Prince Cloud 2 Blue Angel Guitar
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GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
Schecter Price List
Price List v3_2019 SCHECTER GUITAR RESEARCH - 2019 PRICE LIST C.O.O MODEL COLOR SKU/UPC CODE SUITABLE CASE RRP SCHECTER ACOUSTIC MODELS CHINA SCH3715 DELUXE ACOUSTIC NS 815447023013 SGR-13 AC $ 749.99 CHINA SCH3716 DELUXE ACOUSTIC SSTBLK 815447023020 SGR-13 AC $ 749.99 CHINA SCH3710 ORLEANS STAGE AC VRBS 815447022665 SGR-13 AC $ 1,399.99 CHINA SCH3711 ORLEANS STAGE AC NS-VRS 815447022672 SGR-13 AC $ 1,399.99 CHINA SCH3709 ORLEANS STAGE-7 AC SSTBLK 815447025611 SGR-13 AC $ 1,599.99 CHINA SCH3712 ORLEANS STUDIO AC NS 815447022689 SGR-13 AC $ 1,199.99 CHINA SCH3713 ORLEANS STUDIO AC SSTBLK 815447022993 SGR-13 AC $ 1,199.99 CHINA SCH3714 ORLEANS STUDIO-12 AC SSTBLK 815447023006 SGR-13 AC $ 1,299.99 CHINA SCH3700 SYNYSTER GATES-AC GA SC-ACOUSTIC BLK 815447021712 SGR-13 AC $ 1,399.99 CHINA SCH3701 SYNYSTER GATES-GA SC-ACOUSTIC TBBS 815447021729 SGR-13 AC $ 1,599.99 CHINA SCH3703 SYNYSTER GATES-J-ACOUSTIC BLK 815447021743 SGR-13 AC $ 1,599.99 CHINA SCH3717 DJ ASHBA ACOUSTIC SCG 815447024386 SGR-13 AC $ 1,999.99 CHINA SCH3718 DJ ASHBA ACOUSTIC SWHT 815447024393 SGR-13 AC $ 1,999.99 CHINA SCH282 RS-1000 STAGE ACOUSTIC BLK 815447022764 SGR-13 AC $ 2,699.99 CHINA SCH283 RS-1000 BUSKER ACOUSTIC BLK 815447023037 SGR-13 AC $ 1,449.99 C-6 DELUXE/PLUS/PRO SERIES INDONESIA SCH430 C-6 DELUXE SBK 081544708201 SGR-1C $ 669.99 INDONESIA SCH431 C-6 DELUXE SMLB 081544708218 SGR-1C $ 669.99 INDONESIA SCH432 C-6 DELUXE SWHT 081544708225 SGR-1C $ 669.99 INDONESIA SCH428 C-6 DELUXE SAQUA 815447028032 SGR-1C $ 669.99 INDONESIA SCH429 C-6 DELUXE SDPRPL 815447028049 -
SSEF FACETTE No. 12 SWISS GEMMOLOGICAL INSTITUTE SCHWEIZERISCHES GEMMOLOGISCHES INSTITUT INSTITUT SUISSE DE GEMMOLOGIE
SSEF FACETTE No. 12 SWISS GEMMOLOGICAL INSTITUTE SCHWEIZERISCHES GEMMOLOGISCHES INSTITUT INSTITUT SUISSE DE GEMMOLOGIE International Issue No. 12, January 2005 Reproduction allowed with reference to the Swiss Gemmological Institute SSEF In this Issue: - Diamonds are forever - New Diamond Courses 2005 - Coral en Vogue - LIBS in Gemmology - Lead glass in Ruby - New: Launching of SSEF Alumni - News from CIBJO and LMHC - GemmoBasel 2005 SSEF Facette No. 12, © 2005 Editorial Dear Reader The year 2004 was again packed with many inter- pearl research in China, instrumental development esting challenges for the SSEF laboratory but also in Florida, diamond conference in England, SSEF for the trade. We are lucky that business for the is always on the edge. And you may profit from SSEF was much better than predicted under tight this: SSEF is proud to have found a new analyti- general conditions. The high performance and the cal solution for the detection of beryllium diffusion degree of integrity of the SSEF is appreciated by a treated sapphires, which caused so much concern number of well-known international companies. We and “headache” to the international gem trade. The notice with pleasure that our origin determinations SSEF is the first laboratory offering an inexpensive and treatment identifications form an important part and reliable Be detection service. of our activity and strongly influence the price of a gem. Reliable SSEF We are glad to offer you the SSEF Facette in a new Test Reports for pearls and colourful look. We are continuing to produce guarantee the trade with this newsletter in three languages: German, French sometimes extremely and English. -
Hamer 02/Wright/Jul/2000
22 Vintage Guitar July 2000 www.vintageguitar.com BY MICHAEL WRIGHT WITH ANDREW LARGE, The Different Strummer STEVE MATTHES AND PETER FUNG LEFT TO RIGHT ’84 Hamer Special, mahogany body with custom factory yellow Stevens I with rare white/gold hardware option. ’85 Hamer Phantom A5, later and black graphics Courtesy of the A. Stein collection. Rare short-scale ’84 Hamer version with six-in-line headstock and bound fingerboard with crowns. Courtesy A. 4 Bass. Ca. ’85 Hamer Standard Lefty. Courtesy DiPinto Guitars. ’85 Hamer Steve Stein collection. Short-lived ’85 Hamer Scepter Vee. were the days before Rose won his patent rights). These were advertised as being, “...small, lightweight, versatile, and ag- Hamer Guitars gressive.” Finishes were either custom colors or graphics. High-End Boutique or Budget Vintage? Part II In ’86 the Prototype SS became known as the Steve Stevens model, a name it s we discussed last month, Hamer using Hamers inevitably led to the intro- bound fingerboard of either rosewood or enjoyed until its demise in ’92. Also at was started when Jol Dantzig and duction of models named for individual ebony, with dot or crown inlays. The that time the 22-fret fingerboard was ex- Paul Hamer, partners in North- artists. One of the earliest to get an artist ebony and crown version was sometimes tended to 24 frets, although some 22-fret A ern Prairie Music in the early 1970s, association was a version of the Special known as the Custom. The pickup layout models continued to be made. Begin- moved from repairing old guitars to mak- introduced in ’84, and carrying a Floyd consisted of a bridge humbucker and two ning in ’87, some came with Fender-style 1 ing new, improved versions of their Rose double-locking vibrato system. -
Gibson Acoustic Serialization Taken from the 11
Gibson Acoustic Serialization Taken from the 11th Edition Blue Book of Acoustic Guitars By Zachary R. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 2007 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. GIBSON ACOUSTIC SERIALIZATION 1 GIBSON SERIAL NUMBERS GIBSON ACOUSTIC SERIALIZATION,SERIALIZATION cont. Identifying Gibson instruments by serial number is tricky at best, and APPROX. LAST # YEAR downright impossible in some cases. The best method of identifying 13350 1912 them is to use a combination of the serial number, the factory order 16100 1913 number and any features that are particular to a specific time (i.e. logo 20150 1914 design change, headstock volutes, etc). 25150 1915 In addition to the above serial number information, Gibson also used 32000 1916 Factory Order Numbers (FON) to track batches of instruments being produced at the time. In the earlier years at Gibson, guitars were nor- 39500 1917 mally built in batches of forty instruments. Gibson’s Factory Order 47900 1918 Numbers were an internal coding that followed the group of instru- 53800 1919 ments through the factory. -
Kontrapunkt“ Karla Janečka
UNIVERSITAS PALACKIANA OLOMUCENSIS 2017 25 MUSICOLOGICA OLOMUCENSIA 25 MUSICOLOGICA musicologica ISSN 1212-1193 olomucensia ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FACULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 49 – 2017 MUSICOLOGICA OLOMUCENSIA 25 Universitas Palackiana Olomucensis 2017 Musicologica Olomucensia Editor-in-chief: Lenka Křupková Editorial Board: Michael Beckerman – New York University, NY; Mikuláš Bek – Masaryk University, Brno; Roman Dykast – Academy of Performing Arts, Prague; Jarmila Gabrielová – Charles University, Prague; Yvetta Kajanová – Komenský University, Bratislava; Magdalena Dziadek – Jagiellonian University in Kraków; Jiří Kopecký – Palacký University, Olomouc Executive editor of Volume 25 ( June 2017): Jan Blüml „Zpracování a vydání publikace bylo umožněno díky fi nanční podpoře, udělené roku 2017 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, Filozofi cké fakultě Univerzity Palackého v Olomouci.“ „Processing and publication of this issue was made possible through the fi nancial support granted in 2017 by Ministry of Education, Youth and Sports of the Czech Republic within the Institutional development plan, to Faculty of Arts, Palacký University in Olomouc.“ Th e scholarly journal Musicologica Olomucensia has been published twice a year (in June and December) since 2010 and follows up on the Palacký University proceedings Acta Universitatis Palackianae Olomucensis – Musicologica Olomucensia (founded in 1993) and Kritické edice hudebních památek [Critical -
Prince Live in Rotterdam 28.5.1992 Mp3, Flac, Wma
Prince Live In Rotterdam 28.5.1992 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Live In Rotterdam 28.5.1992 Style: Funk MP3 version RAR size: 1796 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1434 mb Rating: 4.5 Votes: 611 Other Formats: DTS MPC AA MP4 MOD MP2 AUD Tracklist 1-1 Intro 4:25 1-2 Thunder 4:12 1-3 Daddy Pop 7:01 1-4 Diamonds And Pearls 6:32 1-5 Let's Go Crazy 2:23 1-6 Kiss 4:53 1-7 Jughead 6:32 1-8 Purple Rain 8:42 1-9 Live 4 Love 6:41 1-10 Willing And Able 6:30 1-11 Damn U 7:16 1-12 Sexy MF 5:32 2-1 Thieves In The Temple / Arabic Instrumental / It 10:46 2-2 A Night In Tunisia 1:59 2-3 Strollin' 0:55 2-4 Insatiable 5:54 2-5 Gett Off 6:12 2-6 Gett Off (Houstyle) 3:25 2-7 The Flow 5:26 2-8 Cream 5:53 2-9 Dr. Feelgood 5:42 2-10 1999 3:39 2-11 Baby I'm A Star 1:09 2-12 Push 3:46 2-13 End Instrumental 2:40 Companies, etc. Recorded At – Ahoy Rotterdam Notes Recording from the 'Diamonds And Pearls' tour held in Rotterdam 1-12 is listed as 'Sexy Mother Fucker' 2-1 is listed as 'Thieves In The Temple' only 2-2 is listed as 'Solo Instrumental' 2-5 & 2-6 are listed as 'Get Off' & 'Get Off II' 2-7 is listed as 'Turn This Mother Out' Barcode and Other Identifiers Barcode: 4 162294 001108 Other versions Category Artist Title (Format) Label Category Country Year Stagetronic (2xCD, Crystal Cat CC 303-4 Prince CC 303-4 Germany 1992 Unofficial) Records Prince & The New Prince & The Power Generation - SW 20 New Power SW SW 20 Australia 1993 Live Vol. -
Hannoart Presents Dave's Guitar Shop
HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship.