Thelonious Monk Septet Monk's Music Mp3, Flac, Wma

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Thelonious Monk Septet Monk's Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Monk's Music Country: UK Style: Bop, Hard Bop MP3 version RAR size: 1721 mb FLAC version RAR size: 1597 mb WMA version RAR size: 1430 mb Rating: 4.8 Votes: 723 Other Formats: XM APE MMF AA AC3 MIDI DXD Tracklist A1 Abide With Me A2 Well, You Needn't A3 Ruby, My Dear B1 Off Minor B2 Epistrophy B3 Crepuscule With Nellie Credits Alto Saxophone – Gigi Gryce (tracks: A1, A2, B1 to B3) Bass – Wilbur Ware (tracks: A2, A3 to B3) Design [Cover] – Paul Bacon Drums – Art Blakey (tracks: A2, A3 to B3) Engineer – Jack Higgins Photography By [Cover] – Paul Weller Piano – Thelonious Monk (tracks: A2, A3 to B3) Producer, Liner Notes – Orrin Keepnews Tenor Saxophone – Coleman Hawkins, John Coltrane (tracks: A1, A2, B1 to B3) Trumpet – Ray Copeland (tracks: A1, A2, B1 to B3) Notes Recorded in New York; June 26, 1957. Barcode and Other Identifiers Matrix / Runout (Side A etched): RLP12-242 A H IG Matrix / Runout (Side B etched): RLP-12-242 B H IG Other versions Title Category Artist Label Category Country Year (Format) Monk's Thelonious Music (LP, Riverside RLP 12-242 RLP 12-242 US 1957 Monk Septet Album, Records Mono) GSLP 7023, GSLP Thelonious Monk's Gateway Records, GSLP 7023, GSLP US 1977 7203 Monk Music (LP) Gateway Records 7203 Riverside Records, Monk's RLP 12-242, Universal Music RLP 12-242, Thelonious Music (LP, 088072357778, Group 088072357778, Europe 2014 Monk Septet Album, RE, OJC-084 International, OJC-084 180) Original Jazz Classics Original Jazz Monk's Thelonious Classics, OJC 084, RLP-242 Music (LP, OJC 084, RLP-242 Germany 1983 Monk Septet Riverside Album, RE) Records Monk's Thelonious Music (CD, Riverside VDJ-1516 VDJ-1516 Japan 1985 Monk Septet Album, Records Mono, RM) Related Music albums to Monk's Music by Thelonious Monk Septet Thelonious Monk With John Coltrane - Thelonious Monk With John Coltrane Thelonious Monk & John Coltrane - Monk / Trane Thelonious - "Live In New York" Vol. 1&2 Thelonious Monk - The Best Of Thelonious Monk Milt Jackson With John Lewis , Percy Heath, Kenny Clarke, Lou Donaldson And The Thelonious Monk Quintet - Milt Jackson With John Lewis, Percy Heath, Kenny Clarke, Lou Donaldson And The Thelonious Monk Quintet Thelonious Monk - The Unique Thelonious Monk The Miles Davis Sextet & The Thelonious Monk Quartet - Miles & Monk At Newport Thelonious Monk - Round Midnight Thelonious Monk & John Coltrane - Thelonious Monk & John Coltrane Charlie Mingus, Thelonious Monk, John Coltrane, Eric Dolphy - I Giganti Del Jazz Vol. 16 Thelonious Monk And Gerry Mulligan - Mulligan Meets Monk Thelonious Monk - Monk's Music.

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Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
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Straight No Chaser
Ch 3 : Straight no chaser Si Round Midnight est le plus populaire des standards monkiens, un des plus utilisés en jam-session, est sans doute Straight no chaser. Le fait qu’il s’agisse d’un blues en 12 mesures (souvent en Bb) n’est sans doute pas étranger à cette popularité. Et pourtant, pour bien jouer Straight no chaser, il faut une certaine concentration : en effet, non seulement, Monk y fait usage de pas mal de chromatismes, mais la manière dont la phrase qui sous-tend la composition est placée par rapport au temps et à la mesure est pour le moins singulière. A l’écoute, tout semble couler de source, mais quand il s’agit de mettre ça en place, c’est une toute autre histoire. Le titre du morceau est déjà du Monk : quand il commandait un whisky, Monk insistait pour qu’on le lui serve Straight no chaser, càd sec, sans accompagnement aidant à le faire descendre. On commence par la première version gravée par Monk, en 1951 pour Blue Note, avec le trio renforcé de Sahib Shihab et Milt Jackson : c’est Art Blakey qui ouvre les hostilités : écoutez la citation par Monk d’un autre de ses standards : Thelonious Monk Quintet : Straight no chaser Sahib Shihab (as) Milt Jackson (vbes) Thelonious Monk (pn) Al Mc Kibbon (cb) Art Blakey (dms) rec NY 23 juillet 1951 A côté des 1001 versions live enregistrées par Monk, on notera celle, asseez singulière, qu’il enregistrée en 1957 pour l’album avec Gerry Mulligan. Le tempo est plus lent qu’à l’accoutumée.
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The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
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Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
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Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
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Thelonious Monk Mulligan Meets Monk Mp3, Flac, Wma
Thelonious Monk Mulligan Meets Monk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mulligan Meets Monk Country: US Released: 1967 Style: Bop, Cool Jazz MP3 version RAR size: 1737 mb FLAC version RAR size: 1307 mb WMA version RAR size: 1778 mb Rating: 4.4 Votes: 165 Other Formats: XM AUD AAC RA DMF FLAC ADX Tracklist Hide Credits 'Round Midnight A1 Written-By – Hanighen*, Williams*, Monk* A2 Rhythm-A-Ning Sweet And Lovely A3 Written-By – Arnheim*, Tobias*, Lemare* B1 Decidedly B2 Straight, No Chaser B3 I Mean You Credits Baritone Saxophone – Gerry Mulligan Bass – Wilbur Ware Design [Cover] – Paul Bacon Drums – Shadow Wilson Engineer [Recording Engineer] – Jack Higgins Liner Notes – Orrin Keepnews Photography By [Cover Photo] – Robert Parent* Piano – Thelonious Monk Producer – Orrin Keepnews Written-By – Gerry Mulligan (tracks: B1), Thelonious Monk (tracks: A2, B2, B3) Notes Recorded in New York; August 12 and 13, 1957. Green Orpheum Productions label. Barcode and Other Identifiers Matrix / Runout (Side A [etched]): RLP-12-247 A-1 RI Matrix / Runout (Side B [etched]): RLP-12-2̶4̶7̶ 247 B-1 RI Other versions Category Artist Title (Format) Label Category Country Year Thelonious Monk Thelonious And Gerry Mulligan - Riverside RLP 12-247 Monk And RLP 12-247 US 1957 Mulligan Meets Records Gerry Mulligan Monk (LP, Album) Thelonious Monk Thelonious And Gerry Mulligan - Musical MHS 512504Y Monk And Mulligan Meets Heritage MHS 512504Y US 1990 Gerry Mulligan Monk (CD, Album, Society Club, RE) Thelonious Monk Thelonious And Gerry Mulligan
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Thelonious Monk Orchestra at Town Hall
ad" melody, his debt to thing he has RIVERSIDE »re at hand: ell as leader proudly presents id personal) Ie does better a new, ingeniously mes or with Ray Haynes distinguished and truly different in) provided ussive piano Thelonious Monk recording: armer’s style ic than per- he is rather but perhaps lulated by a lally obvious ch as the fact trast for him man group, ay be correct THELONIOUS is not up to that is his at „ I MONK THELONIOUS I MONK I NS—Decca bl uilty; It's Tat xtd Emotions; ORCHESTRA uuday Kind Of ORCHESTRA '-ike My Baby; If Rain; Don't a. with varioM AT erent danger ■d labels: the t of old stuff n. TOWN s for Verve, dently a pas- ecording ses- s Fitzgerald's HALL Reasons, she m Boys; on Monaural: Riverside RLP 12-300 Stereo: Riverside RLP 1138 and an or- vith the Ray :stra directed ith the Song The debut performance of this new Monk band, recorded in concert orchestra; on at New York’s Town Hall, makes a really startling and unique album. le Andy Love er Bob Hag- Full-scale orchestrations of great Monk compositions add a new creative dimension nes are poor, to the work of one of the major forces of modem jazz. ases, terrible, rercial songs, (Special note: Listen to Little Rootie Tootie ly. Ella does in particular, for the most exciting sound of the year!) her best isn’t Soloists include Thelonious (in rare form), edious medi- Donald Byrd, Phil Woods, Charlie Rouse, Pepper Adams.
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Primary Sources: an Examination of Ira Gitler's
PRIMARY SOURCES: AN EXAMINATION OF IRA GITLER’S SWING TO BOP AND ORAL HISTORY’S ROLE IN THE STORY OF BEBOP By CHRISTOPHER DENNISON A thesis submitted to the Graduate School-Newark Rutgers University, The State University of New Jersey In partial fulfillment of the requirements of Master of Arts M.A. Program in Jazz History and Research Written under the direction of Dr. Lewis Porter And approved by ___________________________ _____________________________ Newark, New Jersey May, 2015 ABSTRACT OF THE THESIS Primary Sources: An Examination of Ira Gitler’s Swing to Bop and Oral History’s Role in the Story of Bebop By CHRISTOPHER DENNISON Thesis director: Dr. Lewis Porter This study is a close reading of the influential Swing to Bop: An Oral History of the Transition of Jazz in the 1940s by Ira Gitler. The first section addresses the large role oral history plays in the dominant bebop narrative, the reasons the history of bebop has been constructed this way, and the issues that arise from allowing oral history to play such a large role in writing bebop’s history. The following chapters address specific instances from Gitler’s oral history and from the relevant recordings from this transitionary period of jazz, with musical transcription and analysis that elucidate the often vague words of the significant musicians. The aim of this study is to illustratethe smoothness of the transition from swing to bebop and to encourage a sense of skepticism in jazz historians’ consumption of oral history. ii Acknowledgments The biggest thanks go to Dr. Lewis Porter and Dr.
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2010 Music Accessories Equipment
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MILES DAVIS: the ROAD to MODAL JAZZ Leonardo Camacho Bernal
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Miles Davis Bags Groove mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bags Groove Country: Japan Released: 2016 Style: Bop, Cool Jazz MP3 version RAR size: 1233 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1914 mb Rating: 4.8 Votes: 795 Other Formats: ADX MOD WMA AHX FLAC VOX DXD Tracklist A1 Bags' Groove (Take 1) 11:10 A2 Bags' Groove (Take 2) 9:19 B1 Airegin 4:59 B2 Oleo 5:12 B3 But Not For Me (Take 2) 4:37 B4 Doxy 4:53 B5 But Not For Me (Take 1) 5:40 Companies, etc. Distributed By – Bernhard Mikulski Schallplatten-Vertriebs-GmbH Credits Bass – Percy Heath Drums – Kenny Clarke Engineer – Van Gelder* Piano – Horace Silver (tracks: B1 to B5), Thelonious Monk (tracks: A1, A2) Supervised By – Bob Weinstock Tenor Saxophone – Sonny Rollins (tracks: B1 to B5) Trumpet – Miles Davis Vibraphone – Milt Jackson (tracks: A1, A2) Notes Recorded on June 29, 1954 (Side B) and December 24, 1954 (Side A). Barcode and Other Identifiers Barcode: 090204 027668 Label Code: LC0313 Rights Society: GEMA Matrix / Runout (Side A [Etched]): OJC-245-A et Matrix / Runout (Side B [Etched]): OJC-245-B et Other versions Category Artist Title (Format) Label Category Country Year Miles Bags Groove (LP, 7109 Prestige 7109 US 1957 Davis Mono) Miles Bags Groove (LP, Prestige, 7109, LP 7109 7109, LP 7109 US Unknown Davis Mono) Prestige Prestige, 7109, NM 27 Miles Bags Groove (LP, 7109, NM 27 Nuevos Spain 1989 398 LM Davis Album, RE) 398 LM Medios Майлс Дейвис и M60 48821 Майлс Гиганты M60 48821 Мелодия USSR 1989 006 Дейвис* Современного Джаза 006
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