DOCSLIB.ORG

Performing Arts Industry Day

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Performing Arts Industry Day PERFORMING ARTS INDUSTRY DAY THURSDAY 29 OCTOBER, 2020 1:00PM - 3:30PM MINOR WORKS BUILDING INDUSTRY LEADER BIOS Chris Drummond, Artistic Director, Brink Productions Chris Drummond is Artistic Director of Brink Productions. His productions have been presented by most major theatre companies in Australia. Credits include Memorial, Ancient Rain, Long Tan, Tartuffe, The Aspirations of Daise Morrow, Thursday, Land & Sea, Skip Miller’s Hit Songs, Harbinger, The Hypochondriac, When the Rain Stops Falling, Beetle Graduation, The Clockwork Forest, This Uncharted Hour and Drums in the Night. Chris’ production of When the Rain Stops Falling won multiple awards including 2010 ACT Green Room Award – Production; 2009 Sydney Theatre Awards: Best New Australian Work; 2009 Victorian Green Room Awards (Production, Set Design, Lighting Design, New Writing for Stage); and 2008 Ruby Award (Best Work). Chris was Associate Director at the State Theatre Company of South Australia between 2000 and 2004 and his credits include Babyteeth, Art, The Dying Gaul, The Merchant of Venice, drowning in my ocean of You and Night Letters. Other directing credits include The Flying Dutchman for the State Opera Company of South Australia (Helpmann Award nomination for best direction) and a devised work entitled The Dissolving Self for NIDA in association with Brink and Carriageworks. Rosemary Myers, Artistic Director, Windmill Theatre Under Rose’s leadership as Artistic Director, Windmill creates and presents work inspired by the vibrancy, sophistication and inventiveness of young people and the exhilarating challenges they pose to creating theatre of relevance in this modern time. Rose is a multi-Helpmann Award nominated director, her productions regularly visit leading stages and festivals around Australia and the world, including the Sydney Opera House, Hong Kong’s Arts and Leisure Centre and New York’s New Victory Theatre. Her directing credits for Windmill include Rumpelstiltskin, Pinocchio, The Wizard of Oz, Fugitive, School Dance, Big Bad Wolf and Girl Asleep. Prior to Windmill, Rosemary was the Artistic Director of Arena Theatre Company and Artistic Director of Queensland Performing Arts Centre’s Out of the Box Festival in 2010. In 2015, she directed her first feature film Girl Asleep with Windmill Theatre Co, and in 2017 she was awarded the prestigious Australia Council Theatre Award. Angela Heesom & Louise Heesom-Smith, Casting Directors, Heesom Casting Louise Heesom-Smith Casting runs in the blood, especially if your name ends in Heesom. Together Angela and Louise, run South Australia’s leading casting consultancy Heesom Casting, responsible for casting the vast majority of tv commercials and feature films shot in South Australia. Credits include, Wolf Creek, AFI Award Winning Look Both Ways, Beautiful Kate starring Natalie Imbruglia and the soon to be released Aussie blockbuster, Swerve. Before returning to the family business in 2009, Louise spent five years abroad in London working with tv giant CBS in their Creative Solutions Advertising team before making the move to production managing photo shoots across Europe. Angela Heesom Joining us from her studios at the South Australian Film Corporation is Casting Guru, Angela Heesom. With over 30 years experience, the former producer now multi award winning Casting Director has established herself as a prominent figure of Australian Film, having already cast hundreds of commercials to date. As well as being a government appointed Arts Mentor, Angela is also a National Lecturer of Film and runs a range of highly specialised screen-acting courses at the South Australian Film Corporation. Andy Packer, Artistic Director, Slingsby Theatre Andy is a director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, producer of large-scale events, and festival director. In 2007 Andy co-founded Adelaide based theatre company Slingsby. The company’s productions have received 16 industry awards and toured to more than 100 theatres in over 70 cities and towns across 12 countries. Andy is renowned for creating original live performance moments that are emotionally powerful and visually bold. His work across theatre for young audiences, opera, cabaret, music theatre and symphonic concerts has pushed him to develop a distinctive theatrical form that is at once personal and epic. Andy has directed productions, concerts and events for Adelaide Symphony Orchestra, State Opera of South Australia, State Theatre Company of South Australia, Adelaide Festival of Arts, Adelaide Fringe, Adelaide Festival Centre, Adelaide Chamber Singers, Australian String Quartet, Windmill Theatre, Restless Dance, Tutti Ensemble, Rundle Mall Management Authority and the International Astronautical Federation. In 2019 Andy was Show Director for the World of WearableArt Awards Show in Wellington, New Zealand. Andy was Creative Producer of Programming at Carclew Youth Arts 2003-2006, Creative Producer of Family Events for Adelaide Fringe Festival 2007-2008 and Creative Director of Come Out Festival 2011. Andy is a Board Member of International Performing Arts for Youth (IPAY) based in Philadelphia, USA..
Load more

Recommended publications
  • The Aspirations of Daise Morrow Teachers' Notes
    Brink Productions in association with Adelaide Festival Centre present The Aspirations of Daise Morrow By Chris Drummond, adapted by Brink Productions from Patrick White’s short story ‘Down At The Dump’, featuring Zephyr Quartet Teachers’ Notes Compiled by Robyn Callan WORLD PREMIERE Space Theatre, Adelaide 10th October 2015 1 | P a g e THE ASPIRATIONS OF DAISE MORROW CURRICULUM LINKS: AC: The Arts, English SACE: Community Studies, Creative Arts, Drama, English, Music, Integrated Studies & Research Project IB: The Arts, (Theatre, Music, Visual Art), Language and Literature INTRODUCTION Prepare your students for this inspired theatrical story when you attend Brink Productions in association with Adelaide Festival Centre presenting, The Aspirations of Daise Morrow adapted from Patrick White’s short story Down at the Dump, under the direction of Chris Drummond featuring the Zephyr Quartet. The Aspirations of Daise Morrow was devised by a group of artists who embraced Patrick White’s incredible text ‘holus bolus’ creating a theatrical response. This allowed the original text to remain in its original brilliant form rather than whittling away at an adaptation. The goal of the new work is to lift this story from the page into a theatrically immersive production that allows the unlived lives hidden within all characters to become, momentarily, flesh and blood. It is hoped that the knowledge and understanding gained from the page to stage development of the work will be shared by teachers with students. By understanding this process students will be encouraged to discuss, think, and respond to the themes presented and broaden their perspectives of the hidden lives of all of the characters portrayed.
    [Show full text]
  • Download Teachers' Notes
    Teachers’ Notes Researched and Compiled by Michele Chigwidden Teacher’s Notes Adelaide Festival Centre has contributed to the development and publication of these teachers’ notes through its education program, CentrED. Brink Productions’ by Molière A new adaptation by Paul Galloway Directed by Chris Drummond INTRODUCTION Le Malade imaginaire or The Hypochondriac by French playwright Molière, was written in 1673. Today Molière is considered one of the greatest masters of comedy in Western literature and his work influences comedians and dramatists the world over1. This play is set in the home of Argan, a wealthy hypochondriac, who is as obsessed with his bowel movements as he is with his mounting medical bills. Argan arranges for Angélique, his daughter, to marry his doctor’s nephew to get free medical care. The problem is that Angélique has fallen in love with someone else. Meanwhile Argan’s wife Béline (Angélique’s step mother) is after Argan’s money, while their maid Toinette is playing havoc with everyone’s plans in an effort to make it all right. Molière’s timeless satirical comedy lampoons the foibles of people who will do anything to escape their fear of mortality; the hysterical leaps of faith and self-delusion that, ironically, make us so susceptible to the quackery that remains apparent today. Brink’s adaptation, by Paul Galloway, makes Molière’s comedy even more accessible, and together with Chris Drummond’s direction, the brilliant ensemble cast and design team, creates a playful immediacy for contemporary audiences. These teachers’ notes will provide information on Brink Productions along with background notes on the creative team, cast and a synopsis of The Hypochondriac.
    [Show full text]
  • Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI
    Media Release February 2012 Belvoir presents Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI With JOHN HOWARD SHELLY LAUMAN ELOISE MIGNON ANGIE MILLIKEN DYLAN YOUNG BELVOIR ST THEATRE | UPSTAIRS 24 MARCH – 29 APRIL In 2012, critically acclaimed Australian theatre and opera director Benedict Andrews will add another title to his résumé: playwright. Andrews is making a highly anticipated return to Belvoir to direct his own play, Every Breath, for its world premiere. Andrews has created dozens of thrilling productions in an internationally successful career. He has been the recipient of numerous Best Director awards, both in Sydney and Europe. As well as Every Breath, Andrews‟ The Marriage of Figaro for Opera Australia is now playing at the Sydney Opera House, Gross und Klein (Sydney Theatre Company) is set to tour Europe, and his production of Caligula opens in May at the English National Opera. Despite such an international focus, Andrews relishes the opportunity to return to Belvoir. „I always enjoy returning to Belvoir,‟ he says. „I love the theatre‟s special intimacy… I‟m very pleased that Every Breath will come into the world there…‟ Every Breath features a stellar cast. Popular screen actor John Howard returns to the Sydney stage for the first time in over a decade, alongside Angie Milliken, who also returns to the Sydney theatre scene for the first time in nearly as long. Shelly Lauman (As You Like It) treads the Belvoir boards once again and is joined by Eloise Mignon (The Wild Duck) and Dylan Young (The Seagull).
    [Show full text]
  • Adelaide Festoval Centre
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2009-10 September 2010 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ................................................................................................................ 4 Chairman’s Report ..................................................................................................... 5 CEO & Artistic Director’s Report ................................................................................ 7 CEO & Artistic DirectorAdelaide Festival Centre Trust Act 1971 ............................... 8 Adelaide Festival Centre Trust Act 1971 .................................................................... 9 Trustees ..................................................................................................................... 9 Organisational Chart ................................................................................................ 10 The Objectives of Arts SA ........................................................................................ 11 The Objectives of Adelaide Festival Centre Trust .................................................... 12 South Australia’s Strategic Plan ............................................................................... 12 TO BE THE SOUTH AUSTRALIAN ARTS HUB & A LEADING ARTS CENTRE IN THE ASIA PACIFIC REGION ......................................
    [Show full text]
  • The Aspirations of Daise Morrow Presenter Pack
    www.brinkproductions.com BRINK PRODUCTIONS’ The Aspirations of Daise Morrow A new Australian Play based on a short story by Patrick White PRESENTER PACK Poster from the 2015 season. Design: Yianni Hill FOR FURTHER INFORMATION, PLEASE CONTACT: Lee-Anne Donnolley Producer Far and Away Productions 116 Hewitt Avenue, Toorak Gardens SA 5056 [email protected] +61 410 653 120 The Aspirations of Daise Morrow Presenter Pack COMPANY PROFILE Based in Adelaide, Brink is a theatre company renowned for creating great new Australian theatre. Under the artistic directorship of Chris Drummond, Brink pushes the poetics of storytelling by bringing great artists from different disciplines into intensive collaborations to transform both intimate and epic stories into potent contemporary theatrical allegories. We want theatre to start deep conversations about big ideas in ways that enliven, inspire and elevate. We want theatre to be a transcendent experience: a place to sit outside ourselves, giving voice and flesh to the mysteries of human existence. Over the past 19 years Brink’s productions have been presented by most major Australian theatre companies. Brink’s shows have received widespread critical acclaim including the multi-award winning productions When the Rain Stops Falling and Thursday which are attracting fresh attention around the world. Brink’s patron is Robyn Archer AO. ABOUT THE SHOW SHOW SYNPOSIS Set in the fictional suburb of Barranugli, the Whalley family are getting ready for a day at the dump while next door the Hogben’s prepare for the funeral of the scandalous Daise Morrow. Daise's niece, Meg, and Lum, the oldest Whalley boy, meet in the dump, which is separated from the cemetery only by a strand of barbed wire.
    [Show full text]
  • Annual Report
    State Theatre Company of South Australia 2016-17 Annual Report State Theatre Company of South Australia Fowlers Building (Lion Arts Centre) Corner North Terrace and Morphett Street, Adelaide http://statetheatrecompany.com.au/ Contact phone number +61 8 8415 5333 Contact email [email protected] ISSN Enter ISSN Date presented to Minister: 15 November 2017 2016-17 ANNUAL REPORT for the State Theatre Company of South Australia To: Hon Jay Wilson Weatherill, LLB, BEc, GDLP Premier Minister for The Arts Member of the Executive Council This annual report is presented to Parliament to meet the statutory reporting requirements of State Theatre Company of South Australia Act, 1972 and meets the requirements of Premier and Cabinet Circular PC013 Annual Reporting. This report is verified to be accurate for the purposes of annual reporting to the Parliament of South Australia. Submitted on behalf of the State Theatre Company of South Australia by: Jodi Glass Executive Director/Producer _______________________________________ ____________________ 15 November 2017 Signature Date Late submission of the report is due to the availability of audited financial statements being delayed until October 2017. 2 | Page 2016-17 ANNUAL REPORT for the State Theatre Company of South Australia Contents Contents ..................................................................................................................... 3 Section A: Reporting required under the Public Sector Act 2009, the Public Sector Regulations 2010 and the Public Finance and
    [Show full text]
  • Samuel Beckett
    state ed by Samuel Beckett 2 INDEX .................................................................................................................................................................................................. 3 PLAYWRIGHT ................................................................................................................................................................................... 4 FOOTFALLS ....................................................................................................................................................................................... 6 EH JOE .............................................................................................................................................................................................. 14 KRAPP'S LAST TAPE ................................................................................................................................................................... 23 OVERALL ......................................................................................................................................................................................... 29 DESIGNER ....................................................................................................................................................................................... 31 INTERESTING READING ..........................................................................................................................................................
    [Show full text]
  • Download Adelaide Festival Program
    A Message from From Brett Sheehy Mike Rann Artistic Director Shedding sharp new Also, the Festival’s ethos Welcome to the 2008 Over the past 24 Festivals, creative light, spoiling of innovation – along with Adelaide Bank Festival Adelaide has seen a the senses, and bringing South Australia’s of Arts. wonderful celebration of together some of the international leadership in In the past few years there has music. This we continue for th world’s finest artists, the field of climate change been considerable discussion our silver 25 anniversary the 2008 Adelaide Bank – will be demonstrated by and debate about the shifting in 2008, undertaking an Festival of Arts promises practical measures to make landscape of Australia’s in-depth exploration of the to thrill and inspire us as this Festival environmentally international arts festivals, contemporary canon, with never before. friendly (see page 70 for more particularly about what Musical Mavericks, an Encompassing the best details). distinguishes each from examination of classical in theatre, dance, opera, I invite you to embrace this the others. music with Australia’s and literature, music, film and the latest impelling, absorbing the world’s greatest living I am happy to report that composers. visual arts, this 25th Festival incarnation of the Festival we are now one of the again makes Adelaide a place of Arts, and I look forward few festivals in the nation Presenting the compositions of of pilgrimage for art-lovers. to seeing you in Adelaide in which has retained a strong Pärt, Kats-Chernin, Gorecki, The enlarged program of 80 February – March 2008.
    [Show full text]
  • Final-Thursday-Teachers-Notes With
    We are constantly inspired by stories of endurance and determination – stories that tell of stamina, fearlessness and survival which are set against a backdrop of natural disasters, war and terrorism; often in the face of adversity, in the likelihood of self-endangerment and despite the odds. An interview on Andrew Denton’s Enough Rope with Gill Hicks, a survivor of the 7 July 2005 London bombings is one such story; a story that struck a particular chord with Brink Productions’ Artistic Director, Chris Drummond, and started a wonderful collaboration that went internationally to involve English writer, Bryony Lavery and a co-production between Brink Productions and English Touring Theatre. Thursday goes beyond a simple tale of survival and deeper than the confronting reality of television news footage. To create such a story and then realise it on the stage is an achievement that the team of Chris Drummond (AU director/dramaturg), Bryony Lavery (UK writer), Dan Potra (AU set designer), Colin Grenfell (UK lighting designer), Kay Jamieson (AU Producer) and Jane Claire (UK Producer) have accomplished as a result of a theatrical process that began in 2009. The team has worked closely through the stages of writing, creative development and workshops, to the final draft/rehearsal script by May 2012. The staging of this play, with its compelling story, music and design, combine to give its audience an awe inspiring experience. Thursday, takes reference from the remarkable story of Gill Hicks’ survival and begins by taking us on the journey of nine characters as they start their working day, no different from any other day, unaware of how in a wink of the eye, a click of fingers or a flash of light, their lives are irrevocably changed.
    [Show full text]