Igrt\TION HISTORY NEWSLETTER
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Study of the Effect of Color in the Utah Temple Murals
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1968 A Study of the Effect of Color in the Utah Temple Murals Terry John O'Brien Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art and Design Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation O'Brien, Terry John, "A Study of the Effect of Color in the Utah Temple Murals" (1968). Theses and Dissertations. 4990. https://scholarsarchive.byu.edu/etd/4990 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A STUDY OF THE EFFECT OF COLOR INTHEIN THE UTAH TEMPLE MMALSMURALS 41k V A thesisthes is presented to the department of art brigham young university in partial fulfillment of the requirements for thedegreethe degree master of arts by terryjohnterry john obrien may 19196868 m TABLE OF CONTENTS page LIST OF TABLES e 0 9 0 0 0 0 0 19 0 0 0 vi chapter I1 introduction 0 0 10 0 0 0 0 0 statement of the problem questions and data inherent to the problem justificationustifaustif icationmication and signifsigniasignificance3 cance of the study sourcsourasourceses of information delimitations of thestathestuthe studydy organization oftheodtheof the material basic assumptions definition of terms II11 THE FOUR UTAH TEMPLES AND THEIR ARTISTS 0 0 11 temple beginnings -
“With God's Assistance I Will Someday Be an Artist”
“With God’s Assistance I Will Someday Be an Artist” John B. Fairbanks’s Account of the Paris Art Mission Rachel Cope n the late nineteenth century, Paris was the unchallenged capital of West- I ern art; as a result, budding artists aspired to study there. Included in this group was John B. Fairbanks of Payson, Utah, who, through the sponsorship of The Church of Jesus Christ of Latter-day Saints, fulfilled his goal by serving as an art missionary from 1890 to 1892. While studying with other LDS art missionaries at the Académie Julian in Paris, Fairbanks corresponded regu- larly with his wife, Lillie, and their then-seven children. Many of Fairbanks’s letters have been preserved in the Church History Library in Salt Lake City, Utah;1 this article presents an important selection of them below. Fairbanks never received a prize or honor for his artwork in Paris, but the account he left behind is valuable not only as a record of the art mission, but also because it is raw and real; his story is meaningful because it is so human. His letters describe his surroundings and detail his experiences as an artist in training, but, more poignantly, they depict his reactions to foreign places and events, express the tender love and concern (financial, spiritual, and emotional) he felt for his young family, note his longing to be reunited with his wife and children, discuss events then taking place in Utah (including the Manifesto issued by Wilford Woodruff in 1890), share the depths of his frustration as he failed to attain his goals in the 1. -
Mormons and the Visual Arts.” Dialogue: a Journal of Mormon Thought, Vol
James L. Haseltine, “Mormons and the Visual Arts.” Dialogue: A Journal of Mormon Thought, Vol. 1 No. 2 (1966): 17–34. Copyright © 2012 Dialogue Foundation. All Rights Reserved • A JOURNAL OF dialogue• MORMON THOUGHT MORMONS AND THE VISUAL ARTS James L. Haseltine This essay is the third in a continuing series, "An Assessment of Mormon Culture." The author, himself not a Mormon, examines the influence of the L.D.S. Church on the visual arts in Utah from pioneer times. Mr. Haseltine is Director of the Salt Lake Art Center and the author of numerous reviews and articles for professional journals; he recently produced a retrospective exhibit of Utah painting at the Art Center and did much of the research used in this essay in preparing the exhibition catalogue, "100 Years of Utah Painting." It seems curious to ask, "What support has the C h u r c h of Jesus Christ of Latter-day Saints given to the v i s u a l arts in Utah?" One would hardly consider as fields for fruitful exploration Baptist sup- port of the a r t s in Mississippi, Lutheran encouragement in Oregon, or Methodist patronage in Kansas. Yet in Utah perhaps such a ques- tion can b e asked, for seldom has o n e religion been so intertwined with other aspects of life. There is little doubt that Brigham Young felt a need for artists in the Salt Lake Valley very soon after the arrival of t h e first pioneers. By the mid-1850's he was instructing missionaries in foreign lands to devote special attention to t h e conversion of s k i l l e d artists, artisans, and architects. -
Revisiting Utah's Past
Revisiting Utah’s Past Utah Museum of Fine Arts Evening for Educators September 27, 2006 • 5:30 pm - 8:30 pm Table of Contents Page Contents 2 List of Images 3 Background Information Written by Annabelle Shrieve 6 Sunset on the Platte , Lambourne Written by Annabelle Shrieve 7 lesson plan for Sunset on the Platte Written by Annabelle Shrieve and Mormon Emigrants Crossing the Plains in 1862 10 Mormon Emigrants Crossing the Plains, Weggeland Written by Annabelle Shrieve 11 lesson plan for Mormon Emigrants Crossing the Plains, Written by Annabelle Shrieve Sunset on the Platte , and Echo Canyon, Utah 23 Echo Canyon, Utah, Unknown Artist Written by Annabelle Shrieve 24 lesson plan for Echo Canyon, Utah Written by Annabelle Shrieve and Sunset on the Platte 27 Wagon Train, Dixon Written by Annabelle Shrieve 28 lesson plan for Wagon Train, Study for the Utah State Written by Annabelle Shrieve Capitol, and Mormon Emigrants Crossing the Plains in 1862 39 18th Ward Schoolhouse, Ottinger Written by Annabelle Shrieve 40 lesson plan for 18th Ward Schoolhouse and Written by Annabelle Shrieve Telegraph Office, East Side of East Temple and First South 46 Telegraph Office, East Side of East Temple and First South, Written by Annabelle Shrieve Ottinger 47 lesson plan for Telegraph Office, East Side of East Temple Written by Annabelle Shrieve and First South Evening for Educators is funded in part by the StateWide Art Partnership 1 Revisiting Utah’s Past Utah Museum of Fine Arts Evening for Educators September 27, 2006 • 5:30 pm - 8:30 pm List of Images 1. -
Samuel Gudmundson (1831 – 1901)
The Diaries of Samuel Gudmundson (1831 – 1901) Born in Norway Immigrated to Utah Served three Missions in Norway Died in Springville, Utah Compiled by Holly Gudmundson LaStar Richins ii Table of Contents Forward and Acknowledgments …………………………………………… iv Chapter 1 First Mission Diary 1860 – 1861 …………………………. 1 Chapter 2 Diary in America 1861 – 1867 …………………………….. 19 Chapter 3 Second Mission to Norway 1867-1869 …………………… 27 Chapter 4 Back in America 1869 – 1881 …………………………….. 57 Chapter 5 In Springville 1882 – 1890 ……………………………….. 69 Chapter 6 Diary 1891 – 1900 ………………………………………… 89 Appendix A – First Pages of Samuel Gudmundson’s 1860 Diary ……………………. 123 B – Family information written in Samuel Gudmundson’s Diary …………. 124 C – Picture Family Group Sheet …………………………………………… 129 D – Letter written by Amalia ………………………………………………. 130 E – Mission Certificate …………………………………………………….. 131 F – Memorandum …………………………………………………………… 132 iii Forward and Acknowledgements This is to express thanks to all those who participated in putting this book together. Holly Gudmundson did the majority of typing into the computer from badly copied versions of previous typings and also reading from poorly copied pages of the diaries. In her own words she said, “Chapter one (1860) was transcribed on an old manual typewriter by an unknown person. It must have been a very old typewriter and have gone through a number of carbon copies since when I got it; the letters were only a third visible in some parts. Still, with a little pondering and the help of the Lord, I was able to decipher the message in an understandable manner. Interestingly, when I went back later to read the worst parts of the manuscript, I couldn't make out anything. -
UTAH's Anglo-Scandinavian Population, As Everybody Knows
UTAH'S UGLY DUCKLINGS: A PROFILE OF THE SCANDINAVIAN IMMIGRANT BY WILLIAM MULDER* TAH'S Anglo-Scandinavian population, as everybody knows, U is the fruit of over a century of Mormon proselyting abroad. To thousands of Biblically minded Europeans, America seemed the land of Zion, widi Deseret's adobe and sagebrush community the visible Kingdom to which a latter-day Israel was being gathered, particularly from "the land of the north." From 1850 to 1900, when "the gathering" was most ardently preached, thirty thousand Scandinavian Mormons came to Utah's rainless but dedicated valleys. They became hardy grass roots settlers on a frontier far beyond the rich and comfortable acres their country men were homesteading in Minnesota and Wisconsin and well ahead of the Scandinavian invasion of Nebraska and the Dakotas. In the 1850's over three-fourths of Denmark's total emigra tion to the United States was Mormon, and nearly two-fifths in the 1860's. Of six counties in the United States in 1870 numbering 500 or more Danes, Utah had four. In 1890 still only Iowa, Nebraska, and Minnesota exceeded Utah's Danish-born. More Swedish-born lived in Utah just prior to 1880 than in any other mountain state. In 1910 Utah, coming within a fraction of Dakota and Nebraska, emerged as the fifth highest state in per cent of total population formed of Swedish stock. Norwegians in actual numbers were few, but they were locally important and histori cally the oldest Scandinavians on the scene: Ellen Sanders Kim ball, one of the three women to enter the Salt Lake Valley with the pioneer vanguard in 1847, was a Norwegian convert from the *William Mulder is a professor of English at the University of Utah, Salt Lake City. -
FEBRUARY 2011 Liahona
THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS • FEBRUARY 2011 Liahona Heeding the Prophet’s Call to Rescue, pp. 14, 20, 32 How to Help Children Feel Safe, p. 16 Are Your Friends Taking You to Christ? p. 52 Serving like Ammon, pp. 70, 72 GIFT OF THE AVALON FOUNDATION, IMAGE COURTESY OF THE BOARD OF TRUSTEES, NATIONAL GALLERY OF ART, WASHINGTON, D.C., USA WASHINGTON, OF ART, GALLERY OF THE BOARD TRUSTEES, NATIONAL IMAGE COURTESY FOUNDATION, GIFT OF THE AVALON The Return of the Prodigal Son, by Bartolomé Esteban Murillo When the prodigal son realized that he had (Luke 15:21). But his father welcomed him home sinned, he humbly returned to his father and said, and said with joy, “For this my son was dead, and “Father, I have sinned against heaven, and in thy is alive again; he was lost, and is found” (verse 24). sight, and am no more worthy to be called thy son” Likewise, there is joy in heaven when we repent. Liahona, February 2011 8 MESSAGES 28 Revelation: Drop by Drop 16 Our Homes, Our Families: Helping Children Feel Safe First Presidency Message: Revelation helps a young man’s 4 By Shawn Evans How Great Shall Be Your Joy testimony reach from here to heaven. By President Henry B. Eyring 20 Gospel Classics: 30 Revelation: Pouring Down Strengthening the 7 Visiting Teaching Message: Less Active A Restoration of All Things from Heaven Knowledge pours down quickly By President Boyd K. Packer when we’re ready. 38 Latter-day Saint Voices FEATURE ARTICLES 32 Parables of the Lost 74 News of the Church 14 From Rescued to Rescuer and Found By Betsy Doane What is rescue? It’s forgiving, 79 Family Home Evening Ideas Pain and addiction ruled my reaching out, and welcoming Until We Meet Again: A Seat life until I met someone who back. -
July 2012 Ensign
THE ENSIGN OF THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS • JULY 2012 Covenants: Our Most Important Promises, p. 22 Four Keys to Teaching for Conversion, p. 30 Tender Moments in the Lives of Joseph and Emma Smith, p. 40 Martin Harris: Patterns of Humility and Repentance, p. 56 Ensign 2010 SANDRA B. RAST, MAY NOT BE COPIED MAY 2010 SANDRA B. RAST, © Miracle of the Quail, by Sandra B. Rast In 1846 the last of the Latter-day Saints were driven out of Nauvoo, Illinois, USA. Most of them were poor, sick, or aged. With few resources, they ferried across the Mississippi River and set up a temporary camp. Amid that suffering, hundreds of quail flew into and fell into the camp. They were so tame that the Saints could catch them with their hands, providing much-needed food for the starving Saints. Contents July 2012 Volume 42 • Number 7 FEATURES 10 Never Give Up Al and Eva Fry Thirty-five years. Countless prayers. One major miracle. 15 Facing the Future with Hope Elder José A. Teixeira How can we be positive about the present and the future? 18 Take Your Tents and Flee Kevin Hinckley Despite the growing wickedness in the world, we can find safety in the gospel. 21 Waiting on the Lord, Renewing Our Strength 4 Christy Nielson A verse in Isaiah taught me that “waiting on the Lord” is different from “just waiting.” MESSAGES 22 Understanding Our Covenants with God FIRST PRESIDENCY MESSAGE An overview of our most important promises. 4 Always in the Middle 26 When Good Plans Don’t President Dieter F. -
UTAH's Anglo-Scandinavian Population, As Everybody Knows, Is The
UTAH'S UGLY DUCKLINGS: A PROFILE OF THE SCANDINAVIAN IMMIGRANT BY WILLIAM MULDER* TAH'S Anglo-Scandinavian population, as everybody knows, U is the fruit of over a century of Mormon proselyting abroad. To thousands of Biblically minded Europeans, America seemed the land of Zion, with Deseret's adobe and sagebrush community the visible Kingdom to which a latter-day Israel was being gathered, particularly from '.'the land of the north." From 1850 to 1900, when "the gathering" was most ardently preached, thirty thousand Scandinavian Mormons came to Utah's rainless but dedicated valleys. They became hardy grass roots settlers on a frontier far beyond the rich and comfortable acres their country- men were homesteading in Minnesota and Wisconsin and well ahead of the Scandinavian invasion of Nebraska and the Dakotas. In the 1850's over three-fourths of Denmark's total emigra- tion to the United States was Mormon, and nearly two-fifths in the 1860's. Of six counties in the United States in 1870 numbering 500 or more Danes, Utah had four. In 1890 still only Iowa, Nebraska, and Minnesota exceeded Utah's Danish-born. More Swedish-born lived in Utah just prior to 1880 than in any other mountain state. In 1910 Utah, coming within a fraction of Dakota and Nebraska, emerged as the fifth highest state in per cent of total population formed of Swedish stock. Norwegians in actual numbers were few, but they were locally important and histori- cally the oldest Scandinavians on the scene: Ellen Sanders Kim- ball, one of the three women to enter the Salt Lake Valley with the pioneer vanguard in 1847, was a Norwegian convert from the •William Mulder is a professor of English at the University of Utah, Salt Lake City. -
John B. Fairbanks: the Man Behind the Canvas
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2003-08-01 John B. Fairbanks: The Man Behind the Canvas Rachel Cope Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art and Design Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Cope, Rachel, "John B. Fairbanks: The Man Behind the Canvas" (2003). Theses and Dissertations. 4620. https://scholarsarchive.byu.edu/etd/4620 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. JOHN BbfairbanksFAIRBANKS THE MAN BEHIND THE CANVAS by rachel cope A thesis submitted to the faculty of brigham young university in partial fulfillment of the requirements for the degree of master of arts department of history brigham young university august 2003 BRIGHAM YOUNG university GRADUATE COMMITTEE APPROVAL of a thesis submitted by rachel cope this thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory 7 datee 4 Jy thomas G alexander chair 3 00001ongony S 4 7 meljdtejxax richrdrichard E bennett 3 c awyw ate 11marianmadianmannanianlann E wardle BRIGHAM YOUNG university As chair of the candidates graduate committee I1 have read the thesis of rachel cope in its final form and have found that 1 its format citations -
The Salt Lake City Endowment House
Marshall University Marshall Digital Scholar Libraries Faculty Research Libraries 10-1-2008 "Temple Pro Tempore": The altS Lake City Endowment House Lisle G. Brown [email protected] Follow this and additional works at: http://mds.marshall.edu/lib_faculty Part of the Architectural History and Criticism Commons, History of Religion Commons, and the United States History Commons Recommended Citation Lisle G Brown, "'Temple Pro Tempore": The altS Lake City Endowment House," Journal of Mormon History, 34/4 (Fall 2008): 1-68. This Article is brought to you for free and open access by the Libraries at Marshall Digital Scholar. It has been accepted for inclusion in Libraries Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. “TEMPLE PRO TEMPORE”: THE SALT LAKE CITY ENDOWMENT HOUSE Lisle G Brown* THE ENDOWMENT HOUSE, BUILT on the northwest corner of Temple Square in Salt Lake City, was the first building specifically designed for conducting temple rites. Previous structures—Joseph Smith’s brick store in Nauvoo, the Nauvoo Temple, and the Salt Lake City Council House—all contained only temporary modifications to inte- rior rooms for performing the ceremonies, particularly the drama- tized ritual called the endowment. This paper examines the pivotal, but largely unrecognized, role of the Endowment House, not only the history of the building itself, but also its role in the development of Mormon temple architecture and interior design. THE KIRTLAND AND NAUVOO TEMPLES, AND THE COUNCIL HOUSE The Mormon Church’s first temple, constructed at Kirtland, Ohio, during the 1830s, had two large halls, one for public worship on * LISLE G BROWN {[email protected]} is a full Professor and Cu- rator of Special Collections in the library at Marshall University, Hunting- ton, West Virginia. -
The Real GEORGE M. OTTINGER: Painting Scenery for Salt Lake
GEORGE M. OTTINGER: The Ideal . The Real fi GEORGE M. OTTINGER: Painting Scenery for Salt Lake Theatre HASELTINE: Mormons and the Visual Arts/19 in the community, far in advance of that in surrounding territories and greater than the newness of the country would seem to promise."6 He cites two reasons for this phenomenon: a larger than average proportion of citizens very recently from the Old World, where they were in the habit of visiting galleries, and the fact that these citizens were "the reverse of a floating population."7 Some of the pioneers brought pictures across the plains; a number of works by William Warner Major, who was active in Nauvoo and Winter Quarters, and by itinerant artists who visited the early Mormon settlements sur- vive today in Utah collections. A love of art apparently existed, and Brigham Young apparently encouraged it. He took delight in pointing out to visiting dignitaries the Weggeland painting of his estate, hanging above his fireplace. Trained as a carpenter, Young understood craftsmanship and could appreciate a well-wrought painting. He evidently approved of the sculpture of the lion, which still crouches over the Lion House entrance, carved by William Ward in 1855, and admired the wood carvings of Ralph Ramsey which embellished the Tabernacle, Salt Lake Theatre, Beehive House and Eagle Gate. Beauty for Brigham Young was "a natural and necessary accompaniment of productive work."8 The performing arts, however, received much stronger support from the Church and its leaders. That this was so, and that the pattern thus set continues to this day, is not too difficult to under- stand.