Read Ebook {PDF EPUB} Promises for a Jesus Freak by D.C. Talk
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Read Ebook {PDF EPUB} Promises for a Jesus Freak by D.C. Talk What is a Jesus freak? The term Jesus freak was originally used to demean or insult Christians involved with the Jesus Movement in the 1960s and 1970s. It was primarily directed towards “Bible thumpers” and those who were especially aggressive in their evangelistic efforts. The core meaning of Jesus freak was a person who is so dedicated to following Jesus that there is nothing else the person can talk about. A Jesus freak is basically a person who is obsessed with Jesus. While it was originally used as a pejorative, Jesus freak has become accepted and even embraced by many in the Christian community. A “Jesus Freak” song and album by the Christian band DC Talk in 1995 helped popularize the term. This is perhaps similar to the term Christian , which seemingly originated as an insult (Acts 11:26), but later became the most widely accepted term for a follower of Jesus Christ. If obsession with Jesus is indeed the core meaning of Jesus freak , then, yes, a Jesus freak is precisely what a Christian should strive to be (Matthew 16:24). In the song “Jesus Freak,” there is a contrast between how the world views a Jesus freak and what the Bible would declare to be a Jesus freak. First, a man with “Jesus saves” tattooed on his belly is standing on a box in the middle of a city, claiming that he had a dream. That is perhaps what the world thinks of as a Jesus freak. Contrasted with that is the example of John the Baptist. While the world thought he was crazy, he demonstrated the ultimate commitment to Jesus by dying for refusing to be silent: “the king took the head of this Jesus freak” (see Matthew 14:10). That should be the definition of a Jesus freak. We should be so radically committed to Jesus that we would rather lay down our lives than deny Him. Jesus Freak Letra. 'Jesus Freak' se estrenó el 1 de agosto de 1995 . LETRA. 'Jesus Freak' What will people think When they hear that I'm a Jesus Freak? What will people do When they find that's it's true? Separated, I cut myself clean From a past that comes back in my darkest of dreams Been apprehended by a spiritual force And a grace that replaced all the me I've divorced. I saw a man with tat on his big fat belly It wiggled around like marmalade jelly It took me a while to catch what it said 'Cause I had to match the rhythm Of his belly with my head \"Jesus Saves\" is what it raved in a typical tattoo green He stood on a box in the middle of the city And claimed he had a dream. What will people think When they hear that I'm a Jesus freak What will people do when they find that it's true I don't really care if they label me a Jesus freak There ain't no disguising the truth. Kamikaze, my death is gain I've been marked by my maker A peculiar display The high and lofty, they see me as weak 'Cause I won't live and die for the power they seek. There was a man from the desert with naps in his head The sand that he walked was also his bed The words that he spoke made the people assume There wasn't too much left in the upper room With skins on his back and hair on his face They thought he was strange by the locusts he ate The Pharisees tripped when they heard him speak Until the king took the head of this Jesus freak. What will people think When they hear that I'm a Jesus freak What will people do when they find out that it's true I don't really care if they label me a Jesus freak There ain't no disguising the truth. What will people think When they hear that I'm a Jesus freak What will people do when they find that it's true I don't really care if they label me a Jesus freak There ain't no disguising the truth. No I ain't into hiding. People say I'm strange, does it make me a stranger That my best friend was born in a manger People say I'm strange, does it make me a stranger That my best friend was born in a manger. What will people think When they hear that I'm a Jesus freak What will people do when they find that it's true I don't really care if they label me a Jesus freak There ain't no disguising the truth. What will people think When they hear that I'm a Jesus freak What will people do when they find that it's true I don't really care if they label me a Jesus freak There ain't no disguising the truth. What will people think What will people think What will people do What will people do I don't really care What else can I say There ain't no disguising the truth Jesus is the way. CCM's 500 Best Albums Of All Time. Sometime in 1990 right at the time of the release of DC Talk’s second album (first full length), “Nu Thang”, Toby McKeehan (tobyMac), Michael Tait and Kevin “Max” Smith (K-Max) performed a concert at Southern California’s Magic Mountain amusement park. As the local sales representative for The Benson Co, the distribution company for their label, Forefront, I was asked to take the band on a tour of local Christian Bookstores the following day. I took them Newport Beach instead! So began a friendship with the three guys that make up DC Talk that lasts until today. In the early days of DC Talk they were tireless self- promoters and would do (and did do) just about anything to help sales and reach the masses. This included being roadies for then mega-group, DeGarmo and Key while performing as the opening act on the tour. They always seemed tired when I met them in the early years. I figured a day off would do them good. Every time I see any of them, which isn’t nearly as often as I used to be when I was more involved in the Christian Music industry, that day is always brought up. But it helped me discover the guys behind the platinum albums and their hearts and vision. I will always be grateful to God for that privilege. The first time I met they guys I had just begun working for the Benson Co. on the East coast. They were doing a concert in the Hershey, Penn. area with DeGarmo and Key and decided to go see this new band that the record company was so excited about. I had just left my job in Southern California as manager of Maranatha Village. I was also a contributing writer and reviewer for a magazine out of the Lancaster, Penn called “Notebored.” When I met them band backstage they had a copy of the newest issue of the magazine which I hadn’t had a chance to see yet. That issue contained a scathing, negative review of their self-titled debut EP. Some ten years later or more Michael Tait would still quotes from that review! I think it took me at least two or more years to fess up that I also wrote for that magazine at the time. The first night I met the band I also was able to secure a copy of the very limited (for some good reasons) demo cassette that the band originally released called, “Christian Rhymes to a Rhythm.” That original demo featured a low-budget (demo) version of “Heavenbound,” the song that would introduce them to thousands of fans on their national debut about a year later. The three guys met at Liberty University in either 1987 and ’88. At first it was just Toby and Michael and they began performing the combination of rap/hip hop and Gospel music at Churches and youth events in the area. They were originally knows at DC Talk and the One Way Crew and later shortened it to just DC Talk. Toby took the name DC Talk originally from his hometown but then made it an acronym for Decent Christian Talk. Toby would rap while Michael would sing both separately and then began to merge the sounds. This was actually quite progressive for the time as even in mainstream music at the time the two styles were separated. Kevin joined soon after and his inclusion added a little more of a rock edge with more of a Bryan Duncan and Bono vocal sound. Upon signing with Forefront records (then the home to DeGarmo and Key) the band released their self-titled debut project. The single “Heavenbound” became instant hit with young “youth group” kids around the nation, especially young girls who found the trio cute and fun like their secular counterpart New Kids on the Block. The comparison, whether justified or not, stuck for at least another album until the maturity of the band took hold. “Heavenbound” may have been a hit but not on radio because of the taboo attached to “rap” music. At the time there were a handful of Christian rap artists but none had reached mainstream Christian music success do to the fear and bad reputation associated with that style of music.