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Seinfeld, the Movie an Original Screenplay by Mark Gavagan Contact
Seinfeld, The Movie an original screenplay by Mark Gavagan based on the "Seinfeld" television series by Larry David and Jerry Seinfeld contact: Cole House Productions (201) 320-3208 BLACK SCREEN: TEXT: "One year later ..." TEXT FADES: DEPUTY (O.S.) Well folks. You've paid your debt to society. Good luck and say out of trouble. FADE IN: EXT. LOWELL MASSACHUSETTS JAIL -- MORNING ROLL CREDITS. JERRY, GEORGE and ELAINE look impatient as they stand empty- handed, waiting for something. The DEPUTY walks back towards the jail building behind them. CUT TO: INT. LOWELL MASSACHUSETTS JAIL KRAMER is surrounded by teary-eyed guards and inmates. They love him. He's carrying a metal cafeteria tray covered with signatures, as well as scores of cards, notes and letters. Several in the crowd hug KRAMER. CUT TO: EXT. LOWELL MASSACHUSETTS JAIL KRAMER stumbles as he walks up to GEORGE, ELAINE and JERRY. CUT TO: EXT. SOMEWHERE IN RURAL MASSACHUSETTS -- DAY We see an ugly old school bus at a dead stop with the flashers on. "LARRY'S NYC BUS SERVICE" is painted sloppily on the side. An extremely old man herds dozens of stubborn sheep across the road. He's moving at an impossibly slow pace. CUT TO: INT. OLD SCHOOL BUS JERRY, GEORGE and ELAINE are sitting in bus's original kid- sized bench seats. They look bored and uncomfortable. 2. Cheerful KRAMER is in the front row chatting with the DRIVER and pointing at the animals outside. CUT TO: INT. HALLWAY IN FRONT OF JERRY'S APARTMENT -- LATER KRAMER & JERRY walk wearily towards their doors. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Brochure Argentina Film Festival-Color
Wednesday 4th February Thursday 5th February Friday 6th February 4th of July / 4 de Julio Velocity Begets Oblivion / Rain / Lluvia 2007 / DVD / colour / 95 min La Velocidad Funda El Olvido 2008 / 35 mm / colour & B-W / 110 min Director: Pablo Young & Pablo 2006 / DVD / colour / 110 min Director: Paula Hernandez Rain has been intense for the last Zubizarreta Director: Marcelo Schapces three days in Buenos Aires. Alma and On Sunday July 4th. 1976, 24 year old guy, called Olmo, Roberto have not met yet. Immersed t h r e e p r i e s t s a n d t w o lives in a strange world in their own solitude, condemned to seminarists belonging to the beyond reality built by his helplessness and defencelessness at the mercy of the ARGENTINE FILM FESTIVAL pallottine congregation were father's mind; who classifies rain, they survive their own uncertainties, fears and absences. A few days ago, Alma left the man she lived with brutally murdered at Saint Patrick`s church. The military all kind of objects without any authorities developed the hypothesis of a terrorist attack. for nine years. Roberto has come back to the country after 2nd to 6th February, 2009. Mumbai clear sense. But the distant presence of Olmo's mother almost thirty years abroad. Here he has nothing, just a But evidences revealed the involvement of a paramilitary brings and amazing “turn of the screw” to Olmos's life. father in a coma, with whom he has no relationship, and an Venue: Y.B.Chavan Centre group linked to the de facto government. -
The Linguistic Experience of Italians in Buenos Aires, Argentina, 1890-1914: Language Shift As Seen Through Social Spaces ______
THE LINGUISTIC EXPERIENCE OF ITALIANS IN BUENOS AIRES, ARGENTINA, 1890-1914: LANGUAGE SHIFT AS SEEN THROUGH SOCIAL SPACES ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Maria Italiano-McGreevy January 2013 Examining Committee Members: Augusto Lorenzino, Dissertation Advisor, Spanish and Portuguese Jonathan Holmquist, Examination Committee Chair, Spanish and Portuguese Paul Toth, Internal Reader, Spanish and Portuguese Gabriella Romani, External Reader, Italian Studies, Seton Hall University ! ABSTRACT From 1890-1914, Argentina received a large influx of Italian immigrants who wanted to “hacer la América”, or live the American dream of economic prosperity. With Italian immigrants representing nearly half of all immigrants entering Argentina, the government strived to create a new sense of Argentine pride and nationalism. The objective of this dissertation is to investigate and analyze the linguistic experience of Italian immigrants in Buenos Aires, Argentina, applying Pierre Bourdieu’s theory of social space and linguistic markets, and contact language theories to explain the attrition and shift of the Italian language. This study identifies three relevant social spaces that contributed to the linguistic experience of Italian immigrants in Buenos Aires: 1). conventillos or immigrant housing 2.) school community, and 3.) mutual aid societies. Within each social space thrived a linguistic market which language played a key role in the way people interacted and identified with each other. First, the conventillos were part of an alternative linguistic market in which cocoliche, a transitional language, thrived as a way for Italians to communicate with immigrants from different countries. -
Ecad Agosto 2020
PLANILHA DE PROGRAMAÇÃO MUSICAL - RÁDIO RAZÃO SOCIAL: SISTEMA 103 DE RADIOS LTDA - EPP CNPJ: 82721226000146 NOME FANTASIA: DIAL: 103.7 CIDADE: UF: EXECUÇÃO DATA HORA MÚSICA INTÉRPRETE AUTOR GRAVADORA AO VIVO MECÂNICA 01/08/2020 00:01 JUST LIKE YOU LOUIS TOMLINSON X 01/08/2020 05:31 SONHO LOUCO CHRYSTIAN E RALF X 01/08/2020 05:34 SEM VOCE ME DESESPERO CELITA X 01/08/2020 05:37 MAIS UMA CARTA TRIO PARADA DURA X 01/08/2020 05:40 AS PAREDES AZUIS JOÃO MINEIRO E MARCIANO X 01/08/2020 05:47 VAI DURVAL E DAVI X 01/08/2020 05:50 A CARNE É FRACA CHITÃOZINHO E XORORÓ X 01/08/2020 05:53 VOCE MARCOU PRA MIM CEZAR E PAULINHO X 01/08/2020 05:57 PORTA FECHADA TEODORO E SAMPAIO X 01/08/2020 06:02 X - SALADA BOB E ROBISON X 01/08/2020 06:06 ESTRELA DE OURO FELIPE E FALCAO X 01/08/2020 06:09 AGULHA CHICO REY E PARANÁ X 01/08/2020 06:12 APAIXONADO DEMAIS GILBERTO E GILMAR X 01/08/2020 06:19 DE CARA COM A SAUDADE MILIONARIO E JOSE RICO X 01/08/2020 06:23 SOU LOUCA POR ELE AS MINEIRINHAS X 01/08/2020 06:26 CAMINHOS ROBERTO E MEIRINHO X 01/08/2020 06:30 PELA PORTA DA COZINHA PEAO CARREIRO E PRAIANO X 01/08/2020 06:40 PARA QUE CHORAR DUDUCA E DALVAN X 01/08/2020 06:43 PISCINA CHRYSTIAN E RALF X 01/08/2020 06:52 VOCE EM MINHA VIDA GIAN E GIOVANI X 01/08/2020 06:55 VOCÊ É TUDO QUE PEDI PRA DEUS CEZAR E PAULINHO X 01/08/2020 07:03 NAO SEI MAIS DORMIR SOZINHO LEANDRO E LEONARDO X 01/08/2020 07:07 VOCE SO ME FAZ FELIZ ADALBERTO E ADRIANO X 01/08/2020 07:12 BRIGUE COMIGO MAS NAO VA ZEZE DI CAMARGO E LUCIANO X 01/08/2020 07:16 AINDA FAÇO AMOR COM ELA RENÊ E RONALDO -
Impact of the COVID-19 Event on the Trip Intensity and Air Quality Near
Special Issue on COVID-19 Aerosol Drivers, Impacts and Mitigation (IV) Aerosol and Air Quality Research, 20: 1727–1747, 2020 ISSN: 1680-8584 print / 2071-1409 online Publisher: Taiwan Association for Aerosol Research https://doi.org/10.4209/aaqr.2020.07.0364 Impact of the COVID-19 Event on Trip Intensity and Air Quality in Southern China Shun Wan1, Kangping Cui1*, Ya-Fen Wang2, Jhong-Lin Wu3,4*, Wei-Syun Huang5, Kaijie Xu1, Jiajia Zhang1 1 School of Resources and Environmental Engineering, Hefei University of Technology, Hefei 230009, China 2 Department of Environmental Engineering, Chung-Yuan Christian University, Taoyuan 32023, Taiwan 3 Environmental Resource and Management Research Center, National Cheng Kung University, Tainan 70101, Taiwan 4 Sustainable Environment Research Laboratories, National Cheng Kung University, Tainan 70101, Taiwan 5 Department of Atmospheric Sciences, National Central University, Taoyuan 32001, Taiwan ABSTRACT The COVID-19 epidemic discovered and reported at the end of December 2019 and began spreading rapidly around the world. The impact of the COVID-19 event on the trip intensity, AQI (air quality index), and air pollutants, including PM2.5, PM10, SO2, CO, NO2, and O3 in Shenzhen, Guangzhou, and Foshan (the so-called ‘three cities’) from January 12 to March 27, in 2019 and 2020, are compared and discussed. In 2020, the combined trip intensity in the three cities ranged between 0.73 and 5.54 and averaged 2.57, which was 28.4% lower than that in 2019. In terms of the combined AQIs for the three cities, from January 12 to March 26, 2020, the daily AQIs ranged between 21.0 and 121.3 and averaged 56.4, which was 16.0% lower than that in 2019. -
Meet Nasty Habit Cherry Bomb Review Mental Illness In
MEET NASTY HABIT CHERRY BOMB REVIEW MENTAL ILLNESS IN THE MUSIC INDUSTRY 20 WATTS | 1 01 // THE CITY - THE 1975 02 // YESTERDAY - ATMOSPHERE 03 // GRINDIN’ - CLIPSE 04 // AFRICA - TOTO 05 // GRAVITY - TURNSTILE 06 // CLUSH - ISLES & GLACIERS 07 // R U MINE? - ARCTIC MONKEYS 08 // CLARK GABLE - POSTAL SERVICE 09 // CAROLINA - SEU JORGE 10 // NO ROOM IN FRAME - DEATH CAB FOR CUTIE 11 // JESUS TAKE THE WHEEL - CARRIE UNDERWOOD 12 // A WALK - TYCHO 13 // SEDATED - HOZIER 14 // HEY YA! - OUTKAST 15 // MY BODY - YOUNG THE GIANT 16 // DREAMS - FLEETWOOD MAC 17 // PAST LIVES - BØRNS 18 // PLEASE DON’T - LEO STANARD TWEET @20_WATTS WHAT 19 // TOTALLY FUCKED - JONATHAN GROFF YOU’RE LISTENING TO! 20 // TUBTHUMPING - CHUMBAWAMBA Cover Photo by Adam Gendler 2 | 20 WATTS 20 WATTS | 3 20 WAT TSSPRING 2015 WE ASKED: WHAT IS YOUR EMOJI STORY? LYNDSEY JIMENEZ RIKKI SCHNEIDERMAN ADAM GENDLER JANE DEPGEN PHIL DECICCA EDITOR IN CHIEF MANAGING EDITOR MULTIMEDIA CREATIVE DIRECTOR HEAD DESIGNER MIKEY LIGHT SAM HENKEN JACKIE FRERE TIFFANY GOMEZ JOEY COSCO JAKE LIBASSI FEATURES EDITOR ASSISTANT FEATURES FRONT OF BOOK PHOTO EDITOR DIGITAL DIRECTOR WEB EDITOR A SPECIAL THANKS TO OUR CONTRIBUTORS: KAITLIN GRENIER COLE HOCK TOMMY ENDE KENNY ENDE ERIN SINGLETON CAROLYN SAXTON KATIE CANETE JIM COLEMAN WILL SKALMOSKI COPY EDITOR REVIEWS + PUBLICIST PUBLISHER MARKETING SOCIAL MEDIA 4 | 20 WATTS 20 WATTS | 5 TABLE OF CONTENTS 08 LETTER FROM THE EDITOR 10 THE FIVE 11 EAR TO THE GROUND 12 ON THE GRIND 13 PLAYLIST // 20 WATTS GOES ABROAD 15 BACK FROM THE DEAD 16 DROP THE MIC // SEXUALITY IN MUSIC 18 A DAY IN THE LIFE W/ NASTY HABIT 22 WHAT IS EDM? 24 2015: THE YEAR OF HIP-HOP 26 REVIEW // CHERRY BOMB 28 Q&A // RICKY SMITH 31 HEADSPACE 34 DIY, YOU WON’T 38 FUSION FRENZY 42 BACK OF BOOK LETTER 6 | 20 WATTS 20 WATTS | 7 There’s a lot that goes into making a magazine — a lot of arguments, a lot of cuts, a whole lotta shit that you probably don’t even think about as you’re holding this book in your hands right now. -
The New Classic Iggy Azalea
I did all this on my own So now I need money, put it all in [Intro[ from home locked up just like po-po [Verse 1[ Classic, expensive, you don’t get to I’m his new bitch Working on my shit Louboutins Just tryna’ make it on my own Every beat get ate, that’s ocho I remember when it used to be Ain’t got no time for no new friends my discussions [Verse 1: Iggy Azalea[ [Verse 2: Iggy Azalea[ [Verse 1[ [Intro[ Yeah we don’t wanna do anything First things first, I’m the realest I said baby, I do this, I thought that, touch, aow! He got a house that’s too big And I’m spending his new cash [Bridge[ Walk a mile in these Louboutins What you call that? And unless destiny calls, I don’t Won’t lose, oh, no, that’s Yoko simple So for now just leave me alone to scare your children (realest) you knew this Sits on a hill in the valley Few trips, new bags Tell your friends to tell their friends But they don’t wear these shits [Verse 2[ Head over heels answer phones Been up and down like low lows But all this cash it just complicates [Verse 3[ Damn, she is too bad That’s the last thing we wanna do I don’t need y’all anyway (6x) Drop this and let the whole world Can’t stand no haters, and honest, [Verse 3: Iggy Azalea[ Said he trying to move on with too where I’m from You can hate it or love it The New This is the line and I walk alone Still make my own on my solo things And if you wasn’t here when I was Oh you mad? We don’t wanna scare anybody feel it (let ‘em feel it) the truth is Still stunting, how you love that? life but he still wanna be a good He got -
Robbery of Taxi Drivers
U.S. Department of Justice Office of Community Oriented Policing Services Problem-Oriented Guides for Police Problem-Specific Guides Series No. 34 Robbery of Taxi Drivers By Martha J. Smith www.cops.usdoj.gov Center for Problem-Oriented Policing Got a Problem? We’ve got answers! Log on to the Center for Problem-Oriented Policing website at www.popcenter.org for a wealth of information to help www.PopCenter.org you deal more effectively with crime and disorder in your community, including: • Web-enhanced versions of all currently available Guides • Interactive training exercises • On-line access to research and police practices • An on-line problem analysis module Designed for police and those who work with them to address community problems, www.popcenter.org is a great resource in problem-oriented policing. Problem-Oriented Guides for Police Problem-Specific Guides Series Guide No. 34 Robbery of Taxi Drivers Martha J. Smith This project was supported by cooperative agreement #2004CKWXK002 by the Office of Community Oriented Policing Services, U.S. Department of Justice. The opinions contained herein are those of the author(s) and do not necessarily represent the official position of the U.S. Department of Justice. References to specific companies, products, or services should not be considered an endorsement of the product by the author or the U.S. Department of Justice. Rather, the references are illustrations to supplement discussion of the issues. www.cops.usdoj.gov ISBN: 1-932582-50-9 March 2005 About the Problem-Specific Guides Series i About the Problem-Specific Guides Series The Problem-Specific Guides summarize knowledge about how police can reduce the harm caused by specific crime and disorder problems. -
Bulletin February 2017 Welcome Letter by Our CEO
1st Edition Bulletin February 2017 Welcome Letter by our CEO Dear friends, Content: On July 4th 2013, when Buenos Aires was elected in Lausanne as the host city • Welcome letter by our CEO of the 3rd Summer Youth Olympic Games, the BAYOGOC team embraced • Introducing the Head of NOC with passion and pride the commitment that delivering this event presented Services for our city and country. • About Argentina and Buenos Aires From that moment on, we have been working hard in order to inspire youth in Argentina and the world while spreading the Olympic Values of • Buenos Aires 2018 emblem Excellence, Friendship and Respect and generating actions which encourage • Sport Qualification Systems & their participation in sport and cultural activities. We seek to empower new sports and engage young people in this wonderful project while bringing sports, • Buenos Aires 2018 Celebration culture and education to them. Moreover, we have seen the potential that the Youth Olympic Games have to act as a catalyst for social and urban • YOG reach change and development. • Introducing the Youth Olympic Village We are pleased to host the frst Youth Olympic Games in South America • 3rd visit of the IOC Coordination but furthermore, in less than two years Buenos Aires will host the most Commission signifcant and impactful cultural, educational and multisport event in the history of Argentina. This will mark the beginning of a new sports era in our • Buenos Aires 2018 social media country. We will deliver an edition of the YOG which will inspire athletes of channels Argentina and the world and will bring excitement, unity and spirit to both • NOC contact form + official young people and adults. -
Graffiti As a Popular Tool for Democratization in Argentina
Anne Buckley 1 SELF-EXPRESSION IN SPRAY PAINT: GRAFFITI AS A POPULAR TOOL FOR DEMOCRATIZATION IN ARGENTINA By: Anne Buckley Department of International Affairs, University of Colorado at Boulder A thesis submitted in partial fulfillment of the requirements for graduation with GENERAL HONORS April 9, 2014 Primary Thesis Advisor Gregory Young, Department of Political Science Committee Members Nina Molinaro, Department of Spanish, Honors Program Donna Goldstein, Department of Anthropology Anne Buckley 2 Abstract This thesis will argue that graffiti and street art increase the democratic self-expression values that Christian Welzel’s (2008) democratization theory argues are integral to the process of democratization. In countries where a repressive authoritarian regime allows little room for the population to express themselves, graffiti and street art offer a venue for the voicing of self- expression values, which lead to an increase in democratic values and culture. Growth in a society’s self-expression values, facilitated by the creation or exposure to graffiti, leads to mass pro-democratic attitudes. This thesis will use the case of Argentina’s democratic transition following the end of the “Dirty War,” when graffiti played a crucial role in the transition from a brutal authoritarian regime to democracy. Graffiti in Argentina has been integral during the transition to democracy, and this thesis will argue keeping the atrocities of the “Dirty War” in the public eye and collective memory through commemorative graffiti, street art, and demonstrations was extremely valuable to the initial success of the democratic transition. The importance of political graffiti and street art to the culture of Argentina cannot be debated as the streets of Buenos Aires are covered with colorful slogans, stencils and murals.