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The Sinicization of Indo-Iranian Astrology in Medieval China
SINO-PLATONIC PAPERS Number 282 September, 2018 The Sinicization of Indo-Iranian Astrology in Medieval China by Jeffrey Kotyk Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Safety Data Sheet According to Regulation (EC) No 1907/2006 Page 1 of 11
Safety Data Sheet according to Regulation (EC) No 1907/2006 Page 1 of 11 sds no. : 153497 V003.2 Loctite 574 Revision: 13.09.2013 printing date: 18.10.2013 SECTION 1: Identification of the substance/mixture and of the company/undertaking 1.1. Product identifier Loctite 574 1.2. Relevant identified uses of the substance or mixture and uses advised against Intended use: Anaerobic Sealant 1.3. Details of the supplier of the safety data sheet Henkel Limited 2 Bishop Square Business Park AL109EY Herfordshire Hatfield Great Britain Phone: +44 1606 593933 Fax-no.: +44 1606 863762 [email protected] 1.4. Emergency telephone number 24 Hours Emergency Tel: +44 (0)1442 278497 SECTION 2: Hazards identification 2.1. Classification of the substance or mixture Classification (DPD): Sensitizing R43 May cause sensitisation by skin contact. Dangerous for the environment R52/53 Harmful to aquatic organisms, may cause long-term adverse effects in the aquatic environment. 2.2. Label elements MSDS-No.: 153497 Loctite 574 Page 2 of 11 V003.2 Label elements (DPD): Xi - Irritant Risk phrases: R43 May cause sensitisation by skin contact. R52/53 Harmful to aquatic organisms, may cause long-term adverse effects in the aquatic environment. Safety phrases: S23 Do not breathe vapour. S24/25 Avoid contact with skin and eyes. S37 Wear suitable gloves. S51 Use only in well-ventilated areas. S61 Avoid release to the environment. Refer to special instructions/Safety data sheets. Additional labeling: For consumer use only: S2 Keep out of the reach of children S46 If swallowed, seek medical advice immediately and show this container or label. -
Supplement to Tarot As a Counseling Language
Supplement to Tarot as a Counseling Language Excerpted Introduction from Yijing Hexagram Names and Core Meanings Yìjīng guàmíng hé zhōngyì © Bradford Hatcher, 2011 and Relevant Excerpts from The Book of Changes: Word by Word © Bradford Hatcher, 2009 Volume 1, pp. 444-449, “Introduction to Scales” Volume 2, pp. 4-7, “Correlative Thought” Volume 2, pp. 8-11, “Gua Ming, The Hexagram Names” Volume 2, pp. 22-23, “Ban Xiang, the Half-Images” The complete books available as free downloads at http://www.hermetica.info Excerpt from Yijing Hexagram Names and Core Meanings 易經卦名和中義 Yìjīng guàmíng hé zhōngyì © Bradford Hatcher, 2011 Introduction The Yi tells us that a good Cauldron needs a good handle, that a good Well needs a long enough rope and a bucket that doesn't leak. In both cases, these symbols are most useful when they are accessible, when they can be grasped, when you can get a grip, and when you can retrieve what you need from the ground or the fire. The Gua Ming or Hexagram Name is the first and most obvious way to get a grip on the coherent sets of ideas that each of the Hexagrams represents. It is therefore to our advantage to clear up some of the great confusion that has grown up around them. It might be useful to introduce this within an outline of the five main areas or branches of Yixue or Yi Studies, with the most time spent on the second, Core Meanings, of which Gua Ming is a subset. This is also an opportunity to lay groundwork and offer some context and concepts for a broader grasp of the subject. -
CLV Chinese Language Lessons Sen Lin Hu Chinese Language Camp Lessons for the Classroom
CLV Chinese Language Lessons Sen Lin Hu Chinese Language Camp Lessons For the Classroom Date: Class: Chinese Language Level: Novice High Grade High School Day in 1 Minutes 70 Unit Geography of China: How is my experience in China influenced by where I am? Unit Theme and Question: STAGE 1: What will learners be able to do with what they know by the end of this lesson? DO KNOW What are the learning targets for this lesson? What vocabulary, grammatical structures, language chunks, cultural knowledge, and content information do learners need to accomplish the lesson can-do? Learners will be able to: • Vocabulary: 沙漠, 高原, 高山, 小山, 河流, 森林, • Compare the shape of China to a rooster. 草原, 大海, 耕地(农田),公鸡 • Recognize and name 9 main geographical features of China: • Culture: Geographical location of landforms in China desert, mountains, hills, ocean, grassland, farmland, plateau, • Radicals: 木,艹, 水 forest, river. • Sentence structures: 在 中国(direction)有 ——。 • Locate these geographical features on a map of China • Identify 3 radicals in characters related to geography 在中国西北有沙漠和高原。 • Form sentences describing the locations of landforms (In China’s northwest there is desert, and high plateau.) STAGE 2: How will learners demonstrate what they can do with what they know by the end of the lesson? What will learners do (learning tasks/activities/formative assessments) to demonstrate they can meet the lesson can-do? Learners will: • select from multiple possibilities which animal is represented in the shape of China • name 9 landforms found in China, match -
Chinese Zodiac Animals Trail #Cnysunderland2021
Chinese Zodiac Animals Trail #CNYSunderland2021 Find out amazing facts about the 12 animals of the Chinese Zodiac and try some fun animal actions. 12th February 2021 is the start of the Year of the Ox, but how were the animals chosen and in which order do they follow each other? Find out more….. How did the years get their names? A long time ago in China, the gods decided that they wanted to name the years after animals. They chose twelve animals – dragon, tiger, horse, snake, pig, cockerel, rat, rabbit, goat, dog, ox and monkey. All of these wanted the first year to be named after them as they all thought themselves to be the most important. Can you imagine the noise when they were arguing? They made so much noise that they woke up the gods. After listening to all their arguments the gods decided to settle the matter by holding a race across a wide river. The years would be named according to the order in which the animals finished the race. The animals were very excited. They all believed that they would win – although the pig wasn’t quite so sure. During the race there were many changes in position, with different animals taking the lead. As they approached the river bank ox was in the lead with rat a very close second. Rat was determined to win but he was getting very tired. He had to think quickly. He managed to catch the ox’s tail and from there he climbed onto his back. Ox could see that he was winning but just as he was about to touch the bank, rat jumped over his head and landed on dry land. -
The Chinese Zodiac
Innovating Culture through THE CHINESE ZODIAC BY DAN LUO SUPERVISORY COMMITTEE MARIA ROGAL Chair BriAN SlAWSON Member KATERIE GLADDYS Member A PROJECT IN LIEU OF THESIS PRESENTED TO THE COLLEGE OF FINE ARTS OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF FLORIDA 2012 Innovating Culture through THE CHINESE ZODIAC By Dan Luo COPYRIGHT DAN LUO Acknowledgements 03 With all the support, encouragement, and advise, I am truly grateful to all my committee: Professor Maria Rogal, Professor Brian Slawson, and Professor Katerie Gladdys. To Maria, you sharp thoughts and eyes helped me get on the correct path and develop better solutions theoretically and practically. I really appreciate that you saved me from some unreasonable solutions of this project. Without you, I could not make the 12X12 store happen. Thank you so much for your honesty, the suggestions, advice and support. You are a great mentor to work with and learn from. I learned so many things from you, especially, how to conduct the design research and how to shape, refine and sharp concepts. To Brian, thank you so much for all the resources and your seminar. I love how you gave us space to work on the topic that we are interested in. For all these 3 years, I learned so many designers’ work and cutting-edge design thinking from you. You inspired me so much in many different ways. Without you and your seminar, the 144 hybrid symbols will not be created smoothly. To Katerie, thank you so much for giving many critical comments and unique suggestions on my work and push the work to be more reasonable and more attractive to the audiences. -
THE SYMBOLOGY of the ROOSTER by Maria Manuela D'oliveira Martins Director of Museu Do Oriente Several Symbologies Are Given To
THE SYMBOLOGY OF THE ROOSTER By Maria Manuela d’Oliveira Martins Director of Museu do Oriente Several symbologies are given to the rooster in the Western and Eastern cultures. In all of them, it is universally connected to the cult of the sun because its chant announces sunrise. But the rooster becomes more relevant in China, either for its physical characteristics and grandness or its behaviour, which convey five virtues: the civil virtue, represented by the comb, confering the look of a mandarin; the military virtue, because of the spur, symbol of bravery; courage, shown by its behaviour in fights (in countries where cockfights are allowed); kindness, for sharing food with the hens; trust, for the assurance which announces daylight everyday. In this country the rooster is the tenth animal of the Chinese zodiac along with the rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, dog and pig. In 2017 the year of the monkey will end and the year of the rooster will begin. Roosters in China are not eaten or killed. They are considered protectors against demons. Having a painting of a red rooster at home means protection against fire. Placing a white rooster in a coffin keeps the dead away from demons. In Chinese mythology, the rooster also means honesty, for its accuracy in marking time, and masculine strength. Cockfights, known in China since the 1st millennium B.C., became a very popular sport in the south, even though they were forbidden. Its chant symbolizes fullfilment and fame. The Chinese word ‘rooster comb’ (guan) is homophonous to ‘guan’ meaning official. -
Astrology Education: Certificates & Degrees
THE URANIAN INSTITUTE ASTROLOGICAL CERTIFICATE & DEGREE STUDY PROGRAMS " CONTACT EACH SCHOOL INDIVIDUALLY ABOUT CORRESPONDENCE AND ONLINE EDUCATION OPTIONS; OFFICIAL STATE CERTIFICATION ISSUES SHOULD BE VERIFIED WITH OFFICIAL STATE AGENCIES. " ORGANIZATIONS KNOWN TO OFFER A CERTIFICATION IN EXCHANGE FOR CONFERENCE ATTENDANCE, ARBITRARY AWARD, OR PERSONAL FAVORS ARE NOT INCLUDED IN THESE LISTS. ORGANIZATIONAL CERTIFICATE AND DIPLOMA INDIVIDUALIZED STATE-CERTIFIED PROGRAMS MENTORSHIP ACADEMIC DEGREE ------- ------- PROGRAMS MIDPOINT ASTROLOGY CLASSICAL ASTROLOGY ------- Australian Academy of Astrology and Astrology Training Course in CLASSICAL ASTROLOGY Cosmobiology " (Melbourne, Australia) offers a ' Principles and Practice of Certificate study program that includes both Contemporary University of classical astrology and cosmobiology. Psychological Southampton " (P lymouth, Astrology "' (New Mexico, England) offers astrological Cosmobiology Research Foundation " USA) mentorship program with research studies in Social (Colorado/Arizona, USA) offers a Certificate study accomplished Canadian-born Work through the course in Cosmobiology. astrologer Erin Sullivan, "Research Group for Critical founder of the Southwest Studies in Astrology". International Academy of Astrology " (Virginia, Contemporary Astrology USA) : offers certification preparation programs in School. University of Wales - mostly classical astrology, midpoint astrology Lampeter " (Lampeter, classes optional. Oken Mentorship Program "" Wales) through the Sophia (New Mexico, -
2014 - the Chinese New Year of the Horse in the Clouds
2014 - THE CHINESE NEW YEAR OF THE HORSE IN THE CLOUDS It takes a remarkable person to change the course of world events. To be first, to be daring, to have a superlative vision, and to have the energy needed to push changes through to their fulfillment—these are the marks of the noble and valiant Wood Horse, or ‘Horse in the Clouds’. The Horse is one of the most respected of the Chinese animal signs, notable for their persistence, strength, indomitable spirit and their ability to inspire others, rallying them to their cause. Wood Horses are especially notable for their flair and bold expression in all types of media, especially in the visual arts. While other types of Horses are noted for their political and military abilities and persuasions, the Wood Horse changes the trends of the times through the media. They write large the stories that shape society’s destiny. And of all the five types of Horses, the Wood Horse is in many ways the most beloved, because they have a way of touching the hearts of people that stirs one to action, inspires reflection and creates an impression that does not fade as does the passing fad or latest trend. The Wood Horse carves the paths that set the benchmarks toward which others aspire. Wood Horses are a presence on stage and screen. In art they are innovators, with bold colors but yet extreme care with detail. In every media they excel at movement and portray it to perfection. In society they are pioneers and explorers, pushing the boundaries of our perceptions and borders. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
Cancer: Foundation and Cradle of Life
CANCER: FOUNDATION AND CRADLE OF LIFE Both physicist and metaphysician agree that the beginning of our manifested universe came from One Source and that all subsequent forms of life are composed of this primordial matter. Where the two camps differ is that the metaphysician and student of The Ancient Wisdom would go on to state that the matter of the universe is alive and intelligent. We would say that this Life and this Great Intelligence can be experienced by those men and women sensitive enough to recognize Its Presence. We would also say that this Life inhabits all matter thus transcending it, and that we are also that Life, incarnating in human form. —A.O. The word “foundation” accurately describes the function of Cancer in the zodiac of the signs. Exoterically and in practical terms, this sense of anchoring externalizes through the commonly known definition of Cancer as the sign of the home, ruled by the Moon symbolizing one’s mother. This is quite true but if we add the soul- centered meanings of this sign and planet combination, we come to a much deeper and broader definition of the purpose of the Crab and its planetary ruler in our lives. In soul-centered astrology, we understand Cancer, foundation and the home to indicate the primary urge to integrate the personality so that it might reflect the intent of the soul, also symbolized by the Moon. The personality is composed of three units: the physical body, the desire nature (the astral body as it is also called), and the lower mind or reason. -
The Differences Between Western & Vedic Astrology Dr Anil Kumar Porwal
The Differences between Western & Vedic Astrology Dr Anil Kumar Porwal Zodiac The most foundational difference between Western and Vedic astrology is each system's choice of Zodiac. Western astrologers use the Tropical Zodiac, where the beginnings of the twelve signs are determined by the Sun's apparent orbit around the Earth, i.e. the onset of the four seasons, i.e. when the Sun crosses the Equator (going North at Spring which defines Aries and South in the Fall indicating the beginning of Libra) and its uppermost and lowest points (the Summer and Winter Solstices). Vedic astrologers, on the other hand, use the Sidereal Zodiac, which is based upon the physical positions of the constellations in the sky. They choose a starting point (most commonly the place in the sky opposite to Spica) for the beginning of Aries, and proceed in equal 30 degree segments for subsequent signs. While planets in signs are used extensively in Western astrology as the major definer of the expression of a planet, Vedic astrology uses signs differently, and reviewed in my article The Vedic Signs at: http://www.learnastrologyfree.com/vedicsigns.htm House System In addition, most modern Western astrologers use one of the many house systems that places the degree of the Ascendant as the beginning of the First House, with either unequally- or equally-sized houses. Vedic astrologers, by and large, use Whole Sign Houses, where the Ascendant can fall anywhere in the First House, and each house comprises all of one sign. Many also use Bhava/Shri Pati houses for a portion of their work.