Justice, Justification and Self-Respect

Total Page:16

File Type:pdf, Size:1020Kb

Justice, Justification and Self-Respect JUSTICE, JUSTIFICATION AND SELF-RESPECT by CATRIONA McKINNON A thesis submitted to the University of London in accordance with the requirements of the degree of PhD in the Department of Philosophy, University College London. ProQuest Number:10015011 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015011 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the role of self-respect in liberal justification and debates about justice, it is argued that self-respect depends on doing certain things with the right self-conception, and thus that there are two sorts of ways in which political institutions and procedures governing the distribution of goods can impede the development of self-respect: by damaging the conditions of self-respect supporting action, and by undermining self­ conceptions without which putative self-respect supporting action is impotent. With respect to questions of liberal justification, acceptance or rejection of opportunity for self-respect as a criterion of justice does not settle hard metaethical questions about the extent to which political justification should mirror moral truth. Nevertheless, positing self-respect as a justificatory value helps in clarifying what is at issue between the two dominant positions. Perfectionism and Neutralism. With respect to justice-related questions about liberty and group membership, appeal to opportunity for self-respect allows for a fine-grained distinction between different sorts of groups, which supports an unequal distribution of the right to exclude consistent with the priority of liberty. With respect to distributive justice, appeal to opportunity for self-respect recommends a sufficiency approach to the distribution of economic goods qua social basis of self-respect, and suggests the adoption of unconditional basic income as policy. To Dad and Fiona, with love. TABLE OF CONTENTS Acknowledgements 6 - 7 Introduction 8-13 Chapter One: Liberal Justification 14 - 43 1.1 Outline 14 1.2 The Need for Justification 15 1.3 Access and Acceptance 19 1.4 The Liberal Ideal 23 1.5 Perfectionist Justification 29 1.6 Neutralist Justification 37 Chapter Two: The Liberal Dichotomy 44 - 92 2.1 Outline 44 2.2 Raz’s Challenge 46 2.3 A Neutralist Strategy 51 2.4 Self-Respect: An Intuitive Thought 58 2.5 Self-Respect and the Stepford Wives 61 2.6 Strong Evaluation and Self-Respect 72 2.7 The Liberal Dichotomy 83 Chapter Three: Self-Respect 93 -130 3.1 Outline 93 3.2 Self-Respect: Some Meta-Features 95 3.3 Rawlsian Self-Respect 107 3.4 An Inclusive Constituency 129 Chapter Four: Liberty 131 -167 Outline 131 2 The Social Bases of Self-Respect 133 3 Equal Liberty 139 4 The Priority of Liberty 146 5 Self-Respect and the Two Moral Powers 155 Chapter Five: Self-Respect and Group Membership 168 - 211 5.1 Outline 168 5.2 The ‘Communitarian’ Approach 171 5.3 Group Membership: Kymlicka and Raz 179 5.4 Group Membership: Practical Opportunities 190 5.5 Exit and Entry 198 5.6 The Right to Exclude 203 Chapter Six: Distributive Justice: Advantage 212 - 257 6.1 Outline 212 6.2 Two Problems for Rawls 216 6.3 Envy and Equality: A First Look 227 6.4 Envy and Equality: A Second Look 233 6.5 Self-Respect and Envy 239 6.6 Maximin Opportunity for Self-Respect:Towards Sufficiency? 253 Chapter Seven: Distributive Justice: Unconditional Basic 258 - 301 Income 7.1 Outline 258 7.2 Current Conditional Benefits 263 7.3 Willingness to Work 267 7.4 Means-Testing 273 7.5 Contribution-Reciprocity: Surfers as Scroungers 279 7.6 Rawlsian Reciprocity: Surfers as Cheats 294 7.7 Conclusion 301 Conclusion 302 - 307 Bibliography 308 - 327 Acknowledgements. I have been very lucky in the help and support I have received from friends, family and colleagues over the last four years of reading and writing. First and foremost, I want to thank my two supervisors, Jonathan Wolff and Véronique Munoz-Dardé, both at the Dept, of Philosophy, University College London. Their acuity, encouragement, generosity, understanding, sound advice, good humour and, above all, philosophical talent have shown me what it is to be a good academic and a decent person. I am certain that I could not have finished this without them and I am very grateful to them both. Next I would like to thank my colleagues in and around the Dept, of Politics, University of Exeter for their warmth and intellectual stimulation. Thanks in particular for their kindness and help to Dario Castiglione, Iain Hampsher-Monk, Andy Hindmoor, Cécile Laborde, Nigel Pleasants and Keith Zimmerman. Some good friends have kept me from brooding and worrying. Thanks to Karen Chung, Ian Cross and Baby Boo for making me laugh, to Neil Storer for his understanding and patience, to Hallvard Lillehammer for his sense of perspective and solidarity, and to Jamie Munn for his positivity, optimism and companionship. I have talked about various parts of this thesis in different places. Material on Rawls in chapter 3 was presented at the University of Reading, December 1995. A version of ‘Self-Respect and the Stepford Wives’ (2.5) was read to the Joint Session of the Mind Association and the Aristotelian Society, University College Dublin, July 1996, and was subsequently published in the Proceedings of the Aristotelian Society Vol. XCVII. I discussed a very early draft of material in 5.2 at the Wolfson Society, University of Oxford, December 1996. In May 1997 I gave paper on ‘Self- Respect and Cultural Diversity’ at the Royal Irish Academy’s conference on ‘Liberalism and Pluralism’; this served as the basis for chapter 5. In December 1997 I presented a paper on Envy to the Exeter Political Theory Workshop; the same paper was read to the UCL Philosophy Society in March 1998. I presented material on Justification at the Political Studies Association Annual Conference at Keele University in April 1998. Finally, many early drafts of chapters were presented to the UCL Senior and Thesis Seminars. Thanks to audiences at all these meetings. Finally, I want to thank my dad, Jim, and my sister, Fiona, for their unswerving support and love, and for their faith that this thesis would eventually materialise. Two years of work for this thesis was supported by a studentship from the British Academy Humanities Research Board. INTRODUCTION Most people would agree that self-respect is of great importance in their lives. The loss of self-respect is seen as a thing to be feared, associated with personal tragedy and social ostracization. Miners in dole queues, delinquents on council estates, and homeless people under Waterloo bridge form the focus of television news reports lamenting the loss of social conditions—full employment, a sense of community, the provision of housing and welfare benefits—enabling every member of society to see themselves as the equal of all others, and to live a fulfilling life. The loss of self-respect can also serve as the stuff of great drama. In Arthur Miller’s Death of a Salesman Willy Loman struggles to disguise, from his family and himself, the damage done to his self-respect by his failure to achieve an illusory dream. In Robert Bolt’s A Man For All Seasons Thomas More refuses renounce the authority of the Pope, claiming that ‘The Apostolic Succession of the Pope is—... Why, it’s a theory yes; you can’t see it; can’t touch it; it’s a theory. But what matters to me is not whether it’s true or not but that I believe it to be true, or rather not that I believe it, but that I believe it’.* Jude in Hardy’s Jude the Obscure dies in misery and self-loathing after resigning himself to an unhappy marriage, in part a reaction to the abandonment of his academic ambitions. When we react to Willy Loman’s story with pity, to Thomas More’s stance with admiration, and to Jude Pawley’s fate with horror I think we show that we value self-respect, and understand the enormity of losing it. The tragedy (in the cases of Willy Loman and Jude Fawley) and greatness (in the case of Thomas More) of these stories relates in large part to how the characters fight to protect their self-respect, regardless of their success. How, if at all, should this intuitive recognition of the importance of self- respect affect our thinking about political issues? In this thesis I explore the idea of self-respect as a critical tool for making progress in two areas of liberal egalitarian thought. The usefulness of self-respect as a conceptual resource has been under-appreciated by liberal thinkers who often make no more than a passing reference to self-respect. In many cases, self-respect is conflated with self-esteem and, implicitly or explicitly, put to one side in political debates as a psychological state like cheerfulness which, although important to the individual, lies outside the remit of political philosophy. I think that this conflation is a mistake, and that important opportunities for making progress in certain liberal debates are missed when it is made.
Recommended publications
  • The Stepford Wives Free
    FREE THE STEPFORD WIVES PDF Ira Levin,Chuck Palanhiuk | 160 pages | 21 Jul 2011 | Little, Brown Book Group | 9781849015899 | English | London, United Kingdom The Stepford Wives - Wikipedia Netflix uses cookies for personalization, to customize its online advertisements, and for other The Stepford Wives. Learn more The Stepford Wives change your cookie preferences. Netflix supports the Digital Advertising Alliance principles. By interacting with this site, you agree to our use of cookies. We use cookies why? You can change cookie preferences ; continued site use signifies consent. Contact us. Netflix Netflix. After moving to the beautiful suburb of Stepford with her husband, a woman begins to suspect something is radically wrong with the neighborhood wives. Watch all you want for free. Nicole Kidman and Matthew Broderick are new to a very strange neighborhood in this comedic remake. More Details. Watch offline. Available to download. This movie is Coming Soon. The Witcher: Blood Origin. In an elven world 1, years before Geralt of Rivia, the worlds of monsters, men and elves merge to become one — and the very first Witcher arises. In s Amsterdam, a family starts the first-ever phone sex line — but being in the business of sexual desires The Stepford Wives them to question their own. For employees of the Deep State, conspiracies aren't just theories — they're fact. And keeping them a secret is a full-time job. A The Stepford Wives known as the maverick of news media defiantly chases the truth in this series adaptation of the hit movie of the same name. A journalist investigates The Stepford Wives case of Anna Delvey, the Instagram-legendary heiress who stole the hearts -- and money -- of New York's social elite.
    [Show full text]
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
    [Show full text]
  • Cyborg Cinema and Contemporary Subjectivity
    Cyborg Cinema and Contemporary Subjectivity Sue Short Cyborg Cinema and Contemporary Subjectivity This page intentionally left blank Cyborg Cinema and Contemporary Subjectivity Sue Short Faculty of Continuing Education Birkbeck College, University of London, UK © Sue Short 2005 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2005 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 1–4039–2178–4 hardback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library.
    [Show full text]
  • Unseen Horrors: the Unmade Films of Hammer
    Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding.
    [Show full text]
  • Disturbia 1 the House Down the Street: the Suburban Gothic In
    Notes Introduction: Welcome to Disturbia 1. Siddons, p.212. 2. Clapson, p.2. 3. Beuka, p.23. 4. Clapson, p.14. 5. Chafe, p.111. 6. Ibid., p.120. 7. Patterson, p.331. 8. Rome, p.16. 9. Patterson, pp.336–8. 10. Keats cited in Donaldson, p.7. 11. Keats, p.7. 12. Donaldson, p.122. 13. Donaldson, The Suburban Myth (1969). 14. Cited in Garreau, p.268. 15. Kenneth Jackson, 1985, pp.244–5. 16. Fiedler, p.144. 17. Matheson, Stir of Echoes, p.106. 18. Clapson; Beuka, p.1. 1 The House Down the Street: The Suburban Gothic in Shirley Jackson and Richard Matheson 1. Joshi, p.63. Indeed, King’s 1979 novel Salem’s Lot – in which a European vampire invades small town Maine – vigorously and effectively dramatises this notion, as do many of his subsequent narratives. 2. Garreau, p.267. 3. Skal, p.201. 4. Dziemianowicz. 5. Cover notes, Richard Matheson, I Am Legend, (1954: 1999). 6. Jancovich, p.131. 7. Friedman, p.132. 8. Hereafter referred to as Road. 9. Friedman, p.132. 10. Hall, Joan Wylie, in Murphy, 2005, pp.23–34. 11. Ibid., p.236. 12. Oppenheimer, p.16. 13. Mumford, p.451. 14. Donaldson, p.24. 15. Clapson, p.1. 201 202 Notes 16. Ibid., p.22. 17. Shirley Jackson, The Road Through the Wall, p.5. 18. Friedman, p.79. 19. Shirley Jackson, Road, p.5. 20. Anti-Semitism in a suburban setting also plays a part in Anne Rivers Siddon’s The House Next Door and, possibly, in Richard Matheson’s I Am Legend (in which the notably Aryan hero fends off his vampiric next-door neighbour with a copy of the Torah).
    [Show full text]
  • TBS&E Issue No. 26 'Letter to the Editor'
    TBS&E Number 26 Page number 1 The following gives you the full picture, what I TBS&E Issue No. 26 originally sent, and some background on the 'Letters to the Editor' process. ‘Letter to the Editor’ To score a letter to the editor you usually have to be quick off the mark, 'clever' and address an issue that is still going to be 'tomorrow's news'. By Garry P Dalrymple PO Box 152, I believe that at the Sydney Morning Herald they receive towards 500 submissions a day and they Bexley North have space to publish about 20 each day. NSW 2007 AUSTRALIA Getting published isn't always easy to do, as you have to be lucky to be the first or the best to express sentiments on the issue in question. I've For the April 2008 ANZAPA Mailing written and sent in letters similar to others that were published, but I doubt that a traditional 'pen On Thursday March 20, 2008 my on paper' letter stands much of a chance these days, its either email or fax to get your letter in third letter was published by the before the early afternoon deadline for next Sydney Morning Herald. morning's paper. What they published was; According to my email Sent folder I have sent in 30 or so 'letters' resulting in three SMH publication credits to date! Before I looked it up I As an amateur astronomer I had expected the number to be much greater read your front-page offer of than this, 40 or 50 attempts etc.
    [Show full text]
  • GARDENERGARDENER Thethe Magazinemagazine Ofof Thethe Aamericanmerican Horticulturalhorticultural Societysociety May/June 2004
    TheThe AmericanAmerican GARDENERGARDENER TheThe MagazineMagazine ofof thethe AAmericanmerican HorticulturalHorticultural SocietySociety May/June 2004 Ornamental Legumes forfor EveryEvery LandscapeLandscape Expert Tips on Designing Vibrant Borders Garden Railroads Go First Class colorful and dependable $4.95 www.ahs.org.ahs.org 05> coneflowers 0173361 64751 contents Volume 83, Number 3 . May / June 2004 FEATURES DEPARTMENTS 12 TASTEFUL LEGUMES BY PAM BAGGETT 5 NOTES FROM RIVER FARM Legumes are not just for the vegetable patch. Find out how many 6 MEMBERS’ FORUM ornamental members of this family are growing in your garden. 8 NEWS FROM AHS 18 ARTFUL BORDERS 2004 AHS Children and Youth Garden BY KAREN BUSSOLINI Symposium at Cornell, successful indoor- plant workshop at River Farm, springtime Designer Lynden Miller’s blooms and children’s programs at River Irwin Perennial Garden at Farm, AHS hosts meeting of national the New York Botanical Partnership for Plant Based Learning. Garden abounds in inspi- ration for home gardeners. 11 AHS 2004 BOOK AWARD WINNERS Five exceptional garden books. THE ALLURE OF LOTUS 24 47 NATURAL CONNECTIONS BY ILENE STERNBERG The 17-year cicadas are coming. Don’t have the space or time for a full-size water garden? Growing a lotus in a container can be a satisfy- page 18 ing alternative. 28 CONEFLOWERS: AN AMERICAN CLASSIC page 47 BY KIM HAWKS Once considered weedy, coneflowers are now the darlings of 48 GARDENER’S NOTEBOOK plant breeders and mainstays in the summer border. New franklinia hybrid developed, fire department-approved plants for southern 34 GROUNDS FOR SCULPTURE California, saving the box huckleberry, rust- BY CAROLE OTTESEN resistant daylilies, Peter Raven to receive RHS In New Jersey, an artist and a Veitch Medal, chocolate industry could save Brazilian rainforest, milk as fungicide.
    [Show full text]
  • Title Catalog Link Section Call # Summary Starring 28 Days Later
    Randall Library Horror Films -- October 2009 Check catalog link for availability Title Catalog link Section Call # Summary Starring 28 days later http://uncclc.coast.uncwil. DVD PN1995.9. An infirmary patient wakes up from a coma to Cillian Murphy, Naomie Harris, edu/record=b1917831 Horror H6 A124 an empty room ... in a vacant hospital ... in a Christopher Eccleston, Megan Burns, 2003 deserted city. A powerful virus, which locks Brendan Gleeson victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, 30 days of night http://uncclc.coast.uncwil. DVD PN1995.9. An isolated Alaskan town is plunged into Josh Hartnett, Melissa George, Danny edu/record=b2058882 Horror H6 A126 darkness for a month each year when the sun Huston, Ben Foster, Mark Boone, Jr., 2008 sinks below the horizon. As the last rays of Mark Rendall, Amber Sainsbury, Manu light fade, the town is attacked by a Bennett bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the town's husband-and-wife Sheriff team stand 976-EVIL http://uncclc.coast.uncwil. VHS PN1995.9. A contemporary gothic tale of high-tech horror. Stephen Geoffreys, Sandy Dennis, edu/record=b1868584 Horror H6 N552 High school underdog Hoax Wilmoth fills up Lezlie Deane 1989 the idle hours in his seedy hometown fending off the local leather-jacketed thugs, avoiding his overbearing, religious fanatic mother and dreaming of a date with trailer park tempress Suzie. But his quietly desperate life takes a Alfred Hitchcock's http://uncclc.coast.uncwil.
    [Show full text]
  • 1 “Recognition Failure: Stepford Gods & Spiritual Amnesia” John 1:6-13
    “Recognition Failure: Stepford Gods & Spiritual Amnesia” John 1:6-13 March 3, 2019 Faith Presbyterian Church – Morning Service Pr. Nicoletti Our Scripture reading this morning is from the Gospel of John, chapter one, verses six through thirteen. Please listen carefully, for this is God’s Word for us this morning. “6 There was a man sent from God, whose name was John. 7 He came as a witness, to bear witness about the light, that all might believe through him. 8 He was not the light, but came to bear witness about the light. 9 The true light, which gives light to everyone, was coming into the world. 10 He was in the world, and the world was made through him, yet the world did not know him. 11 He came to his own, and his own people did not receive him. 12 But to all who did receive him, who believed in his name, he gave the right to become children of God, 13 who were born, not of blood nor of the will of the flesh nor of the will of man, but of God.” Surely all people are like grass. The grass withers, the flower fades, but the word of our God will stand forever. [Isa 40:7b-8] We come this morning to the next section of John’s prologue to his Gospel, and as we do we’re hit with a jarring claim that the Apostle makes here. It’s a claim that should shock us, and it should make both Christians and non-Christians uncomfortable.
    [Show full text]
  • Dr Cook's Garden
    The American Century Theater Presents Ira Levin’s Dr Cook’s Garden Audience Guide 2 September 9–October 4, 2008 Edited by Jack Marshall About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the Twentieth Century… what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. 3 These study guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. Table of Contents Ira Levin 4 By David McCourt Dr. Cook’s Ethics 8 By Jack Marshall The Killer Doctors 15 By Jack Marshall 4 Master of Suspense 22 By Pradeep Sebastian The American Century Theater Season 24 Ira Levin By David McCourt In 2003, the Mystery Writers of America honored novelist-playwright Ira Levin by awarding him its Grand Masters Award. It suited him well. He was born August 27, 1929 in the Bronx.
    [Show full text]
  • Cyborg Cinema and Contemporary Subjectivity
    Cyborg Cinema and Contemporary Subjectivity Sue Short Cyborg Cinema and Contemporary Subjectivity Cyborg Cinema and Contemporary Subjectivity Sue Short Faculty of Continuing Education Birkbeck College, University of London, UK © Sue Short 2005 Softcover reprint of the hardcover 1st edition 2005 978-1-4039-2178-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2005 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ,6%1,6%1 H%RRN '2, This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources.
    [Show full text]
  • Louise Mackenzie Thesis
    ABJECTION, PLACE AND THE MODERN CITY—PARIS IN JACQUES TATI’S PLAY TIME ABJECTION, PLACE AND THE MODERN CITY PARIS IN JACQUES TATI’S PLAY TIME Louise Elizabeth Mackenzie Master of Arts March 2021 School of Design Faculty of Health, Arts and Design Swinburne University of Technology A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy © Louise Mackenzie 2021 1 ABJECTION, PLACE AND THE MODERN CITY—PARIS IN JACQUES TATI’S PLAY TIME ABSTRACT This thesis explores how cinema contributes to our knowledge of the modern city by examining Jacques Tati’s representation of Paris in his 1967 comedy film Play Time. I argue that in the ultra-hygienic modern city depicted in the film, nature has become abject, resulting in its removal from the city. Hence, the threat of the abject keeps the modern citizen under control; this control is embedded in the rational, desensitised, modern architecture, which plays a significant role in creating the modern city. However, in the end the modern architecture is to a degree broken down, instigating a cavalcade of disorder, by M. Hulot, the main character, who in the role of a benevolent monster breaks this control, bringing a kind of freedom to the modern city. Furthermore, this thesis argues that Tati in his critique of the modernisation of Paris in the post-World War II period—and the intertwining of his lived experience of the city within his story telling—make Play Time a filmic document that informs our understanding of the city. Literature on the history of the urban modernisation of Paris during the 19th and 20th centuries and the literature addressing the cinematic explorations of the city are applied to investigate the research questions, in combination with works by authors Mary Douglas on “dirt” and social control, Julia Kristeva on abjection, and Robin Wood on political control.
    [Show full text]