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Mathematics Is a Gentleman's Art: Analysis and Synthesis in American College Geometry Teaching, 1790-1840 Amy K
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2000 Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 Amy K. Ackerberg-Hastings Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Higher Education and Teaching Commons, History of Science, Technology, and Medicine Commons, and the Science and Mathematics Education Commons Recommended Citation Ackerberg-Hastings, Amy K., "Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 " (2000). Retrospective Theses and Dissertations. 12669. https://lib.dr.iastate.edu/rtd/12669 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margwis, and improper alignment can adversely affect reproduction. in the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Feasibility Study for Teaching Geometry and Other Topics Using Three-Dimensional Printers
Feasibility Study For Teaching Geometry and Other Topics Using Three-Dimensional Printers Elizabeth Ann Slavkovsky A Thesis in the Field of Mathematics for Teaching for the Degree of Master of Liberal Arts in Extension Studies Harvard University October 2012 Abstract Since 2003, 3D printer technology has shown explosive growth, and has become significantly less expensive and more available. 3D printers at a hobbyist level are available for as little as $550, putting them in reach of individuals and schools. In addition, there are many “pay by the part” 3D printing services available to anyone who can design in three dimensions. 3D graphics programs are also widely available; where 10 years ago few could afford the technology to design in three dimensions, now anyone with a computer can download Google SketchUp or Blender for free. Many jobs now require more 3D skills, including medical, mining, video game design, and countless other fields. Because of this, the 3D printer has found its way into the classroom, particularly for STEM (science, technology, engineering, and math) programs in all grade levels. However, most of these programs focus mainly on the design and engineering possibilities for students. This thesis project was to explore the difficulty and benefits of the technology in the mathematics classroom. For this thesis project we researched the technology available and purchased a hobby-level 3D printer to see how well it might work for someone without extensive technology background. We sent designed parts away. In addition, we tried out Google SketchUp, Blender, Mathematica, and other programs for designing parts. We came up with several lessons and demos around the printer design. -
Introduction to Ultra Fractal
Introduction to Ultra Fractal Text and images © 2001 Kerry Mitchell Table of Contents Introduction ..................................................................................................................................... 2 Assumptions ........................................................................................................................ 2 Conventions ........................................................................................................................ 2 What Are Fractals? ......................................................................................................................... 3 Shapes with Infinite Detail .................................................................................................. 3 Defined By Iteration ........................................................................................................... 4 Approximating Infinity ....................................................................................................... 4 Using Ultra Fractal .......................................................................................................................... 6 Starting Ultra Fractal ........................................................................................................... 6 Formula ............................................................................................................................... 6 Size ..................................................................................................................................... -
Rendering Hypercomplex Fractals Anthony Atella [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2018 Rendering Hypercomplex Fractals Anthony Atella [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Computer Sciences Commons, and the Other Mathematics Commons Recommended Citation Atella, Anthony, "Rendering Hypercomplex Fractals" (2018). Honors Projects Overview. 136. https://digitalcommons.ric.edu/honors_projects/136 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Rendering Hypercomplex Fractals by Anthony Atella An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Mathematics and Computer Science The School of Arts and Sciences Rhode Island College 2018 Abstract Fractal mathematics and geometry are useful for applications in science, engineering, and art, but acquiring the tools to explore and graph fractals can be frustrating. Tools available online have limited fractals, rendering methods, and shaders. They often fail to abstract these concepts in a reusable way. This means that multiple programs and interfaces must be learned and used to fully explore the topic. Chaos is an abstract fractal geometry rendering program created to solve this problem. This application builds off previous work done by myself and others [1] to create an extensible, abstract solution to rendering fractals. This paper covers what fractals are, how they are rendered and colored, implementation, issues that were encountered, and finally planned future improvements. -
Lecture 9: Newton Method 9.1 Motivation 9.2 History
10-725: Convex Optimization Fall 2013 Lecture 9: Newton Method Lecturer: Barnabas Poczos/Ryan Tibshirani Scribes: Wen-Sheng Chu, Shu-Hao Yu Note: LaTeX template courtesy of UC Berkeley EECS dept. 9.1 Motivation Newton method is originally developed for finding a root of a function. It is also known as Newton- Raphson method. The problem can be formulated as, given a function f : R ! R, finding the point x? such that f(x?) = 0. Figure 9.1 illustrates another motivation of Newton method. Given a function f, we want to approximate it at point x with a quadratic function fb(x). We move our the next step determined by the optimum of fb. Figure 9.1: Motivation for quadratic approximation of a function. 9.2 History Babylonian people first applied the Newton method to find the square root of a positive number S 2 R+. The problem can be posed as solving the equation f(x) = x2 − S = 0. They realized the solution can be achieved by applying the iterative update rule: 2 1 S f(xk) xk − S xn+1 = (xk + ) = xk − 0 = xk − : (9.1) 2 xk f (xk) 2xk This update rule converges to the square root of S, which turns out to be a special case of Newton method. This could be the first application of Newton method. The starting point affects the convergence of the Babylonian's method for finding the square root. Figure 9.2 shows an example of solving the square root for S = 100. x- and y-axes represent the number of iterations and the variable, respectively. -
The Age of Addiction David T. Courtwright Belknap (2019) Opioids
The Age of Addiction David T. Courtwright Belknap (2019) Opioids, processed foods, social-media apps: we navigate an addictive environment rife with products that target neural pathways involved in emotion and appetite. In this incisive medical history, David Courtwright traces the evolution of “limbic capitalism” from prehistory. Meshing psychology, culture, socio-economics and urbanization, it’s a story deeply entangled in slavery, corruption and profiteering. Although reform has proved complex, Courtwright posits a solution: an alliance of progressives and traditionalists aimed at combating excess through policy, taxation and public education. Cosmological Koans Anthony Aguirre W. W. Norton (2019) Cosmologist Anthony Aguirre explores the nature of the physical Universe through an intriguing medium — the koan, that paradoxical riddle of Zen Buddhist teaching. Aguirre uses the approach playfully, to explore the “strange hinterland” between the realities of cosmic structure and our individual perception of them. But whereas his discussions of time, space, motion, forces and the quantum are eloquent, the addition of a second framing device — a fictional journey from Enlightenment Italy to China — often obscures rather than clarifies these chewy cosmological concepts and theories. Vanishing Fish Daniel Pauly Greystone (2019) In 1995, marine biologist Daniel Pauly coined the term ‘shifting baselines’ to describe perceptions of environmental degradation: what is viewed as pristine today would strike our ancestors as damaged. In these trenchant essays, Pauly trains that lens on fisheries, revealing a global ‘aquacalypse’. A “toxic triad” of under-reported catches, overfishing and deflected blame drives the crisis, he argues, complicated by issues such as the fishmeal industry, which absorbs a quarter of the global catch. -
Art Curriculum 1
Ogdensburg School Visual Arts Curriculum Adopted 2/23/10 Revised 5/1/12, Born on: 11/3/15, Revised 2017 , Adopted December 4, 2018 Rationale Grades K – 8 By encouraging creativity and personal expression, the Ogdensburg School District provides students in grades one to eight with a visual arts experience that facilitates personal, intellectual, social, and human growth. The Visual Arts Curriculum is structured as a discipline based art education program aligned with both the National Visual Arts Standards and the New Jersey Core Curriculum Content Standards for the Visual and Performing Arts. Students will increase their understanding of the creative process, the history of arts and culture, performance, aesthetic awareness, and critique methodologies. The arts are deeply embedded in our lives shaping our daily experiences. The arts challenge old perspectives while connecting each new generation from those in the past. They have served as a visual means of communication which have described, defined, and deepened our experiences. An education in the arts fosters a learning community that demonstrates an understanding of the elements and principles that promote creation, the influence of the visual arts throughout history and across cultures, the technologies appropriate for creating, the study of aesthetics, and critique methodologies. The arts are a valuable tool that enhances learning st across all disciplines, augments the quality of life, and possesses technical skills essential in the 21 century. The arts serve as a visual means of communication. Through the arts, students have the ability to express feelings and ideas contributing to the healthy development of children’s minds. These unique forms of expression and communication encourage students into various ways of thinking and understanding. -
Joint Session: Measuring Fractals Diversity in Mathematics, 2019
Joint Session: Measuring Fractals Diversity in Mathematics, 2019 Tongou Yang The University of British Columbia, Vancouver [email protected] July 2019 Tongou Yang (UBC) Fractal Lectures July 2019 1 / 12 Let's Talk Geography Which country has the longest coastline? What is the longest river on earth? Tongou Yang (UBC) Fractal Lectures July 2019 2 / 12 (a) Map of Canada (b) Map of Nunavut Which country has the longest coastline? List of countries by length of coastline Tongou Yang (UBC) Fractal Lectures July 2019 3 / 12 (b) Map of Nunavut Which country has the longest coastline? List of countries by length of coastline (a) Map of Canada Tongou Yang (UBC) Fractal Lectures July 2019 3 / 12 Which country has the longest coastline? List of countries by length of coastline (a) Map of Canada (b) Map of Nunavut Tongou Yang (UBC) Fractal Lectures July 2019 3 / 12 What's the Longest River on Earth? A Youtube Video Tongou Yang (UBC) Fractal Lectures July 2019 4 / 12 Measuring a Smooth Curve Example: use a rope Figure: Boundary between CA and US on the Great Lakes Tongou Yang (UBC) Fractal Lectures July 2019 5 / 12 Measuring a Rugged Coastline Figure: Coast of Nova Scotia Tongou Yang (UBC) Fractal Lectures July 2019 6 / 12 Covering by Grids 4 3 2 1 0 0 1 2 3 4 Tongou Yang (UBC) Fractal Lectures July 2019 7 / 12 Counting Grids Number of Grids=15 Side Length ≈ 125km Coastline ≈ 15 × 125 = 1845km. Tongou Yang (UBC) Fractal Lectures July 2019 8 / 12 Covering by Finer Grids 9 8 7 6 5 4 3 2 1 0 0 1 2 3 4 5 6 7 8 9 Tongou Yang (UBC) Fractal Lectures July 2019 9 / 12 Counting Grids Number of Grids=34 Side Length ≈ 62km Coastline ≈ 34 × 62 = 2108km. -
Music: Broken Symmetry, Geometry, and Complexity Gary W
Music: Broken Symmetry, Geometry, and Complexity Gary W. Don, Karyn K. Muir, Gordon B. Volk, James S. Walker he relation between mathematics and Melody contains both pitch and rhythm. Is • music has a long and rich history, in- it possible to objectively describe their con- cluding: Pythagorean harmonic theory, nection? fundamentals and overtones, frequency Is it possible to objectively describe the com- • Tand pitch, and mathematical group the- plexity of musical rhythm? ory in musical scores [7, 47, 56, 15]. This article In discussing these and other questions, we shall is part of a special issue on the theme of math- outline the mathematical methods we use and ematics, creativity, and the arts. We shall explore provide some illustrative examples from a wide some of the ways that mathematics can aid in variety of music. creativity and understanding artistic expression The paper is organized as follows. We first sum- in the realm of the musical arts. In particular, we marize the mathematical method of Gabor trans- hope to provide some intriguing new insights on forms (also known as short-time Fourier trans- such questions as: forms, or spectrograms). This summary empha- sizes the use of a discrete Gabor frame to perform Does Louis Armstrong’s voice sound like his • the analysis. The section that follows illustrates trumpet? the value of spectrograms in providing objec- What do Ludwig van Beethoven, Ben- • tive descriptions of musical performance and the ny Goodman, and Jimi Hendrix have in geometric time-frequency structure of recorded common? musical sound. Our examples cover a wide range How does the brain fool us sometimes • of musical genres and interpretation styles, in- when listening to music? And how have cluding: Pavarotti singing an aria by Puccini [17], composers used such illusions? the 1982 Atlanta Symphony Orchestra recording How can mathematics help us create new of Copland’s Appalachian Spring symphony [5], • music? the 1950 Louis Armstrong recording of “La Vie en Rose” [64], the 1970 rock music introduction to Gary W. -
Annotated List of References Tobias Keip, I7801986 Presentation Method: Poster
Personal Inquiry – Annotated list of references Tobias Keip, i7801986 Presentation Method: Poster Poster Section 1: What is Chaos? In this section I am introducing the topic. I am describing different types of chaos and how individual perception affects our sense for chaos or chaotic systems. I am also going to define the terminology. I support my ideas with a lot of examples, like chaos in our daily life, then I am going to do a transition to simple mathematical chaotic systems. Larry Bradley. (2010). Chaos and Fractals. Available: www.stsci.edu/~lbradley/seminar/. Last accessed 13 May 2010. This website delivered me with a very good introduction into the topic as there are a lot of books and interesting web-pages in the “References”-Sektion. Gleick, James. Chaos: Making a New Science. Penguin Books, 1987. The book gave me a very general introduction into the topic. Harald Lesch. (2003-2007). alpha-Centauri . Available: www.br-online.de/br- alpha/alpha-centauri/alpha-centauri-harald-lesch-videothek-ID1207836664586.xml. Last accessed 13. May 2010. A web-page with German video-documentations delivered a lot of vivid examples about chaos for my poster. Poster Section 2: Laplace's Demon and the Butterfly Effect In this part I describe the idea of the so called Laplace's Demon and the theory of cause-and-effect chains. I work with a lot of examples, especially the famous weather forecast example. Also too I introduce the mathematical concept of a dynamic system. Jeremy S. Heyl (August 11, 2008). The Double Pendulum Fractal. British Columbia, Canada. -
Decagonal and Quasi-Crystalline Tilings in Medieval Islamic Architecture
REPORTS 21. Materials and methods are available as supporting 27. N. Panagia et al., Astrophys. J. 459, L17 (1996). Supporting Online Material material on Science Online. 28. The authors would like to thank L. Nelson for providing www.sciencemag.org/cgi/content/full/315/5815/1103/DC1 22. A. Heger, N. Langer, Astron. Astrophys. 334, 210 (1998). access to the Bishop/Sherbrooke Beowulf cluster (Elix3) Materials and Methods 23. A. P. Crotts, S. R. Heathcote, Nature 350, 683 (1991). which was used to perform the interacting winds SOM Text 24. J. Xu, A. Crotts, W. Kunkel, Astrophys. J. 451, 806 (1995). calculations. The binary merger calculations were Tables S1 and S2 25. B. Sugerman, A. Crotts, W. Kunkel, S. Heathcote, performed on the UK Astrophysical Fluids Facility. References S. Lawrence, Astrophys. J. 627, 888 (2005). T.M. acknowledges support from the Research Training Movies S1 and S2 26. N. Soker, Astrophys. J., in press; preprint available online Network “Gamma-Ray Bursts: An Enigma and a Tool” 16 October 2006; accepted 15 January 2007 (http://xxx.lanl.gov/abs/astro-ph/0610655) during part of this work. 10.1126/science.1136351 be drawn using the direct strapwork method Decagonal and Quasi-Crystalline (Fig. 1, A to D). However, an alternative geometric construction can generate the same pattern (Fig. 1E, right). At the intersections Tilings in Medieval Islamic Architecture between all pairs of line segments not within a 10/3 star, bisecting the larger 108° angle yields 1 2 Peter J. Lu * and Paul J. Steinhardt line segments (dotted red in the figure) that, when extended until they intersect, form three distinct The conventional view holds that girih (geometric star-and-polygon, or strapwork) patterns in polygons: the decagon decorated with a 10/3 star medieval Islamic architecture were conceived by their designers as a network of zigzagging lines, line pattern, an elongated hexagon decorated where the lines were drafted directly with a straightedge and a compass. -
Transformations)
TRANSFORMACJE (TRANSFORMATIONS) Transformacje (Transformations) is an interdisciplinary refereed, reviewed journal, published since 1992. The journal is devoted to i.a.: civilizational and cultural transformations, information (knowledge) societies, global problematique, sustainable development, political philosophy and values, future studies. The journal's quasi-paradigm is TRANSFORMATION - as a present stage and form of development of technology, society, culture, civilization, values, mindsets etc. Impacts and potentialities of change and transition need new methodological tools, new visions and innovation for theoretical and practical capacity-building. The journal aims to promote inter-, multi- and transdisci- plinary approach, future orientation and strategic and global thinking. Transformacje (Transformations) are internationally available – since 2012 we have a licence agrement with the global database: EBSCO Publishing (Ipswich, MA, USA) We are listed by INDEX COPERNICUS since 2013 I TRANSFORMACJE(TRANSFORMATIONS) 3-4 (78-79) 2013 ISSN 1230-0292 Reviewed journal Published twice a year (double issues) in Polish and English (separate papers) Editorial Staff: Prof. Lech W. ZACHER, Center of Impact Assessment Studies and Forecasting, Kozminski University, Warsaw, Poland ([email protected]) – Editor-in-Chief Prof. Dora MARINOVA, Sustainability Policy Institute, Curtin University, Perth, Australia ([email protected]) – Deputy Editor-in-Chief Prof. Tadeusz MICZKA, Institute of Cultural and Interdisciplinary Studies, University of Silesia, Katowice, Poland ([email protected]) – Deputy Editor-in-Chief Dr Małgorzata SKÓRZEWSKA-AMBERG, School of Law, Kozminski University, Warsaw, Poland ([email protected]) – Coordinator Dr Alina BETLEJ, Institute of Sociology, John Paul II Catholic University of Lublin, Poland Dr Mirosław GEISE, Institute of Political Sciences, Kazimierz Wielki University, Bydgoszcz, Poland (also statistical editor) Prof.