist? The Evolution of Female Superheroes in Comics and Film" (2020). Honors Theses. 84. https://digitalcommons.assumption.edu/honorstheses/84 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. SUPER OR SEXIST? THE EVOLUTION OF FEMALE SUPERHEROES IN COMICS AND FILM Jordan Gablaski Faculty Supervisor: Becky DiBiasio Ph.D. English Department A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2020 Gablaski 1 INTRODUCTION In March of 2019 – on International Women’s Day to be exact – Captain Marvel became the first film in the Marvel Cinematic Universe (MCU) to feature a solo female lead. After eleven years of Marvel movies, many fans of the epic series believed this moment to be long overdue. However, despite the excitement, many fans also believed that such an honor should -
Superhero Comics BLOOMSBURY COMICS STUDIES
Superhero Comics BLOOMSBURY COMICS STUDIES Covering major genres, creators and themes, the Bloomsbury Comics Studies series are accessible, authoritative and comprehensive introductions to key topics in Comics Studies. Providing historical overviews, guides to key texts and important critical approaches, books in the series include annotated guides to further reading and online resources, discussion questions and glossaries of key terms to help students and fans navigate the diverse world of comic books today. Series Editor Derek Parker Royal Forthcoming Titles Children’s and Young Adult Comics, Gwen Tarbox Webcomics, Sean Kleefeld Autobiographical Comics, Andrew J. Kunka Superhero Comics Chris Gavaler Bloomsbury Academic An imprint of Bloomsbury Publishing Plc Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2018 © Chris Gavaler, 2018 Christopher Gavaler has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. -
Exploring Black Female Identities in Comics and Fandom Culture By
The Power of a Black Superheroine: Exploring Black Female Identities in Comics and Fandom Culture by Grace Deneice Gipson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chiyuma Elliott, Co-Chair Professor Abigail DeKosnik, Co-Chair Professor Ula Taylor Professor Keith Feldman Summer 2019 Copyright © 2019 Abstract The Power of a Black Superheroine: Exploring Black Female Identities in Comics and Fandom Culture By Grace Deneice Gipson Doctor of Philosophy in African American Studies Designated Emphasis in New Media University of California, Berkeley Professors Chiyuma Elliott and Abigail DeKosnik, Co-Chairs 2018 begins on very promising note for comic book fans, as the long-awaited Marvel Comics Black Panther film premieres in February. While Black Panther is the first black superhero comic character to appear in American comics in July 1966, and his stories are plentiful, the adventures of America’s first black superheroine are few and disparate. The appearance of “The Butterfly,”1 America’s first black superheroine is not as well-known and documented along with many other noteworthy black female superheroines in comic books. The black female superheroine’s narrative, a diverse and complex one, is slowly building traction and worthy of scholarly attention. Her narrative is crucial and significant to the overall story of American comics. Thus, examining various Black female superheroine stories offers an opportunity to (re)explore new identities and territories in comics, reframe our understanding of certain terminology and concepts, and most notably to empower the black female voice. -
Sanchez-Mastersreport-2016
Copyright by Katherine Elizabeth Sanchez 2016 The report committee for Katherine Elizabeth Sanchez Certifies that this is the approved version of the following report: Heroes Wear Dupattas: Muslim Representation in American Comic Books APPROVED BY SUPERVISING COMMITTEE: Co-Supervisor: Chad Seales Co-Supervisor: John W. Traphagan Heroes Wear Dupattas: Muslim Representation in American Comic Books by Katherine Elizabeth Sanchez, B.A. Report Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2016 Abstract Heroes Wear Dupattas: Muslim Representation in American Comic Books Katherine Elizabeth Sanchez, MA The University of Texas at Austin, 2016 CO-SUPERVISORS: Chad Seales and John W. Traphagan In this report, I argue that comic books are a cultural site for the construction of Muslim religious identity in the United States. Comic book Muslim superheroes are as much markers of religious identity, as Qur’anic verses or prescriptive hadith. With the new American Muslim character, Ms. Marvel, in mind, I focus on the ways Muslims have been constructed as heroes in comic books and how that works to shape their religious identity for a popular audience. Analyzing comic books from two major comic book publishers, Marvel and DC, I identify three types of Muslim heroes: Magical Muslims, Black Muslims, and Outsider Muslims. Until Marvel Comics created the character Kamala Khan, Muslim superheroes fit one of these three types. These were the representational limits of good Islam in popular culture. But Kamala Khan was made to challenge these limits, even as she was intended to continue the lineage of Ms.