With a Strong Relation to Scandinavian Design

Total Page:16

File Type:pdf, Size:1020Kb

With a Strong Relation to Scandinavian Design SAGAFORM SPRING 2021 SAGAFORM With a strong relation to Scandinavian design. SAGAFORM SPRING 2021 5100040 Decoration Hold 10-11 Moon 12-13 Top vase 14-15 Kitchen Nature 20-31 Coffee & More 32-39 Accent 40-41 Spectra 42-43 Club 44-47 Tradition 48-51 Outdoor Picnic 54-57 Outdoor living 58-63 BBQ 64-65 Textile 66-67 To Go 68-73 We cannot be held responsible for any printing errors. Timeless design caring about the familiar With a strong relationship to Scandinavian design we And speaking of age our classics are of course an continue to develop our work around a sustainable important part of our overall concept in the future. production of gifts and products for the home. Gifts We value them very much and really want to high- to be used and appreciated in many homes by many light their function and shape a little extra. Because families during a long time to come. We choose to nothing is as important to us as our products lasting call it: Timeless design caring about the familiar. over time and becoming a central element in every home. In new as well as classic shape our product Lots of joy sets the tone for how we want our prod- design should care about the familiar in combination ucts to be received during spring and summer 2021. with a strong function both indoors and outdoors. Naturally function remains in focus as our design from a purely stylistic point of view is both usable and And outdoors in particular has got a new meaning beautiful to look at. Interior-design details that you, these days. We like to meet and do things together or the person you surprise, should be able to use in even if we have to keep our distance around the camp more than one way. Gifts that easily can have a per- fire, on the terrace, in the garden – examples of a sonal touch no matter what style the home has. few of the many places where our durable products will appear to advantage and enhance the feeling of The Nordic nature with its fantastic colours is a big community at a distance. source of inspiration for us and continues to be the foundation for how we shape and develop our This said, we want to wish you very welcome to new collections, both in tone and materials. We therefore inspiration together with us at Sagaform! choose to make use of for example glass, bamboo, ceramics, wood and stone, all stylish and durable materials which just get better looking with age. 4 Sustainability for the future It should be easy to make good choices, which is One of our strengths is that we have our own CSR a key part of the development of our sustainability staff in place in the production countries who work work. At Sagaform AB, we put great emphasis on full time on these issues. The work includes, for sustainability in our processes and take responsibility example, improved working conditions, progressive for how our operations affect people and the envi- chemical work, and streamlining transport and logis- ronment. Of course, we hope that you are satisfied tics. Through internal controls in combination with with your purchased products but also with us as a independent reviews, we make sure that our products company. are produced under good social conditions and do not contain any harmful chemicals. Do you want to As part of the New Wave Group, we pursue active know more? Please browse our Sustainability folder sustainability work towards a vision of sustainable which you will find on our website under Sustainability. growth where business solutions are not only finan- There is an interesting read about all our CSR work cially favorable but also sustainable from a social through the New Wave Group. and environmental perspective. You can also read more about how we work with CSR What makes the biggest difference is how we and sustainability on the parent company's website conduct our everyday business. That is why we are www.nwg.se. There we have gathered all information working to integrate sustainability issues into our core about important activities, collaborations, and goals business. The work includes, for example, improved for the future. working conditions in production countries, progres- sive chemical work, and streamlining transport and logistics. Our common main goal with the sustainability work is to create products with the longest life possible, to minimize the product's negative impact on people and the environment during its life cycle. In our work, we take into account all three dimensions of sustaina- bility - social, environmental, and economic. 4 5 All wrapped up We work to create good, loving relationships. We do this by offering carefully selected, well-designed, value-for-money gifts in attractive packaging that are just as much fun to give as they are to receive. We take a little extra care with the packaging of these ready-made gifts. So we don’t just wrap them in tissue paper, as we do with all our products. We also provide a card and silk ribbon. So all you have to do is write a message, tie the ribbon and in an instant you have a very thoughtful gift. Keep an eye out for this symbol. It let´s you know which products that are gifts with card and ribbon ready inside. 6 6 7 Do you wish to see more of our entire range, 8 go to Sagaform.com Decoration To us decoration should be classic, have a great function and always be appreciated to receive or give away. Here you will find products which both take up space and harmonize with the Scandinavian design. 8 9 Do you wish to see more of our entire range, 1010 go to Sagaform.com Hold Hold is a unique prize-winning series designed by Pascal Charmolu. Multifunctional vases and tealight holders made of hand-blown glass Hold lantern Designer: Pascal Charmolu with a metal casing that can be adjusted vertically. By simply moving Art.No: 5017870 the metal casing up or down you adjust the height to everything from Material: Metal/Mouth-blown glass. Size: 10x10x25cm smaller bouquets to long-stemmed cut flowers. The vase is available Minimum number: 6 in three sizes and the tealight holders in two. Type of pack: Box 7 394150 178706 Hold vase big, gold Hold vase big, silver Hold lantern & vase, gold Hold lantern & vase, silver Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Art.No: 5018039 Art.No: 5018040 Art.No: 5017869 Art.No: 5018036 Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Size: 15x15x28cm Size: 15x15x28cm Size: 11x11x20cm Size: 11x11x20cm Minimum number: 2 Minimum number: 2 Minimum number: 6 Minimum number: 6 Type of pack: Giftbox Type of pack: Giftbox Type of pack: Giftbox Type of pack: Giftbox 7 394150 180396 7 394150 180402 7 394150 178690 7 394150 180365 Hold vase small, gold Hold vase small, silver Hold lantern small, gold Hold lantern small, silver Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Art.No: 5018041 Art.No: 5018037 Art.No: 5018042 Art.No: 5018043 Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Size: 8x8x15cm Size: 8x8x15cm Size: 7x7x12cm Size: 7x7x12cm Minimum number: 6 Minimum number: 6 Minimum number: 6 Minimum number: 6 Type of pack: Giftbox Type of pack: Giftbox Type of pack: Giftbox Type of pack: Giftbox 7 394150 180419 7 394150 180372 7 394150 180426 7 394150 180433 10 11 Pascal Charmolu is the Frenchman who found love in Sweden and via Konstfack in Stockholm quickly became a household name in Swedish design. Pascal is also the name behind both Hold and Moon created for Sagaform. Moon With the moon as inspiration the designer Pascal Charmolu has created the vase Moon for Sagaform. A vase which flirts with geometric shapes and lets the straight lines meet the round. A modern vase combining the beautiful with the functional. Vase Moon is elegant, simple and stylish. A vase standing out on its own but which will rise to a new level with a twig or some flowers. Moon vase large, sand Moon vase small, sand Moon vase large, black Moon vase small, black Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Designer: Pascal Charmolu Art.No: 5018152 Art.No: 5018151 Art.No: 5018035 Art.No: 5018034 Material: Iron. Material: Iron. Material: Iron. Material: Iron. Size: 23x7x30cm Size: 16x5x21cm Size: 23x7x30cm Size: 16x5x21cm Minimum number: 6 Minimum number: 6 Minimum number: 6 Minimum number: 6 Type of pack: Box Type of pack: Box Type of pack: Box Type of pack: Box 7 394150 181522 7 394150 181515 7 394150 180358 7 394150 180341 12 12 13 14 Top vase A product with several functions. Top vase is made of mouth-blown glass and metal. A simple but decorative interior-design detail which works as a vase for single cut flowers and as a candle holder, or why not as a carafe. We dare say that this is a new classic appreciated in every home. Top vase large, gold Top vase, silver Top vase, gold Art.No: 5018148 Art.No: 5018059 Art.No: 5017905 Material: Metal/mouth blown-glass. Material: Metal/Mouth-blown glass. Material: Metal/Mouth-blown glass. Size: 22x19x22cm Size: 15x15x18cm Size: 15x15x17cm Minimum number: 6 Minimum number: 6 Minimum number: 6 Type of pack: Box Type of pack: Giftbox Type of pack: Giftbox 7 394150 181485 7 394150 180594 7 394150 179055 14 15 Nature lantern Nature candleholder Nature marble candleholder Candle holder, gold-coloured Elegant lantern featuring a blend of An atmospheric candle holder for Sagaform’s classic candle lantern Decorative tall candle lantern with Nature’s signature materials of wood, smaller pillar candles.
Recommended publications
  • The Evolution of Malaysian Cartoon Animation
    THE EVOLUTION OF MALAYSIAN CARTOON ANIMATION Faryna Mohd Khalis Normah Mustaffa Mohd Nor Shahizan Ali Neesa Ameera Mohamed Salim [email protected], [email protected], [email protected], [email protected] ABSTRACT A cartoon can be defined as an unrealistic style of sketching and or funny figures that can make people laugh. Aside from entertainment purposes, cartoons are also used to send messages without a serious tone and indirectly telling something sarcastically. In April 2019, Malaysia was shocked by the headline that ‘Doraemon’ had been selected to represent the Japanese themed cartoon exhibition in conjunction with Visit Malaysia 2020. Malaysian art activists, specifically those who has a cartoon animation background, were very upset and expressed their dissatisfaction with the news. Local legendary cartoonist Datuk Lat also showed his disappointment and made a stand that a local cartoon character should have been chosen to represent Malaysia. Therefore, this research aims to illustrate the development of Malaysian cartoons from when they first started in newspapers, until their existence today in the form of animation on digital platforms. In sequence, Malaysia produced cartoons in newspapers, magazines, blogs, television and cinema, whereby this is in parallel with the development of technology. From hand- drawn art for ‘Usop Sontorian’ to digital animation for the film ‘Upin dan Ipin’, Malaysians should be more appreciative and proud of our local cartoons rather than those from other countries. Keywords: Local identity, Characteristic, Animation, Comic, Character design. Introduction Cartoons are fundamentally known as entertainment for kids. But due to cultural values, technological development and education, our cliché perception has changed to that cartoons are actually a source of effective communication for all ages (Muliyadi, 2001, 2010, 2015).
    [Show full text]
  • Annex XV Reporting Format 040615
    ANNEX XV RESTRICTION REPORT PROPOSAL FOR A RESTRICTION SUBSTANCE NAME(S): Perfluorohexane sulfonic acid (PFHxS), its salts and PFHxS-related substances IUPAC NAME(S): n.a. EC NUMBER(S): n.a. CAS NUMBER(S): n.a. CONTACT DETAILS OF THE DOSSIER SUBMITTER: Norwegian Environment Agency P.O. Box 5672 Torgarden, N-7485 Trondheim, Norway VERSION NUMBER: 1.1 DATE: 13 June 2019 Annankatu 18, P.O. Box 400, FI-00121 Helsinki, Finland | Tel. +358 9 686180 | Fax +358 9 68618210 | echa.europa.eu ANNEX XV REST RICT ION REPORT – PFHxS, its salts and PFHxS-related substances TABLE OF CONTENTS List of abbreviations ....................................................................................... viii S umma ry ....................................................................................................... 1 Report .......................................................................................................... 7 1. The problem identified ................................................................................... 7 1.1. Hazard, exposure/emissions and risk .............................................................. 7 1.1.1. Identity of the substance(s), and physical and chemical properties.................. 7 1.1.2. Justification for grouping .................................................................... 11 1.1.3. Classification and labelling .................................................................. 14 1.1.4. Hazard assessment........................................................................... 15 1.1.5.
    [Show full text]
  • Komposisi Muzik We Were Here Dalam Animasi Iban's Migration
    KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRATION. Wendy James Jengan Sarjana Muda Seni Gunaan dengan Kepujian (Muzik) 201~ KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRA TION. WENDY JAMES JENGAN Projek ini merupakan salah satu keperluan untuk Ijazah Sarjana Muda Seni Gunaan dengan Kepujian (Muzik) Fakulti Seni Gunaan dan Kreatif UNIVERSITI MALAYSIA SARAW AK 2013 UNIVERSITI MALAYSIA SARAW AK BORANG PENGESAHAN STATUS TESIS ruDUL KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRATION. SESI PENGAJIAN :2009-2013 Saya WENDY JAMES JENGAN mengaku membenarkan tesis * ini disimpan di Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dengan syarat-syarat kegunaan seperti berikut: 1. Tesis adalah hak milik Universiti Malaysia Sarawak. 2. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan untuk tujuan pengajian sahaja. 3. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat pendigitan untuk membangunkan Pangkalan Data Kandungan Tempatan. 4. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan tesis ini sebagai bahan pertukaran antara institusi pengajian tinggi. 5. *S ila tandakan ("" ) SULIT (Mengandungi maklumat yang berda~ah keselamatan D atau kepentingan seperti termaktub di dalam AKTA RAHS IA RASMI 1972) (Mengandungi maklumat Terhad yang telah ditentukan TERHAD D oleh organisasiibadan di mana penyelidikan G TIDAK TERHAD II TANDATANGAN PENULIS TANDATANGAN PENYELIA Tarikh : )..tl01- {I ~ Tarikh: P4-. or· .;to (;:, Alamat Tetap: 305, lorong 4f4,Tabuan Desa , 93350, Kuching, Sarawak. Catatan: * Tesis dimaksudkan sebagai tesis bagi Ijazah Doktor Falsafah, Sarjana dan Sarjana Muda * lika tesis ini SULIT atau TERHAD, sila lampirkan surat daripada pihak berkuasaJorganisasi berkenaan dengan menyatakan sekali sebab dan tempoh tesis ini perlu dikelaskan sebagai TERHAD.
    [Show full text]
  • Scandinavian Design Swedish Production
    A SUPPLEMENT BY MEDIAPLANET DISTRIBUTED WITHIN THE INDEPENDENT No.1/September ’10 SCANDINAVIAN DESIGN Erika Lagerbielke describes how she tackled the challenge of designing 3TIPS a wedding present for the Crown Princess on behalf of the Swedish people FORFOR CHICCHIC DESIGN FIT FOR ROYALTY PHOTO: PETER CEDERLING Discover Denmark Hot new trends Get design ideas Check out the and see beautiful fashion from landscapes Scandinavia 2 · SEPTEMBER 2010 A SUPPLEMENT BY MEDIAPLANET DISTRIBUTED WITHIN THE INDEPENDENT CHALLENGES In the 20th century, a roster of names from Scandinavia changed the way the world looked at design and architecture. Their legacy continues to make an impact today, as new and exciting talents emerge WE RECOMMEND Professor Ronald Jones Rising stars to look out for The lasting impact of PAGE 8 ‘They are risk-takers in design — and Scandinavian design education’ or such a small region, to shape our stylish present. Their in- cept still appeals to the Scandinavi- Scandinavia is big on fluences are seen today in chairs, ta- an design psyche. It is, says Profes- Hot trends p 4 pioneering design. If it bles, lighting, interior accessories and sor Jones, embedded in its DNA. Pro- 1. The big designers from Scandinavia had simply given the buildings. Scandinavian design is all fessor Erika Lagerbielke is the lead- making their way over to the UK world Arne Jacobsen around us — and its future as a power- ing Swedish glass designer who re- Scandinavian must sees p 10 2. The best design spots for your holidays — the Danish-born Fa- ful creative force seems more secure cently created a pre-wedding gift for ther of Modernism — than ever.
    [Show full text]
  • Pencapaian Filem Cereka Tempatan Di Peringkat Antarabangsa (1950-2017)] Finas Malaysia
    [INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017)] FINAS MALAYSIA INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017) 1 KAJIAN & PENGUMPULAN DATA OLEH : Ahmad Syazli Muhd Khiar ([email protected]) Pengarah Dasar & Penyelidikan FINAS TARIKH KEMASKINI : 31 Disember 2017 (Tertakluk kepada kemaskini data dan maklumat dari masa ke semasa) Bil Judul Filem [INISIATIFPengarah PEMBANGUNANama N DATA INDUSTRINama Festival FILE M: PENCAPAIANTahun Tempat FILEM CEREKAPenerima TEMPATAN Status Pencapaian Produksi/Tahun DI PERINGKATPenyertaan ANTARABANGSA (1950-2017)] FINAS MALAYSIA Tayangan 1 Nasib B.S Rajhans Malay Film BFI Festival of 1950 London, UK Malay Film Tayangan Official Selection Productions/1949 Commonwealth Films Productions 2 Iman K.R.S Sastry Malay Film 1st Asia Pacific Film 1954 Tokyo, Malay Film Penyertaan Official Submission Productions/1954 Festival Jepun Productions 3 Hang Tuah Phani Majumdar Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions Tan Sri P. Ramlee Menang Penggubah Muzik Terbaik 7th Berlin International 1956 Berlin, Malay Film Pencalonan Filem Terbaik (Golden Bear) Film Festival Germany Production (In Competition) 4 Semerah Padi Tan Sri P. Ramlee Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions 5 Anakku Sazali Phani Majumdar Malay Film 4th Asia
    [Show full text]
  • Scandinavian Design and the United States, 1890–1980
    Scandinavian Design and the United States, 1890–1980 Ann-Mari Forsberg (Sweden, 1916–1992) for Märta Måås-Fjetterström, Red Crocus hanging, 1945. Cooper Hewitt Design Museum 700 N. Art Museum Dr 5905 Wilshire Blvd Milwaukee, WI 53202 Los Angeles, CA 90036 414-224-3200 323-857-6000 Exhibition Overview Scandinavian Design and the United States, 1890–1980, will be the first major international loan exhibition to examine the extensive design exchanges between the United States and the Nordic countries (Denmark, Finland, Iceland, Norway, and Sweden) during the twentieth century. The exhibition will examine how both Nordic ideas about modern design and the objects themselves had an indelible impact on American culture and material life, as well as demonstrate America’s influence on Scandinavian design. Divided into the six thematic sections described herein, the exhibition will comprise exceptionally beautiful examples of furniture, glass, ceramics, architectural drawings, jewelry and metalwork, and graphic and product design. Through rich and varied accounts of Scandinavian designers who immigrated to America and Americans who studied or worked Lillian Holm (born in Nordic countries; the ambitious campaigns to market and export Scandinavian Sweden, 1896–1979, design to American consumers via world’s fairs, museum exhibitions, and retail active United States), First Sight of New outlets; and the American and Nordic figures who championed sustainable and York, ca. 1930. Flint accessible design practice, the exhibition will present a new international narrative Institute of Arts about the history of design. Extensive didactic materials and integrated media components showing period photographs and advertisements will contextualize the objects and explicate their dual Scandinavian and American connections.
    [Show full text]
  • Reassessment of Values and Aesthetics in Contemporary Nordic Design Skou, Niels Peter; Munch, Anders V
    University of Southern Denmark New Nordic and Scandinavian retro Reassessment of values and aesthetics in contemporary Nordic design Skou, Niels Peter; Munch, Anders V. Published in: Journal of Aesthetics & Culture DOI: 10.3402/jac.v8.32573 Publication date: 2016 Document version: Final published version Citation for pulished version (APA): Skou, N. P., & Munch, A. V. (2016). New Nordic and Scandinavian retro: Reassessment of values and aesthetics in contemporary Nordic design. Journal of Aesthetics & Culture, 8(1), [32573]. https://doi.org/10.3402/jac.v8.32573 Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 30. Sep. 2021 Journal of AESTHETICS & CULTURE Vol. 8, 2016 New Nordic and Scandinavian Retro: reassessment of values and aesthetics in contemporary Nordic design Niels Peter Skou and Anders V. Munch* Department of Design and Communication, University of Southern Denmark, Odense, Denmark Abstract Anders V. Munch, Dr. Phil., is a The ‘‘New Nordic’’ label has spread in the design world professor in design culture at the Depart- since 2005, but it is quite difficult to distinguish from the ment of Design and Communication, Uni- image of ‘‘Scandinavian Design’’ and the heritage of values versity of Southern Denmark, Kolding.
    [Show full text]
  • PALE NORDIC ARCHITECTURE Why Are Our Walls So White?
    PALE NORDIC ARCHITECTURE Why are our walls so white? BATCHELOR’S THESIS SISKO ANTTALAINEN AALTO UNIVERSITY PALE NORDIC ARCHITECTURE – WHY ARE OUR WALLS SO WHITE? – ABSTRACT The aim was to investigate the perception of whiteness in Nordic architecture and analyse the rea- sons behind the pale colour scheme in a public space context. The word pale was used alongside with white, since it gave broader possibilities to ponder over the topic. The geographical research area was framed to cover Sweden and Finland, although the search for underlying reasons extended beyond the borders of the North. Architecture was viewed as an entity, including both exteriors and interiors. The focus was on reasoning around the question “why” to arouse professional discourse about the often-unquestioned topic. Analysing the background of a commonly acknowledged phe- nomenon strives to make architects more conscious of the background of their aesthetics so that future decisions can be based on a more complex set of knowledge rather than leaning on tradition. Because of the wide demarcation of the research question, the project started with self-formulated hypothesis, after which they were thoroughly analysed. The formulated pre-assumptions were, that the Nordic paleness is, firstly, a consequence of misinterpreted past architecture. Moreover, natu- ral circumstances of the North, the symbolism connected to white and the tradition of canonising modernism were established as hypothesis. Lastly, architect education, combined with the tendency of prototyping with white materials were assumed to endorse the pale colour scheme. The misinter- pretations’ possible implication in the perception of whiteness was also examined as a part of the re- 1 search.
    [Show full text]
  • Scandinavian Design and New Nordic Identifying Challenges and Opportunities Related to Being Part of the Strong Nordic Design Tradition
    Scandinavian Design and New Nordic Identifying challenges and opportunities related to being part of the strong Nordic design tradition Emilie H. Weydahl Department of Design NTNU, Norwegian University of Science and Technology ABSTRACT Scandinavian Design had its Golden Age in the 50’s and 60’s. It is described as authentic, functional, democratic and modern, but at the same time a bearer of tradition. Many young designers felt burdened by the strong heritage, but Nordic designers have now taken on the approach “freedom through submission”. During the last 10-20 years they have been in the process of rediscovering the Nordic tradition. “New Nordic” design is a reinterpretation of the traditions from Scandinavian Design. There has been a change of focus from production to communication when designing products. New Nordic design portrays a dream picture of Nordic people as careful, responsible consumers, but rising tension, political polarization and the fact that Nordic consumption habits are far from sustainable are threatening this image. KEYWORDS: Scandinavian Design, New Nordic, tradition, heritage, identity 1. INTRODUCTION Architecture critic Kurt W. Forster believes that The term “Scandinavian Design” is used for the design and architecture from the Nordic design from the Nordic countries, excluding countries had a peak in the 20’s and 30’s led by Iceland, from 1950 to 1970 (Fallan, 2003). The architects like Alvar Aalto, then again a Golden term has its origin from the traveling exhibition Age in the 50’s and 60’s at the same time as the “Design in Scandinavia” that toured the USA and welfare system in the Nordic countries was Canada in the period 1954-1957.
    [Show full text]
  • Results of Project Phase 1
    EUROPEAN MARKET OBSERVATORY FOR FISHERIES AND AQUACULTURE PRODUCTS RESULTS OF PROJECT PHASE 1 - EXECUTIVE SUMMARY – APRIL 2011 This study was conducted by: In partnership with: This study is financed by the European Commission, DG-MARE. The views and conclusions presented in this executive summary reflect the opinion of the author(s) and do not necessarily reflect the opinion of the Commission or of its officers. i CONTENTS 1 Overarching objective and work plan .............................................................................................. 1 2 Specific objectives of the EUMOFA .................................................................................................. 1 3 Methodology adopted for the “state of play” analysis ..................................................................... 2 4 Survey results and data feeding proposals by stage of the supply chain ............................................ 3 4.0 Overall findings which could limit future data gathering ........................................................................... 5 4.1 First sale stage ........................................................................................................................................... 6 4.1.1 Results of the survey and most relevant sources identified .................................................................... 6 4.1.2 Data feeding structural options, by project objective .............................................................................. 8 4.2 Wholesale stage ........................................................................................................................................16
    [Show full text]
  • Nordic Interior Design Pdf, Epub, Ebook
    NORDIC INTERIOR DESIGN PDF, EPUB, EBOOK Manuela Roth | 208 pages | 16 Mar 2011 | Braun Publishing AG | 9783037680704 | English | Salenstein, Switzerland Nordic Interior Design PDF Book The streamlined silhouette and glossy blue finish of this modern industrial pendant light will illuminate your favorite spaces while adding a touch of rich color. Because of that here is combined with a tree in natural color with a brick wall. The most notable is the continuous support that the country has provided to its residents through various housing programs. By using these neutral shades, you can create a pure and peaceful atmosphere in your Scandinavian home. While hanging on the balcony or in the bathroom we must take care of the moisture, too much moisture can cause damage to the image, so that in these areas do not put valuable artistic acts. A continuous-line piece gives plenty of personality without having to worry about clashing colors. When color is used in Scandinavian interiors, it's often in small bursts or bright hues—almost in a gallery style. MyDomaine uses cookies to provide you with a great user experience. Get the Look: Contemporary Kashkuli Rug. It's no surprise the Swedes turn towards monochrome artwork, like in this Gothenburg home , considering the rest of their house tends to stay in the realm of black and white. Gabrielle Savoie. Rugs made from organic fibers or wool, sheepskin, and other textures, are ideal for adding texture and comfort. Her approach is to welcome all challenges and believe that creativity and uniqueness are the results of thinking positive.
    [Show full text]
  • The Efficiency Issues on the Animation Production Stages
    THE EFFICIENCY ISSUES ON THE ANIMATION PRODUCTION STAGES WAN MUHAMMAD BIN WAN ABDUL AZIZ MASTER OF ART 2017 The Efficiency Issues On The Animation Production Stages by WAN MUHAMMAD BIN WAN ABDUL AZIZ A thesis submitted in fulfillment of the requirements for the degree of Master of Art Faculty of Creative Technology and Heritage UNIVERSITI MALAYSIA KELANTAN 2017 THESIS DECLARATION I hereby certify that the work embodied in this thesis is the result of the original research and has not been submitted for a higher degree to any other University or Institution. OPEN ACCESS I agree that my thesis is to be made immediately available as hardcopy or on-line open access (full text). EMBRAGOES I agree that my thesis is to be made available as hardcopy or on-line (full text) for a period approved by the Post Graduate Committee. Dated form___________ until _____________ CONFIDENTIAL (Contains confidential information under Official Secret Act 1972)* RESTRICTED (Contains restricted information as specified by the organization where research was done)* I acknowledge that University Malaysia Kelantan reserves the right as follows. 1. The thesis is the property of University Malaysia Kelantan. 2. The library of University Malaysia Kelantan has the right to make copies for the purpose of research only. 3. The library has the right to make copies of the thesis for academic exchange. ________________________ ___________________________ SIGNATURE SIGNATURE OF SUPERVISOR 850425-03-5219 DR NIK ZULKARNAEN BIN KHIDZIR Date: Date: i ACKNOWLEDGEMENT Author the opportunity to express the gracefully to Allah s.w.t for giving a strength to complete writing thesis.
    [Show full text]