Music Volume 17, Issue 43 £3.95
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Liste Des Concerts Et Des Festivals
Liste des concerts et des Festivals Date Concert / Spectacle Organisation et Lieu Année 1996 Les Petits Chanteurs Concert organisé par le Lion's Club 1 22/05/1996 à la Croix de Bois Le Carré Magique - Lannion 2 21/06/1996 Groupe Loro Fête de la musique - Pub "Comptoir des Indes" - Lannion 3 18/08/1996 Marcel et son Orchestre Pub "Chez Jacques" - Lannion Alain MARIE - LANNION - 06 44 12 24 71 Page 1 / 169 - 25/09/2021 (c) [email protected] http://www.alainmarie2.com Liste des concerts et des Festivals Date Concert / Spectacle Organisation et Lieu Année 1997 4 20/02/1997 Soirée TREGOR DEBOUT Salle des Ursulines - Lannion 5 13/08/1997 Yvon Le Men Tardives - Espace Ursulines - Lannion 6 14/08/1997 Soirée du 14/15 août Les 24 heures de la voile - Tregastel 7 20/08/1997 Les Pirates Chants Marins 97 - Paimpol 8 20/08/1997 Skirienn Chants Marins 97 - Paimpol Troupe théâtrale - Le Chat botté 9 05/09/1997 La Belle Hélène Le Carré Magique - Lannion Alain MARIE - LANNION - 06 44 12 24 71 Page 2 / 169 - 25/09/2021 (c) [email protected] http://www.alainmarie2.com Liste des concerts et des Festivals Date Concert / Spectacle Organisation et Lieu Année 1998 10 13/03/1998 EV 6ième Gala de l'ENSSAT - Lannion 11 13/03/1998 Dolly 6ième Gala de l'ENSSAT - Lannion Troupe théâtrale de Pleumeur-Bodou - Salle des fêtes - 12 15/03/1998 On attend l'inspecteur Pleumeur-Bodou 13 14/04/1998 Doé Brime Frissons d'avril - Chapelle des Ursulines - Lannion 14 15/04/1998 Hee Soon Frissons d'avril - Chapelle des Ursulines - Lannion 15 18/04/1998 Syzygie Frissons -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Vanilla Ice Hard to Swallow Video
Vanilla ice hard to swallow video click here to download Hard to Swallow is the third studio album by American rapper Vanilla Ice. Released by Republic Records in , the album was the first album the performer. Vanilla Ice - Hard to Swallow - www.doorway.ru Music. Stream Hard To Swallow by Vanilla Ice and tens of millions of other songs on all . Related Video Shorts. Discover releases, reviews, credits, songs, and more about Vanilla Ice - Hard To Swallow at Discogs. Complete your Vanilla Ice collection. Find a Vanilla Ice - Hard To Swallow first pressing or reissue. Complete your Vanilla Ice collection. Shop Vinyl and CDs. Listen free to Vanilla Ice – Hard To Swallow (Living, Scars and more). 13 tracks ( ). Discover more music, concerts, videos, and pictures with the largest. Play video. REX/Shutterstock. Vanilla Ice, “Too Cold”. Vanilla Ice guilelessly claimed his realness from the beginning, even as his image In , he tried to hop aboard the rap-rock train with Hard to Swallow, an album that. Now there's a setup for a new joke: Vanilla Ice, the tormented rocker. As a pre- emptive strike, his new album is called ''Hard to Swallow''. Hard to Swallow, an Album by Vanilla Ice. Released 28 October on Republic (catalog no. UND; CD). Genres: Nu Metal, Rap Rock. Featured. Shop Vanilla Ice's Hard to swallow CD x 2 for sale by estacio at € on CDandLP - Ref Vanilla Ice Hard To Swallow; Video. €. Add to cart. List of the best Vanilla Ice songs, ranked by fans like you. This list includes 20 3 . -
Durabteilung Beginn Auf 1, Eventuell Zweite Molltonika
Vier unterschiedliche Stufen Durabteilung Beginn auf 1, eventuell zweite Molltonika 1234 Parallelprogression Ärzte, Die: Himmelblau (S, G), Beatles, The: Here there and everywhere (S), Culcha Candela: Hamma! (S), Cure, The: Boys don't cry (S, R), Billy Joel: Uptown girl (S 123[45]), Juanes: La camisa negra (R), Mark Forster: Bauch und Kopf (R 123/74) 1235 (Parallelprogression), 1236 (Parallelprogression), 1243 1245 7 Years Bad Luck (Punkrock): A plain guide (to happiness) (I), Aerger (Deutschpop): Kleine Schwester (I, R) Vanessa Amorosi (Bravopop): Shine (R), Tina Arena (Cover): Show me heaven (R), Bachman Turner Overdrive: Hey you (R), Jennifer Brown: Naked (I, R), Joe Cocker: No ordinary world (R), Jude Cole: Madison (S, R), Corrs, The: All the love in the world (S), Counting Crows: Rain king (R), Nelly Furtado: In god’s hands (R), Faith Hill: Breathe (R), Gewohnheitstrinker (Punk): High Society (R), Michael Jackson: My girl (B), Jack Johnson: Upside down (R), Labrinth feat. Emeli Sandé (Reggae): Beneath your beautiful (T), Fady Maalouf (Bravopop): Blessed (Rf), Maroon 5 (Alternativepop): Won’t go home without you (R11224511), Amanda Marshall: Fall from Grace (I, S, R), Don McLean: Vincent (S), Melanie C: If that were me (S, R), Metro Station (Bravopop): Shake it (B), Alanis Morissette: Ur (T), Nena: 99 Luftballons (S, R), Laura Pausini: Il mio sbaglio più grande (I, S, R), Katy Perry: Thinking of you (R bzw. 124-4), Reamon: Josephine (I, S), Reel Big Fish (Skarock): Somebody hates me (Rf), Sell out (I, S, Z1), Savage Garden: I knew -
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change. -
1 1 2 3 4 5 6 National Governors Association 7 Opening Session 8 9 Growing State Economy 10 11
1 1 2 3 4 5 6 NATIONAL GOVERNORS ASSOCIATION 7 OPENING SESSION 8 9 GROWING STATE ECONOMY 10 11 12 Virginia Ballroom 13 Williamsburg Lodge Conference Center 14 310 South England Street 15 Williamsburg, Virginia 16 July 13, 2012 17 18 19 20 21 ------------------------------------- 22 TAYLOE ASSOCIATES, INC. 23 Registered Professional Reporters 24 Telephone: (757) 461-1984 25 Norfolk, Virginia 2 1 PARTICIPANTS: 2 GOVERNOR DAVE HEINEMAN, NEBRASKA, CHAIR 3 GOVERNOR JACK MARKELL, DELAWARE, VICE CHAIR 4 5 6 GUEST: 7 JIM COLLINS, AUTHOR 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 3 1 P R O C E E D I N G S 2 CHAIRMAN HEINEMAN: Good afternoon, 3 governors and distinguished guests. I call to order 4 the 104th Annual Meeting of the National Governors 5 Association. 6 We have a full agenda for the next two 7 and a half days. Following this session, the 8 Education and Workforce Committee will discuss the 9 reauthorization of the Elementary and Secondary 10 Education Act, with Secretary of Education Arne Duncan 11 and former secretary Margaret Spellings. All 12 governors are encouraged to attend, and it will be in 13 this room here. 14 Saturday's business agenda begins with 15 the concurrent meetings of the Economic Development 16 Commerce Committee and the Health and Human Services 17 Committee. 18 We will then have a governors-only lunch 19 and business session followed by the meetings of the 20 Natural Resources Committee and the Special Committee 21 on Homeland Security and Public Safety. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Music to Move the Masses: Protest Music Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you. -
Music & Fashion: the Balancing Act Between Creativity and Control
Music & Fashion: The Balancing Act Between Creativity and Control By Aram Sinnreich and Marissa Gluck A Norman Lear Center Conference Annenberg Auditorium USC Annenberg School for Communication January 29, 2005 2 THE NORMAN LEAR CENTER Aram Sinnreich & Marissa Gluck Music & Fashion: The Balancing Act Between Creativity and Control The Norman Lear Center Ready to Share: Fashion & the Ownership of Creativity Founded in January 2000, the Norman Lear Center is a On January 29, 2005, the Norman Lear multidisciplinary research and public Center held a landmark event on policy center exploring implications of fashion and the ownership of creativity. the convergence of entertainment, "Ready to Share: Fashion & the commerce and society. On campus, Ownership of Creativity" explored the from its base in the USC Annenberg fashion industry's enthusiastic embrace School for Communication, the Lear of sampling, appropriation and Center builds bridges between borrowed inspiration, core components schools and disciplines whose faculty of every creative process. Presented by study aspects of entertainment, media the Lear Center's Creativity, Commerce and culture. Beyond campus, it & Culture project, and sponsored by The bridges the gap between the Fashion Institute of Design & entertainment industry and academia, Merchandising/FIDM, this and between them and the public. groundbreaking conference featured Through scholarship and research; provocative trend forecasts, sleek through its fellows, conferences, fashion shows and an eclectic mix of public events and publications; and in experts from fashion, music, TV and its attempts to illuminate and repair film. Discussion sessions covered fashion the world, the Lear Center works to and creativity, intellectual property law, be at the forefront of discussion and fashion and entertainment and the practice in the field.