Bard College Catalogue 2020–21
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The First Amendment, the Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P
Working Paper Series Villanova University Charles Widger School of Law Year 2004 The First Amendment, The Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P. Magarian Villanova University School of Law, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art6 THE FIRST AMENDMENT, THE PUBLIC -PRIVA TE DISTINCTION, AND NONGOVERNMENTAL SUPPRESSION OF WARTIME POLITICAL DEBATE 1 BY GREGORY P. MAGARIAN DRAFT 5-12-04 TABLE OF CONTENTS INTRODUCTION ......................................................................................... 1 I. CONFRONTING NONGOVERNMENTAL CENSORSHIP OF POLITICAL DEBATE IN WARTIME .................. 5 A. The Value and Vulnerability of Wartime Political Debate ........................................................................... 5 1. The Historical Vulnerability of Wartime Political Debate to Nongovernmental Suppression ....................................................................... 5 2. The Public Rights Theory of Expressive Freedom and the Necessity of Robust Political Debate for Democratic Self -Government........................ 11 B. Nongovernmental Censorship of Political Speech During the “War on Terrorism” ............................................... 18 1. Misinformation and Suppression of Information by News Media ............................................ 19 2. Exclusions of Political Speakers from Privately Owned Public Spaces. -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Leon Botstein
binternationalrockprize in education 2012 Brock International Prize in Education Nominee Leon Botstein Nominated by Jeanne Butler 2012 B R OC K I NT E R NAT I ONAL PRIZE IN EDUCATION NOMINEE: L EON B OTSTEIN NOMI NATED BY : J EANNE B UTLER 1 CONTENTS Nomination 1 Brief Biography 2 Contributions to Education: 3 International Education 3 Kindergarten Through Twelfth Grade 4 Curricular Innovations 5 Curriculum Vitae 7 Letters of Support 26 Article: “High Education and Public Schooling in Twenty-First Century America.” In NE A Higher J ournal; Fall, 2008 33 Links to PBS Features 42 Charlie Rose Show excerpt, with Sari Nusseibeh PBS Newshour feature: “From Ball and Chain to Cap and Gown: Getting a B.A. Behind Bars” 2 NOMINATION Anyone who saw the National Geographic/BBC film “The First Grader” this summer witnessed a victorious testimony to the transformative force of education. The lessons of Kimani Ng’ang’a Maruge, an aging illiterate Kenyan and Mau Mau veteran, are undeniably powerful and his message is clear, ”We have to learn from our past because we must not forget and because we must get better… the power is in the pen.” The other event of the summer that has helped to re-vitalize and focus thinking globally about education is a remarkably fine series of interviews, The Global Search for Education, by C.M. Rubin for Educational News. The interviews with individuals renowned for their international leadership (including some of the Brock Prize nominees and laureates) are being conducted according to Rubin, “with the intention of raising the awareness of policy makers, the media, and the public of the global facts.” The film and the interviews have helped crystallize my thinking about the individual I had nominated in the spring; they have served to re-affirm my choice of Leon Botstein as the next Brock International Laureate. -
1907 Journal of General Convention
Journal of the General Convention of the Protestant Episcopal Church in the United States of America 1907 Digital Copyright Notice Copyright 2017. The Domestic and Foreign Missionary Society of the Protestant Episcopal Church in the United States of America / The Archives of the Episcopal Church All rights reserved. Limited reproduction of excerpts of this is permitted for personal research and educational activities. Systematic or multiple copy reproduction; electronic retransmission or redistribution; print or electronic duplication of any material for a fee or for commercial purposes; altering or recompiling any contents of this document for electronic re-display, and all other re-publication that does not qualify as fair use are not permitted without prior written permission. Send written requests for permission to re-publish to: Rights and Permissions Office The Archives of the Episcopal Church 606 Rathervue Place P.O. Box 2247 Austin, Texas 78768 Email: [email protected] Telephone: 512-472-6816 Fax: 512-480-0437 JOURNAL OF THE GENERAL CONVENTION OF THE -roe~tant epizopal eburib IN THE UNITED STATES OF AMERICA Held in the City of Richmond From October Second to October Nineteenth, inclusive In the Year of Our Lord 1907 WITH APPENDIcES PRINTED FOR THE CONVENTION 1907 SECRETABY OF THE HOUSE OF DEPUTIES. THE REV. HENRY ANSTICE, D.D. Office, 281 FOURTH AVE., NEW YORK. aTo whom, as Secretary of the Convention, all communications relating to the general work of the Convention should be addressed; and to whom should be forwarded copies of the Journals of Diocesan Conventions or Convocations, together with Episcopal Charges, State- ments, Pastoral Letters, and other papers which may throw light upon the state of the Church in the Diocese or Missionary District, as re- quired by Canon 47, Section II. -
St. John's Episcopal Church
THE HISTORY OF ST. JOHN'S EPISCOPAL CHURCH MONTICELLO, NEW YORK. FOR ONE HUNDRED YEARS 1816-1916 COMPILED TO COMMEMORATE ITS CENTENARY EDITED BY THE REVEREND WALTER WHITE REID -.r ...... ( / .~. ;--_ '" --_.._--_ - •. ~- . rnTl 1\';"" l' , r r: E~ .,{.~.". "".n"::}l .... l\ t ,! p T · ~ ; T ~ r ' iIr"~ 41"" I L .L.L.i V .L .:. .e ,d •..:l 4. I i f ,I I t ~._ ....... ~-------- _.... - -.--_.---_., ·,. • FIRST CHURCH 1835-1882 PREFACE tW)HE collection of data in connection with a parish history is probably a difficult problem for everyone to whom the task falls. It is to be doubted whether any parish has, in its present possession, the complete record of its history and activity since its inception. Carelessness and fire seem to be the destroying elements, whereby documents of intrinsic worth, particularly valuable to a compiler of such a work as this, have been lost forever. From the foundation of this parish in 1816 down to the year 1831, no information, other than meagre generalities, is obtain able. The vestry minutes and church records were in the pos session of the Rev. Edward K. Fowler, and were destroyed when the old Mansion House was burned. In fact no church records back of 1870 are now in existence, lost probably in the same fire. However, the gap has been imperfectly bridged by refer ences to family records, old scrap books, clippings, and Quinlan's "History ofSullivan Co~tnty." I am particularly indebted to Major John Waller, whose keen memory at the age of 90 has enabled me to clear away many doubts regarding the past, and to present to the parish this ac count of its history. -
2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS in SPOTLIGHT, PARK CITY at MIDNIGHT, NEXT <=> and NEW FRONTIER
FOR IMMEDIATE RELEASE Media Contacts: December 1, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT, NEXT <=> AND NEW FRONTIER Park City, UT — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, NEXT <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.” SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere. Declaration Of War / France (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill. -
White Paper Introduction
89 seconds Atomized White Paper Introduction........................................................................................... 3 Concept.................................................................................................. 4 Background........................................................................................... 5 About Eve Sussman ..........................................................................5 About Snark.Art .................................................................................6 About Las Meninas ...........................................................................6 About 89 seconds at Alcázar ............................................................7 89 seconds, Atomized.......................................................................... 8 The Work ...........................................................................................8 The Community ................................................................................9 Purchase and Ownership ................................................................11 Initial Sales Drops ......................................................................11 Purchase Methods ....................................................................11 Loan Mechanics ..............................................................................12 Requesting a Loan ....................................................................12 Loaning Out Your Atom(s) .........................................................12 -
Bard College: an Ecosystem of Engagement
Journal of Community Engagement and Higher Education Volume 11, Number 1 Bard College: An Ecosystem of Engagement Jonathan Becker Bard College ABSTRACT Despite its moderate size and rural location, Bard’s civic engagement efforts resonate locally, nationally, and internationally, and have significant public policy impacts. Bard has achieved success by making engagement central to its institutional mission, viewing liberal arts and sci- ences education as both a means and an end of civic engagement efforts, and forging an “ecosystem of engagement” that encourages organizational engineers, links student-led and in- stitutional initiatives, and unites a network of partners across the globe. Keywords: liberal arts, liberal education, early college, institutional engagement, civic engagement, international partnerships Bard College identifies itself as “a forts; (2) Bard’s success in creating an private institution in the public interest.” “ecosystem of engagement” that has shaped Having spent most of its 160-year history as the institution’s main campus in Annandale a small institution, first as a preparatory col- -on-Hudson, New York, and Bard’s net- lege for the Episcopal church and then as an work of affiliates and partners across the institution emphasizing the arts and human- globe; and (3) the virtuous circle that links ities, it has grown into a vibrant liberal arts student engagement and institutional en- and sciences institution enrolling more than gagement. 6,000 students annually in degree programs Bard’s “ecosystem of engagement” across the United States and the world. is worth examining because it provides les- What is unique about Bard is that its leader- sons for other higher education institutions. -
The Future of Penal Reform, the Carceral State, and American Politics*
Bring It On: The Future of Penal Reform, the Carceral State, and American Politics* Marie Gottschalk** Fifteen years ago, mass imprisonment was largely an invisible issue in the United States. Since then, criticism of the country’s extraordinary incarceration rate has become widespread across the political spectrum. The huge prison buildup of the past four decades has few ardent defenders at present. But reforms to reduce the number of people in jail and prison have been remarkably modest so far. Meanwhile, a tenacious carceral state has sprouted in the shadows of mass imprisonment and has been extending its reach far beyond the prison gate. It includes not only the country’s vast archipelago of jails and prisons, but also the far-reaching and growing range of penal punishments and controls that lie in the never-never land between the prison gate and full citizenship. As it sunders families and communities, and radically reworks conceptions of democracy, rights, and citizenship, the carceral state poses a formidable political and social challenge. The reach of the carceral state today is truly breathtaking. It extends well beyond the estimated 2.2 million people sitting in jail or prison today in the United States.1 It encompasses the more than 8 million people—or 1 in 23 adults―who are under some form of state control: including jail, prison, probation, parole, community sanctions, drug courts, immigrant detention, and other forms of government supervision.2 It also includes the millions of people who are booked into jail each year— nearly twelve million—and the estimated 7.5 percent of all adults who are felons or ex-felons.3 * This article is based on a revised and updated version of the concluding chapter of Marie Gottschalk, Caught: The Prison State and the Lockdown of American Politics (Princeton, NJ: Princeton University Press, 2015). -
Family Handbook 2020–21
FAMILY HANDBOOK 2020–21 Bard Bard Connects and COVID-19 Response In this time of social distancing due to COVID-19, the College has found new ways to connect, nurture our relationships, continue our academic excellence, and serve the needs of the campus and our greater community. The Bard College COVID-19 Response Team formed in March 2020 and launched Bard Connects, bard.edu/connect, a website dedicated to helping Bardians stay connected virtually. Please visit the College’s COVID-19 Response Page at bard.edu/covid19 for the latest updates related to the pandemic, as well as changes to Bard’s regular operations. The COVID-19 pandemic is causing seismic cultural shifts, and we are all learning to adapt. The Bard community is facing this challenging time with a surge of support as we continue to maneuver this changing landscape. contents 2 WELCOME 22 TRAVELING TO, FROM, AND Bard College Family Network AROUND ANNANDALE Ways to Get Involved Accommodations Travel to Bard 5 RESOURCES Transportation On and Off Campus Dining Services Bard Information Technology 24 HEALTH INSURANCE Career Development Office AND MONEY MATTERS Purchasing Books and Supplies Health Insurance Residence Life and Housing Billing and Payment of Tuition and Fees Office of Student Life and Advising Financial Aid Bicycles on Campus Vehicles on Campus 26 COLLEGE POLICIES Zipcar at Bard Bard College Parent Relationship Policy Bard College Alumni/ae Association Health Information Privacy Alcohol and Drug Policy 10 CAMPUS LIFE Grade Release Policy Athletics and Recreation Consensual Relations Student Clubs Student Consent Policy Student Government Shipping/Receiving Information Civic Engagement Sustainability at Bard 30 CAMPUS MAP Bard College Farm Your First-Year Student’s 32 ACADEMIC CALENDAR 2020–21 Extracurricular Experience Bard Houses 33 IMPORTANT PHONE NUMBERS Diversity at Bard Chaplaincy 14 HEALTH, SAFETY, AND SECURITY Safety and Security/Emergency Health and Safety on Campus Health and Safety in the Community BRAVE Bard’s Gender-Based Misconduct Policy Cover: Family Weekend 2019. -
Oct 29/30 2016
oct 29/30 2016 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying the concert? The Richard B. Fisher Center for the Performing Arts at Bard College Sosnoff Theater Keep the music going! Saturday, October 29, 2016 at 8 PM Sunday, October 30, 2016 at 2 PM Help this new generation of musicians create and present music education programs in Performances #34 & #35: Season 2, Concerts 5 & 6 libraries, schools, and community centers in the Hudson Valley Leon Botstein, conductor Benjamin Britten Four Sea Interludes from the opera Peter Grimes, (1913–1976) Op. 33a (1944) Dawn Sunday Morning Moonlight To make a quick and easy Storm Gustav Mahler Adagio from Symphony No. 10 (1910) online donation of any size (1860–1911) Harold Farberman, conductor with your credit card Intermission William Walton Concerto for Violoncello and Orchestra (1956) (1902–1983) Moderato Allegro appassionato Tema ed improvvisazioni: Lento—Allegro molto John Belk ’17, cello TEXT OR VISIT TON TO 41444 THEORCHESTRANOW.ORG/ SUPPORT For more info on The TŌN Fund, see page 17. -continued on next page- | THEORCHESTRANOW.ORG 3 2 @TheOrchNow #TheOrchNow | THE MEET PROGRAM LEON BOTSTEIN Edward Elgar Variations (“Enigma”), Op. 36 (1898–99) (1857–1934) Theme: Andante Variation I (C.A.E.): L’istesso tempo Variation II (H.D.S-P.): Allegro Variation III (R.B.T.): Allegretto Variation IV (W.M.B.): Allegro di molto Variation V (R.P.A.): Moderato Variation VI (Ysobel): Andantino Variation VII (Troyte): Presto Variation VIII (W.N.): Allegretto Variation IX (Nimrod): Adagio Variation X (Dorabella)—Intermezzo: Allegretto Variation XI (G.R.S.): Allegro di molto Variation XII (B.G.N.): Andante Variation XIII (***)—Romanza: Moderato Variation XIV (E.D.U.)—Finale: Allegro Photo by Matt Dine Leon Botstein brings a renowned career as both a conductor and educator to his role as music director of The Orchestra Now.