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Oct 29/30 2016 oct 29/30 2016 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying the concert? The Richard B. Fisher Center for the Performing Arts at Bard College Sosnoff Theater Keep the music going! Saturday, October 29, 2016 at 8 PM Sunday, October 30, 2016 at 2 PM Help this new generation of musicians create and present music education programs in Performances #34 & #35: Season 2, Concerts 5 & 6 libraries, schools, and community centers in the Hudson Valley Leon Botstein, conductor Benjamin Britten Four Sea Interludes from the opera Peter Grimes, (1913–1976) Op. 33a (1944) Dawn Sunday Morning Moonlight To make a quick and easy Storm Gustav Mahler Adagio from Symphony No. 10 (1910) online donation of any size (1860–1911) Harold Farberman, conductor with your credit card Intermission William Walton Concerto for Violoncello and Orchestra (1956) (1902–1983) Moderato Allegro appassionato Tema ed improvvisazioni: Lento—Allegro molto John Belk ’17, cello TEXT OR VISIT TON TO 41444 THEORCHESTRANOW.ORG/ SUPPORT For more info on The TŌN Fund, see page 17. -continued on next page- | THEORCHESTRANOW.ORG 3 2 @TheOrchNow #TheOrchNow | THE MEET PROGRAM LEON BOTSTEIN Edward Elgar Variations (“Enigma”), Op. 36 (1898–99) (1857–1934) Theme: Andante Variation I (C.A.E.): L’istesso tempo Variation II (H.D.S-P.): Allegro Variation III (R.B.T.): Allegretto Variation IV (W.M.B.): Allegro di molto Variation V (R.P.A.): Moderato Variation VI (Ysobel): Andantino Variation VII (Troyte): Presto Variation VIII (W.N.): Allegretto Variation IX (Nimrod): Adagio Variation X (Dorabella)—Intermezzo: Allegretto Variation XI (G.R.S.): Allegro di molto Variation XII (B.G.N.): Andante Variation XIII (***)—Romanza: Moderato Variation XIV (E.D.U.)—Finale: Allegro Photo by Matt Dine Leon Botstein brings a renowned career as both a conductor and educator to his role as music director of The Orchestra Now. He Leon Botstein has been music director of the American conductor Symphony Orchestra since 1992, artistic codirector of Bard SummerScape and the Bard Music Festival since their creation, and president of Bard College since 1975. He was the music director of the Jerusalem Symphony Orchestra from 2003–2011, and is now conductor laureate. In 2018 he will assume artistic directorship of Grafenegg in Austria. Mr. Botstein is also a frequent guest conductor with orchestras around the globe, has made numerous recordings, and is a prolific author and music historian. He is the editor of the prestigious The Musical Quarterly, and has received many honors for his contributions to music. The concert will run approximately 2 hours and 25 minutes, including one 20-minute intermission. No beeping or buzzing, please! Silence all electronic devices. More info online at LeonBotsteinMusicRoom.com Photos and videos are encouraged, but only before & after the music. 4| Text TON to 33233 for email updates THEORCHESTRANOW.ORG | 5 MEET THE MEET THE GUEST SOLOIST GUEST CONDUCTOR Harold Farberman has conducted many of the world’s leading orchestras, including the London, BBC, Bournemouth, Danish Na- Harold Farberman tional, KBS, Sydney, Melbourne, and Puerto guest conductor Rico Symphonies; the Royal, Stockholm, Brussels, and Hong Kong Philharmonics; English Chamber and Swedish Radio Or- chestras; Philharmonia; Hessischer Rund- funk; Orchestre National de Lille; and the Mozarteum Orchestra Salzburg. Upon graduating from The Juilliard School of Music, Mr. Farberman was invited to join the Boston Symphony Orchestra as a per- cussionist/timpanist. At the time, he was the youngest player to ever become a full-time member of the orchestra. He resigned in 1963 to devote his energy to conducting and composing. In 1966 he was appointed principal guest conductor of the Denver Symphony Orchestra; subsequently, he be- came music director and conductor of the Photo by Bridget Bertoldi Colorado Springs Symphony and Oakland Cellist John Belk is a fifth-year student at Symphony Orchestra, and principal guest the Bard College Conservatory of Music, conductor of the Bournemouth Sinfonietta John Belk ’17 where he studies with Peter Wiley. He has in Great Britain. cello soloist won competitions and awards as both a soloist and chamber musician, and has pre- Mr. Farberman is also a tireless advocate viously performed the Dvořák and Haydn on behalf of conductors. In the 1970s, D-major concertos with orchestra. In les- while serving as a member of the League sons and masterclasses, John has worked of American Orchestras, he established with teachers including Matt Haimovitz, countrywide workshops for young con- Timothy Eddy, Richard Aaron, and David ductors. At the 1975 League of American Requiro. At Bard and in summer festivals, Orchestras Conference, he proposed the he has had the opportunity to collaborate creation of an association of conductors; with distinguished musicians and compos- the following year the Conductors Guild ers including David and Philip Ying, Todd became a reality, and he served two terms Philips, Peter Serkin, and Joan Tower. John as its first president. He is the founder and will be completing Bachelor’s degrees in director of the acclaimed Conductors In- both music performance and computer stitute, a summer conducting program at science this spring. Bard College, where he is also a co-director of the Graduate Conducting Program of the Bard College Conservatory of Music. | THEORCHESTRANOW.ORG 7 6 @TheOrchNow #TheOrchNow | HEADER Leon Botstein, Music Director Violin I Bass Trumpet Erin David, Zhenyuan Yao, Chris Moran, Founded in 2015, The Orchestra Now (TŌN) is Concertmaster Principal Principal an innovative pre-professional orchestra and (1st half ) (1st half ) (Britten, Elgar) Coline Berland, Concertmaster Julian Lampert, Principal Szabolcs Koczur, Principal master’s degree program at Bard College that (2nd half ) (2nd half ) (Mahler) is preparing a new generation of musicians to Leonardo Pineda William McPeters Zachary Silberschlag, break down barriers between modern audiences Youyang Qu Michael Franz Principal (Walton) and great orchestral music of the past and Drew Youmans Paul Nemeth present. Under the leadership of conductor, Lara Baker-Finch Milad Daniari Trombone Grace Choi Gabe Cruz, educator, and music historian Leon Botstein, TŌN Principal (1st half ) Jiyoung Moon Flute Matt Walley, Principal mines the wealth of underperformed repertoire, Lili Sarayrah Sasha Haft, reimagines traditional concert formats, and strives Principal (Britten) (2nd half ) Kurt Munstedt Moonyoung Yoon, Principal Federico Ramos, to make the experience of the performers a part Clara Engen (Mahler, Walton) Bass Trombone of the listeners’ experience. At a TŌN concert, Hao Xing Thomas J. Wible, Principal musicians and audience inspire one another, (Elgar) Tuba each following their curiosity with a shared sense Violin II Dan Honaker of adventure. Fangxi Liu, Principal (1st half ) Oboe Diego Gabete, Principal Zachary Boeding, Principal Timpani (2nd half ) (Britten, Walton) Jonathan Wisner The musicians of TŌN hail from across the U.S. Andrés Rivas Kelly Mozeik, and eleven other countries: Australia, Canada, Principal Holly Nelson (Mahler, Elgar) Percussion China, France, Hungary, Japan, Korea, Malaysia, Amos C. Fayette Aleh Remezau Tyson J. Voigt Spain, Taiwan, and Venezuela. In addition to a Adina Mu-Ying Tsai concert series at their home base—the Richard Haemi Lee Clarinet Guest Musicians B. Fisher Center for the Performing Arts at Bard Michael Rau Elias Rodriguez, Principal College—they perform multiple concerts each Akiko Kamigawara (Britten) Bassoon Jiayu Sun Sangwon Lee, Adam Romey season at Carnegie Hall and Lincoln Center, and Principal (Mahler) offer complimentary concerts at venues across Viola Micah Candiotti-Pacheco, Trumpet the boroughs of New York City in the Around Town Emmanuel Koh, Principal Principal (2nd half ) Anita Toth series. At The Metropolitan Museum of Art they (1st half ) Caleb Wong, Bassoon Percussion join Leon Botstein in the series Sight & Sound as Principal he explores the places where musical and visual (2nd half ) Cathryn Gaylord, Principal Charles Kiger expression meet, pairing orchestral works with Chi Lee (Britten, Walton) Yuri Yamashita masterpieces from the museum’s collection. David Riker Dávid A. Nagy, Principal Bonnie Heung (Mahler, Elgar) Celeste Marie-Elyse Badeau JongSun Woo In addition to Mr. Botstein and TŌN’s Associate Omar Shelly Horn Conductor and Academic Director, James Scot Moore Rachel Boehl, Principal Organ Bagwell, guest conductors in the first two seasons (1st half ) Kent Tritle include Fabio Luisi, Gerard Schwarz, and JoAnn Cello Colin Bianchi, Principal Falletta. Hui Zhang, Principal (1st half ) (2nd half ) Harp Alana Shannon, Principal Tim Skelly Jane Yoon (2nd half ) Shannon Hagan More info online at Zhilin Wang Philip Brindise theorchestranow.org Andrew Borkowski Eleanor Lee Jinn Shin Lauren Peacock 8|| Text TON to 41444 to donate THEORCHESTRANOW.ORG 8 THEORCHESTRANOW.ORG 9 8 @TheOrchNow #TheOrchNow Photo by Matt |Dine | MEET THE MEET THE TŌN MUSICIANS TŌN MUSICIANS Hometown: Hometown: Wading River, NY Stanfordville, NY Alma maters: The Juilliard School, Alma maters: CUNY Queens College (BM), The Peabody Conservatory Shepherd School of Music–Rice University (MM) Awards/competitions: Winner, 2012 New World Symphony Concerto Competition Awards/competitions: Winner, Queens College Orchestra Competition, 2014; Second Appearances: Prize, Queens Symphony Orchestra Concerto Washington Heights Chamber Orchestra, Competition, 2014; Winner,
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