Steely Dan Pretzel Logic Mp3, Flac, Wma

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Steely Dan Pretzel Logic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Pretzel Logic Country: Yugoslavia Released: 1975 Style: Jazz-Funk, Pop Rock MP3 version RAR size: 1300 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1583 mb Rating: 4.4 Votes: 446 Other Formats: VOC VOC MOD AU FLAC ADX DTS Tracklist Hide Credits A1 Rikki Don't Lose That Number 4:30 A2 Night By Night 3:36 A3 Any Major Dude Will Tell You 3:05 A4 Barrytown 3:17 East St. Louis Toodle-Oo A5 2:45 Written-By – Bubber Miley, Duke Ellington B1 Parker's Band 2:36 B2 Through With Buzz 1:30 B3 Pretzel Logic 4:28 B4 With A Gun 2:15 B5 Charlie Freak 2:41 B6 Monkey In Your Soul 2:31 Companies, etc. Manufactured By – MCA Records, Inc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Pressed By – MCA Pressing Plant, Pinckneyville Published By – MCA Music Published By – Mills Music, Inc. Published By – Red Giant Music, Inc. Engineered At – The Village Recorder Mixed At – Cherokee Studios Credits Art Direction, Photography By – Ed Caraeff Bass – Chuck Rainey, Timothy B. Schmit, Wilton Felder Bass, Guitar – Walter Becker Design – David Larkham Drums – Jeff Porcaro, Jim Gordon, Jim Hodder Engineer – Roger Nichols Guitar – Ben Benay, Denny Diaz*, Jeff Baxter Guitar, Banjo – Dean Parks Keyboards – David Paich, Michael Omartian Keyboards, Percussion – Victor Feldman Management – Kudo III Orchestrated By – Jimmie Haskell Photography By – Raenne Rubenstein* Producer – Gary Katz Saxophone – Ernie Watts, Jerome Richardson, Plas Johnson Trumpet – Ollie Mitchell Vocals, Keyboards – Donald Fagen Written-By – Donald Fagen (tracks: A1 to A4, B1 to B6), Walter Becker (tracks: A1 to A4, B1 to B6) Notes Originally released in 1974. Engineered by Roger Nichols at the Village Recorder, West Los Angeles, California. Overdub and mixdown at Cherokee Sound, Chatsworth, California Barcode and Other Identifiers Barcode: 07673215931 Matrix / Runout (Side A runout): AB 808-A FDS-1 ◈ P ◈ Matrix / Runout (Side B runout): AB 808-B W4 ◈ P ◈ Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Pretzel Logic (LP, ABCD-808 Steely Dan ABC Records ABCD-808 US 1974 Album, Gat) Pretzel Logic (LP, ABCD-808 Steely Dan ABC Records ABCD-808 US 1974 Album, Gat) Pretzel Logic (LP, ABCD-808 Steely Dan ABC Records ABCD-808 US 1978 Album, RP, Gat) Pretzel Logic (Cass, MCA Records, MCLC 19081 Steely Dan MCLC 19081 UK Unknown Album, RE, Dol) Inc. Pretzel Logic (Cass, MCAC-37042 Steely Dan MCA Records MCAC-37042 Canada Unknown Album, RE) Related Music albums to Pretzel Logic by Steely Dan Duke Ellington And His Orchestra, Bubber Miley - Blue Bubbles / Blues I Love To Sing Duke Ellington And His Orchestra - East St. Louis Toodle-Oo / Rockin' Chair Steely Dan - Metal Leg Duke Ellington - The Music Of Duke Ellington Played By Duke Ellington Steely Dan - The Very Best Of Steely Dan - Reelin' In The Years- Duke Ellington And His Famous Orchestra - Braggin' In Brass / The New East St. Louis Toodle-O Steely Dan - Pretzel Logic / Through With Buzz Sparks - When I Kiss You (I Hear Charlie Parker Playing).

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Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom.
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Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A
Neg(oti)ating Fusion: Steely Dan’s Generic Irony by Ethan Krajewski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2018 © 2018 Ethan Patrick Krajewski To my parents for music and language Acknowledgements My biggest thanks go to my advisor, Professor Julian Levinson, as a teacher, mentor, and friend, for helping me think, talk, write, and (most importantly, I think) laugh about seventies rock music. You’ve helped make this project fun in all of its rigor and relaxed despite all of the stress that it’s caused. I’d also like to thank Professor Gillian White for leading our cohort toward discipline, and for keeping us all grounded. Also for her spirited conversations and anecdotes, which proved invaluable in the early stages of my thinking. I wouldn’t be here writing this if it weren’t for Professor Supriya Nair, who pushed me to apply for the program and helped me develop the intellectual curiosity that led to this project. The same goes for Gina Brandolino, who I count among my most important teachers and role models. To the cohort: thank you for all of your help over the course of the year. You’re all so smart, and so kind, and I wish you all nothing but the best. To Ashley: if you aren’t the best non-professional line editor at large in the world, then you’re at least second or third. I mean it sincerely when I say that this project would be infinitely worse without your guidance.
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STEELY DAN - from Page 2 Thursday, July 25 Sunday, July 28 and the Americans a Few Months Later
-------------------- Calendar • Karaoke & DJs ------------------- STEELY DAN - From Page 2 Thursday, July 25 Sunday, July 28 and the Americans a few months later. Jay Black, the Jay of Jay and the Americans, called Becker and Fagen Starkweather and Manson. ANGOL A FORT WA YNE Skip’s Party Place — Rock Star Karaoke, 8 p.m. After Dark — Dance videos & karaoke, 9:30 p.m. That was in 1971. Later in 1971 in New York Becker and Fagen met AUBURN Checkerz Bar & Grill — American Idol Karaoke w/TJ, 7 p.m. the producer Gary Katz. When Katz got a job at ABC Records in Los 4 Crowns — Shotgun Prod. Karaoke, 10 p.m. Crooners Karaoke Bar — House KJ, 9 p.m. Angeles, he invited the duo to come along as songwriters. Attempts to Mimi’s Retreat — Karaoke, 8 p.m. Tycoon’s Cabaret and Grill — Shooting Star Prod. w/Nacho, 9 find a suitable band to perform their increasingly complex tunes failed, so FORT WA YNE p.m. Arena Bar & Grill — American Idol Karaoke w/Jay, 8 p.m. they put together a group of studio musicians, including Denny Dias and Crooners Karaoke Bar — House KJ, 9 p.m. Jeff “Skunk” Baxter on guitar, Jim Hodder on drums and David Palmer Deer Park Irish Pub — Bucca Karaoke w/Bucca, 10 p.m. Monday, July 29 Latch String Bar & Grill — Ambitious Blondes Ent., 10 p.m. on vocals. Katz produced, Becker played bass and Fagen played keys FORT WA YNE North Star Bar & Grill — Karaoke w/Michael Campbell, 8 p.m. and sang, reluctantly. (On a few songs Fagen’s voice reminds me of Al- After Dark — Karaoke, 10:30 p.m.
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RND Sept. 21-2010
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November 1992
VOLUME 16, NUMBER 11 THE DRUMMERS FEATURES OF STEELY DAN NICK Steely Dan's music was simply TRILOK unique—very cool, very popular, MENZA and VERY well performed. The GURTU drummers who took part in the Megadeth's Nick Menza has proceedings—players like Purdie, By melding Indian rhythms and proven that perseverance and Porcaro, Gadd, Keltner, Gordon, instruments with those of jazz drive—plus a good dose of Marotta—were indisputably at and funk drumming, Trilok ability—can lead to the path of the top of their craft. Learn Gurtu has become one of the glory. Take an up-close look at about the history and most unusual and carefully Menza in this exclusive significance of the watched drummers today. interview, and check out Dan's music and Recently Gurtu has taken his Nick's bombastic setup. 28 drummers in this 32 magic in the studio and on • by Matt Peiken special MD feature. the road with John McLaughlin. • by Ken Micallef Find out what makes this unique talent tick in this insightful interview. 22 • by Rick Mattingly DRUM WORKSHOP REVISITED Since the last time we dropped by, DW has made a change or two beyond simply making hard- ware—like expanding their opera- tion and becoming a respected and important force in the drum industry. Catch up on the inner workings of this unusual company. 36 • by Rick Van Horn COVER PHOTO BY EBET ROBERTS COLUMNS Education 60 ROCK 'N' Equipment JAZZ CLINIC Drummers Recycle! 42 PRODUCT BY DAVID GARIBALDI Departments CLOSE-UP News 76 ROCK Consumers Poll Results 4 EDITOR'S BY RICK VAN HORN OVERVIEW PERSPECTIVES 43 Paiste Alpha Cymbals 8 UPDATE Half-Time BY RICK VAN HORN Frank Sinatra's Shuffle Grooves 6 READERS' Gregg Field, Ron Wikso BY MARK HURLEY 44 Kenner Snare Drums PLATFORM of the Storm, and Denny BY RICK VAN HORN Seiwell, plus News 98 LATIN 45 Cannon Dead Heads 12 ASK A PRO SYMPOSIUM BY RICK VAN HORN 128 INDUSTRY 6/8 Rhythms And 46 Slappers HAPPENINGS Variations BY RICK VAN HORN 16 IT'S BY CHUCK SILVERMAN QUESTIONABLE Power Wrist Builders BY RICK VAN HORN 123 TEACHERS' 20 IMPRESSIONS Profiles FORUM 50 NEW AND Will Kennedy On..
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By Ashleykahn Revealingly, Walter Becker, Steely Dan's Cofounder
By Ashley Kahn hapsodically , and revealingly, Walter PBecker, Steely Dan’s cofounder, recently perPormers described paradise: “It’s the club where all THE STEELY DAN ADVANCED PLACEMENT EXAM • the jazz greats who are Explain the importance of each of the following in the far-reaching and fractured worldview of Steely Dan: l dead still play. Ellington (ANSWERS APPEAR AT END OF ESSAY.) l and Monk and Coltrane 1. Beat w riter W illiam S. Burroughs. 2. A root-beer float. ; and Parker, and it’s the 3. Annandale, New York. ; original music and the 4. Sixties LSD wizard Owsley. 5. Precious-metal dentures. l old arrangements and 6. Early jazz trumpeter Bubber Miley. 7. The University of Alabama football team. l the original styles, and 8. Nineteenth-century French novelist Joris-Karl Huysmans. l there are beautiful wait- 9. Legendary saxophonist W ayne Shorter. l resses and cheap beer.” 10. October 25,1929. I Virtual as Becker’s venue l of choice may be, it l houses the stuff that l Steely Dan are made of. Steely Dan: Donald Fagen (lePt) and Walter Becker i uRiNG t h e s e v e n t i e s , Building office of Jay and the Americans an era while searching for songwriting work. They given to outrageous gestures and were hired, first to compose songs (Barbra Streisand’s “I Mean to Shine” was a rare ear 4/4 thunder, Steely Dan taught rock ly sale) and then to perform with Jay and his to swing. With pointed wit, intelli oldies group.
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Billboard 1976-06-12
.:. t Salsa JUL 79 08120 9002!>> JTfs*009 1331 52 67 312 313270141214 PUt? BB . SIì, SÍUTtiL_ BLVD NEWSPAPER 6'32 2 NWLYW.,Ct.J CA 9J. 2 L'-1) ;."``J_L.ïS A Billboard Publication The International Music -Record -Tape Newsweekly June 12, 1976 $1.50 Indie Production In ONE MAN GRABS $52,000 Union Musicians Slicing I ¡Country Mart Rising By GERRY WOOD $10 Million Recording Pie NASHVILLE -With independ- U.K. Labels' TV By IS HOROWIIZ ent producers accounting for an un- precedented 64;; of the songs on NEW YORK An all -time high of sion musicians, however, will fall musicians union futtd spokesman. IN Usage Increases Billboard's Hot Country Singles $ 10,391.949 was funneled into the some $276,000 under last year's His take will be the heftiest ever paid chart, the trend toward independent AFM's Special Payments Fund by record payout of $9.915.620. an individual from this source. By PETER JONES production continues in country record manufacturers for the year But one player will receive a lump At the same time, it was learned LONDON -Trying to combat music -one of the last bastions of in- ending April 30. payment of "about $52.000" when that combined U.S. and Canadian fear be a what they could bleak, house production. Actual distribution to AFM se- checks go out Aug. 1. according to a recording session wages to union poor sales summer. Britain's major musicians rose about 14`i to a new That's a remarkable surge in a record companies are going for big field of music historically known for summit of $23,826,860 in 1975.
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Abc Abcx-758
ABC ABCX-758 Personnel Jeff “Skunk” Baxter (g, el-g); Walter Becker (voc, el-b); Denny Dias (g, el-si); Donald Fagen (voc, p, el-p, org); Jim Hodder (voc, d, perc); David Palmer (voc); and others Tracks Do It Again; Dirty Work; Kings; Midnite Cruiser; Only A Fool Would Say That; Reelin’ In The Years; Fire In The Hole; Brooklyn (Owes The Charmer Under Me); Change Of The Guard; Turn That Heartbeat Over Again Mit Steely Dan verbinden sich Two names in particular spring vor allem zwei Namen: Donald to mind in connection with Fagen und Walter Becker. Beide Steely Dan: Donald Fagen and hatten bereits Ende der 60er Walter Becker. The two men dis- Jahre am College gemeinsam in covered while at college at the verschiedenen Bands ähnliche end of the Sixties that they musikalische Vorlieben ent- shared musical tastes, although deckt und sich in der Folge als they played in different bands. Song-Writer-Duo betätigt, ehe They subsequently formed a ihnen dann 1972 der Durch- songwriter duo before making bruch mit Steely Dan (der Name their breakthrough in 1972 geht auf William Burroughs under the name Steely Dan (a Roman The Naked Lunch zurück) name which came from William und dem Debüt-Album der Burrough’s novel The Naked Band, Can’t Buy A Thrill, gelang. Lunch) with their debut album Das Album hielt sich über ein Can’t Buy A Thrill. This LP re- Jahr in den Billboard Charts, mained for over a year in the und der Single-Auskopplung Do Billboard charts, and the single It Again gelang mühelos der Steely Dan taken from the album, Do It Sprung in die Top Ten.
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In the First Installment of Our Mammoth Two-Part Feature, Mark Buckingham
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Back to Bosstown. PUB DATE 28 Nov 91 NOTE 33P.; Paper Presented at the Annual Meeting of the American Culture Association (San Antonio, TX, March 27-31, 1991)
DOCUMENT RESUME ED 331 107 CS 507 433 AUTHOR Burns, Uary TITLE Back to Bosstown. PUB DATE 28 Nov 91 NOTE 33p.; Paper presented at the Annual Meeting of the American Culture AsSociation (San Antonio, TX, March 27-31, 1991). For a previous study, see ED 292 153. PUB TYPE Speeches/Conference Papers (150)-- Viewpoints (Opinion/Position Papers, Essays, etc.) (120)-- Historical Materials (060) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Higher Education; Mass Media Use; Media Research; Musicians; *Popular Culture; Publicity; Research Methodology; *Rock Music IDENTIFIERS Media History; Music Ensembles; Popular Music ABSTRACT "Bosstown Scand" was a slogan used to promote several Boston (Massachusetts) rock bands in 1968. In theory, theBosstown Sound was a logical development to follow the San Francisco "sound," which included the Grateful Dead, Jefferson Airplane, MobyGrape, and other Bay Area bands that had been commercially successful in 1967. However, Bosstown Sound was not a major commericalsuccess; on the contrary, it became notorious as a failed hype. Whatever excitement the hype originally generated was over withina year. A surprisingly large volume of published materials about Bosstown exists, butit is in farflung places and often hard to locate. Existing archival materials allow for a brief description of the activitiesof 18 separate bands representing the Bosstown 60und. Futureinvestigations will include interviewing members of these bandsto clear up the enigmas in the puzzle that was Bosstown Sound and to contributeto the serious study of rock music. (Fourteen notes are included;a discography is attached.) (RS) *********************************************************************** Reproductions supplied by EDRS are the best thatcan be made from the original document.
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Walter Becker North Hollywood, California 1989
Walter Becker North Hollywood, California 1989 r Becker is a mysterious guy for a number of reasons. As the nonsinging be, of Becker and Fagen, the core of Steely Dan, his contributions to songs were never certain. More than a decade now since the release of ir last album, Gaucho, it's still difficult to go back over their' records and mguish Becker's ideas from Fagen's. This mystery was fortified by the fact that for many years, Steely Dan ex- only in the studio, so fans had no way of seeing Becker in action. And king at the album photos didn't help at all: Donald and Walter made a t of appearing as distant as possible by wearing shades and never smiling, ndencv that led even Rickie Lee Jones to believe that they simply weren't nice. (In fact, they were just trying to look cool, as Walter explains.) Then there are the songs. Since they met at Bard College in New York, ker and Fagen shared an enthusiasm for expanding the potential of the ng both in terms of lyrical and harmonic content. Since Donald's nasal New Irkvoice was better suited for irony than sincerity, they veered off the well- den path of introspective songwriting others were taking in the seventies to create brilliant oppositions of words and music: succinct, sardonic lyrics set to the slickest, tightest jazz a pop song could hold. They shared a passion, border- on obsession, to push the limits of what songs can do while staying within e realm of rock; they explored previously unexplored lyrical areas with a wit d literate ingenuity few others possessed at the time.
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Download Press Release As PDF File
PROPERTY FROM THE ESTATE OF WALTER BECKER PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE ESTATE OF WALTER BECKER Multi-grammy winning Steely Dan co-founder, guitarist and co-songwriter’s 1957 Fender Duosonic “Aja” guitar, stage-played signature model #1 Sadowsky guitar, rare Bacon & Day Senorita S.6 Model guitar, 1936 D’angelico Excel guitar, amplifiers, speaker cabinets, recording gear and more to rock two-day auction event OCTOBER 18-19, 2019 Los Angeles, California – (July 15, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced PROPERTY FROM THE ESTATE OF WALTER BECKER, a two-day celebration of the musical artistry of famed Steely Dan co-founder, co-songwriter, bassist, producer and guitarist to take place on Friday, October 18-Saturday, October 19 live at The Standard Oil Building in Beverly Hills and live online at juliensauctions.com. Rocking the auction stage will be an exceptional and massive collection of the jazz rock legend’s stage-played and recorded guitars made by D’Angelico, Sadowsky, Gibson, Fender, Martin and others as well as amplifiers, speakers, recording gear and ephemera. PAGE 1 Julien’s Auctions | 8630 Hayden Place, Culver City, California 90232 | Phone: 310-836-1818 | Fax: 310-836-1818 © 2003-2019 Julien’s Auctions PROPERTY FROM THE ESTATE OF WALTER BECKER PRESS RELEASE Known for his sublime and immediate identifiable guitar tone, his intimate knowledge of the tools of studio and stage, and his unique, impeccable ear, Becker is heralded as one of the most potent forces in popular music of the last 50 years.
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