Uncanny Belonging: Schelling, Freud and the Vertigo of Freedom
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Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Unit 10 — Personality
UNIT 10 — PERSONALITY Vocabulary Term Definition of Term Example Personality An individual’s characteristic pattern of thinking, feeling, Aggressive, funny, acting. Free Association In psychoanalysis, a method of exploring the unconscious in which the person relaxes and says whatever comes to mind, no matter how trivial or embarrassing. Psychoanalysis Freud’s theory of personality that attributes thoughts and Therapy through talking. actions to unconscious motives and conflicts; the techniques used in treating psychological disorders by seeking to expose and interpret unconscious tensions. Unconscious According to Freud, a reservoir of mostly unacceptable Id, Repression- forcible thoughts, wishes, feelings, and memories. According to blocking of unacceptable contemporary psychologists, information processing of which passions and thoughts. we are unaware. Id Contains a reservoir of unconscious psychic energy that, Needs, drives, instincts, and according to Freud, strives to satisfy basic sexual and repressed material. What we aggressive drives; operates on the pleasure principle, want to do. demanding immediate gratification. Ego The largely conscious, “executive” part of personality that, What we can do; reality according to Freud, mediates among the demands of the id, superego, and reality; operates under the reality principle, satisfying the id’s desires in ways that will realistically bring pleasure rather than pain. Superego The part of personality that, according to Freud, represents Operates based on the Moral internalized ideals and provides standards for judgment (the Principle. What we should do. conscience) and for future aspirations. Psychosexual Stages The childhood stages of development during which, according Oral, Anal, Phallic, Latency, to Freud, the id’s pleasure seeking energies focus on distinct Genital erogenous zones. -
Personality Theories Freudian Psychodynamics Personality Defined
PERSONALITY THEORIES FREUDIAN PSYCHODYNAMICS PERSONALITY DEFINED The unique pattern of enduring thoughts, feelings, and actions that characterize a person A LITTLE BACKGROUND ON SIGMUND FREUD… PSYCHODYNAMIC PERSPECTIVE Freud believed psychological influences caused disorders Wanted to see what these psychological influences were Developed first comprehensive personality theory ever!! PSYCHODYNAMIC Conscious Thoughts Emotions memories Unconscious Painful memories Fears Immoral urges Selfish needs Unacceptable sexual Violent impulses desires Traumatic Unresolved conflicts Sigmund Freud experiences Irrational wishes EXPLORING THE UNCONSCIOUS Unconscious Free Psychoanalysis Mind association • Filled with • Patients retrieved • Freud asked unacceptable painful thoughts, patients to say thoughts, wishes, once retrieved whatever came to feelings, and feel better their mind to tap memories the unconscious THE STRUCTURE OF THE MIND ID EGO SUPEREGO THE ID EROS: “Life Instincts” • Promote positive, constructive behavior • Reflect the libido (energy source). THANTOS: “Death Instincts” • Responsible of aggression & destructiveness. Pleasure Principle • Seeking immediate satisfaction of both kinds of instincts • While unconscious, the id seeks expression through… • 1. Dreams • 2. Freudian Slips (Slips of the Tongue) THE EGO Develops from the Id • Parents/teachers & others begin to place restrictions on Id expressions. Reality Principle • Makes compromises b/w the Id’s demands & practicality of the real world. THE UNCONSCIOUS AT WORK Naomi’s id wants her to eat an entire plate of donuts. The ego suggests a more moderate response, which may partially satisfy the id. Naomi decides to have one donut. THE SUPEREGO Develops from internalizing societal & cultural values • Tells us what we should & should not do Moral Guide • Feelings of guilt for doing bad; feelings of pride for doing good. -
Tales of Dread
Zlom1_2019_Sestava 1 5.4.19 8:01 Stránka 65 WINNER OF THE FABIAN DORSCH ESA ESSAY PRIZE TALES OF DREAD MARK WINDSOR ‘Tales of dread’ is a genre that has received scant attention in aesthetics. In this paper, I aim to elaborate an account of tales of dread which (1) effectively distinguishes these from horror stories, and (2) helps explain the close affinity between the two, accommodating borderline cases. I briefly consider two existing accounts of the genre – namely, those of Noël Carroll and of Cynthia Freeland – and show why they are inadequate for my purposes. I then develop my own account of tales of dread, drawing on two theoretical resources: Freud’s ‘The “Uncanny”’, and Tzvetan Todorov’s The Fantastic. In particular, I draw on Freud to help distinguish tales of dread from horror stories, and I draw on Todorov to help explain the fluidity between the genres. I argue that both horror stories and tales of dread feature apparent impossibilities which are threatening; but whereas in horror stories the existence of the monster (the apparent impossibility) is confirmed, tales of dread are sustained by the audience’s uncertainty pertaining to preternatural objects or events. Where horror monsters pose an immediate, concrete danger to the subject’s physical well-being, these preternatural objects or events pose a psychological threat to the subject’s grasp of reality. I In his book The Philosophy of Horror, Noël Carroll identifies a narrative genre that he calls ‘tales of dread’. Unlike horror stories, Carroll claims, tales of dread do not feature monstrous entities or beings, but rather a distinctive kind of preternatural event. -
Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance Sarah Lucie The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3828 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ACTING OBJECTS STAGING NEW MATERIALISM, POSTHUMANISM AND THE ECOCRITICAL CRISIS IN CONTEMPORARY PERFORMANCE by SARAH LUCIE A dissertation submitted to the Graduate Faculty in Theatre and Performance in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 SARAH LUCIE All rights reserved ii Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie This manuscript has been read and accepted by the Graduate Faculty in Theatre and Performance in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________________________________________________________________ Date Peter Eckersall Chair of Examining Committee __________________________________________________________________________ Date Peter Eckersall Executive Officer Supervisory Committee: Erika Lin Edward Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie Advisor: Peter Eckersall I investigate the material relationship between human and nonhuman objects in performance, asking what their shifting relations reveal about our contemporary condition. -
Neopastoral Artifacts and the Phenomenology of Environment in American Modernist Poetics
REFUSE TO RELIC: NEOPASTORAL ARTIFACTS AND THE PHENOMENOLOGY OF ENVIRONMENT IN AMERICAN MODERNIST POETICS Douglas ii Refuse to Relic: Neopastoral Artifacts and the Phenomenology of Environment in American Modernist Poetics Thesis format: Monograph by Jeffrey Daniel Douglas, B.A., B.Ed., M.A. Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate Studies McMaster University Hamilton, Ontario, Canada © Jeffrey D. Douglas 2013 Douglas iii Abstract Building on concepts of the pastoral, the picturesque, the “vernacular ruin,” and frontierism in an American context, this thesis explores the interest in ruin and commodity- oriented refuse within rural, wilderness, and what Leo Marx in The Machine in the Garden calls “middle ground” environments. Chapter one analyzes how “nature,” as both scenery and the natural environment removed from civilization, has been conceptualized as a place where human-made objects become repurposed through the gaze of the spectator. Theories surrounding gallery and exhibition space, as well as archaeological practices related to garbage excavation, are assessed to determine how waste objects, when wrested out of context, become artifacts of cultural significance. Chapter two turns to focus on the settler experience of the frontier in order to locate a uniquely American evolution of the interest in everyday waste objects. Because the frontier wilderness in American culture can be regarded as a site of transition and malleability, it is argued that the (mis)perception of object matter within this transitional space helped to shape modernist poetics and its association with everyday objects. Chapters three and four return to the rural and the pastoral to focus on Marx’s concept of the “middle ground,” borderlands of quasi-natural space that are located “somewhere ‘between,’ yet in a transcendent relation to, the opposing forces of civilization and nature” (23). -
The Ego's Attention and the Therapist's Attention to Reality In
The Ego’s Attention and the Therapist’s Attention to Reality in Freud At the Threshold of Ethics Ana Lucía Montoya Pontifical Gregorian University, Rome Abstract This article aims to show that the practice of attention can create an openness to the truth, from where ethics arises. It does so by exploring the role attention plays, according to Ricoeur, in Freud’s thought. Ricoeur shows how in the first stage of Freud’s thinking – that of the Project of a Scientific Psychology – attention is one of the instances in which a purely mechanical quantitative explanation can be questioned. Further on, with the introduction of narcissism, Ricœur shows that attention, insofar as it opens a space for the “wounding truth,” opposes narcissism. Finally, the article explains how in the therapeutic setting an attentional epochē allows the therapist to be “the reality principle in flesh and in act,” so that the ego can gain control. According to Ricœur, this non-judgmental gaze opens a space of truthfulness for the patient’s self-knowledge which, although not being the totality of ethics, constitutes its threshold. Keywords: Attention, Reality Principle, Narcissism, Truth. Résumé L’objectif de cet article est de montrer que la pratique de l'attention peut créer une ouverture à la vérité à partir de laquelle peut surgir l’éthique. Il le fait en explorant le rôle que joue l’attention dans la pensée de Freud, selon Ricœur. Ce dernier montre comment dans la première étape de la pensée de Freud – celle du Projet de psychologie scientifique – l'attention est l'un des cas dans lesquels une explication purement mécanique et quantitative peut être remise en cause. -
This Body, This Civilization, This Repression: an Inquiry Into Freud and Marcuse
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 2008 This body, this civilization, this repression: An inquiry into Freud and Marcuse Jeff Renaud University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Renaud, Jeff, "This body, this civilization, this repression: An inquiry into Freud and Marcuse" (2008). Electronic Theses and Dissertations. 8272. https://scholar.uwindsor.ca/etd/8272 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. THIS BODY, THIS CIVILIZATION, THIS REPRESSION: AN INQUIRY INTO FREUD AND MARCUSE by JeffRenaud A Thesis Submitted to the Faculty of Graduate Studies through Philosophy in Partial Fulfillment of the Requirements -
Imagination: a Philosophical Examination of The
1 The ‘Reality Oriented’ Imagination: a Philosophical Examination of the Imagination in ‘Mentalization’ and ‘Neuropsychoanalysis’. Annie Hardy Thesis submitted for the degree of Doctor of Philosophy University College London 2017 2 I, Annie Hardy, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis is concerned with the conceptualization of the imagination in contemporary psychoanalytic theory, focusing in particular on its connection with knowledge. I will propose that imaginative processes form the core of psychic ‘health’ by instantiating a state of mind in which the subject is genuinely open to ‘learning from experience’. At the centre of the investigation is a psychic process that I term the ‘reality oriented’ imagination: a form of conscious mental activity that facilitates an epistemological connection with both the internal and external worlds and renders the unobservable psychological experiences of others accessible. The concept of the ’reality oriented’ imagination significantly disrupts Freud’s portrayal of the imaginative processes as a form of wish-fulfilment in which the individual’s attention is drawn away from external reality and placed under the sway of the pleasure principle. Such differing presentations of the imagination across psychoanalytic models can arguably be understood by considering several major shifts in psychoanalytic theorizing since Freud’s time. I will propose that these changes can be characterised as an ‘epistemic turn’: a general movement in psychoanalysis towards framing the internal world as strategic rather than compensatory, and a corresponding understanding of psychopathological processes as a response to failures in understanding and prediction rather than instinctual conflict. -
Philosophy for Children and Pragmatism Part I. the Uncanny History of Pragmatism
Philosophy for Children and Pragmatism Part I. The Uncanny History of Pragmatism Agora Philosophical Forum Handout by Soroush Marouzi 1. A Brief Overview of the Pragmatism-P4C Relation: - Pragmatism was born in 1867 in America - P4C as a social movement was initiated in the early 1970’s - Pragmatism, as a philosophical position, manifests itself in the educational method advocated by the proponents of the P4C movement - Hence, we shall start with an overview of pragmatism - The methodological sensitivities to explore pragmatist philosophies o Employing the intellectual biography approach to unfold the varieties of pragmatist notions 2. The Metaphysical Club: - The American pragmatists were struggling to build the ‘modern’ America after the Civil war. o A historical narrative of the club by Louis Menand (2001) - The objective of the club: Bring metaphysics down to earth; start with human experience - The Four Greats: Charles S. Peirce, William James, Oliver W. Holmes, and Chauncy Wright 2.1. Charles. S. Peirce (1839-1914): - Peirce was “the greatest American thinker ever” (Russell 1959, p 276). - Peirce invented pragmatism o Along with semiotics, mathematical logic, statistical economics, game-theoretic semantics, economics of science, propensity interpretation of probability, indeterministic metaphysics, falsification, abductive reasoning, etc. - Peirce’s works to be discussed in this workshop o On a New List of Categories (1867) o The Fixation of Belief (1877) o How to Make Our Ideas Clear (1878) 2.2. William James (1842-1910): - A charming man with a popular philosophy - He is known as the father of psychology in America. o In his Principles of Psychology (1890), he demarcated psychology from philosophy. -
Norman O. Brown, 1913–2002
OBITUARY Norman O. Brown, 1913–2002 orman O. Brown was born in New Mexico in 1913 and educated at Balliol College, Oxford, and at the University of Wisconsin. His tutor at Oxford was NIsaiah Berlin. A product of the 1930s, Brown was active in left-wing politics – for example, in the 1948 Henry Wallace presidential campaign – and his work belongs within the history of Marxist, as well as psychoanalytic, thought. During World War II, he worked in the Office of Strategic Services, where his supervisor was Carl Schorske and his colleagues included Herbert Marcuse and Franz Neumann. Marcuse urged Brown to read Freud, leading, in 1959, to Brownʼs most memorable work, Life Against Death. Brown taught Classics at Wesleyan University and was a member of the History of Consciousness Department at the University of California at Santa Cruz. Although Life Against Death made him an icon of the New Left, he successfully eschewed publicity, insisting to the end on his primary identity as teacher. There is still no better introduction to Life Against Death than the one that Brown wrote in 1959. The book was inspired, he explained, by a felt ʻneed to reappraise the nature and destiny of manʼ. The ʻdeep study of Freudʼ was the natural means for this undertaking. His motives, Brown continued, were political in the most profound sense of the term: ʻInheriting from the Protestant tradition a conscience which insisted that intellectual work should be directed toward the relief of manʼs estate, I, like many of my generation, lived through the superannuation of the political categories which informed liberal thought and action in the 1930s.ʼ ʻThose of us who are tempera- mentally incapable of embracing the politics of sin, cynicism and despairʼ, he added, were ʻcompelled to re-examine the classic assumptions about the nature of politics and about the political character of human nature.ʼ How did it come about, at the dawn of the 1960s, that Freud appeared as the suc- cessor to a ʻsuperannuatedʼ, but not yet surpassed, Marxist project? Life Against Death addressed this question. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses.