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Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
King and I Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-9-1999 King and I Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "King and I" (1999). Center for Performing Arts Memorabilia. Book 158. http://opus.govst.edu/cpa_memorabilia/158 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. «Jpntftl fOR PEfifORHIHCite Governors State University Present Rodgers & Hammerstein's fChe S $• Limousine courtesy of-Worth Limousine - Worth, IL &• Brunch courtesy of- Holiday Inn - Matteson, IL Bracelet courtesy of Bess Friedheim Jewelry,0rland Park, IL MATTESON The STAR University Park, IL May 9th* 1999 Governors State University KKPERfORMIIWflRTS and ACE ROYAL PAINTS present A Big League Theatricals Production Rodgers and Hammerstein's THE KING and I Music by Book and lyrics by Richard Rodgers Oscar Hammerstein II Based upon the novel Anna and the King ofSiam by Margaret Landon Original Choreography by Jerome Robbins with Lego Louis Susannah Kenton and (In alphabetical order) Luis Avila, Amanda Cheng, Elizabeth Chiang, Korina Crvelin, Isabelle Decauwert, Alexandra Dimeco, Derek Dymek, -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities. -
9/5/2011-4/21/2012. Letters from a Danceaturg. Neil Baldwin to Lori Katterhenry
9/5/2011-4/21/2012. Letters from a Danceaturg. Neil Baldwin to Lori Katterhenry. No.1 - September 5, 2011 Dear Lori: I am grateful to Ryoko Kudo, Maxine Steinman and our MSU dancers for opening the doors to the studio in Life Hall last week and welcoming me to sit in on three sessions of the setting of excerpts from There is a Time (1956) by Jose Limon. They worked on “Opening Circle,” “Plant and Reap,” “Mourn,” “Laugh and Dance,” and “Hate & War.” Reviewing and editing my on-site notes, I recalled a helpful observation by Doris Humphrey in The Art of Making Dances with regard to this work. She writes, “There is a Time states its thematic material in the opening section and builds all the rest of its many parts on variations of the same movements. Unfortunately, this escapes most people; what they see is a suite form, contrasted ideas of dramatic or lyric significance. This is because the eye is not sufficiently trained to remember movement themes, and will usually miss them completely.” Indeed, the fact that the original title of There is a Time was Variations on a Theme came through powerfully during these sessions. Ryoko’s precisely-planned and at the same time intuitively- executed method was the embodiment of Limon’s preliminary concept notes for the dance, when he said that “the community…form[s] a very close circle which pulsates symbolizing an ovum or womb in travail…[T]he large circle…symbolize[s] time – the great continuity – eternal, unbroken…without hurry and without end.” I was also mindful of a point that Carla Maxwell made in an interview with The New York Times ten years ago about classic modern dance: “What's indispensable is a consistent point of view that relates to the times,'' she said. -
IGOR GOLDIN Director, Sdc Contact: Ronald Gwiazda 718-809-3068 Abrams Artists Agency [email protected] 646-461-9325 [email protected]
IGOR GOLDIN director, sdc Contact: Ronald Gwiazda 718-809-3068 Abrams Artists Agency [email protected] 646-461-9325 [email protected] OFF-BROADWAY YANK! YORK THEATRE COMPANY book & lyrics by David Zellnik, music by Joseph Zellnik md: John Baxindine choreo: Jeffry Denman *Drama Desk Award nomination - OUTSTANDING DIRECTOR OF A MUSICAL *SDC Joe A. Callaway finalist for DISTINGUISHED DIRECTION WITH GLEE PROSPECT THEATRE COMPANY book, music & lyrics by John Gregor md: Daniel Feyer choreo: Antoinette DiPietropolo *New York Times Critics Pick *BEST STAGING OF A BIG NUMBER IN A PUNY SPACE, New York Times year end list A RITUAL OF FAITH EMERGING ARTISTS by Brad Levinson OTHER NYC & REGIONAL WEST SIDE STORY ENGEMAN THEATRE at NORTHPORT book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim md: James Olmstead choreo: Jeffry Denman SWEENEY TODD MERRY-GO-ROUND, FINGER LAKES, NY music & lyrics by Stephen Sondheim, book by Hugh Wheeler md: Jeff Theiss BABY INFINITY THEATRE, ANNAPOLIS, MD book by Sybille Pearson, music by David Shire, lyrics by Richard Maltby, Jr. md: Jeffrey Lodin THE PRODUCERS ENGEMAN THEATER at NORTHPORT book by Mel Brooks & Thomas Meehan, music & lyrics by Mel Brooks md: James Olmstead choreo: Antoinette DiPietropolo JANE AUSTEN’S PRIDE AND PREJUDICE a musical McCOY/RIGBY ENTERTAINMENT/ book, music & lyrics by Lindsay Warren Baker and Amanda Jacobs LA MIRADA, CA md: Timothy Splain choreo: Jeffry Denman TICK, TICK…BOOM! AMERICAN THEATRE GROUP, NJ book, music & lyrics by Jonathan Larson, David -
Producing Tennessee Williams' a Streetcar Named Desire, a Process
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF THEATRE PRODUCING TENNESSEE WILLIAMS’ A STREETCAR NAMED DESIRE, A PROCESS FOR DIRECTING A PLAY WITH NO REFUND THEATRE J. SAMUEL HORVATH Spring, 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Finance with honors in Theatre Reviewed and approved* by the following: Matthew Toronto Assistant Professor of Theatre Thesis Supervisor Annette McGregor Professor of Theatre Honors Adviser * Signatures are on file in the Schreyer Honors College. ABSTRACT This document chronicles the No Refund Theatre production of Tennessee Williams’ A Streetcar Named Desire. A non-profit, student organization, No Refund Theatre produces a show nearly every weekend of the academic year. Streetcar was performed February 25th, 26th, and 27th, 2010 and met with positive feedback. This thesis is both a study of Streetcar as a play, and a guide for directing a play with No Refund. It is divided into three sections. First, there is an analysis Tennessee Williams’ play, including a performance history, textual analysis, and character analyses. Second, there is a detailed description of the process by which I created the show. And finally, the appendices include documentation and notes from all stages of the production, and are essentially my directorial promptbook for Streetcar. Most importantly, embedded in this document is a video recording of our production of Streetcar, divided into three “acts.” I hope that this document will serve as a road-map for -
View the Playbill
GEORGE STREET PLAYHOUSE The Second Mrs.Wilson Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Artistic Director It is a pleasure to welcome back playwright Joe DiPietro for his fifth premiere here at George Street Playhouse! I am truly astonished at the breadth of his talent! From the wild farce of The Toxic Photo by: Frank Wojciechowski Avenger to the drama of Creating Claire and the comic/drama of Clever Little Lies, David Saint Artistic Director now running at the West Side Theatre in Manhattan, he explores all genres. And now the sensational historical romance of The Second Mrs.Wilson. The extremely gifted Artistic Director of Long Wharf Theatre, Gordon Edelstein, brings a remarkable company of Tony Award-winning actors, the top rank of actors working in American theatre today, to breathe astonishing life into these characters from a little known chapter of American history. -
Leonard Bernstein's Piano Music: a Comparative Study of Selected Works
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Leonard Bernstein's Piano Music: A Comparative Study of Selected Works Leann Osterkamp The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2572 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEONARD BERNSTEIN’S PIANO MUSIC: A COMPARATIVE STUDY OF SELECTED WORKS by LEANN OSTERKAMP A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 ©2018 LEANN OSTERKAMP All Rights Reserved ii Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Ursula Oppens Chair of Examining Committee Date Norman Carey Executive Director Supervisory Committee Dr. Jeffrey Taylor, Advisor Dr. Philip Lambert, First Reader Michael Barrett, Second Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp Advisor: Dr. Jeffrey Taylor Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Aactfest History
AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven- year-old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409.