An Inventory of Its Records at the Harry Ransom Center Descriptive Summary
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Individual Artist Fellowships C.O.L.A
INDIVIDUAL ARTIST FELLOWSHIPS C.O.L.A. 2013 C.O.L.A. 2013 INDIVIDUAL ARTIST FELLOWSHIPS Department of Cultural Affairs City of Los Angeles This catalog accompanies an exhibition and performance series sponsored by the City of Los CITY OF Angeles Department of Cultural Affairs featuring LOS ANGELES its C.O.L.A. 2013 Individual Artist Fellowship recipients in the visual and performing arts. 2013 INDIVIDUAL Exhibition: May 19 to July 7, 2013 ARTIST Los Angeles Municipal Art Gallery FELLOWSHIPS Barnsdall Park Opening Reception: May 19, 2013, 2 to 5 p.m. Performances: June 28, 2013 Grand Performances 2 Antonio R. Villaraigosa LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS COMMISSION Department of Cultural Affairs DEPARTMENT OF CULTURAL AffaiRS Mayor City of Los Angeles City of Los Angeles City of Los Angeles Ed P. Reyes, District 1 York Chang Paul Krekorian, District 2 President Olga Garay-English Aileen Adams Dennis P. Zine, District 3 The Department of Cultural Affairs (DCA) generates and supports high-quality Executive Director Deputy Mayor Tom LaBonge, District 4 Josephine Ramirez arts and cultural experiences for Los Angeles’s 4 million residents and 40 million Strategic Partnerships Paul Koretz, District 5 Vice President Senior Staff Tony Cardenas, District 6 annual overnight and day visitors. DCA advances the social and economic impact of the arts and ensures access to diverse and enriching cultural activities through Richard Alarcon, District 7 Maria Bell Matthew Rudnick Bernard C. Parks, District 8 Annie Chu grant making, marketing, public art, community arts programming, arts education, Assistant General Manager Jan Perry, District 9 Charmaine Jefferson and building partnerships with artists and arts and cultural organizations in Herb J. -
Proposed Program and Budget Estimates
Official Documents of the Pan American Health Organization No. 40 PROPOSED PROGRAM AND BUDGET ESTIMATES PAN AMERICAN HEALTH ORGANIZATION, 1963 WORLD HEALTH ORGANIZATION, REGION OF THE AMERICAS, 1964 PAN AMERICAN HEALTH ORGANIZATION, PROVISIONAL DRAFT, 1964 PAN AMERICAN HEALTH ORGANIZATION Pan American Sanitary Bureau, Regional Office of the WORLD HEALTH ORGANIZATION Washington, D. C. July 1962 Official Documents of the 152 74 Pan American Health Organization No. 40 '70o3 030 PROPOSED PROGRAM AND BUDGET ESTIMATES PAN AMERICAN HEALTH ORGANIZATION, 1963 WORLD HEALTH ORGANIZATION, REGION OF THE AMERICAS, 1964 PAN AMERICAN HEALTH ORGANIZATION, PROVISIONAL DRAFT, 1964 PAN AMERICAN HEALTH ORGANIZATION Pan American Sanitary Bureau, Regional Office of the WORLD HEALTH ORGANIZATION 1501 New Hampshire Ave., N.W. Washington 6, D. C., U. S. A. ii ABBREVIATIONS AID Agency for International Development AIDIS Asociación Interamericana de Ingenieria Sanitaria AMRO The Americas Regional Office (Regional symbol for Intercountry and Interzone Projects) BCG Bacillus Calmette-Cuerin DDT Dichlorodiphenyltrichloroethane FAO Food and Agriculture Organization IADB Inter-American Development Bank ILO International Labor Organization INCAP Institute of Nutrition of Central America and Panama MCH Maternal and Child Health OAS Organization of American-States PAHD Pan American Health Organization PASB Pan American Sanitary Bureau SCISP Servicio Cooperativo Interamericano de Salud Pública TPO Tripartite Plan of Operationa UCWI University College of the West Indies UN United Nations UNESCO United Nations Educational, Scientific and Cultural Organization Ung Ungraded UNICEF United Nations Children's Fund USA United States of America USPHS United States Public Health Service WHO World Health Organization WDO/TA World Health Organization/Technical Assistance r iii ¶TABLE OF CO NTE N T S TEext Details Text Details age Page Page Page Letter of Transmittal ix PART III Introduction 1 PAN AMERICAN HEALTH ORGANIZATION - FIELD AND OTHER PROGRAMS Method of Preparation 5 SECTION 1. -
Performing Gender in Mariachi Music a Dissertation Submitted in Pa
UNIVERSITY OF CALIFORNIA Los Angeles How Musical is Woman?: Performing Gender in Mariachi Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Leticia Soto Flores 2015 © Copyright Leticia Soto Flores 2015 ABSTRACT OF THE DISSERTATION How Musical is Woman?: Performing Gender in Mariachi Music by Leticia Soto Flores Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2015 Professor Susan K. McClary, Co-Chair Professor Timothy Rice, Co-Chair In this dissertation, I engage in the ongoing discussion between popular music and gender scholarship through an ethnographic and archival investigation of women's performances in mariachi music, a musical expression originating in eighteenth-century Western Mexico. Historical evidence and ethnographic accounts referenced in this study reveal that women have indeed performed with mariachi ensembles since at least the turn of the twentieth century. While they were not encouraged to perform as mariachi musicians, those who did were occluded from historical representations or dismissed as trivial or novel. By presenting a critical analysis of women's socio-musical contributions, this dissertation situates the impact of gendered stereotypes in historical, social, and individual contexts. Presenting this analysis, however, calls for first understanding the mariachi tradition historically. As with other popular musics that confronted the coming of the mass media, mariachi music evolved also alongside the globalizing culture industry. Since the early twentieth century, ii select groups from Western Mexico traveled to Mexico City to secure their space in a promising performance scene. The music became such an important expression that it was featured in all emerging media technologies: the first commercial phonograph recordings in 1908, live national radio programs since 1925, the first sound film in 1931, touring caravans since the 1950s, and pioneer broadcast television programs since the late 1960s (Chapter Two). -
Assessment of Regional Earthquake Hazards and Risk Along the Wasatch Front, Utah FRONT COVER
U.S. Department of the Interior U.S. Geological Survey Assessment of Regional Earthquake Hazards and Risk Along the Wasatch Front, Utah FRONT COVER. View to the southeast of downtown Salt Lake City, Utah, circa 1980. Wasatch Range with prominent Lake Bonneville shorelines in the background. Assessment of Regional Earthquake Hazards and Risk Along the Wasatch Front, Utah PAULA L. GORI and WALTER W. HAYS, Editors U.S. GEOLOGICAL SURVEY PROFESSIONAL PAPER 1500-K-R Contributions from Utah Geological Survey, University of Utah, and Utah State University Chapters K R are issued as a single volume and are not available separately. Chapter titles are listed in the volume table of contents. U.S. DEPARTMENT OF THE INTERIOR BRUCE BABBITT, Secretary U.S. GEOLOGICAL SURVEY Charles G. Groat, Director Any use of trade, product, or firm names in this publication is for descriptive purposes only and does not imply endorsement by the U.S. Government. Author affiliations given in this volume were correct at the time the report was approved for publication. Published in the Eastern Region, Reston, Va. Manuscript approved for publication October 5,1995. Library of Congress Cataloging in Publication Data Assessing regional earthquake hazards and risk along the Wasatch Front, Utah / edited by Paula L. Gori and Walter W. Hays. p. cm. (U.S. Geological Survey professional paper : 1500K-R) Includes bibliographical references. Supt.ofDocs.no.: 119.16: 1500KZ. 1. Earthquakes Wasatch Range (Utah and Idaho) 2. Earthquakes Utah. I. Gori, Paula. II. Hays, Walter W. III. Series: U.S. Geological Survey professional paper; 1500. QE535.2.U6A84 2000 551.2'2'097922 dc20 92-33618 CIP For sale by U.S. -
104-10062-10198.Pdf
This document is made available through the declassification efforts and research of John Greenewald, Jr., creator of: The Black Vault The Black Vault is the largest online Freedom of Information Act (FOIA) document clearinghouse in the world. The research efforts here are responsible for the declassification of hundreds of thousands of pages released by the U.S. Government & Military. Discover the Truth at: http://www.theblackvault.com . '• <II ••••• .. nnr· .,l .1Al . D U'NCLASSIFIED D USE .• 4lY D CONFIDf SECRET ROUTING AND RECORD ·sHEET SUBJECT: (Optional) Request - 78-2488 EXTENSION NO. FROM: CI 293-78 C/CI/RA/I 9429 TO: (Officer designation, room number, and building) OFFICER'S COMMENTS (Number each comment to show fro.m whom INITIALS lo whom. Draw a line ocross column after each comment.) 1. AC/CI/RA 2. 3. 28 ':.Ill L C/CI (for signature 1978 4 . .5. 6. 7. 8. 9. 10. ~· 11. 12. I 13. Chief, Liaison and Attn: Mr. Norbert 14. 15. ..... FORM l. 1 n USE PREVIOUS II ,.. .... ,. ........... ,.--, ,. ...... ·-·--··-· .. ..---., I NTF'RN AI .. , ~ ,.,6' .. ' ,_, .. II'., ..., ...'. • p ; • . ..::::;:-...... \ '• J ,. '· . I , ·~ . .:' :.u"C 28 :1&78 CI 293-78 ·I / . ·.. MEMORANDUM FOR; Chief, Liaison and Over~ight Control, PCS ATTENTION. Mr. Norbert Shepanek FROM B. Hugh Tovar Chief, Counter~ntelligence. Staff . ~~::~¥.~;'~ SUBJECT . Response to Office of Legislative Counsel : : ~. ... Request REFERENCE OLC 78-2488 1. In order to provide answers to the questions posed in paragraphs 9, 10 and 11 of reference we again have reviewed the files which were returned to Headquarters following the death of Winston Scott in Mexico City. The files are stored at the Agency Records Center in ---:ii~~~ Virginia. -
• Macmurdo Noted That During the 1819 Runn of Cutch, India Earthquake Buildings on Soil Were More Affected Than Those on Rock
OBJETIVOS DE ESTA PARTE DEL CURSO 1. Hacer un breve de observaciones de efectos de sitio, con énfasis en suelos muy blandos como los de la zona blanda de la ciudad de México o de la ciudad de Guayaquil; 2. Presentar la enorme diferencia en formas espectrales de movimientos Curso de Diseño de Estructuras Sismorresistentes registrados en suelo blando; Quinta Parte 3. Presentar factores de reducción para estructuras cimentadas en suelo blando; Análisis y Diseño SimplificaDo De EDificios BasaDo en Desplazamientos 4. Presentar cocientes de desplazamientos inelásticos a elásticos para estructuras cimentadas en suelo blando. PROF. EDUARDO MIRANDA DEPARTMENT OF CIVIL & ENVIRONMENTAL ENGINEERING STANFORD UNIVERSITY Curso De Diseño Sismorresistente, EcuaDor Julio 3-6, 2017 © 2017 Prof. EduarDo MiranDa Ejemplos de Documentación de Efectos de las Ejemplo de Estudio Análitico de Efectos de Suelo Blando Condiciones del Suelo en el Nivel de Daño • MacMurdo noted that during the 1819 Runn of Cutch, India earthquake buildings on soil were more affected than those on rock • The effect of soil conditions on the intensity of ground motions was also presented by Wood in 1908 in his study of the distribution of damage and apparent intensity of shaking during the 1906 San Francisco earthquake. • Multiple authors noted important effects of soil conditions on building and pipeline performance in the 1923 Kanto earthquake in Japan. Curso De Diseño Sismorresistente, EcuaDor Julio 3-6, 2017 © 2017 Prof. EduarDo MiranDa Curso De Diseño Sismorresistente, EcuaDor Julio 3-6, 2017 © 2017 Prof. EduarDo MiranDa 1 27 de Julio de 1957 27 de Julio de 1957 (Source: Steinbrugge collection, NISEE, UC Berkeley) http://simerida.com/img/Angel%20de%20la%20independencia%2001.gif 2014 BULLETIN OF THE SEISMOLOGICAL SOCIETY OF AMERICA Curso De Diseño Sismorresistente, EcuaDor Julio 3-6, 2017 © 2017 Prof. -
Copyright by Peter Clair Haney 2004
Copyright by Peter Clair Haney 2004 The Dissertation Committee for Peter Clair Haney Certifies that this is the approved version of the following dissertation: CARPA Y TEATRO, SOL Y SOMBRA Show Business and Public Culture in San Antonio’s Mexican Colony, 1900-1940 Committee: Richard R. Flores, Supervisor Deborah Kapchan José Limón Joel Sherzer Kathleen Stewart CARPA Y TEATRO, SOL Y SOMBRA Show Business and Public Culture in San Antonio’s Mexican Colony, 1900-1940 by Peter Clair Haney, M.A., B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2004 Dedication To the memories of Raúl Almaguer, Lalo Astol, Raymundo García, Carlos Monsiváis, Amada Navarro de Monsiváis, and Enrique Valero, all of who made invaluable contributions to this study and did not live to see its completion Acknowledgements This project began fourteen years ago this June, and during that time, I have benefited from the assistance of many people. This dissertation would not have been possible without the financial support of Grinnell College’s Rosenfield Program in Public Affairs, International Relations, and Human Rights, the University of Texas at Austin, the Recovering the U.S. Hispanic Literary Heritage Project at the University of Houston, the Wenner-Gren Foundation for Anthropological Research, and the Rockefeller Foundation through the Guadalupe Cultural Arts Center’s Gateways Humanities Fellowship Program. My parents, Bernard and Carlena Haney, also provided significant financial and moral support during some of the leanest years of my graduate study and deserve special thanks. -
September 5-7, 1985 Anchorage, Alaska SPONSORED BY: U.S
UNITED STATES DEPARTMENT OF THE INTERIOR GEOLOGICAL SURVEY PROCEEDINGS OF CONFERENCE XXXI A WORKSHOP ON "EVALUATION OF REGIONAL AND URBAN EARTHQUAKE HAZARDS AND RISK IN ALASKA" September 5-7, 1985 Anchorage, Alaska SPONSORED BY: U.S. Geological Survey Federal Emergency Management Agency Alaska Division of Geological and Geophysical Surveys and Alaska Office of Emergency Services EDITORS Walter W. Hays and Paula L. Gori U.S. Geological Survey Reston, Virginia 22092 Open-File Report 86-79 Compiled by Carla Kitzmiller and Wanda Fuller This report is preliminary and has not been edited or reviewed for conformity with U.S. Geological Survey publication standards and stratigraphic nomenclature. The views and conclusions contained in this document are those of the authors and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the United States Government. Any use of trade names and trademarks in this publication is for descriptive purposes only and does not constitute endorsement by the U.S. Geological Survey. Reston, Virginia .- ^.i/s 1986 IS I 30130 TABLE OF CONTENTS ALASKA PROCEEDINGS HAZARD AWARENESS Earthquakes and Public Policy Joe Hayes........................................................ 1 BACKGROUND INFORMATION AND SUMMARY OF THE WORKSHOP Background and Summary Walter Hays and Paula Gori Introduction.......................................................... 4 Seismicity in Alaska.................................................. 5 The Ground Shaking Hazard in Alaska.................................. -
10 Años 1.Pdf
Edición: Museo de Arte Contemporáneo de San Luis Potosí © Coordinación editorial: Aldo Arellano Paredes Diseño: Mauricio Hernández González Fotografía: Archivo Museo de Arte Contemporáneo Este libro no puede ser fotocopiado ni reproducido total o parcialmente por ningún medio o método sin la autorización por escrito del editor. No part of this publication may be reproduced in any form or by any means without the permission of the publishers or the authors concerned. ISBN: En trámite Museo de Arte Contemporáneo de San Luis Potosí Morelos 235 Zona Centro, C.P. 78000, San Luis Potosí, S.L.P. Tel. (444) 814 4363 / 814 5219 [email protected] www.macsanluispotosi.com Gobierno del Estado de San Luis Potosí Juan Manuel Carreras López Gobernador Constitucional Armando Herrera Silva Secretario de Cultura Museo de Arte Contemporáneo de San Luis Potosí Aldo Edmundo Arellano Paredes Dirección General Gerardo Juárez Lozano Subdirección Administrativa David Gerardo García Reséndiz Museografía Mauricio Hernández González Diseño Rocío Gil Ortíz Relaciones Públicas Gustavo Ipiña Martínez Difusión Margarita Juárez Álvarez Documentación Irma Isela Jasso Rivera Servicios Educativos Berenice Palacios Macías Contabilidad Marco Antonio Cuautli Peña Seguridad y Mantenimiento Junta de Gobierno Museo de Arte Contemporáneo Juan Manuel Carreras López Presidente Honorario Armando Herrera Silva Presidente Ejecutivo Fernando Carrillo Jiménez Secretario Ada Amelia Andrade Contreras Gonzalo Ortuño Castro Daniel Pedroza Gaitán Claudia Alejandra Noyola escalante José