Vol XXIV Issue 34 Apr 16 2015
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Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
The Chimp That Talks
=> C v— innrsf 1 » 3 S-S.15 85^, !» a jl ™ a ™ zr < 1 2*Stiff if 3 8.-S O 5 I.ii1 ■sflt "•"p If'lfSRP?rpJRIf •< J§ ?<» e ?£*>& I —■» CO ij sff «##£mimm it IIIfill <T> a fill l r AT E NE s* IEW WITH MOVIES ft SPORTS FOR THE COMING WEEK Video Everyday — All Rights Reserved — Dickinson Newspaper Services, THE CHIMP THAT TALKS Washoe is a chimp who talks — with her hands. And you can meet her for the first time on television on "The First Signs Of Washoe" on NOVA this Sunday night at 7:30 p.m. on Channel 23. Saturday, January _25,_ 1975 Washoe has a vocabulary of over 150 words and she uses it with 9.30 AM a frankness that might not make a (50) "Invisible Stripes" sailor blush, but she certainly does Humphrey Bogart, William communicate! She'll let you know Holden. (1939) Story of an just exactly what she thinks about ex con who tries to go straight. something — or you. Washoe was "brought up" by 12:00 NOON Prof. Allen Gardner and Dr. Trixie (50) 'Terror In The Haunted Gardner in their home. The House" Gerald Mohr, Cathy Gardners taught Washoe O'Oonnell. (1958) Young bride American Sign Language, the is terrified when her husband language of the deaf. Not only has takes her to live in the mansion Washoe turned out to be an that is the scene of her many amazingly successful scientific horrible nightmares. experiment — but it turns out she has some very "human" char¬ 1:30 PM acteristics. -
NBC Transmitter. NBC Affiliate in Columbia
COMPANY, mmM BROADCASTING general LIBRARV YORK, H, PLAZA, HEW 30 ROCKEfELLER Digitized by the Internet Archive in 2016 https://archive.org/details/nbctransmitter8194nati NBC TRANSMITTER JANUARY 1942 NO LOUDri , TALKING Pl£AS£ TOKIO MOSCOW LONDON-PARIS G.M.T. NEW YORK I Ul UTU CAIRO BERLIN-ROME 2 NBC TRANSMITTER When, a few short weeks ago, the United States was plunged into war, the big NBC family from coast to coast assumed its new responsibilities without confusion and with an efficiency of which I am extremely proud. The job you did during those stirring hours of December 7th and the way you have carried on since that day has been no surprise to us; but it was a heart-warming example of NBC spirit. 1941 saw NBC working in close coopera- tion with the National Government and its various agencies. The Treasury Depart- ment, the Army, the Navy, the Marine Corps and the other branches of the Gov- ernment having a part in the preparation of National Defense made heavy calls on the broadcasting industry. But we had antici- pated their needs. NBC, with its hundreds of fine programs, conceived in the interest of National Defense, made its impress on the American public; there can be no doubt of that. 1942 will present new problems, many of them, no doubt, of serious moment. But come what may, NBC will be ready. We’re enlisted for the duration; we’ll giye no less than our best. Thanks to eyeryone of you for what you haye done and what you are doing. -
NBC Transmitter.
m NATIONAL EfiOADCASTINQ COMPANY, general library 30 ROCKEFELLER PLAZA, NEW YORK, N. 1 >:.-s Vr-. iS- ’ NBC VOL. 6 JANUARY, 1940 No. 1 LATEST PROGRESS IN TELEVISION NEW YEAR SftS MANY TRAINING FCC VIEWS NEW PORTABLE UNIT GROUPS HELD FOR YOUNGER MEN elevision de- S the New Year ajrproaches and gets underway, it finds T velops so rapid- AI the largest number yet of employe training courses ly that it is always in action. This is a result of the Company’s policy of filling outmoding its own vacancies from its own ranks. It has been said more and news. This month more often in the past few years that the Company is old there are several enough to prepare its personnel to fill the responsible posi- items for the record. tions created or opened as time goes on, and this year a We are all familiar more comprehensve effort than ever is being made in that with the ten-ton, direction. two-truck mobile Ashton Dunn of Personnel has already organized a group unit which has so for the purpose of learning the structure and activities of successfully picked various departments. It is similar to last year’s group which up such nemos as was developed to satisfy the expressed interest of the younger Evolution of an Idea. boxing and tennis employes. Some of the more specialized courses recently matches, and base- planned or begun are working in connection with the larger ball and football games. This sleek monster is the incredi- group to fill out the general training program. -
Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film
University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM Michael Todd Hendricks University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hendricks, Michael Todd, "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM" (2014). Theses and Dissertations--English. 14. https://uknowledge.uky.edu/english_etds/14 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
"Martian Scare "!
ASTOUNDING OUTCOME of the "MARTIAN SCARE "! Ili 'RE NOT WHAT YOU THINK By one of them WHY I HATE THEM a Famous Dance Band Leader .-r--- w1'...r R; J : 1t: . a. f 11 . ,i .. :"..4';."4":4*:. l 6 e 4. it% %á I . Karo is the only syrup served to the Dionne quintuplets. Its maltose and dextrose are ideal carbohydrates for grow- ing children. " `'' 'f .: .; + " .a. w., .,ri .. .y `^_. A,,:ß _ 1180 o: 4.101111 i'n i i rr " . ? . ì . r A .r . n , . " . 14fiHS ` ' 1,UH.at ¿oi.otwiZtcrsaq? FIRST PRIZE HAIL, AMERICAN BROADCASTING! IT has been the fashion in recent years for certain self- appointed critics to knock the American sys- tem of broadcasting. We would be better off, they cry, if all broadcasting was in the hands of the government. In the recent war crisis these critics received an answer that should silence them forever. The American broad- casting companies' handling of the war news was a truly magnificent achieve- ment. An achievement that was du- plicated nowhere else in the world. I think we should all doff our hats to the broadcasting companies. In a vital situation, packed with genuine drama, they justified themselves be- fore the world, and proved themselves worthy of the name, American. VERNON WILKINSON Oakland, Calif. SECOND PRIZE A SURE CURE A more pleasant man than my hus- band you'd never want to know, but when he drove a car, he became a demon. He cursed other drivers; damned road conditions and traffic congestions -until we got the radio for the car. -
Highlights in Th Is Issue
H IG H LIG H TS IN THIS ISSUE: A CD now avail able Johnny Mercer made for himself A biography of Paul Desmond now available A Billy Butterfield profile ....and the conclusion of the two part interview with Paul Weston. FIRST-CLASS MAIL U.S. POSTAGE PAID Atlanta, G A Permit No. 2022 BIG BAND JIMP NEWSLETTER VOLUME 99 BIG BAND JUMP NEWSLETTER JULY-AUGUST 2005 PAUL WESTON INTERVIEW - The first question involves his initial work at Capitol Records in 1942. PART TWO BBJ: Everyone who was involved says those early days at Capitol were probably the greatest days in the recording business. PW: They were fun days. It started for me when I was working at Paramount and I did a picture, “Star Spangled Rhy thm.” Johnny Mercer was working on that while I was working on “Road To Morocco,” I guess, one of the Crosby/ Hope things. And I got to know Mercer and so he and Glenn Wallichs had been talking about getting a record com Weston & Stafford in a quiet moment pany together. Glenn had a little recording stu dio in the back of Music Phil Silvers who spoke a The Background single line on record__ City, just a one room This is second of the two installments of an interview place and so John said, “Well, look, would you get of Paul Weston, one of the premier arrangers and studio some guys together and we’re gonna make this thing conductors of his time. It’s taken from a conversation called STRIP POLKA I’ve written.” So we got three with Weston by veteran radio personality Fred Hall and girls to sing the “take it off, take it o ff’ line and Jimmy excerpted from his book “Dialogues In Swing.” As Van Heusen was our piano player. -
Newsletter 01/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/12 DIGITAL EDITION Nr. 305 - Januar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/12 (Nr. 305) Januar 2012 editorial Hallo Laserdisc- und sten Mustervorführungen geschlossen. Um Ihnen DVD-Fans, waren bereits vielverspre- schon einen kleinen Vorge- liebe Filmfreunde! chend. Seien Sie also ge- schmack zu geben, haben spannt. Wir werden Sie na- wir auf dieser Seite schon Mit 86 prall gefüllten Seiten türlich rechtzeitig informie- mal das Teaser-Poster ab- heissen wir Sie ganz herzlich ren, sobald unser Projekt gebildet. willkommen zu unserem er- fertiggestellt ist. Denn dann sten Newsletter in unserem werden Sie den “Director’s In diesem Sinne – freuen Jubiläumsjahr 2012. Gerne Cut” auf unserer Website Sie sich mit uns zusammen hätten wir Ausgabe 305 (www.laserhotline.de) an- auf ein adrenalintreibendes schon wesentlich früher ins schauen können. Eine an- Jahr! Feld geschickt, doch wie es schließende Kinoauswertung halt immer so ist: Termine, ist übrigens auch nicht aus- Ihr Laser Hotline Team Termine, Termine. Dafür aber sieht die aktuelle Aus- gabe vom Umfang eher aus wie eine Doppelnummer – und das obwohl wir auf Grafik praktisch fast voll- kommen verzichtet haben. Aber Sie kennen ja unsere Einstellung: Information geht vor! Auch wenn Sie lange nichts mehr von uns gehört haben, so waren wir doch extrem fleissig. Denn um un- ser 20jähriges Jubiläum ge- bührend feiern zu können, haben wir mit der Produkti- on unseres ersten eigenen Films begonnen. -
16-44 16 Harry S. Truman
Voices of Democracy 12 (2017): 16-44 16 HARRY S. TRUMAN, “ADDRESS BEFORE THE NATIONAL ASSOCIATION FOR THE ADVANCEMENT OF COLORED PEOPLE,” WASHINGTON, DC (29 JUNE 1947) Allison M. Prasch Colorado State University ABstract: Harry S. Truman’s keynote address to the National Association for the Advancement of Colored People at the Lincoln Memorial was a watershed moment for the postwar civil rights movement. In his speech, the president deployed his own personal ethos, the physical location of his address, and the current Cold War historical context as evidence for his argument that “all Americans” were entitled to the full Benefits of citizenship. This essay analyzes Truman’s speech within its historical, political, and spatial contexts to demonstrate how and why this address was so remarkable and rhetorically significant. Keywords: Harry S. Truman; Civil Rights; NAACP; Lincoln Memorial; Cold War On June 29, 1947, Harry S. Truman Became the first U.S. president to address the National Association for the Advancement of Colored People (NAACP) in person. Speaking from the steps of the Lincoln Memorial at the closing session of the organization’s thirty-eighth annual meeting, Truman argued that the United States had a moral duty to extend the full Benefits of citizenship to all citizens, regardless of race, color, religion, or creed. Historian David McCullough writes that Truman’s NAACP speech was “the strongest statement on civil rights heard in Washington since the time of Lincoln,”1 and rhetorical critic Garth E. Pauley observes that Truman’s speech was significant Because he was “the first president to define civil rights as a crisis.”2 Truman’s argument for federal civil rights legislation was notaBle, particularly Because this speech came a full year before his decision to make race a central issue of his 1948 presidential campaign.3 Far from simply a political calculation, Truman’s insistence that the U.S. -
Radio Scripts
TOMMY DORSEY PART 3 SCRIPTS Prepared by: Dennis M. Spragg Updated October 8, 2017 GMA 3C 1 TOMMY DORSEY INDEX OF RADIO SCRIPTS Table of Contents December 17, 1937 (Fri) ....................................................................................... 4 December 31, 1937 (Fri) ....................................................................................... 8 February 2, 1938 (Wed) ...................................................................................... 12 February 9, 1938 (Wed) ...................................................................................... 16 April 27, 1938 (Wed) ........................................................................................... 21 December 4, 1938 (Sun) ..................................................................................... 27 December 21, 1938 (Fri) ..................................................................................... 33 December 28, 1938 (Fri) ..................................................................................... 38 July 11, 1939 (Tue) ............................................................................................. 44 July 25, 1939 (Tue) ............................................................................................. 49 August 15, 1939 (Tue) ......................................................................................... 55 September 12, 1939 (Tue) .................................................................................. 61 May 25, 1940 (Sat) .............................................................................................