Cast of Characters

Total Page:16

File Type:pdf, Size:1020Kb

Cast of Characters CAST OF CHARACTERS Berger Woof Hud Claude Jeanie Dionne Crissy Sheila Margaret Mead Hubert .. .and the others in the Tribe: Ronny, Leata, Paul, Walter, Steve, Hiram, Suzannah, Mary, Emmaretta, Diane, Marjorie, Linda and Natalie ... who play the following: 3 Moms, 3 Dads, 3 High School Principals, 2 Policemen, Electric Blues Quartet (Oldsters), White Girls Trio, Black Boys Trio, "The Supremes" Trio, Army Sergeant, A. Lincoln, J. W. Booth, C. Coolidge, Clark Gable, Scarlett O'Hara, Aretha Franklin, Colonel Custer, Shoeshine Boy, 3 Buddhist Monks, 1 Thousand Year Old Monk, 3 Catholic Nuns, 3 Astronauts, 3 Chinese, 3 Guerrillas, 1 Native American Indian \ and Others. The American Tribal Love-Rock Musical HAIR is a stage work in two acts. There are no specific scenes. The setting indicates the fluid-abstract world of the 1960's as seen by, for, and about the "Flower Children" of the period. 2 MUSICAL NUMBERS ACT ONE 1. AQUARIUS - Ronny & Tribe 2. DONNA - Berger & Tribe 3. HASHISH - Tribe 4. SODOMY - Woof & Tribe 5. COLORED SPADE - Hud & Tribe 6. MANCHESTER, ENGLAND - Claude & Tribe 7. I'M BLACK- Hud, Woof, Berger, Claude & Tribe 8. AIN'T GOT NO - Woof, Hud, Dionne & Tribe 9. DEAD END - Quartet 10. I BELIEVE IN LOVE - Sheila & Trio 11. AIN'T GOT NO GRASS - Tribe 12. AIR - Jeanie with Dionne & Crissy 13. INITIALS - Tribe 14. KAMA SUTRA - Orchestra 15. 1930's - Berger 16. MANCHESTER II - Claude & Tribe 17. I GOT LIFE- Claude & Tribe 18. GOING DOWN- Berger & Tribe 19. FREAK OUT - Orchestra 20. HAIR- Claude, Berger & Tribe 21. MY CONVICTION - Margaret Mead 22. SHEILA FRANKLIN - Tribe 23. EASY TO BE HARD - Sheila 24 . HUNG UP - Tribe 25. DON'T PUT IT DOWN -Woof, Berger & Steve 26. FRANK MILLS - Crissy 27. BE-IN "Hare Krishna" - Tribe 28. WHERE DO I GO - Claude & Tribe Musical Numbers - 2 ACT TWO 29. ELECTRIC BLUES - Quartet 30. OH GREAT GOD OF POWER - Tribe 31. MANCHESTER III - Tribe 32. BLACK BOYS - White Girls Trio & Black Boys Trio 33. WHITE BOYS - "The Supremes" Trio, White Girls Trio & ~ 34. WALKING IN SPACE - Dionne, Steve, Leata, Jeanie, Sheila & Tribe 35. GENERAL WASHINGTON - Orchestra 36. INDIAN MUSIC - Percussion 37. MINUET - Orchestra 38. AFRICAN DRUMS - Percussion 39. ABIE, BABY -Trio: Hud & Two Boys with J.W. Booth 40-41. T~E WAR - 1000 Year Old Monk, 3 Monks, 3 Nuns & Tribe GIVE UP ALL DESIRES INSTRUMENTAL ROLL CALL CHILDREN'S GAMES 42. THREE-FIVE-ZERO-ZERO - Tribe 43. WHAT A PIECE OF WORK IS MAN - Ronny & Walter 44. HOW DARE THEY TRY - Tribe 45. GOOD MORNING STARSHINE - Sheila & Tribe 46. THE BED - Tribe AQUARIUS GOODNIGHTS 47. REPRISE: AIN'T GOT NO - Claude & Tribe 48. THE FLESH FAILURES (LET THE SUN SHINE IN) - Tribe 49. EYES, LOOK YOUR LAST - Claude, Sheila, Dionne & Tribe so. HIPPIE LIFE - Claude, Berger, Two Indian Women & Tribe 51. EXIT MUSIC - Orchestra ACT ONE About 10 minutes prior to curtain time, CLAUDE comes on stage, looks around, and then sits down in the center. At the same time, the TRIBE appears from the wings, in the tower, on the scaffoldings, and in the Audience. THEY carry flowers and burning incense sticks, which THEY hand out to the members of the Audience. About four minutes later, TWO GIRLS come on stage with an "altar" cloth, and a burning flame in some kind of earthenware receptacle on a stand. THEY set this up in front of CLAUDE. A strange kind of eleqtronic sound starts in the orchestra (ad lib sounds from percussion and lead guitar) and it builds and intensifies over the next five minutes. Bird calls are employed here by the TRIBE. At the same time the TRIBE in a ritualistic kind of slow motion starts con­ verging on stage, each person concerned with something -- an article of clothing, a part of their body, anything personal to each. BERGER and SHEILA approach CLAUDE, and BERGER, with a pair of scissors, cuts a lock of CLAUDE'S hair. At this, the TRIBE freezes in mid-action. BERGER hands the cut hair to SHEILA who puts it into the flame. The TRIBE utters an earthy sound together and unfreezes, resuming slow-motion movement. RONNY picks up the flame and starts to sing. 1-2 I 1 I AQUARIUS RONNY WHEN THE MOON IS IN THE SEVENTH HOUSE AND JUPITER ALIGNS WITH MARS THEN PEACE WILL GUIDE THE PLANETS AND LOVE WILL· STEER THE STARS RONNY & 6 MORE THIS IS THE DAWNING OF THE AGE OF AQUARIUS THE AGE OF AQUARIUS (4 more join in) AQUARIUS AQUARIUS MEN HARMONY AND UNDERSTANDING WOMEN SYMPATHY AND TRUST ABOUNDING MEN NO MORE FALSEHOOD OR DERISION WOMEN GOLDEN LIVING DREAMS OF VISIONS MEN MYSTIC CRYSTAL REVELATION ALL AND THE MIND'S TRUE LIBERATION AQUARIUS AQUARIUS RONNY WHEN THE MOON IS IN THE SEVENTH HOUSE AND JUPITER ALIGNS WITH MARS THEN PEACE WILL GUIDE THE PLANETS ALL AND LOVE WILL STEER THE STARS THIS IS THE DAWNING OF THE AGE OF AQUARIUS THE AGE OF AQUARIUS AQUARIUS AQUARIUS 1966, 1967, 1968 Galt MacDermot, James Rado, Gerome Ragni, Nat Shapiro and United Artists Music Co., Inc. 1-3 ALL (Cont'd) AQUARIUS AQUARIUS AQUARIUS (Music out) BERGER Transcendental meditation on the ocean of reality is love ••• TRIBE Love ... BERGER Love ... TRIBE Love ..• BERGER Love ... TRIBE Love ... BERGER Love! Hello. My name is George Berger, but I don't dig George, so just call me Banana Berger, or Cheese Berger, Unzipper Berger, Pull 'em down Berger, Karma Berger, Pitts Berger, Take 'em off Berger, Up your Berger, Any Berger and I'll answer you. Oh oh, I know, you people think right off, Oh look dear, isn't that a cute one? What is it Agnes, a boy or a girl? What is this god damn thing? Three thousand pounds of Navajo jewelry. Ha ha ha. Lady, will you hold my pants for me? Mother!! Hey lady, can you spare a hand out? A nickel, dime, a quarter? Something for a psychedelic teddy bear like me, me, me. To keep my chromosomes dancing, dancing ... up the Methedrine River. I came over via Hoboken •.. Hoboken, the Erie Lakawana Fairy boat, and in the middle of the Hudson River, through the industrial haze, I thought I saw Donna, (Music vamp for next number) Donna, my Donna, standing in the water. But it was only Democracy's daughter, the Statue of Liberty, waving at me. I 2 I DONNA ONCE UPON A LOOKIN' FOR DONNA TIME THERE WAS A SIXTEEN YEAR OLD VIRGIN 1966, 1967 Galt MacDermot, James Rado, Gerome Ragni, l\1~-1- C'h'!:!i""'.: ,...." ~""',=~ rt ....... .; .a..-~ "--"-.: -"-- u •• _.:- ,.,_ T-- 1-4 BERGER (Cont'd) OH DONNA OH OH DONNA OH OH OH LOOKIN' FOR MY DONNA JUST GOT BACK FROM LOOKIN' FOR DONNA SAN FRANCISCO PSYCHEDELIC URCHIN OH DONNA OH OH DONNA OH OH OH LOOKIN' FOR MY DONNA HAVE YOU SEEN MY SIXTEEN YEAR OLD TATTOOED WOMAN HEARD A STORY SHE GOT BUSTED FOR HER BEAUTY OH OH OH OH OH OH BERGER & TRIBE ONCE UPON A LOOKIN' FOR DONNA TIME THERE WAS A SIXTEEN YEAR OLD VIRGIN OH DONNA OH OH DONNA OH OH OH LOOKIN' FOR MY DONNA I'VE BEEN TO INDIA AND SAW THE YOGA LIGHT IN SOUTH AMERICA THE INDIAN SMOKE GLOWS BRIGHT I'M REINCARNATED AND SO ARE WE ALL AND IN THIS LIFETIME WE'LL RISE BEFORE WE FALL, BEFORE WE FALL ONCE UPON A LOOKIN' FOR DONNA TIME NEVER GONNA END MY SEARCHIN' OH DONNA OH OH DONNA OH OH OH LOOKIN' FOR MY DONNA AND I'M GONNA SHOW HER LIFE ON EARTH CAN BE SWEET GONNA LAY MY MUTATED HEAD AT HER FEET AND I'M GONNA LOVE HER MAKE LOVE TO HER TILL THE SKY TURNS BROWN AND I'M EVOLVING I'M EVOLVING THROUGH THE DRUGS THAT PUT YOU DOWN, THAT YOU PUT DOWN. ALL ONCE UPON A LOOKIN' FOR DONNA TIME THERE WAS A SIXTEEN YEAR OLD VIRGIN OH DONNA OH OH DONNA OH OH OH LOOKIN' FOR MY DONNA LOOKIN' FOR MY DONNA LOOKIN' FOR MADONNA DONNA (Music Segues) 1-5 (The TRIBE does the following chant in groups, from different parts of the stage) HASHISH GROUP 1 HASHISH GROUP 2 COCAINE GROUP 3 CANNIBIS GROUP 4 OPIUM GROUP 5 LSD GROUP 6 DMT GROUP 7 STP GROUP 8 BMT GROUP 1 A&P, IRT GROUP 2 APC, ALCOHOL GROUP 3 CIGARETTES, SHOE POLISH GROUP 4 COUGH SYRUP, PEYOTE GROUP 5 EQUINOL, DEXAMYL GROUP 6 COMPOZINE, KEMODRIN GROUP 7 THORIZENE, TRILOPHON €D 1966, 1967 Galt MacDermot, James Rado, Gerome Ragni, Nat Shapiro and United Artists Music Co., Inc. 1-6 ALL DEXEDRINE, BENZEDRINE, METHEDRINE, S-E-X, Y-0-U, WOWWWWWWWWWW. (TRIBE gets into "cathedral" like positions) (Music out) WOOF This is the body and blood of Jesus Christ. BERGER Oh, your rosary beads, baby. (Hands rosary to WOOF) WOOF And I'm going to eat you. I swear to tell the truth, the whole truth, and nothing but the trut~, so help me God. · (HE crosses HIMSELF) In the name of the Father, the Son, and the Holy Ghost, Amen. (HE sings) I 4 I SODOMY SODOMY FELLATIO CUNNILINGUS PEDERASTY FATHER WHY DO THESE WORDS SOUND SO NASTY? MASTURBATION CAN BE FUN JOIN THE HOLY ORGY KAMA SUTRA EV'RYONE (Music out) (Indian calls from WOOF and TRIBE) My name is Neil ... Woof (HE does a wolf howl to the moon) Donovan. I grow things. STEVE (Hands WOOF a few packages of ~eeds) Here are your seeds, baby. ~ 1966, 1967 Galt MacDermot, James Rado, Gerome Ragni, Nat Shapiro and United Artists Music Co., Inc. 1-7 BERGER (Throws HIM a branch) Hey, Woof! Here's Twiggy ••• Twiggy! WOOF See, I have sunflower seeds, and beets, and corn ..
Recommended publications
  • Strangers No More: “When Harry Met [Dante]…”
    Kate Dowling Bryn Mawr School, Baltimore, MD Dante Senior Elective at Gilman School Strangers No More: “When Harry Met [Dante]…” If Dante were to listen to “Stranger with the Melody” at this point on his journey, I think he would be able to relate it a lot to his sense of moving into a different part of his life. Right now, Dante is overcome with emotion, as he has lost Vergil but also been reunited with Beatrice and made it to Paradise. The stranger in the poem reminds me a lot of Vergil, since at the beginning of the song his presence seems almost godlike. When the anonymous voice comes through the walls to Harry, it seems like it is not even attached to a real person; instead, this man appeared just for Harry, as if he was meant to hear his song. Just like this stranger, Vergil appears to Dante and seems almighty. Through Inferno he knows everything and can tell Dante exactly what to do. On Mount Purgatory, Vergil is more unsure, but he still manages to get Dante to the top successfully. Vergil cannot stay with Dante forever, though, and soon we see how Vergil is limited by his Paganism and restricted to his place in Limbo. Just like Vergil, this unknown singer is limited, in this case by his own emotions. The singer can only repeat the same words over and over again, and he seems lost because he can never move on from them. He never will be able to either, because he says that only his girl can tell him the words, while he can just play the music.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Ticket Info ::: Directions 2021-22 Season
    Please Note Evening Show shoW TiMEs ::: TicKET info ::: DirEcTIonS p.m. 7:30 Change To Time 2021-22 sEason Single Ticket Prices: Seating Chart Adults........................................................... $15 Seniors.(62 and over)................................ $14 5 13 Students.(18 and under).......................... $14 1 4 Stage 14 17 Left Center Right Gift.Certificates.. (Good for one Admission) ........................$15 1 4 5 13 14 17 To purchase tickets, please visit our website: auroraplayers.org. To purchase tickets over 1 16 the phone, you may leave a message at Riser 687-6727 and a volunteer will call you back as soon as possible. 1 21 Show Times: Order Tickets/Contact Us: Please Note Evening Show Time Change auroraplayers.org 716.687.6727 Friday, Saturday ......................... 7:30 p.m. Aurora Players, Inc. Sunday Matinée ............................. 2:30 p.m. P.O. Box 206, East Aurora, NY 14052 Historic Roycroft Pavilion Located at the NORTH GROVE STREET Home of Aurora Players, Inc. Welcome to theNORTH WILLOW STREET Historic Roycroft Pavilion: PARKDALE AVENUE RIDGE AVENUE CHURCH STREET northern end of RILEY STREET SHEARER AVENUE WHALEY AVENUE TO/FROM BOWEN ROAD PINE STREET Hamlin Park on SENECA STREET (RT. 16) MAPLE ROAD TO/FROM RT South Grove Street, W. FIL L MORE AVENUE FILL MORE AVENUE EAST FILL MORE AVENUE the historic Roycroft . 400 Middle Pavilion is home to School Aurora Players and M AIN STREET (RT. 20A) M AIN STREET (RT. 20A) PAINE STREET RT. 400 EXPRESSWAY PARK PL ACE SOUTH GROVE STREET OLEAN STREET (RT. 16) its productions. Roycroft Campus WALNUT STREET A picturesque CENTER STREET SOUTH WILLOW STREET Roycroft Inn ELM STREET OAKWOOD 30-minute drive ) A 0 2 .
    [Show full text]
  • Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility.
    [Show full text]
  • Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique.
    [Show full text]
  • Physical Fitness Challenge
    National Aeronautics and Space Administration www.nasa.gov Educational Product Educators Grades 3–5 EG-2005-10-09-LARC The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology The Case of the Physical Fitness Challenge educator guide is available in electronic format. A PDF version of the educator guide for NASA SCI Files™ can be found at the NASA SCI Files™ web site: http://scifiles.larc.nasa.gov NASA SCI Files™ is produced by NASA’s Center for Distance Learning, a component of the Office of Communication and Education at the NASA Langley Research Center, Hampton, VA, and is a collaborative endeavor of NASA with the organizations below. NASA’s Center for Distance Learning is operated under cooperative agreement. Use of trade names does not imply endorsement by NASA. www.swe.org www.buschgardens.com www.nsbri.org Apple Learning Interchange http://knowitall.org http://ali.apple.com http://www.ibiblio.org www.sbo.hampton.k12.va.us The NASA SCI Files™ The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology Program Overview ...........................................................5 Segment 4 National Science Standards ..........................................6 Overview ...........................................................................79 National Mathematics Standards ...............................8 Objectives .........................................................................80 National Educational Technology
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Witty Songs ©Ted Schaar 2011
    Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent.
    [Show full text]
  • 046-49 Stonesthrow.Qxd
    046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer.
    [Show full text]
  • August 2012 Newsletter
    August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • SWR2 Musikstunde
    SWR2 MANUSKRIPT SWR2 Musikstunde Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt (3) Mit Michael Struck-Schloen Sendung: 11. April 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2018 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Michael Struck-Schloen 09. April – 13. April 2018 Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt 3. Ideologische Zuspitzung und Gewaltausbruch Und heute wieder: „Blumen und Pflastersteine ‒ 1968 und die musikalische Verjüngung der Welt“. Herzlich willkommen sagt Michael Struck-Schloen. Und ich will heute da weitermachen, wo die gestrige Sendung endete ‒ bei den Blumenkindern und Hippies, die ihr Zentrum in San Francisco hatten, aber bald auch in Paris oder auf dem Berliner Ku’damm zu sehen waren. Eine Zwischenstation war New York, wo im April 1968 das Musical Hair am Broadway herauskam und zu einem der erfolgreichsten Musicals aller Zeiten wurde ‒ obwohl Aussteiger und Kriegsdienstverweigerer mit langen Haaren, Hass aufs Establishment und Lust auf Drogen und Sex die Hauptrollen spielten. Aber letztlich war gerade diese Mischung auch das Erfolgsrezept.
    [Show full text]