prints and multiples Tuesday 15 July 2014
prints and multiples | 1 2 | Bonhams prints and multiples | 3 4 | Bonhams prints and multiples Tuesday 15 July 2014, at 14.00 101 New Bond Street, London
Viewing Enquiries customer services Physical Condition of Sunday 13 July 11.00 - 3.00 Jonathan Horwich Monday to Friday 8.30 to 6.00 Lots in this Auction Monday 14 July 9.00 - 4.30 Global Pictures Director +44 (0) 20 7447 7447 Tuesday 15 July 9.00 - 12.00 +44 (0) 20 7468 8280 PLEASE NOTE THAT THERE IS [email protected] Please see page 2 for bidder NO REFERENCE IN THIS Sale Number information including after-sale CATALOGUE TO THE PHYSICAL 21601 Rupert Worrall collection and shipment CONDITION OF ANY LOT. + 44 (0) 20 7468 8262 INTENDING BIDDERS MUST Catalogue [email protected] Illustrations SATISFY THEMSELVES AS TO THE CONDITION OF ANY LOT £20.00 Front cover: Lot 76 Tanya Grigoroglou Back cover: Lot 114 (detail) AS SPECIFIED IN CLAUSE 14 +44 (0) 20 7468 8212 Inside front cover: Lot 19 OF THE NOTICE TO BIDDERS Bids CONTAINED AT THE END OF +44 (0) 20 7447 7448 [email protected] Inside back cover: Lot 143 THIS CATALOGUE. +44 (0) 20 7447 4401 fax To bid via the internet please Suzanne Irvine As a courtesy to intending visit bonhams.com +44 (0) 20 7468 8294 [email protected] bidders, Bonhams will provide a written Indication of the physical Please note that bids should be condition of lots in this sale if a submitted no later than 4pm on Robert Jones request is received up to 24 the day prior to the sale. New +44 (0) 20 7468 8326 hours before the auction starts. bidders must also provide proof +44 (0) 20 7447 7439 fax This written Indication is issued of identity when submitting bids. [email protected] subject to Clause 3 of the Notice Failure to do this may result in to Bidders. your bid not being processed.
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Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Harvey Cammell, Simon Cottle, Andrew Currie, Peter Rees, Julian Roup, Iain Rushbrook, Matthew Girling Global CEO, David Dallas, Paul Davidson, Jean Ghika, John Sandon, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Global CEO, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Robin Hereford, Asaph Hyman, Charles Lanning, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Sophie Law, Fergus Lyons, Paul Maudsley, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. Gordon McFarlan, Central Middlesex Sale Hospital Information Park Royal
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1 Albrecht Dürer (German, 1471-1528) Resurrection, from the Small Passion (Bartsch 17) Engraving, 1512, a good meder c impression with the vertical scratch on Christ’s left thigh, on laid, trimmed to plate, 119 x 75mm (4 5/8 x 2 7/8in)(PL) (unframed)
£1,500 - 2,000 €1,900 - 2,500 US$2,500 - 3,400
2 Albrecht Dürer (German, 1471-1528) Christ carrying the cross, from the Large Passion (Bartsch 10) Woodcut, circa 1498, a meder b impression, after the Latin edition of 1511, on laid, trimmed to or along the borderline, laid onto wove, 394 x 283mm (15 1/2 x 11 1/8in)(SH)
£1,500 - 2,000 €1,900 - 2,500 US$2,500 - 3,400
3 Albrecht Dürer (German, 1471-1528) Engraved Passion (Bartsch 5,7,9,10,11,12) Six engravings from the series, 1507-1513, ‘Betrayal of Christ’, meder d, ‘Christ before Pilate’, meder c/d, ‘Christ crowned with thorns’, meder b/c, ‘Ecce Homo’, meder c, ‘Pilate washing his hands’, meder b, ‘Christ carrying the cross’, meder d, together with ‘The Virgin and Child on a crescent’ (B32), a copy in reverse, all on laid, with thread margins, 117 x 75mm (4 5/8 x 3in)(PL) (7)
Each engraving has the collector’s mark of Caironi Agostino verso (Lugt 426).
£1,500 - 2,000 1 €1,900 - 2,500 US$2,500 - 3,400 6 | Bonhams 4 Albrecht Dürer (German, 1471-1528) St Jerome in his study (Bartsch 60) Engraving, 1514, a meder c impression, before the curved scratch on the ceiling, on thick laid, without a watermark, trimmed just inside the plate, 246 x 187mm (9 3/4 x 7 3/8in)(SH) (unframed)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
prints and multiples | 7 5 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Artist’s Mother seated at a Table, looking right: three quarter length (New Hollstein 91; Bartsch 343) Etching, circa 1631, the second state of three, with heavy diagonal shading under and to the left of the chair, with additional diagonal lines in the hair above the right temple, on laid, with a watermark of a large city gate, trimmed to the platemark, 149 x 131mm (5 7/8 x 5 1/8in)(PL)
Collector’s mark ‘MF’ next to lower right plate edge indicates the collection of Martin Folkes (1690-1754), mathematician, philosopher and President of the Royal Society of Antiquaries (Lugt 1034).
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
8 | Bonhams 6 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Peter and John healing the cripple at the gate of the temple (New Hollstein 213; Bartsch 94) Etching with drypoint, 1659, a fine impression of New Hollstein’s second state of six, with the right side of Peter’s body straightened, his cloak deeply curved across his body and additional shading next to his left hand and in the lower right corner, on thick laid, with narrow margins and a partial watermark, 180 x 215mm (7 1/8 x 8 1/2in)(PL)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
prints and multiples | 9 7 Joseph Mallord William Turner (British, 1775-1851) The Liber Studiorum was published between 1807 and 1819, with Liber Studiorum (Rawlinson 1-71) 71 plates in 14 parts, each containing 5 etchings, with subjects The complete set of 71 etchings with mezzotint, 1807-1819, etched divided into the following categories: Pastoral, Marine, Mountainous, by the artist, engraved by Charles Turner, William Say, Robert Architectural, Historical and Elevated Pastoral. As the title suggests, Dunkarton, Thomas Hodgetts, George Clint, Thomas Lupton, Henry it was conceived as a collection for study and learning, to be of Dawe, S. W. Reynolds, J.C. Easling, William Annis, F.C. Lewis and the particular use to other artists. In addition to this didactic purpose, artist, fine impressions, printed in warm brown ink, some with aquatint, there was doubtless a certain ambition by Turner to emulate the comprised of four proofs, fifty-seven first states, eight second states, genius and success of Thomas Earlom’s collection of mezzotints after two third states, on laid, with margins, loose in soft card mounts, Claude, the Liber Veritatis, which had been published in 1777 and within two hinged hard-board solander boxes, the front gilded with was considered highly influential in the development of landscape art the title and ‘Vol I’ and ‘Vol II’, together with two exhibition booklets, in Britain. The Liber Studiorum proved to be a success, admired by Bradford City Art Gallery 1918 and Colnaghi & Co. 1975, 210 x scholars and public alike for its technical and artistic virtuosity. 295mm (8 1/4 x 11 5/8in)(average plate size); 545 x 465mm (21 1/2 x 18 1/4in)(each box) The original intent was to have a total of 100 plates and it is unclear (71 in 2 folio boxes) why the project was not completed. It has been suggested that after twelve years, Turner was losing interest in the project, having developed the mezzotint medium as far as he could and was taking £10,000 - 15,000 up new commissions. €12,000 - 19,000 US$17,000 - 25,000 W.G. Rawlinson described it as “a monumental work of art and that it will take rank with the highest productions of the greatest landscape painter which the world has yet seen”.
W.G.Rawlinson, Turner’s Liber Studiorum: A Description and a Catalogue (London: Macmillan and Co., 1878).
10 | Bonhams prints and multiples | 11 8 Samuel Palmer (British, 1805-1881) The Early Ploughman, or The Morning spread upon the Mountains (Lister 9) Etching, circa 1861, the fifth state of nine, with the top of the third cypress from the left sharply pointed, small vertical rays of light added to the clouds and brighter reflected light under the central arch, on wove, signed in pencil, with wide margins, 178 x 252mm (7 x 9 7/8in)(PL)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
12 | Bonhams 9 AR Augustus Edwin John O.M. (British, 1878-1961) Gwendolen (Campbell Dodgson 47) Etching and drypoint, the fifth and final state, circa 1902, on partially watermarked laid, signed in pencil, one of 25 published impressions, with wide margins, 139 x 95mm (5 1/2 x 3 3/4in)(PL) (unframed)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
prints and multiples | 13 10 AR Christopher Richard Wynne Nevinson (British, 1889-1946) La Butte, Montmartre (Guichard 92) Etching printed with tone, circa 1922, on watermarked F.J. Head & Co. hand-made laid, signed in pencil, from an edition not exceeding 75, with margins, 235 x 193mm (9 1/4 x 7 5/8in)(PL)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
10
11 AR Christopher Richard Wynne Nevinson (British, 1889-1946) Le Louvre (Guichard 88) Etching, on J. Whatman wove, signed in pencil, from an edition not exceeding 75, with Kenneth Guichard’s rubber stamp verso, with margins, 276 x 175mm (10 7/8 x 6 7/8in)(PL)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
11
14 | Bonhams 12 AR Christopher Richard Wynne Nevinson (British, 1889-1946) Quartier Latin (Guichard 91) Drypoint, 1922, a good velvety impression, on F. J. Head & Co. hand-made laid, signed in pencil, from the edition of 40, with margins, 351 x 249mm (13 7/8 x 9 7/8in)(PL)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
prints and multiples | 15 13 AR Cyril Edward Power (British, 1872-1951) Skaters (Coppel CEP 29) Linocut printed in spectrum red, light cobalt blue and viridian, circa 1932, on oriental laid tissue, signed, titled and numbered 50/60 in pencil, dedicated ‘To Madame de Korostovetz from Cyril Power. Jan.1949’ in the lower margin, with margins, 198 x 316mm (7 3/4 x 12 3/8in)(B)(unframed)
£8,000 - 12,000 €9,900 - 15,000 US$13,000 - 20,000
16 | Bonhams 14 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Sledgehammers (Coppel SA 26) Linocut printed in spectrum red, viridian and Chinese blue, 1933, on thickish buff oriental laid, signed, titled and numbered 47/60 in pencil, with margins, 202 x 228mm (8 x 9in)(B) (unframed)
£10,000 - 15,000 €12,000 - 19,000 US$17,000 - 25,000
prints and multiples | 17 15 AR Sybil Andrews CPE (British/Canadian, 1898-1992) The proposed edition of the first state of The Giant Cable was 50, but The Giant Cable or The New Cable (Coppel SA 17) only 30 impressions were eventually pulled. The blue sky was annulled Linocut printed in light cobalt blue, venetian red, viridian and Chinese from the final print and the second state was published under the title blue, 1931, a good impression of the first state with the light blue The New Cable in an edition of 60. background, on buff oriental laid tissue, signed, titled and numbered 25/50 in pencil, with margins, 312 x 426mm (12 1/4 x 16 3/4in)(B) Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the Grosvenor School (Aldershot: Scolar Press, 1995), 110. £15,000 - 20,000 €19,000 - 25,000 US$25,000 - 34,000
18 | Bonhams 16 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Bringing in the Boat (Coppel SA 24) Linocut printed in Venetian red, viridian and Chinese blue, 1933, on buff oriental laid tissue, signed, titled and numbered 12/60 in pencil, 332 x 260mm (13 1/8 x 10 1/4in)(B)
£6,000 - 8,000 €7,500 - 10,000 US$10,000 - 14,000
prints and multiples | 19 17 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Market Day (Coppel SA 38) Linocut printed in ochre, spectrum red, viridian, permanent blue and Chinese blue, 1936, a richly inked impression, on buff oriental laid tissue, signed, titled and numbered 20/60 in pencil, additionally signed and titled in blue ink on the front mount, with margins, 280 x 336mm (11 x 13 1/4in)(B)
£8,000 - 12,000 €9,900 - 15,000 US$13,000 - 20,000
20 | Bonhams 18 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Racing (Coppel SA 32) Linocut printed in Chinese orange, spectrum red, viridian and Chinese blue, 1934, an early richly inked impression, on buff oriental laid tissue, signed, titled and numbered 21/60 in pencil, additionally signed and titled in blue ink on the front mount, with margins, 260 x 343mm (10 1/4 x 13 1/2in) (B)
£30,000 - 50,000 €37,000 - 62,000 US$50,000 - 84,000
prints and multiples | 21 19 AR The Timber Jim Sybil Andrews CPE (British/Canadian, 1898-1992) For Andrews regulated the colour density and texture by varying the hand pressure on the blocks. In Print Book I, 1932- The Timber Jim (Coppel SA 21) 1933, the artist noted that the Chinese orange should “not [be] too Linocut printed in Chinese orange, permanent blue, crimson, viridian intense on [the] foreground”, the Permanent blue (and not cobalt) to and Chinese blue, 1932, an early richly inked impression, on oriental be printed “gentle pale on far hedge” and the Chinese blue to be used laid tissue, signed, titled and numbered 3/60 in pencil, with margins, “sparingly, not to give a deep blue but to darken the tone”. 222 x 384mm (8 3/4 x 15 1/8in)(B) Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the £10,000 - 15,000 Grosvenor School (Aldershot: Scolar Press, 1995), 112. €12,000 - 19,000 US$17,000 - 25,000
22 | Bonhams 20 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Steeplechasing (Coppel SA 10) Linocut printed in Chinese orange, alizarin purple madder and Prussian blue, 1930, on buff oriental laid tissue, signed and numbered 5/50 in pencil, additionally titled in pencil in the lower margin, with margins, 175 x 272mm (6 7/8 x 10 3/4in)(B)
£10,000 - 15,000 €12,000 - 19,000 US$17,000 - 25,000
prints and multiples | 23 21
21 AR Sybil Andrews CPE (British/Canadian, 1898-1992) In Manus Tuas Domini: Station XII (Coppel SA 47) Linocut printed in orange ochre, viridian and alizarin purple, 1951, an early richly inked impression, on buff oriental laid tissue, signed, titled, numbered 2/60 and inscribed ‘(1st state)’ in pencil, one of only 10 impressions of this state, additionally signed and titled in blue ink on the front mount, with margins, 308 x 356mm (12 1/8 x 14in) (B)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
22 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Gethsemane (Coppel SA 46) Linocut printed in grey, 1951, on buff oriental laid tissue, signed, titled and inscribed ‘3rd Block’ in pencil, a progressive proof before the published edition of 60, additionally signed, titled and inscribed in blue ink on the front mount, with margins, 285 x 205mm (11 1/4 x 8 1/8in) (B)
£1,000 - 1,500 €1,200 - 1,900 US$1,700 - 2,500
22
24 | Bonhams 23 Ethel Spowers (Australian, 1890-1947) Val de Grâce, Paris (Coppel ES A/1) Woodcut printed in grey-blue, dull blue, reddish brown and black, 1923, on buff oriental laid, signed, titled, dated and numbered 10/20 in pencil, with margins, 100 x 81mm (4 x 3 1/4in)(B) (unframed)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
prints and multiples | 25 24 * Lill Tschudi (Swiss, 1911-2004) Visiting Day (Coppel LT 53) Linocut printed in dark blue, yellow, light brown and viridian, 1937, a good impression, on white mulberry, signed, inscribed ‘Handdruck’ and numbered 21/50 in pencil, additionally titled in German ‘Kinderspital’, dated and numbered in pencil in the lower margin, with margins, 300 x 250mm (11 7/8 x 9 7/8in)(B)
£10,000 - 15,000 €12,000 - 19,000 US$17,000 - 25,000
26 | Bonhams 25
25 * Ethel Spowers (Australian, 1890-1947) Children’s Hoops (Coppel ES 31) Linocut printed in yellow ochre, grey, reddish brown, viridian and black, 1936, an early richly inked impression, on buff oriental laid tissue, signed, titled, dated and numbered 2/50 in pencil, with margins, 198 x 262mm (7 3/4 x 10 3/8in)(B)
£25,000 - 35,000 €31,000 - 43,000 US$42,000 - 59,000
26 26 * • Ethel Spowers (Australian, 1890-1947) Cuthbert and the Dogs The book, circa 1948, with illustrations in colours and in black by Ethel Spowers, printed by The Specialty Press Pty, Ltd., Melbourne, published by Digest Juvenile Productions, bound as issued in printed boards, 195 x 285mm (7 3/4 x 11 1/4in)(vol)
£500 - 700 €620 - 870 US$840 - 1,200 prints and multiples | 27 27 * Ethel Spowers (Australian, 1890-1947) The Rain Cloud (Coppel ES 16) Linocut printed in yellow ochre, viridian, black and mauve, 1931, on buff oriental laid tissue, signed, titled, dated and numbered 8/30 in pencil, with margins, 207 x 266mm (8 1/8 x 10 1/2in)(B)
£20,000 - 30,000 €25,000 - 37,000 US$34,000 - 50,000
28 | Bonhams 28 Ethel Spowers (Australian, 1890-1947) The Gust of Wind (Coppel ES 15) Linocut printed in red, viridian, yellow ochre and cobalt blue, 1930-31, an early impression, on buff oriental laid tissue, signed, titled, dated and numbered 8/50 in pencil, with margins, 220 x 166mm (8 5/8 x 6 1/2in)(B) (unframed)
£30,000 - 50,000 €37,000 - 62,000 US$50,000 - 84,000
prints and multiples | 29 29 * Eveline W. Syme (Australian, 1881-1961) Belgian Street (Coppel ESy 9) Linocut printed in yellow ochre, red, light blue and black, circa 1931, an early richly inked impression, on buff oriental laid tissue, signed, titled and numbered 3/25 in pencil, with margins, 237 x 196mm (9 3/8 x 7 3/4in)(B)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
30 | Bonhams 30 * Eveline W. Syme (Australian, 1881-1961) The Yarra at Warrandyte (Coppel ESy 11) Linocut printed in yellow ochre, cobalt green, viridian and raw umber, 1931, on buff oriental laid tissue, signed, titled, dated and numbered 7/25 in pencil, with margins, 219 x 154mm (8 5/8 x 6 1/8in)(B)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
prints and multiples | 31 31 * Eveline W. Syme (Australian, 1881-1961) Fish Pattern (Coppel ESy 24) Linocut printed in emerald green and dark blue, 1956, on buff oriental laid tissue, signed, titled and numbered 2/25 in pencil, with margins, 204 x 163mm (8 x 6 3/8in)(B)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
32 | Bonhams 32 * AR Dame Eileen Mayo (British, 1906-1994) Water Carrier The rare linocut printed in colours, on oriental laid, signed, titled and numbered 5/30 in pencil, with margins, 304 x 225mm (12 x 8 7/8in)(B)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
prints and multiples | 33 33
34
33 34 Théo Van Rysselberghe (Belgian, 1862-1926) Edouard Vuillard (French, 1868-1940) Sur La Jetée (Ghent 109; Feltkamp E-1899-004) Le Jardin des Tuileries (Roger-Marx 28) Lithograph printed in colours, 1899, on simili japan, monogrammed in Lithograph printed in pale and dark blue, yellow and green, 1896, a red crayon and numbered 22 in pencil, from the edition of 100, with rare proof impression of an intermediate state, between Roger-Marx’s margins, 245 x 422mm (9 5/8 x 16 5/8in)(I)(unframed) first and second, before the patterning of the dress of the woman in the centre, and before extensive work on the foliage in and around the £2,000 - 3,000 tree, on Chine Volant paper, before the edition of 100 published by A. €2,500 - 3,700 Vollard, Paris, for the Album des Peintres-Graveurs, with margins, 363 US$3,400 - 5,000 x 521mm (14 1/4 x 20 1/2in)(SH)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000 34 | Bonhams 35 AR Pierre Bonnard (French, 1867-1947) La Petite Blanchisseuse (Bouvet 40) Lithograph printed in colours, 1896, on wove, signed in pencil, from the edition of 100, inscribed in pen ‘pour Mr Clot’ and numbered 19 Auguste Clot, printed by A.Clot for the first Album des Peintres- Graveurs, published by Amboise Vollard, with margins, 300 x 190mm (11 3/4 x 7 1/2in)(I)
£20,000 - 30,000 €25,000 - 37,000 US$34,000 - 50,000
prints and multiples | 35 36 Edvard Munch (Norwegian, 1863-1944) Torvald Stang I (Woll 398) The rare lithograph printed in black, 1912, on wove, signed in pencil, printed by Nielsen, Norway, with full margins, 315 x 255mm (12 3/8 x 10in) (I); 782 x 570mm (30 3/4 x 22 1/2in) (SH)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
36 | Bonhams 37 AR Die Hölle Max Beckmann (German, 1884-1950) “In the portfolio , Max Beckmann journeys, Virgil-like, through Berlin. These ten lithographs present an unflinching look at social Self-Portrait (Hofmaier 139 I) disintegration and civil violence after the catastrophe of World War I. Lithograph, 1918-19, on laid, signed and dated ‘18’ in pencil, one Beckmann captured the sense of chaos and claustrophobia through of only 18 impressions of the first state of three (Hofmaier states 11 fragmented city views, compressed interiors, and contorted bodies that known impressions), before the edition of 50 as the cover plate of the sometimes jut outside his pictures’ borders.” portfolio ‘Die Hölle’, and the edition of 75 as the first plate of the same portfolio, the edition was printed by C.Naumann’s Druckerei, Frankfurt, The present lithograph is an early proof impression. This Self- Portrait published by I.B. Neumann, 373 x 270mm (14 3/4 x 10 5/8in)(SH) was subsequently further reworked and published in an edition of 75. It additionally served as the lithographed front cover of the boxed £8,000 - 12,000 sets which, in a handwritten note, promises the viewer an entertaining €9,900 - 15,000 spectacle. Beckmann depicted himself amid the misery in Hölle in a US$13,000 - 20,000 further four prints of the portfolio.
Heather Hess, “German Expressionism: Works from the Collection,” German Expressionist Digital Archive Project (The Museum of Modern Art, 2011).
prints and multiples | 37 38 39
38 AR 39 AR Max Beckmann (German, 1884-1950) Erich Heckel (German, 1883-1970) Der Grosse Mann, from Jahrmarkt (Hofmaier 195) Handstand (Dube 151) Drypoint, 1921, on japan, signed in pencil, from the edition of 75 on Etching with aquatint, 1924, on handmade japan, signed and dated this paper (there was also an edition of 125 on wove), published by the in pencil, with full margins, 222 x 172mm (8 3/4 x 6 3/4in) (PL) Verlag der Marées Gessellschaft, Munich, with their blindstamp, with (unframed) wide margins, 308 x 209mm (12 1/2 x 8 1/4in)(PL) (unframed) £3,000 - 5,000 £2,000 - 3,000 €3,700 - 6,200 €2,500 - 3,700 US$5,000 - 8,400 US$3,400 - 5,000
38 | Bonhams 40 AR Otto Dix (German, 1891-1969) Der Selbstmörder, Plate I from Tod und Auferstehung (Karsch 43/III) Profoundly informed by Dix’s war-experience and based on the artist’s Etching with drypoint printed with tone, 1922, the final third state, on drawings at the front-line, The Suicide constitutes the first print in the wove, signed, numbered 47/50 and inscribed ‘I’ in pencil, published by portfolio of six etchings Death and Resurrection, published in 1922. the artist, with margins, 350 x 280mm (13 3/4 x 11in) (PL) (unframed) Influenced by the Nietzschean concept of eternal recurrence, The £6,000 - 8,000 Suicide reflects the cynicism and resignation of the post-war period. €7,400 - 9,900 The etching “depicts a narrow, box-like room, sparsely furnished but US$10,000 - 13,000 for a few domestic items. The carefully observed details and elegance of the setting seem incongruous with the gravity of the event that has just taken place and contributes to the note of black humour. The dead man’s spirit has left the corpse and sits dolefully on the chair beside it. Meanwhile the body hangs lifeless as the hat and coat on the wall opposite.” In this repetition of the implied human form -the hanged man, the spirit, the empty coat, Dix visualises the eternal cycle of becoming, decay and renewal and the cyclical conception of time.
Jacqueline Strecker, ed., The Mad Square: Modernity in German Art 1910-37 (Sydney: Art Gallery of New South Wales, 2011).
prints and multiples | 39 41
42 43
Impressed by German Expressionist woodcuts during his stay in 41 * AR Love The Dance Munich, Dufy carved four singular wood engravings: , , Raoul Dufy (French, 1877-1953) Fishing and Hunting, impressions of which are offered in lots 41-44, upon his return to Paris in 1910. La Chasse, from Quatre Bois The rare woodcut, circa 1910-1911, on japan, signed in pencil, from These early woodcuts recall the archaic simplicity of fifteenth century the edition of approximately 100, with margins, 640 x 210mm (25 1/4 carvings. They are exceptional for their bold surface design and x 8 1/4in)(B) decorative patterning and represent the most complete expression of Dufy’s new ideas on the interpretation of space. £3,000 - 5,000 €3,700 - 6,200 In 1910, Dufy experimented with woodcuts on dress fabrics and US$5,000 - 8,400 proceeded to produce designs for woven and printed textiles in collaboration with Paul Poiret in 1911 and for the silk manufacturers 42 AR Bianchini-Férier between 1912 and 1930. In his endeavours with * printed fabrics, Dufy frequently reused earlier blocks. There are at Raoul Dufy (French, 1877-1953) least three versions of The Dance in textile, one of which is entitled La Peche, from Quatre Bois Journey to the Islands. A version of The Dance, made of woodblock The rare woodcut, circa 1910-1911, on japan, signed in pencil, from printed cretonne, was issued for Bianchini-Férier around 1920, as part the edition of approximately 100, with margins, 400 x 315mm (15 3/4 of the Toiles de Tournon, a series of modern day furnishing fabrics. x 12in)(B) The design which depicts dynamic repeats of the forms of a couple interspersed with vegetation in a skilfully balanced composition is a £2,000 - 3,000 simplified version of a multicoloured painted and printed panel made €2,500 - 3,700 for Paul Poiret in about 1910. US$3,400 - 5,000 40 | Bonhams 44
43 * AR 44 * AR Raoul Dufy (French, 1877-1953) Raoul Dufy (French, 1877-1953) La Danse, from Quatre Bois L’Amour, from Quatre Bois The rare woodcut, circa 1910-1911, on japan, signed in pencil, from The rare woodcut, circa 1910-1911, on japan, signed in pencil, from the edition of approximately 100, with margins, 305 x 310mm (12 x the edition of approximately 100, with margins, 305 x 310mm (12 x 12in)(B) 12in)(B)
£2,000 - 3,000 £2,000 - 3,000 €2,500 - 3,700 €2,500 - 3,700 US$3,400 - 5,000 US$3,400 - 5,000
prints and multiples | 41 45 AR Henri Matisse (French, 1869-1954) Danseuse endormie au divan, from Dix Danseuses (Duthuit 485) Lithograph, 1925-6, on Arches, signed and numbered 9/130 in pencil, published in 1927 by Galerie d’Art Contemporain, Paris, with full margins, 325 x 503mm (12 3/4 x 19 3/4in)(SH) (unframed)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
42 | Bonhams 46 AR Henri Matisse (French, 1869-1954) Odalisque couchée (Duthuit 86) Etching printed with tone, 1923, on Arches, one of several trial proofs, aside from the six signed proofs, (there was no edition published), with full margins, 200 x 300mm (7 7/8 x 11 7/8in)(PL)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 43 47
47 49 AR Alberto Giacometti (Swiss, 1901-1966) Pablo Picasso (Spanish, 1881-1973) The Studio with Bottles, from L’Atelier d’Alberto Giacometti (Lust 100) Peintre et Modéle Accoudé (Bloch 1387; Baer 1409) Lithograph, 1957, on BFK Rives, signed and numbered 71/100 Etching with aquatint, 1966, on Rives, signed and numbered 17/50 in pencil, published by Maeght Editeur, Paris, the full sheet, 400 x in pencil, published in 1968 by Galerie Louise Leiris, Paris, with full 560mm (15 3/4 x 22in)(SH) margins, 321 x 470mm (12 5/8 x 18 1/2in)(PL)
£4,000 - 6,000 £2,000 - 3,000 €5,000 - 7,400 €2,500 - 3,700 US$6,700 - 10,000 US$3,400 - 5,000
48 AR 50 • Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973) La Célestine Avec Une Femme, Un Cavalier et son Valet (Bloch 1462; A Los Toros (Bloch 1014-1017; Cramer books 113) Baer 1854A) The book, 1961, comprising the set of four lithographs, one printed in The rare linocut printed in brown, 1968, an excellent impression, on colours, hors-texte, with title page and text in French, on wove, from wove, signed in red crayon, one of only a few proofs printed before the edition of an unknown size, the full sheets, bound as issued, grey the edition of 125 printed in 1970, published by Galerie Madoura, cloth-covered boards with a reproduction after a drawing by Picasso Cannes and Vallauris, with wide margins, 115 x 177mm (4 1/2 x 7in) on the front and lettering on the spine, red laid paper-covered slipcase (B) (unframed) with a reproduction after a drawing by Picasso on the front and back and lettering on the spine, 260 x 330mm (10 1/4 x 13in)(vol) £4,000 - 6,000 €5,000 - 7,400 £1,500 - 2,000 US$6,700 - 10,000 €1,900 - 2,500 US$2,500 - 3,400
44 | Bonhams 48
49 50
prints and multiples | 45 51 AR Pablo Picasso (Spanish, 1881-1973) Femme Nues au Miroir (Femmes à leur toilette.I) (Bloch 1199; Baer 1181Bb) Aquatint and drypoint, 1965, the second state, with additional drypoint and scorper on the faces, arms and legs, on Richard de Bas, signed and numbered 27/50 in pencil, printed by Crommelynck, Paris, published by Galerie Louise Leiris, Paris, with full margins, 380 x 273mm (14 7/8 x 10 3/4in)(PL)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
46 | Bonhams 52 AR Pablo Picasso (Spanish, 1881-1973) Quatre femmes nues et tête sculptée, Plate 82 from La suite Vollard (Bloch 219; Baer 424.Bd) Etching, 1934, the final fifth state, on Montval watermarked Vollard, signed in pencil, from the edition of 260, published by A. Vollard, Paris, with full margins, 223 x 316mm (8 3/4 x 12 3/8in)(PL)
£30,000 - 50,000 €37,000 - 62,000 US$50,000 - 84,000
prints and multiples | 47 53 AR Marc Chagall (Russian/French, 1887-1985) Ulysses and Penelope, from The Odyssea II (Mourlot 823; Cramer books 96) Lithograph printed in colours, 1975, on japon nacré, signed and numbered 15/30 in pencil, one of thirty proofs aside from the book edition of 250, printed and published by Mourlot, Paris, wide margins, 535 x 390mm (21 1/8 x 15 3/8in)(SH)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
48 | Bonhams 54 AR Marc Chagall (Russian/French, 1887-1985) Peace Rediscovered, from The Odyssea II (Mourlot 830; Cramer books 96) Lithograph printed in colours, 1975, on japon nacré, signed and numbered 15/30 in pencil, one of thirty proofs aside from the book edition of 250, printed and published by Mourlot, Paris, with wide margins, 390 x 535mm (15 3/8 x 21 1/8in)(SH)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
prints and multiples | 49 55 AR Marc Chagall (Russian/French, 1887-1985) The Blue Pirouette (Mourlot 471) Lithograph printed in colours, 1966, on japan, signed and inscribed ‘X/ XXV’ in pencil, one of 25 proofs aside from the numbered edition of 50, printed by Mourlot, Paris, published by Charles Sorlier, Paris, with margins, 365 x 270mm (14 3/8 x 10 5/8in)(I)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
50 | Bonhams 56 AR Marc Chagall (Russian/French, 1887-1985) The White Bouquet (Mourlot 579) Lithograph printed in colours, 1969, on Arches, signed and inscribed ‘epreuve d’artiste XVI/XXV’ in pencil, an artist’s proof aside from the edition of 50, printed by Mourlot, Paris, with full margins, 750 x 545mm (29 1/2 x 21 3/4in)(SH)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 51 57 AR Marc Chagall (Russian/French, 1887-1985) Le Baiser de Chloe, from Daphnis and Chloe (Mourlot 316; Cramer books 46) Lithograph printed in colours, 1961, on Arches, signed and numbered 17/60 in pencil, printed by Mourlot, Paris, published by Tériade, Paris, with full margins, 540 x 375mm (21 1/4 x 14 3/4in) (SH) (unframed)
£12,000 - 15,000 €15,000 - 19,000 US$20,000 - 25,000
52 | Bonhams 58 AR Marc Chagall (Russian/French, 1887-1985) The Wolf Pit, from Daphnis and Chloe (Mourlot 343; Cramer books 46) Lithograph printed in colours, 1961, on Arches, signed and numbered 19/60 in pencil, printed by Mourlot, Paris, published by Tériade, Paris, with full margins, 417 x 320mm (16 1/4 x 12 5/8in) (I)
£16,000 - 20,000 €20,000 - 25,000 US$27,000 - 34,000
prints and multiples | 53 59 60
59 AR 60 AR Marc Chagall (Russian/French, 1887-1985) Marc Chagall (Russian/French, 1887-1985) Plate 4, from the Bible (Cramer books 30) Plate 72, from the Bible (Cramer books 30) Etching with hand colouring, 1958, on Arches, initialled and numbered Etching with hand colouring, 1958, on Arches, initialled and numbered 80/100 in pencil, published by Tériade, Paris, with wide margins, 302 87/100 in pencil, published by Tériade, Paris, with wide margins, 312 x 230mm (11 7/8 x 9in)(PL) (unframed) x 242mm (12 1/4 x 9 1/2in)(PL)
£3,000 - 5,000 £2,000 - 3,000 €3,700 - 6,200 €2,500 - 3,700 US$5,000 - 8,400 US$3,400 - 5,000
54 | Bonhams 61 62
61 • Marc Chagall (Russian/French, 1887-1985) Verve Vol VIII, Nos 33-34 (Bible) (Cramer books 25) The complete volume, 1956, comprising 18 lithographs in colours, with the first lithograph on the front and back covers, text in French, printed by Mourlot Frères, Paris, published by Editions de la Revue Verve, Paris, bound as issued within original lithographed pictorial boards, 364 x 268mm (14 3/8 x 10 1/2in) (vol)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
62 • Marc Chagall (Russian/French, 1887-1985) Verve Vol X, Nos 37-38 (Dessins pour la Bible) (Cramer books 42) The complete volume, 1960, comprising 24 lithographs in colours, text in French, printed by Mourlot Frères, Paris, published by Editions de la Revue Verve, Paris, bound as issued within original lithographed pictorial boards, 360 x 270mm (14 1/4 x 10 5/8in) (vol)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
63 • Marc Chagall (Russian/French, 1887-1985) Chagall Lithographe I-VI (Cramer 43, 56, 77, 94) The complete set of six volumes, 1960-1986, comprising 28 lithographs printed in colours, with text in German, printed by Mourlot Frères, Paris, bound in boards, in the original lithographed paper wrappers, overall 325 x 250mm (12 3/4 x 9 3/4in) (6) (vol) 63
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000 prints and multiples | 55 64
64 AR Joan Miró (Spanish, 1893-1983) L’escalier de la nuit (Dupin 536) Etching with aquatint printed in colours, 1970, on Mandeure rag paper, signed and numbered 72/75 in pencil, printed by Arte Adrien Maeght, Paris, published by Maeght Editeur, Paris, with margins, 482 x 565mm (19 x 22 1/4in)(PL)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
65 AR Joan Miró (Spanish, 1893-1983) Arlequin Circonscrit (Mourlot 887) Lithograph printed in colours, 1973, on Arches, signed and numbered 72/75 in pencil, printed by Arte Adrien Maeght, Paris, published by Maeght Editeur, Paris, 758 x 530mm (29 7/8 x 20 7/8in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
65
56 | Bonhams 66
67
66 AR 67 AR Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983) Ram in bloom (Mourlot 739) James Johnson Sweeney: Joan Miro (Cramer books 191) Lithograph printed in colours, on Arches, signed and numbered Lithograph printed in colours, 1974, on Guarro, signed and numbered 62/75 in pencil, printed by Arte Adrien Maeght, Paris, published by 69/100 in pencil, printed by Polígrafa, S.A., Barcelona, with margins, Maeght, Paris, with full margins, 537 x 750mm (21 1/8 x 29 3/4in)(SH) 200 x 393mm (7 7/8 x 15 1/2in)(I) (unframed) (unframed) £3,000 - 5,000 £2,500 - 3,500 €3,700 - 6,200 €3,100 - 4,300 US$5,000 - 8,400 US$4,200 - 5,900 prints and multiples | 57 68 AR Joan Miró (Spanish, 1893-1983) Plate 5, from The Pine of Formentor (Dupin 942) Etching with aquatint printed in colours, 1976, on Guarro, signed in pencil, a proof aside from the edition of 50, printed by J.J. Torralba, Rubí, Barcelona, published by Sala Gaspar, Barcelona, with full margins, 885 x 740mm (34 7/8 x 29 1/8in)(PL)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
58 | Bonhams 69
69 AR Joan Miró (Spanish, 1893-1983) Plate XXI, from Ubu Roi (Mourlot 480) Lithograph printed in colours, 1966, on Arches, signed and inscribed ‘HC’ in pencil, one of twenty-five hors commerce proofs aside from the edition of 180, (there was also a portfolio edition of 75), printed by Mourlot, Paris, published by Tériade, Paris, with full margins, 410 x 625mm (16 1/8 x 24 5/8in)(I)(unframed)
£2,500 - 3,500 €3,100 - 4,300 US$4,200 - 5,900
70 After Joan Miró (Spanish, 1893-1983) Le Chien Bleu (Maeght 1714) Etching with aquatint printed in colours, 1959, on BFK Rives, signed and inscribed ‘H.C.’ in pencil, an hors commerce impression aside from the numbered edition of 300, published by Maeght Editeur, Paris, with full margins, 617 x 474mm (24 1/4 x 18 5/8in) (PL) (unframed)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
70
prints and multiples | 59 71 72
71 AR 72 AR Salvador Dali (Spanish, 1904-1989) Salvador Dali (Spanish, 1904-1989) La Ville odorante, from Roi, je t’attends à Babylone (Michler & Portrait de Marguerite, from Faust (Michler & Löpsinger 298k) Löpsinger 601b) Etching with handcolouring and gold leaf, 1968-69, on japan, signed Drypoint, 1973, on parchment, signed and numbered 63/150 in and inscribed ‘H.C.’ in pencil, an hors commerce proof aside from the pencil, printed by Ateliers Rigal, Paris, published by Skira, Paris, with numbered edition of 145, with the Dali blindstamp, with margins, 370 full margins, 523 x 358mm (20 1/2 x 14in)(PL) (unframed) x 280mm (14 1/2 x 11in)(SH) (unframed)
£3,000 - 4,000 £3,000 - 5,000 €3,700 - 5,000 €3,700 - 6,200 US$5,000 - 6,700 US$5,000 - 8,400
60 | Bonhams 73 AR Salvador Dali (Spanish, 1904-1989) Saint-Jacques de Compostelle (Michler & Löpsinger 1017b) The rare lithograph printed in colours, 1958, on Arches, signed and dated in pencil, one of only 50 impressions with a pencil remarque of The Virgin & Child, printed by Manequin, Paris, published by Foret, Paris, with full margins, 750 x 549mm (29 1/2 x 21 1/2in)(SH) (unframed)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 61 74 • Salvador Dali (Spanish, 1904-1989) Biblia Sacra (Michler & Löpsinger 1600) The complete set, 1967, comprising 105 offset lithographs printed in colours, with title page, text in Latin and justification, on laid, watermark Dali, copy 602 from the deluxe edition of 1499 in Arabic numerals, published by Rizzoli, Rome, the full sheets, bound in five volumes (as issued), with tissue japan paper guards, within the original brown leather bindings with gilt embossing and brown leather slipcases with cream fabric, each volume 508 x 394mm (20 x 15 1/2in) (5) (vol)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
62 | Bonhams 75 AR Salvador Dali (Spanish, 1904-1989) Boccaccio: Decameron (Michler & Löpsinger 552-561f) The complete portfolio, 1972, comprising 10 drypoints printed in colours, in-texte, on Moulin Richard de Bas, each signed in pencil, with text in Italian, title and justification pages, this copy number ‘XXV’, one of 25 deluxe portfolios aside from the edition of 125 in Arabic numerals, printed by Ateliers Rigal, published by Michèle Broutta and Pamela Verlag, with the additional suite of 10 drypoints, each on japon nacré, each signed and inscribed ‘E XXV/XXV’ in pencil, the full sheets, loose as issued, within the original red leather boards with metal application and portfolio box, 450 x 320mm (17 3/4 x 12 5/8in)(SH) (20) (folio)
£7,000 - 10,000 €8,700 - 12,000 US$12,000 - 17,000 prints and multiples | 63 76 AR Salvador Dali (Spanish, 1904-1989) Provenance with Galerie Orangerie-Reinz, Cologne (since publication). Dante Alighieri: La Divine Comédie (Michler & Löpsinger 1039-1138) with Artco, France (acquired from the above in 2008). The complete set, 1960-64, comprising 100 wood engravings Private Collection, France (acquired from the above in 2014). printed in colours, on B.F.K. Rives, each signed and inscribed ‘II/III’ in coloured crayon (red for L’Enfer, purple for Le Purgatoire and blue for Le Paradis), one of three proof sets aside from the numbered edition Accompanied by a certificate issued by Galerie Orangerie-Reinz, of 150, lacking text in French, title and justification pages, published Cologne and an examination report by Nicolas R. Descharnes. by Les Heures Claires, Paris, with full margins, loose as issued, within three linen covered portfolios, each 330 x 262mm (13 x 10 3/8in)(SH) We are grateful to Mr Descharnes for confirming the authenticity of (100) (3 folios) this work.
£40,000 - 60,000 €50,000 - 74,000 US$67,000 - 100,000
64 | Bonhams prints and multiples | 65 77 79
78 80 77 AR 79 AR Hans (Jean) Arp (French, 1887-1966) Hans (Jean) Arp (French, 1887-1966) Twelve plates, from Le Soleil Recerclé (Arntz 250-252, 256-259, 261, A Collection (Artnz 133, 135, 232, 248b-d, 244, 286, 293, 312, 358) 262, 264, 265) Sixteen prints, woodcuts, lithographs and a screenprint in colours, Twelve woodcuts printed in colours, 1962-65, from the series of on various wove papers, each signed in pencil, the full sheets, 645 x thirteen, each on cream handmade velin d’ Auvergne, watermark 500mm (25 1/2 x 19 3/4in)(SH)(and smaller) (16) Arp, each signed in pencil, eleven numbered 50/60 and one inscribed ‘H.C.’ in pencil, aside from the book edition of 185 (of nineteen £4,000 - 6,000 woodcuts), printed at the studio of Fequet et Baudier, Paris, published €5,000 - 7,400 in 1966 by Louis Broder, Paris, the full sheets, 540 x 440mm (21 1/4 x US$6,700 - 10,000 17 1/4in) or 470 x 360mm (18 1/2 x 14 1/8in)(SH) (12) 80 AR £3,000 - 5,000 Max Ernst (German, 1891-1976) €3,700 - 6,200 Decervelages: Paroles d’ Alfred Jarry (Spies & Leppien 197) US$5,000 - 8,400 The complete portfolio, 1971, comprising seven lithographs printed in AR colours, on Arches, each signed and numbered 35/99 in pencil, with 78 title page, contents and text in French, published by Galerie Alexandre Hans (Jean) Arp (French, 1887-1966) Iolas, loose as issued within the original beige linen covered portfolio, Le voilier dans la forêt (Arntz 215-221) each 760 x 605mm (30 x 23 3/4in)(SH) (7) (folio) The complete set, 1957, comprising 6 woodcuts printed in colours, on japon nacré, and an accompanying vignette in black, each signed £2,000 - 3,000 and inscribed ‘V/VI’ in pencil, (there was also a book edition of 130 €2,500 - 3,700 and an edition of 50 on Rives-Bütten), printed by Fequet et Baudier, US$3,400 - 5,000 Paris, published by Louis Broder, Paris, the full sheets, 362 x 250mm (14 1/4 x 9 7/8in)(SH)(and one smaller) (7)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
66 | Bonhams 81 Various Artists Artists include: Francis Bacon, Camille Bryen, Jorge Camacho, Robert Eddy Batache: La Mysticité Charnelle de René Crevel Courturier, Sonia Delaunay, Max Ernst, Andre Masson, Sebatian The complete portfolio, 1976, comprising twelve etchings with Matta, Henry Moore (C377), Man Ray, Arpad Szenes, Dorothea aquatint and one lithograph, eleven printed in colours, on Arches, Tanning, Viera da Silva. each signed by the artist and numbered XI/XLV in pencil, hors-texte, copy XI, one of 45 hors-commerce copies in Roman numerals, aside from the edition of 100, with title and justification pages, text in French, signed in pencil by the author on the colophon, printed by Ateliers Georges Visat, apart from the Henry Moore printed by Lacouriere et Frélaut and the Masson printed by Crommelynck, published in 1976 by Éditions Georges Visat, Paris, the full sheets, loose as issued, within the original Arches wrappers with embossed title, protective pink silk-covered boards with title on spine and matching slipcase, 408 x 300mm (16 x 11 7/8in) (13) (vol)
£7,000 - 10,000 €8,700 - 12,000 US$12,000 - 17,000
prints and multiples | 67 82AR Jean Dubuffet (French, 1901-1985) Jeux et travaux (Webel 385) Lithograph printed in colours, 1953, on Arches, signed, titled and numbered 32/60 in white ink, the full sheet printed to the edges, 657 x 502mm (25 3/4 x 19 3/4in) (SH)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
68 | Bonhams 83AR Yves Tanguy (French, 1900-1955) Rhabdomancie, from Brunidor Portfolio No. 1 (Wittrock 13) Etching with aquatint printed in colours, 1947, on wove, signed and dated in pencil, an unnumbered proof aside from the edition of 70, published by Edition Brunidor, New York, with margins, 297 x 224mm (11 5/8 x 8 3/4in) (PL)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000
prints and multiples | 69 84
84 AR John Piper C.H. (British, 1903-1992) Nursery Frieze II (Levinson 9) Autolithograph printed in colours, 1936, on machine-made lithographic cartridge paper, signed in pencil, from an unspecified edition, printed by Waterlow & Son, published by Contemporary Lithographs, with margins, 460 x 1215mm (18 1/8 x 47 7/8in)(I) (unframed)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
85 AR Ben Nicholson O.M. (British, 1894-1982) Number (Cristea 13) Linocut printed in black, circa 1933, on cotton, from the edition of an unknown size (printed on demand), 475 x 435mm (18 3/4 x 17 1/8in) (SH)
£1,500 - 2,000 €1,900 - 2,500 US$2,500 - 3,400
During 1932-33, Barbara Hepworth and Ben Nicholson produced a group of lino-printed cotton fabrics, primarily for their own use, which drew on Nicholson’s earlier work with linocuts on paper. 85 Number demonstrates graphic agility, playfulness and an instinctive sense of rhythm. The design “recalls the Cubist fascination with newsprint and typography. The blocks were cut in a deliberately ‘rough-and-ready’ fashion, quite unlike commercial textiles, and the printing was initially done by the artists themselves. [...] Later in the decade, several of Nicholson’s designs were reprinted by his sister Nancy Nicholson at Poulk Press.”
Subsequently in 1937, both Hepworth and Nicholson collaborated with Alastair Morton of the Edinburgh Weavers on a series of highly innovative and quintessentially modern woven and printed fabric designs for Constructivist Fabrics.
Leslie Jackson, Alistair Morton and the Edinburgh Weavers (London: V&A Publishing, 2012), 78-80.
70 | Bonhams 86 AR William Scott R.A. (British, 1913-1989) Cup, Bowl, Pan, Browns and Ochres (Archeus 28) Screenprint in colours, 1970, on wove, signed, dated and numbered 19/100 in pencil, printed by Kelpra Studio, London, published by Leslie Waddington Prints Ltd., London, with full margins, 702 x 1006mm (27 5/8 x 39 5/8in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
86 87 * AR William Scott R.A. (British, 1913-1989) Still Life (Archeus 48) Screenprint in colours, 1973, signed, dated and numbered 37/250 in pencil, printed by Kelpra Studio, London, with their rubber stamp verso, published by Christie’s Contemporary Art, London, with their blindstamp, the full sheet, 675 x 885mm (26 1/2 x 34 7/8in)(SH) (unframed)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
87
88 AR William Scott R.A. (British, 1913-1989) Scalpay (Archeus 18) Lithograph printed in colours, 1963, on Arches, signed, dated and numbered 3/65 in pencil, as included in Europäische Graphik I portfolio, printed by Curwen Studio, published by Galerie Wolfgang Ketterer, Munich, with their blindstamp, the full sheet printed to the edges, 506 x 655mm (19 7/8 x 25 3/4in)(SH)(unframed)
£1,800 - 2,200 €2,200 - 2,700 US$3,000 - 3,700
88
prints and multiples | 71 89 AR Henry Moore O.M., C.H. (British, 1898-1986) La Poésie (Cramer 312,313,315,317-325) The complete portfolio, 1973-75, comprising ten lithographs printed in colours, each on Arches, each initialled in pencil, with title and justification pages, this copy number 106, from the edition of 110, signed in pencil on the justification, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris in 1976, the full sheets loose as issued within the original lithographed boards and matching slipcase, overall 490 x 400mm (19 1/4 x 15 3/4in) (10) (folio)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
72 | Bonhams 90 Artists include: Norman Ackroyd, Richard Allen, Susie Allen, Gillian Various Artists Ayers, John Bellany, Adrian Berg, Andre Bicat, Peter Blake, Quentin Artist’s Choice Portfolio Blake, Stephen Buckley, Clive Burton, Anthony Caro, Bill Culbert, Cecil The complete set, 1987, comprising 48 prints in various media, Collins, Anthony Davies, Robyn Denny, Alf Dunn, Jeffrey Edwards, each on wove, all signed and inscribed ‘AP’ in pencil, artist’s proofs Brian Fielding, Elisabeth Frink, Terry Frost, John Golding, Alistair Grant, aside from the edition of 48, with title page, justification and list of Michael Heindorff, Patrick Heron, John Hewitt, John Hoyland, Albert contributing artists, printed and published by the Royal College of Art, Irvin, Bill Jacklin, Allen Jones, Ken Kiff, Tim Mara, Chris Orr, Eduardo London, loose as issued within the original red portfolio box, 325 x Paolozzi, Chris Plowman, Patrick Procktor, Paula Rego, Zandra 326mm (12 3/4 x 12 3/4in)(48)(folio) Rhodes, Leonard Rosoman, Ruskin Spear, Andrew Stahl, Tricia Stainton, Joe Tilson, David Tindle, Julian Trevelyan, Michael Vaughan, £5,000 - 7,000 Carel Weight, Richard Wentworth. €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 73 91
92
91 AR 92 AR Patrick Caulfield (British, 1936-2005) Patrick Caulfield (British, 1936-2005) The Letter (Cristea 3) Found Objects (Cristea 10) Screenprint in colours, 1967, on wove, signed and numbered 47/75 Screenprint in colours, 1968, on wove, signed and numbered 64/75 in pencil, printed by Kelpra Studio, London, published by Editions in pencil, printed by Kelpra Studio, London, published by Leslie Alecto, London, the full sheet printed to the edges, 480 x 760mm (18 Waddington Prints Ltd., London, the full sheet printed to the edges, 7/8 x 29 7/8in)(SH) 710 x 932mm (27 1/2 x 36 5/8in)(SH)
£2,500 - 3,500 £2,000 - 3,000 €3,100 - 4,300 €2,500 - 3,700 US$4,200 - 5,900 US$3,400 - 5,000
74 | Bonhams 93 AR Sir Eduardo Paolozzi (British, 1924-2005) Moonstrips Empire News (Miles 37) The complete portfolio, 1967, comprising 100 screenprints, on various papers and acetate, eight signed and numbered 115/500 in pencil and stamped-titled verso, with title page, colophon sheet and introductory text by Christopher Finch, printed by Kelpra Studios, London, published by Editions Alecto, with their stamps verso, the full sheets, loose as issued, in the original formed acrylic box, fabricated by Herault Studios, each 380 x 254mm (15 x 10in)(SH) (100) (folio)
£2,000 - 2,500 €2,500 - 3,100 US$3,400 - 4,200 prints and multiples | 75 94 AR Patrick Caulfield (British, 1936-2005) Some Poems of Jules Laforgue (Cristea 38a-v; d,e,p,r,t,v) The complete portfolio, 1973, Edition B, comprising 22 screenprints in colours bound within the volume and a separate suite of six prints, on Neobond synthetic wove, each signed and inscribed ‘A.P.’ in pencil verso, the full sheets printed to the edges, loose as issued, with title and justification pages, text in French, this copy signed and inscribed ‘A.P.’ and ‘Edition B’ in pencil on the justification, an artist’s proof aside from the numbered edition of 200, published by Petersburg Press in association with Waddington Galleries, London, within the original grey leatherette covered box and matching slipcases, each 405 x 355mm (16 x 14in)(SH) (28) (vol)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
76 | Bonhams prints and multiples | 77 95 AR Sir Peter Blake (British, born 1932) Alphabet The complete set of 26 screenprints in colours, 1991, on wove, each signed and titled in pencil, a harlequin set 25, numbered 3/95 and ‘C is for Clowning’ numbered 6/95, co-published by Waddington Graphics and Coriander Studios, London (some with the Waddington Graphics blindstamp), the full sheets, 1040 x 780mm (41 x 30 3/4in) (SH) (26) (unframed)
£7,000 - 10,000 €8,700 - 12,000 US$12,000 - 17,000
78 | Bonhams 96 AR Sir Peter Blake (British, born 1932) The Venice Suite The complete portfolio, 2008, comprising twenty screenprints in colours, on Somerset tub sized paper, each signed and inscribed ‘H/C III/III’ in pencil, hors commerce proofs aside from the edition of 75 (there were also 8 artist’s proofs), with title and justification pages, numbered ‘HC III’ on the justification, printed by Coriander Studio, London, published by Coriander Studio and Paul Stolper, London, loose as issued within the original yellow linen-covered portfolio, each 407 x 305mm (16 x 12in)(SH) (20) (folio)
£6,000 - 8,000 €7,400 - 9,900 US$10,000 - 13,000 prints and multiples | 79 97 AR Sir Peter Blake (British, born 1932) Sources of Pop Art III Screenprint in colours with diamond dust, 2007, signed and numbered 33/175 in pencil, published by CCA Galleries, London, with full margins, 660 x 685mm (26 x 27in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
97
98 AR Sir Peter Blake (British, born 1932) Sources of Pop Art IV Screenprint in colours with diamond dust, 2007, signed and numbered 33/175 in pencil, published by CCA Galleries, London, with full margins, 660 x 685mm (26 x 27in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
98
80 | Bonhams 99
99 Various Artists Hope and Optimism Portfolio A portfolio containing one hundred and three prints, 1990, in various media, on various papers, each signed in pencil, a harlequin set, variously numbered from the edition of 200, including the full set of ninety, together with thirteen prints produced as an adjunct to the portfolio, published by the Hope and Optimism Trust, in the original blue portfolio, overall 855 x 650mm (33 3/4 x 25 1/2in) (103) (folio)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
The Hope and Optimism portfolio is a unique global art project comprising some 90 prints. The theme, Hope and Optimism - in spite of Present Difficulties, is derived from the linocut by the late Namibian artist John Muafangejo.
A list of contributing artists is available from the department.
100 AR Ken Kiff (British, 1935-2001) Rainbow Monotype printed in colours, 1989, on wove, signed in pencil, with margins, 1370 x 1020mm (54 x 40 1/8in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
100
prints and multiples | 81 101 AR David Hockney (British, born 1937) Kaisarion was standing in front of the others, dressed in pink silk, Kaisarion and All His Beauty (MCA Tokyo 8) on his chest a bunch of hyacinths, The rare etching with aquatint printed in black, 1961, on wove, his belt a double row of amethysts and sapphires, initialled and dated in black ink in the lower margin, a stage proof his shoes tied with white ribbons before further reworking on the figures and the additions of the female prinked with rose-colored pearls. head, the procession along the lower left corner of the plate and the red plate, before the published edition of approximately 50, the edition Excerpt from Alexandrian Kings by C.P. Cavafy was printed by Ron Fuller and Peter Matthews at the Royal College of Art and published by the artist, with uneven margins, 490 x 275mm Hockney was an admirer of the directness and simplicity of Cavafy’s (19 1/4 x 10 7/8in)(PL) poetry, and used it as a source of several works, most notably his series of prints Illustrations for Fourteen Poems from C.P. Cavafy, £6,000 - 8,000 1966. €7,400 - 9,900 US$10,000 - 13,000 Typical of Hockney’s Dubuffet-inspired style of his student days, Kaisarion in all his beauty contains allusions to his homosexuality, and to people he both admired and desired through a text code akin to that of American poet Walt Whitman.
82 | Bonhams 102 AR David Hockney RA (British, born 1937) The Wallet Begins to Empty, from A Rake’s Progress (MCA Tokyo 23) Etching with aquatint printed in red and black, 1961-63, on wove, initialled and inscribed ‘stageproof’ in pencil, a proof before the published edition of 50, the edition was published by Editions Alecto in association with the Royal College of Art, London, with margins, 300 x 400mm (11 3/4 x 15 3/4in)(PL)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 83 103 AR David Hockney RA (British, born 1937) Pool Made with Paper and Blue Ink for Book (MCA Tokyo 234) Lithograph printed in colours, 1980, on Arches cover paper, signed and dated in pencil, inscribed ‘AP XLV’, a proof aside from the edition of 1000, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, together with the accompanying book ‘Paper Pools’, with title, text and justification, signed by the artist on the justification in red ink, copy ‘AP XLV’, within the original blue linen covered boards and slipcase, 265 x 225mm (10 1/8 x 8 7/8in)(SH) (unframed & vol)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
84 | Bonhams 104 AR David Hockney RA (British, born 1937) Vertical Dogs (MCA Tokyo 345) Etching with aquatint printed in colours, 1995, on Arches, signed, dated and numbered 36/80 in pencil, printed by Maurice Payne, Los Angeles, published by Lococo Mulder Inc. and the artist, with margins, 385 x 465mm (15 1/8 x 18 1/4in) (PL)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
prints and multiples | 85 105 106
105 AR 106 AR David Hockney RA (British, born 1937) David Hockney RA (British, born 1937) Sunflower I (MCA Tokyo 347) Sunflower II (MCA Tokyo 348) Etching with aquatint, 1995, on Aquarelle Arches, signed, dated Etching with aquatint, 1995, on Aquarelle Arches, signed, dated and numbered 58/80 in pencil, printed by Maurice Payne, New and numbered 58/80 in pencil, printed by Maurice Payne, New York, published by the artist and Lococo Mulder Inc., St. Louis, with York, published by the artist and Lococo Mulder Inc., St. Louis, with margins, 460 x 380mm (18 1/8 x 15in)(PL) margins, 460 x 380mm (18 1/8 x 15in)(PL)
£2,000 - 3,000 £2,000 - 3,000 €2,500 - 3,700 €2,500 - 3,700 US$3,400 - 5,000 US$3,400 - 5,000
86 | Bonhams 107 AR Bridget Riley (British, born 1931) Untitled (La Lune en Rodage - Carlo Belloli) (Schubert 6) Screenprint, 1965, on wove, signed, dated and numbered 198/200 in pencil, printed by Kelpra Studio, London, published by Editions Panderma, Basel, with full margins, 319 x 319mm (12 1/2 x 12 1/2in) (SH)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 87 108
109
108 AR 109 AR Bridget Riley (British, born 1931) Bridget Riley (British, born 1931) Untitled, from the Rothko Portfolio (Schubert 19) To Midsummer (Schubert 34) Screenprint in colours, 1973, on wove, signed, dated and numbered Screenprint in colours, 1989, on wove, signed, titled, dated and 53/75 in pencil, printed by Kelpra Studio, London, published by numbered 5/100 in pencil, printed by Graham Henderson, London, Propyläen Verlag, Berlin for the Mark Rothko Memorial Trust, with full with the Advanced Graphics blindstamp, published by 3i Group, margins, 553 x 772mm (21 3/4 x 30 3/8in)(I) London, with full margins, 927 x 915mm (31 1/2 x 36in)(SH) (unframed) £2,000 - 3,000 €2,500 - 3,700 £3,000 - 5,000 US$3,400 - 5,000 €3,700 - 6,200 US$5,000 - 8,400 88 | Bonhams 110
111
110 AR 111 AR Bridget Riley (British, born 1931) Bridget Riley (British, born 1931) Brouillard (Schubert 54) Echo (Schubert 40) Screenprint in colours, 1981-2003, on wove, signed, titled, dated and Screenprint in colours, 1998, on wove, signed, dated, titled and numbered 33/85 in pencil, printed by Artizan Editions, Hove, with full numbered 13/75 in pencil, printed by Artizan Editions, Hove, with margins, 785 x 720mm (30 7/8 x 28 1/4in)(I) margins, 700 x 720mm (27 1/2 x 28 1/4in)(SH)
£2,500 - 3,500 £2,000 - 3,000 €3,100 - 4,300 €2,500 - 3,700 US$4,200 - 5,900 US$3,400 - 5,000
prints and multiples | 89 112 AR Bridget Riley (British, born 1931) Composition with Circles 6 (Schubert 67) Giclée printed in black, 2008, on wove, signed, dated, titled and numbered 30/50 in pencil, printed by Prudence Cuming Associates, London, the full sheet, 408 x 1408mm (16 x 55 1/2in)(SH)
£7,000 - 10,000 €8,700 - 12,000 US$12,000 - 17,000
90 | Bonhams prints and multiples | 91 113 AR Alberto Burri (Italian, 1915-1995) Trittico B: 1-3 (Sarteanesi p. 86) The complete set, 1973-76, comprising three screenprints in colours, on Fabriano Rosaspina, each signed and inscribed ‘X/XV’ in pencil, aside from the numbered edition of 90, printed and published by 2RC Edizioni d’Arte, Rome, each with their blindstamp, with full margins, each 430 x 350mm (17 x 13 3/4in)(SH) (3)
£2,500 - 3,500 €3,100 - 4,300 US$4,200 - 5,900
92 | Bonhams 114 AR Alberto Burri (Italian, 1915-1995) Cretto Nero E (Sarteanesi p. 75) Etching with aquatint printed in black, 1971, on Fabriano Rosaspina, signed and inscribed ‘VII/XV’ in pencil, aside from the numbered edition of 90, printed and published by Stamperia 2RC, Rome, the full sheet printed to the edges, 672 x 960mm (26 1/2 x 37 3/4in)(SH)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
prints and multiples | 93 115 AR Alberto Burri (Italian, 1915-1995) Multiplex 2 (Sarteanesi p. 166) Vinavil on cardboard, 1981, signed, titled and numbered 1/30, realised by Stamperia Fausto Baldessarini, Fano, 700 x 1000mm (27 1/2 x 39 3/8in)(SH)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
94 | Bonhams 116 * AR Arnaldo Pomodoro (Italian, born 1926) Cerchio Quadrato Multiple, 1974, signed, dated and inscribed ‘PA’ in black ink verso, an artist’s proof aside from the edition of 30, 1035 x 710mm (40 3/4 x 28in)(overall)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 95 117 • Sir Howard Hodgkin (British, born 1932) Untitled The book, 1998, with an original watercolour and gouache work serving as the wrappers, the book initialled in black crayon, from the edition of 25, printed by Lecturis BV, Netherlands, published by Gagosian Gallery, New York, housed in the original blue paper covered portfolio box, 255 x 302mm (10 x 12in)(vol)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
96 | Bonhams 118 AR Julian Opie (British, born 1958) We played in the Hotel Pool (Not in Cristea) Unique C-print in colours in the artist’s specified frame, 2002, signed in black ink on the backboard, 331 x 439mm (13 x 17 1/4in) (I)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
prints and multiples | 97 119 * AR Gerhard Richter (German, born 1932) Victoria I & II (Butin p.283-284) The pair of offset lithographs printed in colours, 2003, each on wove, each signed and dated in pencil, published by Achenbach Art Edition, Dusseldorf, each with full margins, each 800 x 600mm (31 1/2 x 23 5/8in) (SH) (2) (unframed)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
98 | Bonhams 120 AR Gerhard Richter (German, born 1932) Abstraktes Bild (Butin p.285) Offset lithograph printed in colours, 1991, on thin wove, signed in black ink, published by Achenbach Art Editions, Düsseldorf, with margins, 700 x 900mm (27 1/2 x 35 3/8in)(SH)(unframed)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 99 121 AR Lucian Freud (British, 1922-2011) Pluto Aged Twelve (Figura 91) Etching printed with tone, 2000, initialled and numbered 12/46 in pencil, printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, with full margins, 432 x 596mm (17 x 23 1/2in)(PL)
Exhibited London, National Portrait Gallery, Lucian Freud Portraits, 9th February- 27th of May 2012, cat.no.126.
£50,000 - 70,000 €62,000 - 87,000 US$84,000 - 120,000
100 | Bonhams 122 Jeff Koons (American, born 1955) Puppy (Vase) Glazed white ceramic vase, 1998, incised signature and date on the underside, numbered 457/3000, published by Art of this Century, New York and Paris, with their incised stamp, with the original Styrofoam- lined white cardboard box with the artist’s name and title printed in grey, 441 x 406 x 279mm (17 3/8 x 15 7/8 x 10 7/8 in)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 101 123 125 123 Yoshitomo Nara & Hiroshi Sugimoto (Japanese, born 1959 and 1948) Untitled Lithograph printed in colours, 2005, on wove, signed by both artists, dated and numbered 48/100 in pencil, with full margins, 400 x 230mm (15 3/4 x 9 1/8in)(I) (unframed)
£1,000 - 1,500 €1,200 - 1,900 US$1,700 - 2,500
124 Jeff Koons (American, born 1955) Fisherman Golfer, from Luxury and Degradation Photo-lithograph printed in colours, 1986, on Ragcote, signed, dated and inscribed ‘AP10’ in pencil verso, an artist’s proof aside from the edition of 60, published by Ilene Kurtz, New York, the full sheet printed to the edges, 811 x 609mm (30 x 24in) (SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
125 Wifredo Lam (Cuban, 1902-1982) Pleni Luna The complete portfolio, 1974, comprising ten lithographs printed in colours, on Vélin d’Arches, each signed and numbered 62/262 in pencil, published by A.H. Grafik, Stockholm, with title and justification page, introduction by Ragnar von Holten and text in French, the full sheets, loose as issued, within the original royal blue cloth-covered and gilt-stamped portfolio, each 650 x 500mm (23 5/8 x 19 3/4in) (SH) (10) (folio)
124 £2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000 102 | Bonhams 126 AR Sarah Lucas (British, born 1962) & Olivier Garbay (French, born 1964) Love is a Bird is a Burden Resin cast in green, 2009, incised signatures on the underside, numbered 1/15, published by Other Criteria, London, 498 x 258 x 266mm (19 5/8 x 10 1/8 x 10 1/2in)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 103 127
127 AR Mark Francis (British, born 1962) Untitled Monotype, 2003, on wove, signed, dated and numbered 7/8 in pencil, with full margins, 572 x 750mm (22 1/2 x 29 1/2in) (SH)
£1,500 - 2,000 €1,900 - 2,500 US$2,500 - 3,400
128 AR Mark Francis (British, born 1962) Veil The complete portfolio, 2004-5, comprising five lithographs printed in colours, on Velin d’Arches, each signed and inscribed ‘AP 1/6’, from the edition of 40, with introductory text, title and justification pages, printed by Edition Copenhagen, published by World House Editions, New Jersey and Galerie Edition Copenhagen, the full sheets printed to the edges, loose as issued within the original black portfolio, each 760 x 560mm (30 x 22in)(SH) (5) (folio)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
128
104 | Bonhams 129 AR W Gillian Ayres O.B.E., R.A. (British, born 1930) Rufous (Alan Cristea Gallery 4) Carborundum etching with hand colouring in acrylic, 1999, on Velin Arches Blanc, signed, dated and numbered 6/13 in pencil, printed by Jack Shireff and Andrew Smith at 107 Workshop, Wiltshire, the full sheet printed to the edges, 1210 x 1590mm (47 5/8 x 62 5/8in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 105 130
131
130 AR 131 AR Manolo Valdés (Spanish, born 1942) Chris Ofili (British, born 1968) Don Juan Afro Harlem Muses The complete set of ten etchings, 2007, on handmade Richard Two lithographs printed in colours with embossing, 2005, on one de Bas, each signed and inscribed ‘III/XII’ in pencil, aside from the sheet of Somerset velvet, signed, titled, dated and numbered 34/60 in numbered edition of 120, published by Edouard and Julien Weiss, pencil, published by David Zwirner Gallery, New York, with full margins, Paris, within paper wrappers, the full sheets, each 750 x 560mm (29 530 x 700mm (21 x 27 5/8in)(SH) 1/2 x 22in)(SH) (10) (unframed) £2,000 - 3,000 £2,500 - 3,500 €2,500 - 3,700 €3,100 - 4,300 US$3,400 - 5,000 US$4,200 - 5,900
106 | Bonhams 132 AR Georg Baselitz (German, born 1938) Weisse Mutter, Schwarzes Kind Woodcut printed in black, 1985, on wove, signed, dated and numbered 4/20 in pencil, with full margins, 650 x 490mm (25 1/2 x 19 1/4in) (SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
132
133 AR Eduardo Chillida (Spanish, 1924-2002) Deep (Van der Koelen 68007) Lithograph, 1968, on japan, signed and inscribed ‘P.A.’ in pencil, an artist’s proof aside from the edition of 35, as included in Europäische Graphik VI, printed by Erker Presse, Saint Gallen, published by Galerie Wolfgang Ketterer and Felix H. Mann, Munich, the full sheet, 758 x 635mm (29 7/8 x 25in)(SH)(unframed)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
133
prints and multiples | 107 134 AR Grayson Perry (British, born 1960) The Island of Bad Art Etching printed with tone, 2013, on wove, signed and numbered 18/80 in pencil, printed by Royal Academy Schools, London, with full margins, 412 x 590mm (16 1/4 x 23 1/4in) (PL)
£8,000 - 12,000 €9,900 - 15,000 US$13,000 - 20,000
108 | Bonhams 135
135 AR Tracey Emin (British, born 1963) Birds 2012 Lithograph printed in blue, 2011, on Somerset wove, signed, titled, dated and numbered 65/300, printed by Paupers Press, London, published by Counter Editions, London, the full sheet, 760 x 600mm (29 7/8 x 23 5/8in)(SH)
£3,500 - 4,500 €4,300 - 5,600 US$5,900 - 7,600
136 AR W Antony Gormley RA (British, born 1950) Bodies in Space (White) Lithograph printed in cream, 2007, on two sheets of Arches, signed, dated and numbered 30/40 in pencil verso, printed by Edition Copenhagen, published by Galerie Edition Copenhagen and World House Editions, New Jersey, the full sheets printed to the edges, overall 2305 x 780mm (90 3/4 x 30 3/4in)(SH) 136 £2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
prints and multiples | 109 137 138
137 AR W Damien Hirst (British, born 1965) The Independent (RED) Screenprint in colours, 2008, on wove, signed by the artist and Bono and numbered 4/200 in pencil, published by Other Criteria, London, with margins, 1524 x 1226mm (60 x 48 1/4in)(SH)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
138 Various Artists Pax Britannica The complete portfolio, 2004, comprising 22 prints of various media, on various papers, each signed, from the edition of 100, published by Aquarium Gallery, London, in the original black portfolio box, overall 235 x 325mm (9 1/4 x 12 3/4in) (22) (folio)
£3,000 - 5,000 €3,700 - 6,200 US$5,000 - 8,400
Artists include: Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Sir Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattson, Antonio Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, STOT21stC and Gee Vaucher.
139
110 | Bonhams 140
139 AR 140 AR Damien Hirst (British, born 1965) Damien Hirst (British, born 1965) The Dead (Silver Gloss/ Loganberry Pink Skull) Bromphenol Blue Foil block print in silver gloss and loganberry pink, 2009, on Arches, Etching printed in colours, 2005, on Hahnemuehle, signed in pencil signed and numbered 11/15 in pencil, published by Paul Stolper and and numbered 40/65 in pencil verso, printed and published by Other Criteria, London, the full sheet, 720 x 510mm (28 1/4 x 20in) Charles Booth-Clibborn under his imprint The Paragon Press, London, (SH) with full margins, 764 x 933mm (30 1/8 x 36 3/4in)(PL)
£3,000 - 5,000 £5,000 - 7,000 €3,700 - 6,200 €6,200 - 8,700 US$5,000 - 8,400 US$8,400 - 12,000
prints and multiples | 111 141 AR Damien Hirst (British, born 1965) The Last Supper (Paragon catalogue, Vol. II, p. 230-243) The complete set, 1999, comprising thirteen screenprints in colours, on Somerset wove, each signed in pencil, numbered 98/150 on the accompanying certificate, printed by Coriander Studio, London, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, the full sheets, deckle edges above and below, each 1530 x 1015mm (60 1/4 x 40in)(SH) (13) (unframed)
£30,000 - 40,000 €37,000 - 50,000 US$50,000 - 67,000
The Last Supper is a series of thirteen large screenprints; Hirst, like Warhol, also submitted his subject to the manufacturing process of screenprinting. The series was first exhibited in 2000 at St Stephen’s Church, Islington as part of Art in Sacred Spaces, a group of shows held in places of worship across London.
The Last Supper epitomises Hirst’s fascination with the imagery of faith and his holy trinity of science, mortality, and beauty, all recurring motifs throughout his entire body of work. The set follows Hirst’s continued evaluation of the relationship between religion and science, science and art in post-modern society, using his trademark tactics of minimalist appropriation and cynical humour.
As in the Medicine Cabinets series of the late 1980s and his 1992 installation Pharmacy, in The Last Supper Hirst has employed the conventions of pharmaceutical packaging. He has doctored the text and logos to instead describe traditional British canteen fare, ‘corned beef’ and ‘sausages’, in this way drawing a whimsical link between our contemporary reliance on science and our dependency on food.
The thirteen prints of The Last Supper reference the disciples present at its biblical namesake. Hirst intended that the thirteen prints should always be shown together to preserve intact the structure and its religious connotations. The link to the Sacrament of the Eucharist is tantalisingly suggestive of a ‘transubstantiation’ of ‘morphine sulphate’ into ‘chicken’, a pervasive implication that our subsistence needs are increasingly satisfied through medicine instead of food. Hirst also alludes to a second transformation in these works, that of food into commodity, and furthermore food into a brand through the addition of the insignia ®, TM or decorative typescript and the use of Damien & Hirst or Hirst Products Limited in the place of the usual drug manufacturer’s logo. The parodying of brand logos commissioned to reflect corporate identities is exemplified by the penis-shaped logo in a black circle above Hirst’s name in [Chicken].
In 2001, Hirst was awarded the Ljubljana Biennial Grand Prize for The Last Supper.
112 | Bonhams prints and multiples | 113 142 Andy Warhol (American, 1928-1987) Electric Chair (Feldman & Schellmann II.79) Screenprint in colours, 1971, on thick wove, signed and dated in ballpoint pen verso, stamp numbered 9/250 verso, printed by Silkprint Kettner, Zurich, published by Bruno Bischofberger, Zürich, the full sheet printed to the edges, 898 x 1215mm (35 3/8 x 47 3/4in)(SH)
£4,000 - 6,000 €5,000 - 7,400 US$6,700 - 10,000
114 | Bonhams 143 Andy Warhol (American, 1928-1987) Apple, from Ads (Feldman & Schellmann II.359) Screenprint in colours, 1985, on Lennox Museum board, signed and inscribed ‘E.P. 3/5’ in pencil lower right, one of 5 exhibition proofs aside from the edition of 190, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts Inc., New York, the full sheet printed to the edges, 965 x 965mm (38 x 38in)(SH)
£15,000 - 20,000 €19,000 - 25,000 US$25,000 - 34,000
prints and multiples | 115 144
144 Roy Lichtenstein (American, 1923-1997) Modern Art Poster (Corlett II. 8) Screenprint in colours, 1967, on smooth wove, signed and numbered 136/300 in pencil, published by Leo Castelli Gallery, New York, the full sheet, 229 x 303mm (9 x 12in)(SH)
£2,500 - 3,500 €3,100 - 4,300 US$4,200 - 5,900
145 After Andy Warhol (American, 1928-1987) Liberty Offset lithograph printed in colours, 1986, on smooth wove, signed and dated in blue ink, published by Galerie Lavignes-Bastille, Paris, the full sheet printed to the edges, 1000 x 685mm (38 3/8 x 27in) (SH) (unframed)
£2,000 - 3,000 €2,500 - 3,700 US$3,400 - 5,000
145
116 | Bonhams 146 Roy Lichtenstein (American, 1923-1997) Yellow Brushstroke (Corlett 209) Photoetching, 1985, on BFK Rives, signed, dated and numbered 23/40 in pencil, printed by Gemini G.E.L., Los Angeles, with their blindstamp, published by the artist and Gemini G.E.L., Los Angeles, for the Brooklyn Academy of Music, with full margins, 595 x 326mm (23 1/2 x 12 3/4in) (PL)
£5,000 - 7,000 €6,200 - 8,700 US$8,400 - 12,000
prints and multiples | 117 Index
A N Andrews, Sybil 14, 15, 16, 17, 18, 19, 20, 21, 22 Nara, Yoshitomo 123 Arp, Hans (Jean) 77, 78, 79 Nevinson, Christopher Richard Wynne 10, 11, 12 Artist’s Choice Portfolio 90 Nicholson, Ben 85 Ayres, Gillian 129 O B Ofili, Chris 131 Baselitz, Georg 132 Opie, Julian 118 Beckmann, Max 37, 38 Blake, Peter 95, 96, 97, 98 P Bonnard, Pierre 35 Palmer, Samuel 8 Burri, Alberto 113, 114, 115 Paolozzi, Eduardo 93 Pax Britannica 138 C Perry, Grayson 134 Caulfield, Patrick 91, 92, 94 Picasso, Pablo 48, 49, 50, 51, 52 Chagall, Marc 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63 Piper, John 84 Chillida, Eduardo 133 Pomodoro, Arnaldo 116 Power, Cyril Edward 13 D Dali, Salvador 71, 72, 73, 74, 75, 76 R Dix, Otto 40 Rembrandt Harmensz van Rijn 5, 6 Dubuffet, Jean 82 Richter, Gerhard 119, 120 Dufy, Raoul 41, 42, 43, 44 Riley, Bridget 107, 108, 109, 110, 111, 112 Dürer, Albrecht 1, 2, 3, 4 S E Scott, William 86, 87, 88 Eddy Batache: La Mysticité Charnelle de René Crevel 81 Spowers, Ethel 23, 25, 26, 27, 28 Emin, Tracey 135 Sugimoto, Hiroshi 123 Ernst, Max 80 Syme, Eveline W. 29, 30, 31
F T Francis, Mark 127, 128 Tanguy, Yves 83 Freud, Lucian 121 Tschudi, Lill 24 Turner, Joseph Mallord William 7 G Giacometti, Alberto 47 V Gormley, Antony 136 Valdés, Manolo 130 Van Rysselberghe, Thèo 33 H Vuillard, Edouard 34 Heckel, Erich 39 Hirst, Damien 137, 139, 140, 141 W Hockney, David 101, 102, 103, 104, 105, 106 Warhol, Andy 142, 143, 145 Hodgkin, Howard 117 Hope and Optimism Portfolio 99
J John, Augustus Edwin 9
K Kiff, Ken 100 Koons, Jeff 122, 124
L Lam, Wifredo 125 Lichtenstein, Roy 144, 146 Lucas, Sarah 126
M Matisse, Henri 45, 46 Mayo, Eileen 32 Miró, After Joan 70 Miró, Joan 64, 65, 66, 67, 68, 69 Moore, Henry 89 Munch, Edvard 36 GLOSSARY OF PRINTMAKING TERMS DRYPOINT AQUATINT An intaglio process in which a plate is marked or incised directly with a An etching process in which tone is created by treating a plate with needle. The drypoint line can look very much like an etched line but is fine particles of acid-resistant material (powdered resin) and then usually lighter and characterized by the existence of burr. placing the plate in an acid bath. The acid bites into the plate between the grains of resin, and when printed, the mass of tiny spots produces EDITION a textured area with tonal effects similar to water colour wash. The total number of impressions pulled of a single image or sets of images from the same matrix. To this number the artist usually ARTIST’S PROOF /EPREUVE D’ARTISTE authorizes the addition of a small number of artist’s, printer’s, Impressions printed especially for the artist and excluded from the publisher’s and other proofs. numbering of an edition, but exactly like the editioned prints in every other respect. Usually appears as “A.P” or “E.A.” EMBOSSING A printmaking process used to create a raised surface or raised BLINDSTAMP element, but printed without ink. The embossed, inked, or stamped symbol used by printers and print workshops, usually in the margin of the paper as a mark of ENGRAVING identification. An intaglio process in which a plate is marked or incised directly with a burin or other metal-marking tool. No acid is used in this process BON à TIRER since the design is dug out by hand. An engraved line can range from The proof approved by the artist which establishes the standard for all very deep and wide, to lighter and thinner and is often characterized of the other prints in the edition. by a pointed end signaling the exit of the “v” shaped burin from the metal. BURR When using a drypoint needle or other engraving tool to draw ETCHING directly into a metal plate small fine pieces of metal are raised up on An intaglio process in which a plate is treated with an acid-resistant both sides of the scored line. This burr holds additional ink during ground. The artist then draws through the ground with various tools to the printing process and gives the lines a velvety or fuzzy texture. expose the metal. The plate is then immersed in an acid bath where Burr is very delicate and consequently is easily worn down during the acid “bites” or chemically dissolves the exposed lines. The metal the pressures of the printing process. Early pulls or impressions plate is therefore “carved” or “etched” by the acid rather than by a tool taken from such plates are characterised by rich burr. In the case of directly in the metal. Old Master prints especially, the quantity and evidence of burr can sometimes be used as an aid in determining how early the impression FOUL-BITING was pulled. In printmaking, when the acid-resistant ground on a metal plate does not keep the acid entirely out, irregularities can appear. These “bitten” CANCELLATION PROOF areas will, when the plate is printed, catch ink and appear as spots or In printmaking, when the edition is complete, the matrix - a block, oddly inked areas. plate, stone, Mylar or other - is effaced, crossed out or otherwise “cancelled.” An impression is then taken from this matrix, showing FRONTISPIECE that the plate has been “cancelled.” This ensures that no further Illustration in a book opposite the title page. uncancelled impressions can be pulled. HORS-COMMERCE/ “H.C” CARBORUNDUM Meaning “outside of the commercial edition” these proofs, not The trade name of silicon carbide, carborundum began its use in originally intended for sale, are excluded from the numbering of an printmaking as an abrasive which was used in effacing lithographic edition, but are otherwise exactly like the edition prints in every other stones. The particles, when mixed together with glue can also be used respect. to draw on a plate – sometimes creating a raised surface – which is then inked and printed with the ink being held in the spaces between INTAGLIO the particles. The resulting prints are often textured due to the raised All matrices which have either been cut into or “bitten” into. The areas of the printing surface. resulting “dug out” lines are printed. Intaglio processes include etching, aquatint, engraving, mezzotint and metal engravings, among CATALOGUE RAISIONNÉ others. A scholarly catalogue which should include all the known works by an artist at the time of publication. Essential information by which works LINOCUT/LINOLEUM CUT are identified is included. A relief process, like a woodcut where the artist carves the design out of the linoleum or linoleum mounted onto wood. What remains is CHINE APPLIQUE printed, rather than what is cut away. Chine appliqué or chine collé is a method of papermaking characterized by affixing a thin sheet of smooth white paper, also LITHOGRAPHY called china paper or chine, with glue or water, to a sturdy woven A planographic printing process where a drawing is made directly paper, which acts as a support sheet. When the paper is run through on a stone or other smooth matrix with greasy materials such as the press during the printing process, the two sheets are firmly lithographic crayon. The surface is then dampened with water, which bonded together. is repelled by the greasy areas The surface is then rolled with greasy printing ink, which adheres only to the greasy areas and is itself COLOPHON/JUSTIFICATION repelled by the areas which have water. The drawn image is then A note, usually at the end of a book or portfolio of prints, giving all or printed. A separate stone is required for each colour. some of the following information: name of work, author, printer, place of printing, date, size of edition. MATRIX The base from which the print is made. This can be anything – a DECKLE EDGE standard metal plate or lithographic stone, a potato or vinyl record, a The natural, untrimmed edge of handmade paper usually slightly stencil, anything from which you print. uneven and sometimes slightly thinner than the rest of the sheet. MEZZOTINT SOFT GROUND ETCHING C. r. W. NeviNsoN: ChrisTopher riChard rsvp An intaglio method in which the entire surface of the plate is An etching technique where a soft ground is laid on the metal plate. WyNNe NeviNsoN +44 (0) 20 7468 8326 roughened by a spiked tool (“rocker”) so that, if inked, the entire plate The artist draws onto a piece of paper which is laid down on top of The CompleTe priNTs (BriTish, 1889-1946) [email protected] would print in solid black. The artist then works from “black” to “white” the ground. The ground adheres to the paper where the pencil or Wednesday 8 October 2014 at 6.30pm Returning to the Trenches by scraping (or burnishing) out areas to produce lighter tones. other tool has pressed down into it through the paper and pulls away New Bond Street, London Drypoint, 1916, a good impression when the paper is lifted The resulting “marked” plate is placed in an with rich burr and delicate tones, MONOTYPE acid-bath where the acid “bites” into the more exposed areas where A reception featuring a talk and book signing signed, from the edition of 75, A unique image printed from an unworked smooth, metal or glass the ground has been “lifted”. The line created is often soft and grainy. with author Dr Jonathan Black on the occasion 152 x 202mm (PL) surface painted in ink by the artist. of the publication of the catalogue raisonné of Sold for £76,713 STATE the artist’s prints, published by Lund Humphries MONOPRINT An impression taken from the plate at a particular moment or stage of in association with Osborne Samuel Gallery. A print which has as its base an etching, lithograph or woodcut and development and distinguished from impressions taken at other times which is then uniquely altered by monotype colouring, inking, or during that process. The final State is the state from which editions choices in paper colour. are generally pulled, although some artists pull several impressions in each state. OFFSET PRINTING Method of printing in which the inked image from a lithographic stone, STEEL FACING a metal plate or other matrix is first transferred to an intermediary such When a metal intaglio plate is covered with a thin deposit of steel using as a rubber cylinder or blanket and then to paper, thus creating an electrolysis creating a much harder surface which can accommodate image in the same direction as the original. larger numbers of printings before wear becomes evident.
TRIAL PROOF/ WORKING PROOF PHOTO-ETCHING/PHOTOGRAVURE An early proof, often incorporating artist’s revisions and changes and An intaglio printmaking process in which an image is produced on an generally not identical to the numbered, editioned prints. etching plate by photographic means . TUSCHE PHOTO-LITHOGRAPH Grease in stick or liquid form used principally for drawing in A process in which an image is produced on a lithographic plate by lithography. photographic means. WATERMARK PLANOGRAPHIC PRINT Design in the paper seen when held against the light. A manufacturer’s Printing from a flat surface. Planographic processes include mark, it is used to trace the origin and date of the paper. lithography and some forms of commercial printing. WOODCUT PLATEMARK A relief technique where the image or design is left raised above what The imprint in the paper resulting from the edge of a metal plate being is carved out of the wood. What is not carved is printed. pushed into it during the pressure of the printing process.
PLATE TONE A veil of ink intentionally left on the surface of the plate during printing which creates delicate areas of tone or shading.
POCHOIR A printing process using stencils, originally used to simulate hand- colouring.
PRINTER’S PROOFS Impressions printed especially for the printer(s) and excluded from the numbering of an edition, but exactly like the editioned prints in every respect. Usually appears as “P.P”.
PROGRESSIVE PROOFS In printmaking, a series of proofs taken to show each individual color plate and each combination of them culminating in the final, complete version.
PUBLISHER The person or entity who subsidises and often initiates the making of a print edition or portfolio and who also disseminates the prints.
RELIEF PRINTING A category of printmaking in which a design on a flat surface is carved with a knife or chisel, removing the areas that the printmaker does not want to be printed. When the surface is then rolled with ink and printed, the resulting impression will only show the lines and shapes of the design left on the unworked surface by the artist. The most common types of relief prints are woodcut, wood engraving, and linocut.
SCREENPRINT/ SILKSCREEN A printing process using stencils to block out areas which are then printed through silk, other fabric or metal mesh. bonhams.com/prints Prices shown include buyer’s premium. Details can be found at bonhams.com ChrisTopher riChard rsvp C. r. W. NeviNsoN: WyNNe NeviNsoN +44 (0) 20 7468 8326 The CompleTe priNTs (BriTish, 1889-1946) [email protected] Wednesday 8 October 2014 at 6.30pm Returning to the Trenches New Bond Street, London Drypoint, 1916, a good impression with rich burr and delicate tones, A reception featuring a talk and book signing signed, from the edition of 75, with author Dr Jonathan Black on the occasion 152 x 202mm (PL) of the publication of the catalogue raisonné of Sold for £76,713 the artist’s prints, published by Lund Humphries in association with Osborne Samuel Gallery.
bonhams.com/prints Prices shown include buyer’s premium. Details can be found at bonhams.com Prints and MultiPles Paula rego entries now invited Tuesday 9 December 2014 (British, Born 1935) Nursery Rhymes contact New Bond Street, London The complete set, 1989, +44 (0) 207 468 8212 comprising 25 etchings with [email protected] aquatint, from the edition of 50, 520 x 380mm (SH) Sold for £25,800
bonhams.com/prints Prices shown include buyer’s premium. Details can be found at bonhams.com Prints and MultiPles Paula rego entries now invited Prints featuring Laurence stePhen Lowry entries now invited Tuesday 9 December 2014 (British, Born 1935) r.a. (British, 1887-1976) Closing date for entries: Nursery Rhymes contact the work of L.s. Lowry The Pavillion Friday 1 August 2014 New Bond Street, London The complete set, 1989, +44 (0) 207 468 8212 Wednesday 17 September 2014 Lithograph, 1969-72 comprising 25 etchings with [email protected] Knightsbridge, London Sold for £8,385 contact aquatint, from the edition of 50, +44 (0) 20 7393 3941 520 x 380mm (SH) [email protected] Sold for £25,800
bonhams.com/prints bonhams.com/prints Prices shown include buyer’s premium. Details can be found at bonhams.com Prices shown include buyer’s premium. Details can be found at bonhams.com NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. 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It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be may be set out in the Catalogue for the Sale, in an insert in to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in be inaccurately reproduced) with any photograph of the Lot Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and bidding. Please contact us for further details. terms of payment at any time. on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an Under the Buyer’s Agreement, a premium (the Buyer’s the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume Bidding Form carefully before returning it to us, fully completed behalf of the Seller. We are not responsible to you in respect of 25% up to £50,000 of the Hammer Price responsibility to you in respect of it. Nor does the Seller owe or and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If 20% from £50,001 to £1,000,000 of the Hammer Price agree to owe you as a Bidder any obligation or duty in respect Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower 12% from £1,000,001 of the Hammer Price of this free report about a Lot, which is available for your own service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against On certain Lots, which will be marked “AR” in the Catalogue However, any written Description of the physical condition of failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who and which are sold for a Hammer Price of €1,000 or greater the Lot contained in a Condition Report will form part of the on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot (converted into the currency of the Sale using the European Contractual Description of the Lot under which it is sold to subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked Central Bank Reference rate prevailing on the date of the Sale), any Buyer. appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by cover our Expenses relating to the payment of royalties under The Seller’s responsibility to you New Bidders must also provide proof of identity and address 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will the Artists Resale Right Regulations 2006. The Additional The Seller does not make or agree to make any representation when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Premium will be a percentage of the amount of the Hammer of fact or contractual promise, Guarantee or warranty and not being placed. by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This Price calculated in accordance with the table below, and shall undertakes no obligation or duty, whether in contract or in amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent not exceed €12,500 (converted into the currency of the Sale tort (other than to the eventual Buyer as set out above), in Bidding via the internet at the Sale does not exceed £3,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept using the European Central Bank Reference rate prevailing on respect of the accuracy or completeness of any statement Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of the date of the Sale). or representation made by him or on his behalf, which is in details of how to bid via the internet. contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you the agent’s authority to bid. Nevertheless, as the Bidding its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to Form explains, any person placing a bid as agent on behalf 8. VAT background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not of another (whether or not he has disclosed that fact or the roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, please let us know if you are acting on behalf of another good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any the Hammer Price and Buyer’s Premium: be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. person to bid on your behalf at the Sale unless this is to be Premium as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations Form that you have completed. If we do not approve the Price and Buyer’s Premium or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation own behalf. Accordingly, the person bidding at the Sale will should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 2% surcharge; of fact, and undertakes no obligation or duty (whether in be the Buyer and will be liable to pay the Hammer Price and on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness Buyer’s Premium and associated charges. If we approve the mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on
NTB/MAIN/03.14/V2 NTB/MAIN/03.14/V2 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or
NTB/MAIN/03.14/V2 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements further date is given, this indicates that the photographic ˜ Ruby and Jadeite card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether (or details of any exemption from which you may benefit, for generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially that Bonhams has been given or has obtained certificates expressed than in the preceding category; 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms the stated weight is a statement of our opinion only. This of the artist; Wines in Bond department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless be aware that the importation of watches such as Rolex, Frank been added by another hand. the wines are to remain under Bond. Buyers requiring their 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms Signatures wine to remain in Bond must notify Bonhams at the time of These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Please be aware that all Lots marked with the symbol Y are imported personally. import licence. When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. subject to CITES regulations when exporting these items opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are For your guidance, in our Catalogues we detail, as far as of the Sale. http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and be requested from: Authority or import licence. Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House have not been mentioned. Bidders should satisfy themselves (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: Firearms proved for Black Powder should not be used with repolished, in our Catalogues reference is only made to visible CB – Château bottled smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled Department should you have any queries. or otherwise. EstB – Estate bottled The term “Certificate of Unprovability” indicates that a firearm Explanation of Catalogue Terms Other than any liability of the Seller to the Buyer of a Lot BB – Bordeaux bottled has been examined at a Proof House and is deemed both Taxidermy and Related Items • “Bill Brandt”: in our opinion a work by the artist. under the Contract for Sale, neither we nor the Seller are 23. VEHICLES BE – Belgian bottled unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply • “Attributed to Bill Brandt”: in our opinion probably a work liable (whether in negligence or otherwise) for any error or FB – French bottled such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to by the artist, but less certainty to authorship is expressed misdescription or omission in any Description of a Lot or any The Veteran Car Club of Great Britain GB – German bottled inform themselves of all such regulations and should expect than in the preceding category. Estimate in respect of it, whether contained in the Catalogue OB – Oporto bottled Guns Sold as Parts the exportation of items to take some time to arrange. • “Signed and/or titled and/or dated and/or inscribed”: in or otherwise, whether given orally or in writing and whether Dating Plates and Certificates UK – United Kingdom bottled Barrels of guns sold as parts will only be made available for our opinion the signature and/or title and/or date and/or given before or during the Sale. Neither we nor the Seller will When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case sleeving and measurements once rendered unserviceable 18. FURNITURE inscription are in the artist’s hand. be liable for any loss of Business, profits, revenue or income, or Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case according to the Gun Barrel Proof Act of 1968 to 1978 and the • “Signed and/or titled and/or dated and/or inscribed in for loss of reputation, or for disruption to Business or wasted that the Veteran Car Club of Great Britain using the services of oc – original carton Rules of Proof. Upholstered Furniture another hand”: in our opinion the signature and/or title time on the part of management or staff, or for indirect losses Veteran Car Company Ltd, does from time to time, review cars Whilst we take every care in cataloguing furniture which has and/or date and/or inscription have been added by or consequential damages of any kind, irrespective in any already dated and, in some instances, where fresh evidence Condition of Firearms been upholstered we offer no Guarantee as to the originality another hand. case of the nature, volume or source of the loss or damage becomes available, the review can result in an alteration of date. Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said Whilst the Club and Veteran Car Company Ltd make every exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any effort to ensure accuracy, the date shown on the Dating Plate or the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Dating Certificate cannot be guaranteed as correct and intending Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances purchasers should make their own enquiries as to the date of is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or the car.
NTB/MAIN/03.14/V2 NTB/MAIN/03.14/V2 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary Ф This lot contains or is made of ivory. The United States in the Catalogue or announced by the Auctioneer) 6 PAYMENT Government has banned the import of ivory into been paid and, so far as the Seller is aware, all third the USA. parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when the past; the Lot is knocked down to you on the fall of the •, †, *, G, Ω, a see clause 8, VAT, for details. Auctioneer’s hammer in respect of the Lot. 2.1.5 subject to any alterations expressly identified as such DATA PROTECTION – USE OF YOUR INFORMATION made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by Where we obtain any personal information about you, we shall Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you only use it in accordance with the terms of our Privacy Policy Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case (subject to any additional specific consent(s) you may have about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), given at the time your information was disclosed). A copy of letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in our Privacy Policy can be found on our Website www.bonhams. of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by com or requested by post from Customer Services Department, any Condition Report which has been provided to not later than 4.30pm on the second working day 101 New Bond Street, London, W1S 1SR or by email from the Buyer. following the Sale and you must ensure that the [email protected] funds are cleared by the seventh working day after 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one APPENDIX 1 of the methods stated in the Notice to Bidders unless 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If CONTRACT FOR SALE Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in IMPORTANT: These terms may be changed in advance of the the Catalogue which is not printed in bold letters, paragraph 8 below. Sale of the Lot to you, by the setting out of different terms in which merely sets out (on the Seller’s behalf) the Catalogue for the Sale and/or by placing an insert in the Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT Catalogue and/or by notices at the Sale venue and/or by oral part of the Contractual Description upon which the announcements before and during the Sale at the Sale venue. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by You should be alert to this possibility of changes and ask in than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your advance of bidding if there have been any. 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other Under this contract the Seller’s liability in respect of the quality Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of the Lot, it’s fitness for any purpose and its conformity with writing, including in the Catalogue or on Bonhams’ any Description is limited. You are strongly advised to examine Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Lot for yourself and/or obtain an independent examination by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or of it before you buy it. whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared 1 THE CONTRACT sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.1 These terms govern the Contract for Sale of the Lot 3.2 Except as provided in paragraph 2.1.5, the Seller by the Seller to the Buyer. does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 1.2 The Definitions and Glossary contained in Appendix 3 obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance in the Catalogue are incorporated into this Contract of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. for Sale and a separate copy can also be provided any Description of the Lot or any Estimate in relation by Bonhams on request. Where words and phrases to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling are used which are in the List of Definitions, they are Description or Estimate which may have been made and transport of the Lot on collection and for printed in italics. by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in No such Description or Estimate is incorporated into connection with the Lot. 1.3 The Seller sells the Lot as the principal to the this Contract for Sale. Contract for Sale, such contract being made between 7.5 You will be wholly responsible for any removal, the Seller and you through Bonhams which acts in 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred the sole capacity as the Seller’s agent and not as QUALITY by the Seller if you do not remove the Lot in an additional principal. However, if the Catalogue accordance with this paragraph 7 and will states that Bonhams sells the Lot as principal, or such 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, a statement is made by an announcement by the to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Auctioneer, or by a notice at the Sale, or an insert obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your in the Catalogue, then Bonhams is the Seller for the fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges purposes of this agreement. its fitness for any purpose. due under any Storage Contract. All such sums due to the Seller will be payable on demand. 1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you. NTB/MAIN/03.14/V2 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond of the Lot or its fitness for any purpose. in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial W Objects displayed with a w will be located in the you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to Lot for your breach of contract; Description applied to it by or on behalf of the Seller, not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to and may be delivered by hand or sent by first class Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared in relation to the Lot made by or on behalf of ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract otherwise have an economic interest. import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such Ф This lot contains or is made of ivory. The United States in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Government has banned the import of ivory into been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or the USA. parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when calculated on a daily basis from the date upon which the remainder of the relevant term. the past; the Lot is knocked down to you on the fall of the such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, •, †, *, G, Ω, a see clause 8, VAT, for details. Auctioneer’s hammer in respect of the Lot. payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, 2.1.5 subject to any alterations expressly identified as such reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ DATA PROTECTION – USE OF YOUR INFORMATION made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by not become your property, and for this purpose management or staff or, for any indirect losses or Where we obtain any personal information about you, we shall Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale only use it in accordance with the terms of our Privacy Policy Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its (subject to any additional specific consent(s) you may have about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. given at the time your information was disclosed). A copy of letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in himself and to his servants or agents to enter upon of whether the said loss or damage is caused by our Privacy Policy can be found on our Website www.bonhams. of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means com or requested by post from Customer Services Department, any Condition Report which has been provided to not later than 4.30pm on the second working day during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. 101 New Bond Street, London, W1S 1SR or by email from the Buyer. following the Sale and you must ensure that the the Lot or part thereof; claim or otherwise; [email protected] funds are cleared by the seventh working day after 10.9 References to the singular will include reference to 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one APPENDIX 1 of the methods stated in the Notice to Bidders unless by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If private treaty until all sums due under the Contract or representation in respect of it, or this agreement CONTRACT FOR SALE Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of the the Catalogue which is not printed in bold letters, paragraph 8 below. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability Sale of the Lot to you, by the setting out of different terms in which merely sets out (on the Seller’s behalf) notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 the Catalogue for the Sale and/or by placing an insert in the Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral part of the Contractual Description upon which the Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with writing, including in the Catalogue or on Bonhams’ 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, the Lot for yourself and/or obtain an independent examination by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries of it before you buy it. whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 1 THE CONTRACT sold. funds of the Purchase Price and all other sums due to from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot 3.2 Except as provided in paragraph 2.1.5, the Seller Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix 3 obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who in the Catalogue are incorporated into this Contract of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided any Description of the Lot or any Estimate in relation to Bonhams in order to obtain the release of the by Bonhams on request. Where words and phrases to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW are used which are in the List of Definitions, they are Description or Estimate which may have been made and transport of the Lot on collection and for proceedings will have been issued) as a result of printed in italics. by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies No such Description or Estimate is incorporated into connection with the Lot. full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and 1.3 The Seller sells the Lot as the principal to the this Contract for Sale. (after as well as before judgement or order) at the construed in accordance with the laws of that part Contract for Sale, such contract being made between 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place the Seller and you through Bonhams which acts in 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive the sole capacity as the Seller’s agent and not as QUALITY by the Seller if you do not remove the Lot in payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United an additional principal. However, if the Catalogue accordance with this paragraph 7 and will his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings states that Bonhams sells the Lot as principal, or such 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent a statement is made by an announcement by the to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of Auctioneer, or by a notice at the Sale, or an insert obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints in the Catalogue, then Bonhams is the Seller for the fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of procedure in place. purposes of this agreement. its fitness for any purpose. due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his 1.4 The contract is made on the fall of the Auctioneer’s behalf. hammer in respect of the Lot when it is knocked down to you. NTB/MAIN/03.14/V2 NTB/MAIN/03.14/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE
You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.
NTB/MAIN/03.14/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: in the Notice to Bidders, you authorise us, acting AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current any rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. into this agreement and a separate copy can also contract; is the subject of a claim by someone other than be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the under the Storage Contract. actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. we may: Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; 8.1.3 commence interpleader proceedings or seek any cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including other order of any court, mediator, arbitrator or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. return for pursuing a course of action agreed to by or a Book or Books. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in you. to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss arbitrator or government body; and in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day any monies due to you as a result of such Sale in to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another payment or part payment of any amounts owed to 9 FORGERIES 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out us; 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by us persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT the Lot and that invoice has been paid; and made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred practicable after you have become aware that the Lot us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR SALE same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. You undertake to us personally that you will of the Sale and Lot number sufficient to identify the observe and comply with all your obligations and Lot. undertakings to the Seller under the Contract for Sale in respect of the Lot.
NTB/MAIN/03.14/V2 NTB/MAIN/03.14/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE
You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.
NTB/MAIN/03.14/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: in the Notice to Bidders, you authorise us, acting AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current any rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. into this agreement and a separate copy can also contract; is the subject of a claim by someone other than be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the under the Storage Contract. actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. we may: Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; 8.1.3 commence interpleader proceedings or seek any cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including other order of any court, mediator, arbitrator or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. return for pursuing a course of action agreed to by or a Book or Books. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in you. to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss arbitrator or government body; and in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day any monies due to you as a result of such Sale in to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another payment or part payment of any amounts owed to 9 FORGERIES 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out us; 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by us persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT the Lot and that invoice has been paid; and made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred practicable after you have become aware that the Lot us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR SALE same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. You undertake to us personally that you will of the Sale and Lot number sufficient to identify the observe and comply with all your obligations and Lot. undertakings to the Seller under the Contract for Sale in respect of the Lot.
NTB/MAIN/03.14/V2 NTB/MAIN/03.14/V2 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]
19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments UK Porcelain & Pottery UK UK Jon Baddeley Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +1 415 503 3326 EUROPE Scottish Pictures 20th Century British Art Greek Art Philip Kantor Chris Brickley Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings +44 20 7468 8314 Scot Levitt Automobilia Silver & Gold Boxes Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 UK +44 1244 353123 U.S.A U.S.A African, Oceanic Mark Dance Kurt Forry Aileen Ward & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 UK U.S.A. Penny Day Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 Fredric Backlar Chinese & Asian Art Modern Art Automobilia +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 Alan Fausel U.S.A U.S.A Musical Instruments +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch Antiquities HONG KONG +44 20 8963 2839 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 UK Japanese Art Natural History David Williams Clocks UK U.S.A Urban Art +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Paul Carella +44 20 7468 8364 U.S.A +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Jonathan Snellenburg +1 212 461 6516 UK Wristwatches Art Collections, +1 212 461 6530 Andrew Mckenzie UK Estates & Valuations Jewellery +44 20 7468 8261 Paul Maudsley Harvey Cammell Coins & Medals UK U.S.A +44 20 7447 7412 +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher U.S.A. John Millensted +44 20 7468 8282 +1 323 436 5488 Jonathan Snellenburg Art Nouveau & Decorative +44 20 7393 3914 U.S.A +1 212 461 6530 Art & Design U.S.A Susan Abeles Orientalist Art HONG KONG UK Paul Song +1 212 461 6525 Charles O’Brien Nick Biebuyck Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +852 2918 4321 +44 20 7393 3856 Anellie Manolas U.S.A Contemporary Art +61 2 8412 2222 Photography Whisky Frank Maraschiello UK HONG KONG U.S.A UK +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich Martin Green +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 +44 1292 520000 Australian Art U.S.A U.S.A Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures Joseph Hyman +61 2 8412 2222 +1 917 206 1656 UK Jennifer Tonkin +1 917 206 1661 Alex Clark Veronique Scorer +44 20 7393 3986 HONG KONG +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 Daniel Lam Claire Browne U.S.A Prints +852 3607 0004 Australian Colonial +44 1564 732969 Gregg Dietrich UK Furniture and Australiana +1 917 206 1697 Rupert Worrall Wine +1 415 861 7500 Entertainment +44 20 7468 8262 UK Memorabilia Mechanical Music U.S.A Richard Harvey Books, Maps & UK Jon Baddeley Judith Eurich +44 (0) 20 7468 5811 Manuscripts Stephanie Connell +44 20 7393 3872 +1 415 503 3259 U.S.A UK +44 20 7393 3844 Doug Davidson Matthew Haley U.S.A Modern, Contemporary Russian Art +1 415 503 3363 +44 20 7393 3817 Catherine Williamson & Latin American Art UK HONG KONG U.S.A +1 323 436 5442 U.S.A Sophie Law Daniel Lam Christina Geiger Alexis Chompaisal +44 20 7468 8334 +852 3607 0004 +1 212 644 9094 +1 323 436 5469 U.S.A Yelena Harbick British & European Glass Modern Design +1 212 644 9136 UK Gareth Williams Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343
SD22/05/14 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Ireland - Dublin NOrTH AMErICA SOUTH AMErICA Dorset 31 Molesworth Street London Bill Allan Jersey Dublin 2 USA Argentina 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 39 Don Street +353 (0)1 602 0990 Daniel Claramunt UK Porcelain & Pottery UK UK Jon Baddeley London W1S 1SR St.Helier +353 (0)1 4004 140 fax San Francisco • +54 11 479 37600 Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - Milan CA 94103 Thomaz Oscar Saavedra U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Montpelier Street • 21 Churchgate Street Via Boccaccio 22 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds Representative: 20123 Milano +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)2 4953 9020 +1 415 503 3326 EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)2 4953 9021 fax Los Angeles • 20th Century British Art Greek Art Philip Kantor Chris Brickley +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 South East Scotland Los Angeles +44 20 7468 8295 American Paintings +44 20 7468 8314 England Norfolk Italy - rome CA 90046 Hong Kong • The Market Place Edinburgh • Via Sicilia 50 +1 (323) 850 7500 Suite 2001 Scot Levitt Automobilia Silver & Gold Boxes Brighton & Hove Reepham 22 Queen Street 00187 Rome +1 (323) 850 6090 fax One Pacific Place Aboriginal Art +1 323 436 5425 Golf Sporting UK UK 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +39 (0)6 48 5900 88 Queensway Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft Hove, East Sussex +44 1603 871 443 EH2 1JX +39 (0)6 482 0479 fax New York • Admiralty +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Hong Kong UK +44 1244 353123 U.S.A U.S.A +44 1273 220 000 +44 131 220 2547 fax New York, NY +852 2918 4321 African, Oceanic Mark Dance Kurt Forry Aileen Ward +44 1273 220 335 fax Midlands Netherlands - Amsterdam 10022 +852 2918 4320 fax Glasgow De Lairessestraat 154 & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 +1 (212) 644 9001 [email protected] Guildford Knowle 176 St. Vincent Street, 1075 HL Amsterdam +1 (212) 644 9007 fax UK U.S.A. Penny Day Millmead, The Old House Glasgow +31 20 67 09 701 Beijing Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art Guildford, Station Road G2 5SG +31 20 67 09 702 fax Representatives: Hongyu Yu +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Suite 511 U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Chang An Club Fredric Backlar Chinese & Asian Art Modern Art Automobilia +44 1483 450 205 fax B93 0HT Spain - Madrid +1 (480) 994 5362 10 East Chang An Avenue +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns +44 1564 776 151 Representatives: Nuñez de Balboa no.4 - 1A Beijing 100006 Isle of Wight +44 1564 778 069 fax Wine & Spirits Madrid California +86(0) 10 6528 0922 Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes +44 1273 220 000 Tom Gilbey 28001 Central Valley +86(0) 10 6528 0933 fax American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 Oxford • +44 1382 330 256 +34 91 578 17 27 David Daniel [email protected] Alan Fausel U.S.A U.S.A Musical Instruments Representative: Banbury Road [email protected] +1 (916) 364 1645 +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls Kent Shipton on Cherwell Wales Japan +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch George Dawes Kidlington OX5 1JH Switzerland - Geneva District of Columbia/ Akiko Tsuchida Antiquities HONG KONG +44 20 8963 2839 +44 1483 504 030 +44 1865 853 640 Cardiff Rue Etienne-Dumont 10 Mid-Atlantic Level 14 Hibiya Central Building +44 1865 372 722 fax 7-8 Park Place, 1204 Geneva Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art Martin Gammon 1-2-9 Nishi-Shimbashi West Sussex Cardiff CF10 3DP Switzerland +1 (202) 333 1696 +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Minato-ku Travel Pictures Jeff Burfield Yorkshire & North East +44 2920 727 980 +41 76 379 9230 Tokyo 105-0003 Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer +44 1243 787 548 England +44 2920 727 989 fax [email protected] Southern California +81 (0) 3 5532 8636 Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 Christine Eisenberg +81 (0) 3 5532 8637 fax UK Japanese Art Natural History South West Leeds Representatives: +1 (949) 646 6560 [email protected] David Williams Clocks UK U.S.A Urban Art England 30 Park Square West EUrOpE Denmark Leeds LS1 2PF Henning Thomsen Florida Singapore +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams +44 113 234 5755 Austria - Vienna U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Bath +45 4178 4799 +1 (305) 228 6600 Bernadette Rankine Queen Square House +44 113 244 3910 fax Tuchlauben 8 [email protected] 11th Floor, Wisma Atria Paul Carella +44 20 7468 8364 U.S.A Charlotte Street 1010 Vienna Georgia 435 Orchard Road +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Bath BA1 2LL North West England Austria Spain - Marbella Mary Moore Bethea Singapore 238877 Jonathan Snellenburg +1 212 461 6516 UK Wristwatches +44 1225 788 988 +43 (0)1 403 00 01 James Roberts +1 (404) 842 1500 +65 (0) 6701 8038 Art Collections, +1 212 461 6530 Andrew Mckenzie UK +44 1225 446 675 fax Chester [email protected] +34 952 90 62 50 +65 (0) 6701 8001 fax Estates & Valuations Jewellery +44 20 7468 8261 Paul Maudsley New House [email protected] Illinois bernadette.rankine@ 150 Christleton Road Harvey Cammell Coins & Medals UK U.S.A +44 20 7447 7412 Cornwall – Truro Belgium - Brussels Ricki Blumberg Harris bonhams.com Chester, Cheshire Boulevard portugal +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher U.S.A. 36 Lemon Street +1 (312) 475 3922 Truro CH3 5TD Saint-Michel 101 Filipa Rebelo de Andrade +1 (773) 267 3300 Taiwan John Millensted +44 20 7468 8282 +1 323 436 5488 Jonathan Snellenburg Cornwall +44 1244 313 936 1040 Brussels +351 91 921 4778 Summer Fang Art Nouveau & Decorative +44 20 7393 3914 U.S.A +1 212 461 6530 TR1 2NR +44 1244 340 028 fax +32 (0)2 736 5076 [email protected] Massachusetts 37th Floor, Taipei 101 Tower Art & Design U.S.A Susan Abeles Orientalist Art HONG KONG +44 1872 250 170 +32 (0)2 732 5501 fax Boston/New England Nor 7 Xinyi Road, Section 5 UK Paul Song +1 212 461 6525 Charles O’Brien Nick Biebuyck +44 1872 250 179 fax Carlisle [email protected] russia - Moscow Amy Corcoran Taipei, 100 Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +852 2918 4321 48 Cecil Street Anastasia Vinokurova +1 (617) 742 0909 +886 2 8758 2898 Carlisle, Cumbria France - paris +44 20 7393 3856 Anellie Manolas Exeter +7 964 562 3845 +886 2 8757 2897 fax The Lodge CA1 1NT 4 rue de la Paix [email protected] Nevada [email protected] U.S.A Contemporary Art +61 2 8412 2222 Photography Whisky Southernhay West Exeter, +44 1228 542 422 75002 Paris David Daniel Frank Maraschiello UK HONG KONG U.S.A UK Devon +44 1228 590 106 fax +33 (0)1 42 61 1010 russia - St petersburg +1 (775) 831 0330 +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich Martin Green EX1 1JG +33 (0)1 42 61 1015 fax Marina Jacobson AUSTrALIA +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 +44 1292 520000 +44 1392 425 264 Manchester [email protected] +7 921 555 2302 New Mexico Australian Art U.S.A U.S.A +44 1392 494 561 fax The Stables [email protected] Leslie Trilling Sydney 213 Ashley Road Germany - Cologne +1 (505) 820 0701 76 Paddington Street Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures Joseph Hyman Hale WA15 9TB Albertusstrasse 26 +61 2 8412 2222 +1 917 206 1656 UK Jennifer Tonkin +1 917 206 1661 Winchester Paddington NSW 2021 The Red House +44 161 927 3822 50667 Cologne MIDDLE EAST Oregon Australia Alex Clark Veronique Scorer +44 20 7393 3986 HONG KONG Hyde Street +44 161 927 3824 fax +49 (0)221 2779 9650 Sheryl Acheson +61 (0) 2 8412 2222 +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 Daniel Lam Winchester +49 (0)221 2779 9652 fax Israel +1(503) 312 6023 +61 (0) 2 9475 4110 fax Claire Browne U.S.A Prints +852 3607 0004 Hants SO23 7DX [email protected] Joslynne Halibard [email protected] Australian Colonial +44 1564 732969 Gregg Dietrich UK +44 1962 862 515 +972 (0)54 553 5337 Texas Furniture and Australiana +1 917 206 1697 Rupert Worrall Wine +44 1962 865 166 fax Germany - Munich [email protected] Amy Lawch Melbourne Maximilianstrasse 52 +1 415 861 7500 Entertainment +44 20 7468 8262 UK +1 (713) 621 5988 Como House Tetbury 80538 Munich Cnr Williams Road Memorabilia Mechanical Music U.S.A Richard Harvey 22a Long Street +49 (0) 89 2420 5812 Washington +44 (0) 20 7468 5811 & Lechlade Avenue Books, Maps & UK Jon Baddeley Judith Eurich Tetbury +49 (0) 89 2420 7523 fax Heather O’Mahony South Yarra VIC 3141 Manuscripts Stephanie Connell +44 20 7393 3872 +1 415 503 3259 U.S.A Gloucestershire [email protected] +1 (206) 218 5011 UK +44 20 7393 3844 Doug Davidson GL8 8AQ Matthew Haley U.S.A Modern, Contemporary Russian Art +1 415 503 3363 +44 1666 502 200 Greece - Athens CANADA AFrICA +44 20 7393 3817 Catherine Williamson & Latin American Art UK HONG KONG +44 1666 505 107 fax 7 Neofytou Vamva Street Daniel Lam 10674 Athens Toronto, Ontario • Nigeria U.S.A +1 323 436 5442 U.S.A Sophie Law +30 (0) 210 3636 404 Jack Kerr-Wilson Christina Geiger Alexis Chompaisal +44 20 7468 8334 +852 3607 0004 Neil Coventry [email protected] 20 Hazelton Avenue +234 (0)7065 888 666 +1 212 644 9094 +1 323 436 5469 U.S.A Toronto, ONT [email protected] Yelena Harbick M5R 2E2 British & European Glass Modern Design +1 212 644 9136 +1 (416) 462 9004 South Africa - Johannesburg UK Gareth Williams [email protected] Penny Culverwell Simon Cottle +44 20 7468 5879 +27 (0)71 342 2670 Montreal, Quebec [email protected] +44 20 7468 8383 David Kelsey U.S.A. +1 (514) 341 9238 Suzy Pai [email protected] +1 415 503 3343 G-NET/5/14
SD22/05/14 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.
Sale title: PRINTS AND MULTIPLES Sale date: 15 July 2014
Sale no. 21601 Sale venue: New Bond Street, London Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.
Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime
Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)
FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)
BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.
Your signature: Date:
* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. prints and multiples | 137 Bonhams 101 New Bond Street London W1S 1SR
+44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax
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