Graphic Design Poster Publicity Typography &C
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The Art of Reading: American Publishing Posters of the 1890S
6. Artist unknown 15. Joseph J. Gould Jr. 19. Joseph Christian Leyendecker 35. Edward Penfield 39. Edward Penfield CHECKLIST The Delineator October, 1897 (American, ca. 1876–after 1932) (American, 1875–1951) (American, 1866–1925) (American, 1866–1925) All dimensions listed are for the sheet size; Color lithograph Lippincott’s November, 1896 Inland Printer January, 1897 Harper’s July, 1897 Harper’s March, 1899 9 9 height precedes width. Titles reflect the text 11 /16 × 16 /16 inches Color lithograph Color lithograph Color lithograph Color lithograph 9 1 1 1 3 3 as it appears on each poster. The majority Promised Gift of Daniel Bergsvik and 16 /16 × 13 /8 inches 22 /4 × 16 /4 inches 14 × 19 inches 15 /8 × 10 /4 inches of posters were printed using lithography, Donald Hastler Promised Gift of Daniel Bergsvik and Promised Gift of Daniel Bergsvik and Museum Purchase: Funds Provided by Promised Gift of Daniel Bergsvik and but many new printing processes debuted Donald Hastler Donald Hastler the Graphic Arts Council Donald Hastler 7. William H. Bradley during this decade. Because it is difficult or 2019.48.2 (American, 1868–1962) 16. Walter Conant Greenough 20. A. W. B. Lincoln 40. Edward Henry Potthast THE ART OF READING impossible to determine the precise method Harper’s Bazar Thanksgiving Number (American, active 1890s) (American, active 1890s) 36. Edward Penfield (American, 1857–1927) of production in the absence of contemporary 1895, 1895 A Knight of the Nets, 1896 Dead Man’s Court, 1895 (American, 1866–1925) The Century, July, 1896 documentation, -
Australian & International Posters
Australian & International Posters Collectors’ List No. 200, 2020 e-catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com CL200-1| |Paris 1867 [Inter JOSEF LEBOVIC GALLERY national Expo si tion],| 1867.| Celebrating 43 Years • Established 1977 Wood engra v ing, artist’s name Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) “Ch. Fich ot” and engra ver “M. Jackson” in image low er Address: 103a Anzac Parade, Kensington (Sydney), NSW portion, 42.5 x 120cm. Re- Postal: PO Box 93, Kensington NSW 2033, Australia paired miss ing por tions, tears Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 and creases. Linen-backed.| Email: [email protected] • Website: joseflebovicgallery.com $1350| Text continues “Supplement to the |Illustrated London News,| July 6, 1867.” The International Exposition Hours: by appointment or by chance Wednesday to Saturday, 1 to 5pm. of 1867 was held in Paris from 1 April to 3 November; it was the second world’s fair, with the first being the Great Exhibition of 1851 in London. Forty-two (42) countries and 52,200 businesses were represented at the fair, which covered 68.7 hectares, and had 15,000,000 visitors. Ref: Wiki. COLLECTORS’ LIST No. 200, 2020 CL200-2| Alfred Choubrac (French, 1853–1902).| Jane Nancy,| c1890s.| Colour lithograph, signed in image centre Australian & International Posters right, 80.1 x 62.2cm. Repaired missing portions, tears and creases. Linen-backed.| $1650| Text continues “(Ateliers Choubrac. -
The Rio Rita Cistern Project (41BX483): the Excavation of a Nineteenth-Century Cistern in Downtown San Antonio, Bexar County, Texas
The Rio Rita Cistern Project (41BX483): The Excavation of a Nineteenth-Century Cistern in Downtown San Antonio, Bexar County, Texas by Fred Valdez, Jr., A. Joachim McGraw, Cheryl L. Highley, and Kim Richardson Preserving Cultural Resources Prepared by: Center for Archaeological Research The University of Texas at San Antonio One UTSA Circle San Antonio, Texas 78249-1644 Archaeological Survey Report, No. 57 © 2016 The Rio Rita Cistern Project (41BX483): The Excavation of a Nineteenth-Century Cistern in Downtown San Antonio, Bexar County, Texas by Fred Valdez, Jr., A. Joachim McGraw, Cheryl L. Highley, and Kim Richardson Prepared by: Center for Archaeological Research The University of Texas at San Antonio One UTSA Circle San Antonio, Texas 78249 Archaeological Survey Report, No. 57 © 2016 The Rio Rita Cistern Project (41BX483): The Excavation of a Nineteenth-Century Cistern in Downtown San Antonio Abstract: In the fall of 1977, the Center for Archaeological Research (CAR) of The University of Texas at San Antonio (UTSA) was contracted by Ben Apfelbaum of Intercontinental Foods, Inc. to conduct archaeological investigations of a nineteenth-century brick cistern discovered during renovations of the MIC Building in downtown San Antonio. Dr. Thomas R. Hester served as Principal Investigator, and Fred Valdez Jr. served as Project Archaeologist. The goal of the investigation was to excavate a portion of the cistern to determine its age and architecture and to analyze a sample of the artifacts within the structure. Two meters of fill from the southeast quadrant were excavated in arbitrary levels controlled by a datum located in the cistern. Over 2,000 artifacts including glass, metal, ceramics, optical materials, and faunal bone were recovered during excavations. -
Introduction
State Center Community College District Career Technical Education Charrette / January 28, 2016 Environmental Scan and Planning Report Introduction Strategic planning has been a major component of the State Center Community College District (SCCCD) for 35 years. As a result of this comprehensive process, SCCCD has continued to grow and improve the programs and services offered to 50,000 students throughout the Central San Joaquin Valley. Strategic planning efforts have been instrumental in the establishment of the Madera and Oakhurst Centers, along with the recent accreditation of Clovis Community College. As described in the 2012-2016 Strategic Plan, new and expanded academic and career technical education (CTE) facilities, programs and services at Fresno City College and Reedley College have also been developed as part of the strategic planning process. The district is now in the process of reviewing the existing Strategic Plan mission, vision, values, and goals and objectives as the first step in developing a new 2017-2020 Strategic Plan. Once the district plan is complete, the colleges will develop individual strategic plans directly aligned with the SCCCD Strategic Plan. In addition to reviewing the existing Strategic Plan, the SCCCD is conducting a parallel review of four Career Technical Education Career Pathways along with emerging trends, including Dual Enrollment. The purpose of this report is to provide the reader with data and findings relative to the four Career Technical Education areas and Dual Enrollment trends in order to identify strategies for future development. The organization and structure upon which recommendations for future planning are developed involves a process called a “charrette” which brings together internal and external experts via a community summit so that a great deal of valuable information can be captured and shared in a brief amount of time. -
Continuing Education
TRI-COUNTY Regional Vocational Technical H.S. CONTINUING EDUCATION Spring 2020 WHAT’S FOR SPRING? Tri-County’s Continuing Education program has many new courses along with its most popular classes again this spring. Th is session we have expanded our photography classes to include a portrait class, a macro class and even a class for those that prefer to take pictures on their phone. We have a few new baking classes to go with some of your favorites such as macaron cookies. Have you ever wanted to make homemade Swiss Braided Bread? Come learn how easy this really is to make and other techniques for better bread making. Or maybe the new class on éclairs fi ts your sweet tooth. Our Sea Glass Window class was very popular this fall and we have brought it back for the spring. Create your own stunning piece of art using shells, starfi sh, sea glass, stones and more. You will love looking at your unique homemade design and it will look fabulous on in your home or offi ce. Other new classes are Introduction to Social Media for Business, Astronomy part 2, Learn to Crochet Continued..., Building Your Child’s Education Fund and many new fl oral classes. Learn a new hobby like metal detecting. Have some fun with friends decorating cakes or exploring wine. Need to improve you computer skills for work or even plan for your retirement we have classes and workshops that will meet just about anyones needs and interests. Tri-County also off ers a wide array of online courses for those of you that need a fl exible schedule or enjoy learning right at home . -
Graphic Resume
OHH SNAP!SNNAAP!P! Hello, My name is Rebecca Redshaw some call me Becky. I have completed an Ontario College Diploma for Graphic Design Production- Digital at Mohawk College of Applied Arts and Technology . I also have completed an Ontario College Diploma for Floral Design at Stratford Career Institute. Furthermore, I’m currently enrolled at the Floral Design Institute to earn another diploma in fl oral design. I have work experience on both a Mac OS X Leopard / Lion and Windows vista/xp/7. I am fl uent in Adobe Creative Suite ,Corel Draw ,Acrobat, and Microsoft Works Suite. Knowledgeable with Flexi-Sign ,Signlab , Acrobat add on Pitstop & Impo2 and MYOB. Futhermore, I am skillful with using a canon EOS 30D-40D and a Nikon D90 in addition to my photo retouching skills. Lastly, I’m familiar with HTML and CSS cascading. I have a unique approach to design and have often been told by clients that I am “Highly Creative”. I like to think of myself as one who has the ability to think “Out of the boX. In addition, I am experienced with many types of printing such as ,Digital Printing, the process of print screening, Mark Andy 2200 web fed fl exographic press and Heidelberg offset lithography printing due to my studies. I’m well versed in colour theory, typography , printing prepress and principles of design due to my creative concept development skill. Graphic Design is what I really enjoy and I strive to make every design its best. I would greatly enjoy working at Your Company as such I’m enclosing my resume for Consideration . -
Whether Contemplating a Dabble in the World of Art Investment Or A
CommercialWhether contemplating a dabble in the world of art investment or a stultifying blank wall, gems from the golden age of Art Deco menswear advertising offer a perfect solution. gainsby christian chensvold here comes a point in the life of any instinctively elegant get from lithography is pure, solid colour,” says poster dealer man where he must face the question of how to appoint his Jim Lapides of the International Poster Gallery in Boston, living quarters. And, those for whom sartorial obsession Massachusetts. “It’s not dots like in the offset printing used for Tis all-consuming will likely find inner tranquillity in covering newspapers. Lithography provides a richness of texture, even the walls of their home — their haven from the vulgar world that the texture of the stone, and depth of colour — there aren’t lies beyond — with depictions of masculine panache. many artisans around today who can do it.” If that sounds like you, look no further than these European The most famous maker of menswear posters was the posters from a golden age when stylish advertising images Swiss clothing firm of PKZ, which stood for Paul Kehl, Zurich. greeted the boulevardier as he strolled, boutonniere abloom Dazzling in their variety and creativity, from the 1920s to the and malacca cane in hand, along the continent’s urban 1960s, they made some of the finest examples of the genre. One avenues. The original Pop Art posters — viewable cost-free of its masterpieces, a single minimalist button depicted by artist on trolleys, in train stations and on street-side kiosks — rose Otto Baumberger, hangs in New York’s Museum of Modern Art. -
Principles of Design
Principles of Design A Course in Design Production By James L. Johnson AAF AIFD TMFA Professional Certified Florists' Program PUBLISHED BY Texas State Florists’ Association PO Box 170760; Austin TX 78717 For Information: 512.834.0361 1 Copyright 1984 Texas State Florists’ Association PO Box 170760 Austin, Texas 78717 United States of America Copyright 1993 Texas State Florists’ Association PO Box 170760 Austin, Texas 78717 United States of America Copyright 2014 Texas State Florists’ Association PO Box 170760 Austin, TX 78717 United States of America All rights reserved, including the rights and reproduction and use in any form or by any means, including the making of copies by any photo process, or by any mechanical or electronic device, printed, written or oral, or recording for sound or visual reproduction or for use in any knowledge or retrieval system or device. 2 Elements and Principles of Design Course Outline I. Introduction II. Elements of Design A. Line B. Form C. Space D. Texture and Pattern E. Color F. Size G. Fragrance III. Principles of Design A. Proportion (primary) B. Scale (Secondary) C. Balance (primary Symmetrical Asymmetrical Physical Visual D. Dominance (primary) E. Focal Point/focal Area (secondary) F. Accent (secondary) G. Emphasis (secondary) H. Rhythm (primary) I. Repetition (secondary) J. Depth (secondary) K. Transition (secondary) L. Harmony (primary) M. Unity (primary) N. Contrast (primary) O. Variation (secondary) P. Opposition (secondary) Q. Tension (secondary) 3 I. Introduction This course, “Elements and Principles of Design” might well be called “Tools of Design”. These concepts are not arbitrary rules – they are constant guidelines. They are the tools of all the arts, and no artist can vary them until they are mastered. -
1 Index Nederlandse Beeldende Kunstenaars, Kunstnijveraars En
1 Index Nederlandse beeldende kunstenaars, kunstnijveraars en fotografen (1870-2009) A Marina Abramovic, zie: Ulay AB, CB, DER, KCW, MS06/07, NKB, PO, RKD, SMA1988 Bas Jan Ader (1942-1976) DG, DIN, EGL, HNS, IVN, MS96/97, MS98/99, MS00/01, MS06, TE Cris Agterberg (1883-1948) BSP1983, CB, DCI, KCW, MS94/95, MS98/99, MS06, MS06/07, N, NKB, RA1985,1986,1989, RKD Philip Akkerman (1957) CB, ENS, I1, KCW, NGO, NKB, SMA1978 Wobbe Alkema (1900-1984) BvV, CB, FH2, GVN, I1, JAF1, KCW, LT, MM, MZ, NGO, NKB, SMA1924,1960,1967,1981/82, TW, WW Peter Alma (1886-1969) AST, DG, DIN, GL, IVN, MS94/95, MS98/99, TE Cor Alons (1892-1967) BB, DP, JAF1, KCW, MS04, NGO, NKB, RA1932-1965(10x), WW Jan Altink (1885-1971) BGN, BIN, BvV, DG, DIN, DMK, EGL, HNS, KCW, NKB, TE Johan Coenraad Altorf (1876-1955) CB, HGG, DER, KCW, MS94/95, MS96/97, MS98/99, NKB, RA1968-1970(5x), RA1992, RGD1975,1978,1981,1985, RKD, SMA1965, SMB Woody van Amen (1936) BvB, H, I1, KCW, RA1932-1965(15x), RA1968-1970(1x), RGD1955,1960,1961,1965, TW Kees Andrea (1914-2006) HBB, ILF, MBM, NGO, NKB, RA1988, SMA1952,1995/96 Emmy Andriesse (1914-1953) CB, KCW, MB, MS96/97, NKB, PR1988, RA1984,1986,1987,1988, RGD1989(2x), RKD Erik Andriesse (1957-1993) BGN, BIN, BvB, CB, DER, DMK, JAF1, KCW, MS96/97, NKB, PR1926, RA1932- 1965(22x), RGD1939 (2x) Mari Andriessen (1897-1987) EZW, FVV, IG, K, KCW, MS98/99, MVE, NKB, RA1932-1965(2x), WG 2 Lizzy Ansingh (1875-1959) AB, BvB, BSP1953,1959,1981, CB, CM, D1959,1964, DER, ELS, FDP, H, HGG, HV, I1, I2, JAF1, KCW, LGP, LH, MB, MNS, MS94/95, MS96/97, MS02/03, -
Inside Can Transition from Wedding to Holiday World Floral Council - 8 Beautifully, As Glittering Ornaments Will SAF Convention - 13 Shine Spectacularly When Hung
Bi-Monthly Newsletter of the October/November 2016 American Institute of Floral Designers Christmas Trends he holidays are upon us. Each year, new trends and old traditions get mixed together to create wonderful memories. Here are some quick trends Tfor this year to get the festivities started. Use these ideas to update your seasonal offerings and show your clients that you are ahead of the curve. Nordic - Barren earth covered in snow drifts with tiny foxes and owls peeking out suggest a Nordic winter wonderland. Create a tranquil vignette with a snow tipped tree, pale colored wooden ornaments, and a few furry friends lounging around. Graphic - Black & white or brilliant gold, bold graphic patterns are back with a bang. Checkerboard, chevron and striped patterns accented with ruby red embellishments make a trendy style feel a bit more traditional. Hang it - No light fixture should be left untouched this season, hang winter foliages and glistening ornaments from standing lamps and deck the sconces. The popularity of floral chandeliers Inside can transition from wedding to holiday World Floral Council - 8 beautifully, as glittering ornaments will SAF Convention - 13 shine spectacularly when hung. Industry Spotlight - 15 2018 Sym. Programs Wanted - 18 Hope your holiday season is merry and bright. AIFD Chapter Reports - 21 Focal Points 1 American Institute of Floral Designers 720 Light Street, Baltimore, MD 21230 Upcoming Phone 410-752-3318 / Fax 410-752-8295 [email protected] / aifd.org Executive Officers President: Anthony Vigliotta AIFD, -
A C C Jj P T Iiid
ACCjJPTiiiD FACULTY OF GRAHUATF qTnn,r?HE "NEW WOMAN" IN FIN-DE-SIECLE ART: tS FRANCES AND MARGARET MACDONALD by 1ATF _______________' i2 Janice Valerie Helland ~ --- ------ B.A., University of Lethbridge, 1973 M.A., University of Victoria, 1984 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY : in the Department of History in Art We accept this thesis as conforming to the required standard _________________ Dr. Ej^Tumasonis, Supervisor (Department of History in Art) Dr. J. Osborne, Departmental Member (Department of History in Art) Dr. A. Wel<gj)^*DepartmentaI Member (Department of Histor^in Art) Dr. A. McLa^fen, Outside Member (Department of History) _________________________________________ Dr. A. Fontaine, Outgj.de Member (Department of Biology) ________________________________________ Dr. B./Elliott, External Examiner (University of Alberta) ® JANICE VALERIE HELLAND, 1991 University of Victoria All rights reserved. Thesis may not be reproduced in whole or in part, by mimeograph or other means, without the permission of the author. 11 Supervisor: Dr. E, Turoasonis ABSTRACT Scottish artists Margaret and Frances Macdonald produced their most innovative art during the last decade of the nineteenth century. They received their training at the Glasgow School of Art and became known for their contribution to "the Glasgow Style," Scotland's answer to Continental Art nouveau and Symbolism. Although they inherited their visual vocabulary from the male-dominated language of the fin-de-siècle. they produced representations of women that differed from those made by their male colleagues. I suggest that these representations were informed by the female exper,i*nce and that they must be understood as such if we, as historians, are to discuss their art. -
The AIFD Education Experience
The American Institute of Floral Designers presents The AIFD Education Experience THE AIFD CONNECTION The Parallel Experience 1 The Parallel Experience Floral design styles have been evolving for millennia, ever since man first began to place plant materials together into pleasing arrangements. Civilizations throughout history have all contributed to the styles that we see today, and just like every other medium of artistic expression, floral design continually changes in response to social customs, political climate, economic conditions, fashion trends, mechanical innovations and creative inspiration. Fads may come and go while classic styles retain their timeless appeal, but the elements and principles of design are always in operation. The practice of ikebana contributed some of the first formalized guidelines for arranging flowers and many of our present-day ideas about floral design, such as balance, proportion and radiation had their beginning in the Buddhist temples of 15th century Japan. Parallel Systems Design Parallel Systems design is a composition utilizing parallel stem placement in which groupings of stems are placed in the same direction as each other and always the same distance apart from end to end. Negative space exists between the groups. There are no major components that have radiating lines; however there may be some basing involved with slight radial stem placement. Parallel system designs are usually vertical, but can also be arranged horizontally or diagonally. The distinctive qualities of a parallel systems design are the following: • Parallel stem placement • Groupings • Negative space • Basing techniques CREATIVE PROCESS SEQUENCE When creating a parallel or new convention design there is a sequential process to consider when starting the development of the design.