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Together Again Laughs Burns Rewrote the Act and for the BETSY WICKARD Next Forty Years Was Gracie Allen’S Straight Man
George Burns and Gracie Allen For Information Contact: Together Again laughs Burns rewrote the act and for the BETSY WICKARD next forty years was Gracie Allen’s straight man. Actress BETSY WICKARD Burns wrote “Lamb Chops”, the act that has performed in theaters propelled them to top billing in the and casinos throughout the vaudeville circuit with Gracie acting as the country. She was a silly, lightheaded foil. Burns and Allen made dancer/singer in The a string of one-reel comedies and then Branson Follies, The Palm Springs Follies, appeared the films “The Big Broadcast” and The Great American Follies, and Golden “A Damsel in Distress” with Fred Astaire. At Girls USA. She appeared in the feature films the same time the Burns and Allen radio Rocky V and Mannequin on the Move. She show became one of the most popular has appeared in numerous national programs of the time. On television, The commercials and print ads for major George Burns and Gracie Allen Show put corporations. She is now living in Florida faces to the radio characters audiences had and performing on the Condo Circuit. She is come to love. After Gracie Allen retired delighted to be portraying Gracie Allen in George Burns remained in show business. “Together Again.” At the age of 78 he won the Academy Award in “The Sunshine Boys” movie and PETER SALZER gained greater stardom as God in the “Oh George Burns and Gracie Allen God” series. George Burns entertained Actor/Writer PETER audiences to the ripe old age of 100 years. Together Again SALZER has created roles When Peter Salzer walks on stage in on stage and on screen “Together Again” audiences see George George Burns and Gracie Allen and has appeared in many television Burns come back to life. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Death No More Bryan Dunagun April 26, 2020 Well, If
Death No More Bryan Dunagun April 26, 2020 Well, if you have a Bible, would you open up to Revelation 21? This is the last book in the Bible, the second to last chapter in the Bible. I want to start off by reading this Scripture together. This is written by a guy named John, one of Jesus' disciples, who's now living in exile as a prisoner of Rome. John has given this vision of the future that we have in Jesus. We'll start in verse 1. "Then I saw a new heaven and a new earth for the first heaven and the first earth had passed away and there was no longer any sea. I saw the Holy City, the New Jerusalem coming down out of heaven from God prepared as a bride, beautifully dressed for her husband. And I heard a loud voice from the throne saying, look, God's dwelling place is now among the people. He will dwell with them, and they will be his people, and God himself will be with them and be their God. He will wipe every tear from their eyes and there will be no more death or mourning or crying or pain for the old order of things has passed away." Verse 5. "He who was seated on the throne said, “Behold I am making all things new.”, and then he said, “Write this down for these words are trustworthy and true.” He said to me, “It is done. I am the Alpha and the Omega, the beginning and the end. -
Cigars Were Consumed Last Year (1997) in the United States
Smoking and Tobacco Control Monograph No. 9 Preface The recent increase in cigar consumption began in 1993 and was dismissed by many in public health as a passing fad that would quickly dissipate. Recently released data from the U.S. Department of Agriculture (USDA) suggests that the upward trend in cigar use might not be as temporary as some had predicted. The USDA now projects a total of slightly more than 5 billion cigars were consumed last year (1997) in the United States. Sales of large cigars, which comprise about two-thirds of the total U.S. cigar market, increased 18 percent between 1996 and 1997. Consumption of premium cigars (mostly imported and hand-made) increased even more, an astounding 90 percent last year and an estimated 250 percent since 1993. In contrast, during this same time period, cigarette consumption declined 2 percent. This dramatic change in tobacco use raises a number of public health questions: Who is using cigars? What are the health risks? Are premium cigars less hazardous than regular cigars? What are the risks if you don't inhale the smoke? What are the health implications of being around a cigar smoker? In order to address these questions, the National Cancer Institute (NCI) undertook a complete review of what is known about cigar smoking and is making this information available to the American public. This monograph, number 9 in a series initiated by NCI in 1991, is the work of over 50 scientists both within and outside the Federal Government. Thirty experts participated in the multi-stage peer review process (see acknowledgments). -
Hail, Caesars!
Hail, Caesars! SSA’s host hotel is home to some of the greatest moments in movies, television and sports. By Tom Comi If employees at the registration desk at Caesars Palace when they were filming that 2009 film, but those moments in Las Vegas were given a $100 chip every time a guest are actually pretty common at Caesars—which has hosted quoted a line from the blockbuster movie The Hangover, countless movies, TV shows and sporting events in its the odds are pretty good they’d be rich enough to retire. illustrious 46-year history. There’s something surreal about standing in the exact same So even if you are a first-time visitor who is checking into spot as Bradley Cooper, Zach Galifanakis and Ed Helms Caesars in September for the Self Storage Association’s Fall Conference & Trade Show, chances are likely that you will Mike Metzger jumped the fountain in 2006 as part of the Caesars Palace anniversary. See Caesars, page 16 PAGE 14 SSA GLOBE SEPTEMBER 2012 1-800-456-9955 1620 Kipling Street, Lakewood, CO 80215 USA www.sentinelsystems.com Sentinel-ISS042-FP4C.indd 1 1/31/12 10:44 AM Caesars, from page 14 Getting It Done experience a case of déjà vu like you have seen the registra- Shooting TV shows, movies and live events on location tion area, casino, fountains, pool area or The Colosseum® is never easy, but imagine the obstacles in doing so at a many times before. venue that never closes. A perfect example is the afore- mentioned registration scene in The Hangover, which had “We have been very fortunate that prestigious filmmakers to be filmed while guests were still checking in several feet and innovative television producers have made some away. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
1950S Prescription Drug Commercial
1950S PRESCRIPTION DRUG COMMERCIAL David Mann 1. If annoying 21st century TV prescription drug ads were run as annoying 1950s TV ads (and taking into consideration 1950s morals and censorship). 2. CUT TO: TITLE CARD. "The George Burns and Gracie Allen Show." Theme music begins. HARRY VON ZELL (V.O) The George Burns and Gracie Allen Show, CUT TO: ADVERTISING FILM SNIPPET. Zoom in on floating box of Vialis tablets, as if resting on a gray table, light source from left. Box is tilted at 45 degree angle, pointing upward. Music swells. HARRY (V.O.) (CONT'D) Presented by Eli Pfeltzer, the makers of many fine prescription drug products, including VIALIS, the miracle pill for men. CUT TO: ADVERTISING CARD. "Eli Pfeltzer, Makers of VIALIS, the MIRACLE PILL for MEN." CUT TO: INT. THEATER STAGE - DAY Announcer Harry Von Zell is standing center stage in front of a live studio audience. Curtain is down and is behind Harry. Audience applause swells and terminates. Music fades and stops. HARRY Hi everybody. Looks at watch. HARRY (CONT'D) Our curtain's about to go up on George and Gracie, but first I want to let you in on a little secret. You've seen George get flustered at Gracie on many an occasion, and maybe you've asked yourself the question, "what keeps them together?" Audience laughter. 3. HARRY (chuckling) Well, I'm not going to answer that directly. George already has fired me three times this month. Audience laughter. HARRY (CONT'D) But instead I am going to tell you a story, a story about two women who meet while out shopping. -
What Is Your One Thing? Alan Kraft, Lead Pastor
Small Group Discussion Questions Following the Weekend of October 10-11, 2020 Please don’t feel you have to answer every question. What Is Your One Thing? Alan Kraft, Lead Pastor Icebreaker How did you view God as a child? ☐ Like “the force” from Star Wars, with both a good side and a dark side. ☐ As a celestial highway patrolman setting up speed traps to catch people doing wrong. ☐ As a kind and gentle grandfather, like George Burns or Morgan Freeman. ☐ Something based on Michelangelo's depiction of God in the Sistine Chapel. ☐ I didn't really think much about God. ☐ Other: __________. How has your image of God changed over the years? Group Interaction & Application Slowly read aloud Philippians 3:10-14. What words, phrases, or insights stand out to you from these verses, or create some intrigue for you? What uniquely spoke to you from Pastor Alan’s message on these verses, raised some questions, or perhaps generated some push-back? If the Christian life is a marathon, as it’s described in verses 12-14, what stretches have been the most challenging and the most growth-producing for you? In Paul’s race, he clearly articulated his “One thing” —to know Christ. How would you articulate your one thing — your life purpose? Feel free to take a moment and write down some thoughts here … How might you know more fully “the power of Christ’s resurrection?” these days? (Verse 10) What is the connection Paul makes in verses 10-11 between suffering and knowing Jesus? How have your experiences of suffering impacted your relationship with Jesus? What stands out to you about how Paul describes his pursuit of Christ in verses 12- 13? What words would you use to describe your pursuit of Christ in this season and why? What next step do you feel Jesus inviting you to take in your pursuit of Him? Spend time praying for each other in our pursuit of Jesus before praying for other needs and concerns in your group. -
Lambchops by Ron Hutchinson
Lambchops By Ron Hutchinson “Who the hell wants to hear actors talk?” --- Harry Warner, 1927 In 1925, when the brothers Warner decided to part- ner with Bell Laboratories to use the Vitaphone disk system to present movies with synchronized sound, talking wasn’t part of the plan. The brothers envi- sioned marketing their features with full orchestral scores and limited sound effects. Actors that talked from the screen were an afterthought. But a quick one. When they premiered “Don Juan” in 1926, it boasted a synchronized symphonic score with sound effects that enhanced the John Barrymore swashbuckler. There was no dialog in this otherwise silent film. The sound was on 16-inch shellac disks, turning at 33 1/3 rpm and synched to the picture. As long as the film didn’t break or the needle didn’t skip, everything matched. Audiences applauded, but were more impressed with the short subjects which preceded the feature. These WERE talking pictures, with opera stars, a ukulele player and Will Hays of the Motion Picture Producers Association actually speaking and singing in perfect synchronicity. The audience’s reaction to the shorts was not lost on the Warner Brothers. They Gracie Allen examines George Burns’ tie in a scene from “Lambchops.” quickly expanded Vitaphoning plans to begin pro- Courtesy Ron Hutchinson. duction of a series of talking and singing shorts with vaudeville, opera and Broadway stars. With their the first successful one after decades of technically second synchronized silent feature, “The Better ‘Ole” failed attempts. That year the studio ramped up pro- starring Charlie Chaplin’s half-brother Syd, the ac- duction of its short subjects, sometimes making companying synchronized shorts boasted top stars three a week to meet the increasing demand. -
Screen Actors Guild Awards® History
Screen Actors Guild Awards® History 1st Annual Screen Actors Guild Awards® – Feb. 25, 1995 Motion Picture Awards Outstanding Performance by a Male Actor in a Leading Role: Tom Hanks, Forrest Gump Outstanding Performance by a Female Actor in a Leading Role: Jodie Foster, Nell Outstanding Performance by a Male Actor in a Supporting Role: Martin Landau, Ed Wood Outstanding Performance by a Female Actor in a Supporting Role: Dianne Wiest, Bullets Over Broadway Television Awards Outstanding Performance by a Male Actor in a Television Movie or Miniseries: Raul Julia, The Burning Season Outstanding Performance by a Female Actor in a Television Movie or Miniseries: Joanne Woodward, Breathing Lessons Outstanding Performance by a Male Actor in a Drama Series: Dennis Franz, NYPD Blue Outstanding Performance by a Female Actor in a Drama Series: Kathy Baker, Picket Fences Outstanding Performance by a Male Actor in a Comedy Series: Jason Alexander, Seinfeld Outstanding Performance by a Female Actor in a Comedy Series: Helen Hunt, Mad About You Outstanding Performance by an Ensemble in a Drama Series: NYPD Blue Outstanding Performance by an Ensemble in a Comedy Series: Seinfeld The inaugural Screen Actors Guild Awards aired live on NBC from Stage 12, Universal Studios, on Feb. 25, 1995. Present that evening were some of the most talented actors in the world, including Tom Hanks and his wife, Rita Wilson; John Travolta; Jessica Lange; Morgan Freeman; Susan Sarandon; Edward James Olmos; Helen Hunt; and hundreds more. These Guild members gathered to salute one another and to be honored by the then 78,000 eligible voting members of Screen Actors Guild. -
Convention Time: August 11–14
The quarterly journal of The Wodehouse Society Volume 26 Number 2 Summer 2005 Convention Time: August 11–14 nly two months to go, but it’s not too late to send farewell brunch Oin your registration for The Wodehouse Society’s Fun times that include reading stories with 13th International Convention, Hooray for Hollywood! other Wodehousians, visiting booksellers’ The site of this year’s gathering is Sunset Village on the and Chapters Corner tables, plenty of grounds of the UCLA campus, a beautiful location singing, and most of all cavorting with with easy access to Westwood, the Getty Museum, and fellow Plummies from all over so much more. And if you’re worried about the climate, don’t be: Informed sources tell us that we can expect What—you want to know more? Well, then, how warm, dry weather in Los Angeles in August, making about our speakers, who include: for an environment that will be pleasurable in every way. Brian Taves: “Wodehouse Still can’t make up your mind? Perhaps on Screen: Hollywood and these enticements will sway you: Elsewhere” Hilary & Robert Bruce: “Red A bus tour of Hollywood that Hot Stuff—But Where’s the includes a visit to Paramount Red Hot Staff?” (by Murray Studios Hedgcock) A Clean, Bright Entertainment Chris Dueker: “Remembrance of that includes songs, skits, and Fish Past” The Great Wodehouse Movie Melissa Aaron: “The Art of the Pitch Challenge Banjolele” Chances to win Exciting Prizes Tony Ring: “Published Works on that include a raffle, a Fiendish Wodehouse” Quiz based on Wodehouse’s Dennis Chitty: “The Master’s Hollywood, and a costume Beastly Similes” competition A weekend program that includes Right—you’re in? Good! Then let’s review erudite talks, more skits and what you need to know. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.