[1] Blazin' Fletcher Henderson and His Orchestra May 16, 1929 Col Legacy

Total Page:16

File Type:pdf, Size:1020Kb

[1] Blazin' Fletcher Henderson and His Orchestra May 16, 1929 Col Legacy [1] Blazin’ Fletcher Henderson and his Orchestra May 16, 1929 Col Legacy C3K 57596 2-12 [2] Paradiddle Cab Calloway and his Orchestra March 8, 1940 Hep 1079 1-15 (2:54) [3] Who’s Sorry Now? Bob Crosby’s Bob Cats Nov. 13, 1937 Decca 1593 [78] [4] Come And Get It Fats Waller and his Orchestra July 1, 1941 Bluebird B-11262 [78] [5] Sent For You Yesterday (Here You Come Today) Tommy Dorsey and his Orchestra November 1945 Laserlight 15755 4 (5:51) [6] Dippermouth Blues Glenn Miller and his Orchestra June 30, 1959 Magic DAWE 51 16 (2:17) [7] Gotta’ Great Big Date With a Little Bitta’ Girl Coon-Sanders Nighthawks July 26, 1929 The Old Masters TOM MB-114 5 (2:51) [vocal, Joe Sanders] [8] I Love Being Here With You Judy Carmichael c. 2013 C&D #3 8 (3:46) [9] Sweet Georgia Brown Bing Crosby acc by Isham Jones Orchestra Apr. 23, 1932 Jonzo JZCD 11 [10] Puttin’ On the Ritz Fred Astaire March 28, 1930 Timeless CBC-020 1 (2:39) [11] Puttin’ On the Ritz Dick Hyman and the Perfect Jazz Ensemble January 1979 World Jazz WJLP16 1-3 (3:15) [12] Somebody Stole My Gal Count Basie and his Orchestra Aug. 8, 1940 Columbia C4K 87110 2-22 [13] At Sundown Artie Shaw and his Orchestra May 7, 1939 Jazz Guild 1009 1-5 [14] Snug as a Bug in a Rug Artie Shaw and his Orchestra May 7, 1939 Jazz Guild 1009 1-7 [vocal, Tony Pastor] [15] I’m Comin’ Virginia Artie Shaw and his Orchestra May 14, 1939 Jazz Guild 1009 2-1 [16] Rosalie Artie Shaw and his Orchestra Apr. 23, 1939 Jazz Guild 1009 1-2 [vocal, Tony Pastor] [17] Serenade to a Savage Artie Shaw and his Orchestra Apr. 23, 1939 Jazz Guild 1009 1-1 [18] Gimme’ A Little Kiss, Will You, Huh? Dick Haymes and Helen Forrest/Earle Hagen Dec. 3, 1945 Music Club MCCD208 11 (2:36) [19] When My Dreamboat Comes Home Guy Lombardo and his Royal Canadians Sept. 17, 1936 Time-Life STL 101 5-1-5 [vocal, Lebert Lombardo] [20] Alice Blue Gown The Rhythm Wreckers Sept. 21, 1936 CBS 88499 1-4 [Vocalion] [21] Deep Elm (You Tell ‘Em I’m Blue) Ben Pollack and his Orchestra Dec. 18, 1936 CBS 88499 1-5 [Variety] [22] Jimtown Blues Ben Pollack and his Orchestra Sept. 16, 1936 CBS 88499 1-3 [Brunswick] [23] Spreading Knowledge Around The Dean & His Kids Sept. 16, 1936 CBS 88499 1-1 [Vocalion] [24] Poor Little Rich Girl Bobby Sherwood and his Orchestra Nov. 13, 1944 JazzBand EBCD 2143 11 (2:44) [25] Cake Walkin’ Babies From Home Humphrey Lyttelton and his Band Dec. 2, 1948 Lake LACD72 3 (2:57) [26] Gin Mill Blues Light Crust Doughboys Nov. 30, 1938 Vocalion 04560 [78] [27] I Must Be Dreaming All Star Orchestra Jan. 3, 1928 Victor 21326 [78] [vocal, Franklyn Baur] [28] She’s A Great, Great Girl Roger Wolfe Kahn and his Orchestra March 14, 1928 Vic 21326 [78] (3:21) [29] Little Girl Sam Lanin and his Orchestra June 2, 1931 Banner 32219 [78] [vocal, Paul Small] [30] New Year’s Eve in a Haunted House Raymond Scott July 21, 1939 Columbia CK53028 4 [31] My Fine Feathered Friend Woody Herman and his Orchestra Oct. 25, 1937 Classics 1090 3 (2:25) [vocal, Woody Herman] [32] June Night Jimmy Rushing Feb. 20, 1958 Columbia C2-36419 1-7 (2:48) [33] It’s Tight Like That Jimmie Noone’s Apex Club Orchestra Dec. 27, 1928 Decca Jazz GRP GRD-633 13 (2:44) [34] Every Evening (I Miss You) Jimmie Noone’s Apex Club Orchestra May 16, 1928 Decca Jazz GRP GRD-633 4 (2:33) [35] King Joe Jimmy Noone, Jr. w/John R.T. Davies Rhythmic 5 June 20, 1985 Stomp Off 1121 2-6 (3:05) [36] Happy Feet Paul Whiteman and his Orchestra March 10, 1930 Jonzo JZCD-7 13 (2:59) [37] From Monday On Paul Whiteman’s Rhythm Boys Jan. 12, 1928 Jonzo JZCD-2 15 (2:41) [38] From Monday On [-4] Paul Whiteman and his Orchestra Feb. 28, 1928 Jonzo JZCD-3 9 (3:02) [39] Please Bing Crosby Sept. 16, 1932 Jonzo JZCD-11 11 [40] Relaxin’ At the Touro Muggsy Spanier’s Ragtime Band Nov. 22, 1939 BMG 66550-2 15 (3:14) [41] Am I Blue? Muggsy Spanier and his Orchestra Sept. 9, 1946 Avid AMSC695 2-12 (2:13) [42] Sentimental Journey Muggsy Spanier and his Orchestra Sept. 9, 1946 Avid AMSC695 2-9 (2:48) [43] Rosetta Muggsy Spanier and his Ragtimers Sept. 27, 1944 Avid AMSC695 1-23 (3:21) [44] Lover Man Claude Thornhill and his Orchestra Nov. 6, 1947 Hep CD17 21 (2:07) [45] La Paloma Claude Thornhill and his Orchestra October 1948 Hep CD17 20 (4:08) [46] Yardbird Suite Claude Thornhill and his Orchestra Dec. 17, 1947 Hep CD74 21 (3:20) [47] Georgia Grind New Sunshine Jazz Band c. 1974 Flying Dutchman BDL1-0549 A-4 (2:33) [48] Frog-i-More New Sunshine Jazz Band c. 1974 Flying Dutchman BDL1-0549 B-4 (3:27) [49] Man From the South New Sunshine Jazz Band c. 1974 Flying Dutchman BDL1-0549 B-7 (1:54) [50] Invitation John Eaton Feb. 14 or 15, 1995 Chiaroscuro CRD 333 7 (3:56) [51] How Do I Rate With You Eddy Duchin and his Orchestra Oct. 23, 1935 Victor 25178 [78] [vocal, Lew Sherwood] [52] Hello Beautiful Ed Kirkeby and his Orchestra Feb. 9, 1931 Perfect 15429 [78] [vocal, Elmer Feldkamp] [53] I Found You Ben Selvin and his Orchestra Dec. 18, 1931 Harmony 1401-H [78] [vocal, Paul Small] [54] Casa Loma Stomp Casa Loma Orchestra July 23, 1937 Decca Jazz GRP GRD-629 1-16 [55] Hard Times Cab Calloway and his Orchestra July 27, 1940 Jazz Unlimited JUCD 2027 (3:18) [56] Let the Door Knob Hitcha’ Benny Goodman and his Orchestra Jan. 14, 1941 Mosaic MD7-240 2-12 [vocal, Cootie Williams] [57] You Rascal You Cab Calloway and his Orchestra Sept. 23, 1931 Masters of Jazz MJCD182 22 (3:14) [58] Scat Song Washboard Rhythm Kings Oct. 5, 1932 Collectors Classics COCD-25 6 (2:33) [59] Limehouse Blues Glenn Miller and his Orchestra Dec. 4, 1940 Sepia 1287 2-23 (2:51) [60] My Heart at thy Sweet Voice Larry Clinton and his Orchestra Nov. 15, 1938 Joyce LP1005 [vocal, Bea Wain] [61] Drum Boogie Gene Krupa and his Orchestra Summer 1942 Merritt 502 2-2 (3:10) [62] Prosschai Artie Shaw and his Orchestra May 14, 1939 Jazz Guild 1009 2-2 (3:13) [vocal, Tony Pastor] [63] Let’s Start the New Year’s Right Bing Crosby May 25, 1942 Decca MCAD 11840 2-22 (2:37) 2021 Arrives [64a] Auld Lang Syne Hit-of-the-Week Orchestra 1931 Archeophone ARCH 3004 2-14 (0:54) [64b] Happy Days Are Here Again Ambrose and his Orchestra Jan. 29, 1930 Retrieval RTR-79057 [vocal, Lou Abelardo] [65] As Time Goes By Billie Holiday Apr. 1, 1944 Commodore 2-401 2-7 (3:12) [66] St. Louis Blues Guy Lombardo and his Royal Canadians Oct. 1, 1930 Fanfare CDD 592 10 (4:00) [67] Tomorrow Is Another Day Guy Lombardo and his Royal Canadians Feb. 16, 1937 RCA Camden CAL-255 RE [vocal, Carmen Lombardo] [68] All the Things You Are Artie Shaw and his Orchestra Oct. 26, 1939 Classics 1087 10 (3:11) [vocal, Helen Forrest] [69] Don’t Blame Me Nat King Cole Trio 1944 Music & Arts CD911 4-7 and 4-16 [70] Some Sunday Morning Helen Forrest and Dick Haymes/Victor Young 1945 Music Club MCCD208 6 [71] Pan-Am Rag Milton Kaye Mid-1970s Golden Crest CRS-31032 2-5 (2:34) [72] Cataract Rag Tony Parenti Trio Jan. 22, 1949 Riverside RLP 12-205 2-4 [73] 12th Street Rag Max Kortlander and Victor Arden July 1920 Pearl CD 9203 1 (2:43) [74] Crazy Bone Rag Peacherine Ragtime Society Orchestra May 29, 2012 Rivermont BSW2251 10 (2:42) [75] Ostrich Walk Happy Jazz Band October 1963 Audiophile AP115 2-3 (3:00) [76] Sweet Substitute Happy Jazz Band October 1963 Audiophile AP115 2-2 (3:35) [77] Oh! Baby Happy Jazz Band 1968 Happy Jazz HJ200 1-5 (4:15) [78] Willie the Weeper Jim Cullum’s Happy Jazz Band c. 1967 Jazzology JCD-331 12 (2:57) [79] Sorry Jim Cullum’s Happy Jazz Band c. 1966 Jazzology JCD-331 4 (3:40) [80] Who’s That Knocking At My Door? Annette Hanshaw Sept. 8, 1927 Mosaic MD8-213 2-11 (2:51) [81] Cheese and Crackers Joe Venuti’s Blue Four Sept. 13, 1927 Mosaic MD8-213 2-12 (2:54) [82] Raggin’ the Scale Joe Venuti’s Blue Four May 7, 1930 Mosaic MD8-213 5-23 (3:15) [83] Under the Moon Annette Hanshaw June 24 or 25, 1927 Mosaic MD8-213 2-7 (3:25) [84] Call Me A Taxi Four of the Bob Cats Oct. 14, 1938 Decca 2207 [78] [85] Let’s Misbehave Ben Bernie and his Hotel Roosevelt Orchestra Dec. 23, 1927 Brunswick 3761 [78] [vocal, Scrappy Lambert and Billy Hillpot] [86] No Name Jive Charlie Barnet and his Orchestra May 16, 1940 Bluebird AXM2-5585 D-1 (6:11) [87] The Song Is You Steve Allen Sept. 24, 1951 Columbia 2554 2-3 [88] In A Mist Bucky and John Pizzarelli 1984 Jazz Classics JZCL-5007 18 (4:54) [89] Au Revoir, Pleasant Dreams Ben Bernie and his Hotel Roosevelt Orchestra c.
Recommended publications
  • Part 2 of Selected Discography
    Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • April to June 1928
    1 64- April 3, 1928 OKEH Okeh, New York FRANK TRUMBAUER AND HIS ORCHESTRA Bix Beiderbecke (c); Charlie Margulis (tp); Bill Rank (tb); Frank Trumbauer (Cms); Irving Friedman (cl/as); Chet Hazlett (as); Matty Malneck (vln); Lennie Hayton (p); Eddie Lang (g); Min Leibrook (bsx); Hal McDonald (dm); Irving Kaufman, under the name of ‘Noel Taylor’, (voc) : W 400188-A Our Bungalow Of Dreams (Malie-Newman-Verges) solos : Bix (8+20) – Kaufman, voc, with accordion or harmonium acc. (32) – Tram (16) – Bix (8). W 400189-B Lila (Gottler-Tobias-Pinkard) solos : Bix (2) – Kaufman, voc (32) – Bix (4+8) (leads 8) – Tram (1) – Bix (8). 65- April 10, 1928 OKEH Okeh, New York FRANK TRUMBAUER AND HIS ORCHESTRA Same personnel as previous session (64); Harold ‘Scrappy’ Lambert replaces Irving Kaufman (voc) : W 400603-B Borneo (Donaldson-arr : Bill Challis) solos : Lambert, voc (31) – Bix & Tram, chase chorus 2/2 (30). W 400604-B My Pet (Yellen-Ager-arr: Bill Challis) W 400604-C My Pet solos : Leibrook (2) – Rank (16) – Friedman, cl (16) – Bix (6) – Lambert, voc & Lang, g (31) – Leibrook (2) – Bix (2 last notes). 66- April 17, 1928 OKEH Okeh, New York BIX BEIDERBECKE AND HIS GANG Bix Beiderbecke (c); Bill Rank (tb); Irving Friedman (cl); Roy Bargy (p); Min Leibrook (bsx); Hal McDonald (dm, harophone): W 400616-B Somebody Stole My Gal (Wood) 2 solos : Friedman (16) – Bargy (16) – Bix (24) – Rank (16). W 400617-A Thou Swell 9-second test groove: Bargy, p & 3 voices: “Damn” – “I got it” – “Take it the last four”, this last voice being possibly Bix’s.
    [Show full text]
  • Red Hot Songs
    Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
    Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St.
    [Show full text]
  • Review: Philadelphia Music Project: Crossing Cultures
    Philadelphia Music Project: Crossing Cultures Posted by Sharon Torello on August 21, 2011 at 8:00pm View Blog The saying goes that "There's no such thing as a free lunch." but those who attended the most recent Philadelphia Music Project got just that; and a tasty one, too! The Pew Center for Arts & Heritage produced and funded the program held at the Curtis Institute of Music which consisted of two different panel discussions and the lunch in between. The panel sessions were expertly moderated by John Schaefer, executive producer of music programming at WNYC on August 12, 2011. I am not a musician, so I was a bit afraid that the program would be over my head, but for the most part, this was not the case. Instead, the all day event turned out to be fun, fascinating and full of interesting material. The informal, buffet style lunch gave the audience the opportunity to speak directly with the presenters, musicians, and each other in the grand Bok room while enjoying their meal. By the end of the program I found that I had a new respect for the versatility of the violin and the creativity of contemporary composers. Keep your eyes on our calendar or the Philadelphia Music Project site for future events. Diane Monroe's musical foundation in jazz and classical music provided an American perspective for the role of violin in today's music. She said that jazz musicians were slow to adopt the violin due to it's European origins and the narrow definition of jazz in it's early days.
    [Show full text]
  • Billie's Message: an Original Dance-Drama in the Modern Dance Idiom
    UNLV Retrospective Theses & Dissertations 1-1-1990 Billie's Message: An original dance-drama in the modern dance idiom Vicki Lynn Dale University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Dale, Vicki Lynn, "Billie's Message: An original dance-drama in the modern dance idiom" (1990). UNLV Retrospective Theses & Dissertations. 30. http://dx.doi.org/10.25669/f8vl-dzbd This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from.the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Purches Collection a to Z List of Principal Artists and Performers
    Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader)
    [Show full text]
  • The Artie Shaw Orchestra
    The Artie Shaw Orchestra On the eve of America's entry into World War II, TIME magazine reported that to the German masses the United States meant "sky-scrapers, Clark Gable, and Artie Shaw." Some 42 years after that, in December l983, Artie Shaw made a brief return to the bandstand, after thirty years away from music, not to play his world-famous clarinet but to launch his latest (and still touring) orchestra at the newly refurbished Glen Island Casino in New Rochelle, New York. This new Artie Shaw Orchestra remains one of the swingingest outfits around. Featuring clarinetist Matt Koza, the group hews to the Shaw legacy, and continues with the time-tested formula that has always pleased a full spectrum of audiences from the “Begin the Beguine” fans of yesteryear to the new jazz fans who want to imbibe in an exciting and heady evening of Swing. A Brief History Artie Shaw was born in New York City on May 23, 1910 and was in the top echelon of bandleader/soloists from the great swing era of 1935-45. He made his first public appearance as a leader in 1936, in a Swing Concert (history’s first) held at Broadway’s Imperial Theatre. Shaw could scarcely have known that within a short time he would make a hit record of a song called “Begin the Beguine,” which he once jokingly refers to as “a nice little tune from one of Cole Porter’s very few flop shows.” Shortly before that he had hired Billie Holiday as his band vocalist (the first white bandleader to employ a black female singer as a full-time member of his band).
    [Show full text]
  • Devil Tune Song List- Final
    That Devilin' Tune: A Jazz History, 1900-1951 Volume 1 CD 1 1. Standard Quartette Who Broke The Lock 1895/1896 2. Voss’ 1st Regiment Band Aunt Dinah’s Supper Party Late 1890s 3. Len Spencer Clime De Golden Fence Late 1890s 4. Metropolitan Orchestra Coon Town Capers 1897-1899 5. Sousa Band Whistlin’ Rufus 1899 6. Len Spencer You’ve Been a Good Old Wagon 1900 or 1901 7. Williams and Walker My Little Zulu Babe Nov. 10 1901 8. Arthur Collins Bill Bailey ca. May, 1902 9. Len Spencer On Emancipation Day late 1902 10. Hager’s Orchestra Rooster Dance 1904 11. Vess Ossman Buffalo Rag 1905 12. Prince’s Orchestra St. Louis Tickle Aug., 1905 13. Pryor’s Band St. Louis Rag 1906 14. Orquestra Typicas La Patti Negra 1906 15. Sir Herbert Clarke Bride of the Waves Dec. 21, 1907 16. May Irwin When You Ain’t Got No Money You Needn’t Come Around May 21, 1907 17. Arthur Collins Parson Jones’ Three Reasons ca. 1909 18. Stella Mayhew/Billie Taylor That Beautiful Rag July 5, 1910 19. Sophie Tucker That Lovin’ Rag Jan. 5, 1910 20. Stella Mayhew That Devilin’ Tune Apr. 24, 1911 21. Collins and Harlan Alexander’s Ragtime Band 1911 22. Sophie Tucker Some of These Days Feb. 24, 1911 23. Grupo Bahianainho El Cavito ca. 1911 24. Grupo Bahianainho Bambino ca. 1911 25. Grupo Bahianainho Destimido ca. 1911 26. Prince’s Orchestra Red Pepper Rag May, 1911 27. Gene Greene King of the Bungaloos Feb. 17, 1911 CD 2 1.
    [Show full text]