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Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History
3 ASIAN HISTORY Porter & Porter and the American Occupation II War World on Reflections Japanese Edgar A. Porter and Ran Ying Porter Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The Asian History series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hägerdal, Linnaeus University, Sweden Editorial Board Members Roger Greatrex, Lund University Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University David Henley, Leiden University Japanese Reflections on World War II and the American Occupation Edgar A. Porter and Ran Ying Porter Amsterdam University Press Cover illustration: 1938 Propaganda poster “Good Friends in Three Countries” celebrating the Anti-Comintern Pact Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 259 8 e-isbn 978 90 4853 263 6 doi 10.5117/9789462982598 nur 692 © Edgar A. Porter & Ran Ying Porter / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Declaration of Jonathan G. Petropoulos
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------X MARTIN GROSZ and LILIAN GROSZ : : Case No.: 09 Civ. 3706 (CM)(THK) Plaintiffs, : : against : : ECF CASE THE MUSEUM OF MODERN ART, : : Defendant, : : DECLARATION OF PORTRAIT OF THE POET MAX : JONATHAN G. PETROPOULOS HERRMANN-NEISSE With Cognac-Glass, : SELF-PORTRAIT WITH MODEL and : REPUBLICAN AUTOMATONS, : Three Paintings by George Grosz : : Defendants in rem. : : -----------------------------------------------------X JONATHAN G. PETROPOULOS deposes and certifies, as follows: 1. I am over the age of twenty-one and reside at 526 West 12th Street, Claremont, California, 91711. I have been retained by the attorneys for the heirs of George Grosz to provide this Declaration in relation to factual issues arising from a motion by the defendant, The Museum of Modern Art (“The MoMA”), to dismiss the First Amended Complaint (“FAC”). 2. Specifically, I have been requested to review two questions: (1) whether the allegations that three paintings by George Grosz, Portrait of the Poet Max-Herrmann- Neisse (with Cognac Glass), Self-Portrait with Model and Republican Automatons (together “the Paintings”), were lost or stolen are grounded in historical fact; and (2) whether the report of Nicholas deB. Katzenbach (“the Katzenbach Report”) submitted in support of the motion to dismiss is consistent with the historical record and provenance documentation available to art historians and scholars. As set forth below, a review of available documentation and scholarly resources shows: (1) that the allegations of the FAC appear to be supported by documentary evidence and otherwise well-grounded in historical fact and (2) that the statements contained in the Katzenbach Report are inconsistent with the historical record. -
Desde Las Orillas Del Sena Desde Las Orillas Del Sena Tomo XXVI
Desde las orillas del Sena Desde las orillas del Sena Tomo XXVI. Serie “Cartas a Ofelia” Félix José Hernández 1 Desde las orillas del Sena A Diana 2 Desde las orillas del Sena "La Libertad, Sancho, es uno de los más preciosos dones que a los hombres dieron los cielos; con ella no pueden igualarse los tesoros que encierra la tierra ni el mar encubre; por la libertad así como por la honra se puede y debe aventurar la vida, y, por el contrario, el cautiverio es el mayor mal que puede venir a los hombres". Miguel de Cervantes Saavedra. 3 Desde las orillas del Sena Mis Memorias de Exilio París, 11 de octubre 2019. Queridos amigos: El origen de Cartas a Ofelia está en las narraciones surgidas inicialmente a partir de las cartas que escribía cada semana a mi madre, Ofelia Valdés Ríos, contándole mis experiencias del exilio parisino. En ellas cuento lo que veo y siento: filmes, obras de teatro, museos, exposiciones, los libros que leo, las relaciones con los galos, la sociedad francesa, la política, Cuba vista desde aquí, los viajes por 76 países a lo largo de estos 38 años, mis éxitos y mis fracasos, mis nostalgias y mi amor por 4 Desde las orillas del Sena la Libertad, las relaciones con personalidades del exilio, mi trabajo en el Instituto y en la Universidad como profesor de Civilización Latinoamericana, las relaciones con colegas, alumnos y estudiantes, etc., en resumen, es la experiencia vivida por una familia cubana en todos estos años.Además aparecen los testimonios de numerosas personas que han logrado conquistar la Libertad. -
The Descent Unseen:Greece's Unappreciated Place in British Politi the Descent Unseen
Voces Novae Volume 6 Article 6 2018 The esceD nt Unseen:Greece's Unappreciated Place in British Political History Kenneth Schneider Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Schneider, Kenneth (2018) "The eD scent Unseen:Greece's Unappreciated Place in British Political History," Voces Novae: Vol. 6 , Article 6. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol6/iss1/6 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Schneider: The Descent Unseen:Greece's Unappreciated Place in British Politi The Descent Unseen Voces Novae: Chapman University Historical Review, Vol 6, No 1 (2014) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 6, No 1 (2014) The Descent Unseen: Greece's Unappreciated Place in British Political History Kenneth Schneider From 1815-1915, the empire of Great Britain enjoyed a one hundred year period of uninterrupted economic and political prosperity known as the Pax Britannica. However, just a few decades after this time of hegemony, the same nation underwent a drastic change that would alter the reality of its international influence. This realization did not occur due to a loss of a colony from peaceful pressure, like India, or violent revolutions, like in Egypt. Instead, the response to events within Greece between December 1944 and June 1945 signaled the beginning of a British acceptance of their position in world politics as a secondary player, and one that shied away from the imperial mindset of old to recognize its place given the rising status of the United States and the Soviet Union. -
From Skeptical Disinterest to Ideological Crusade: the Road to American Participation in the Greek Civil War, 1943-1949
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 From Skeptical Disinterest To Ideological Crusade: The Road To American Participation In The Greek Civil War, 1943-1949 Stephen Villiotis University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Villiotis, Stephen, "From Skeptical Disinterest To Ideological Crusade: The Road To American Participation In The Greek Civil War, 1943-1949" (2013). Electronic Theses and Dissertations, 2004-2019. 2793. https://stars.library.ucf.edu/etd/2793 FROM SKEPTICAL DISINTEREST TO IDEOLOGICAL CRUSADE: THE ROAD TO AMERICAN PARTICIPATION IN THE GREEK CIVIL WAR, 1943-1949 by STEPHEN VILLIOTIS B.A. University of Central Florida, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2013 © 2013 Stephen Villiotis ii ABSTRACT This thesis examines the way in which the United States formulated its policy toward Greece during the Greek civil war (1943-1949). It asserts that U.S. intervention in Greece was based on circumstantial evidence and the assumption of Soviet global intentions, rather than on dispatches from the field which consistently reported from 1943-1946 that the Soviets were not involved in that country’s affairs. -
Yannis Tsarouchis: Dancing in Real Life
YANNIS TSAROUCHIS: DANCING IN REAL LIFE EXHIBITION GUIDE SPRING/SUMMER 2021 1 FOURTH FLOOR HEALTH AND SAFETY AT WRIGHTWOOD 659 THIRD FLOOR The health and safety of our visitors and staff is our priority. In an effort to reduce the risk of spread of COVID-19, we have adopted the following measures based on CDC, state, and city guidelines: • Improved air filtration in the building SECOND FLOOR • Hand sanitizing stations on each floor • Thorough cleaning of high-touch surfaces throughout the day • Reduced gallery occupancy with timed entry • Required mask-wearing while in the gallery FIRST FLOOR GALLERY ENTRANCE We are counting on your cooperation to keep the gallery safe and open. OFFICES (GALLERY STAFF ONLY) In order to ensure the safety and well-being of staff and fellow guests, we ask that visitors: • Read and follow signage carefully • Wear a mask and use the hand sanitizer provided in the gallery EXHIBITION BY THEME LEGEND PROPER PLACEMENT: THE FOLLOWING ARE NOT ACCEPTABLE: Rise in the East, Set in the West RESTROOM Disquieting Muses WATER FOUNTAIN Some Butterflies and Lovely White Flowers Olympians Dancing in Real Life ELEVATOR • Maintain a distance of at least 6 feet to other visitors or groups Dionysiac Visions • Use the stairs when possible, or limit the elevator to two people Allegory and Self COAT/BAG ROOM • Stay home if experiencing symptoms related to COVID-19 BHUTAN: A Photographic Essay CATALOG PICK-UP For further information and specific details on how we are playing it safe, COVER: Yannis Tsarouchis. Figures for Zeimbekiko dance. 1970s, Pen on paper. -
Petropoulos Expert Report.Pdf
Declaration and Expert Report of Professor Jonathan Petropoulos Report on Issues Raised in Bakalar v. Vavra 05 Civ. 3037 (WHP) Table of Contents: 1. Professional Experience of Author of Report. 2. Methodology. 3. Background: Fritz and Elisabeth Grünbaum’s Life. 4. Schiele’s Life and Career. 5. Schiele was not Declared a “Degenerate” Artist by the Nazis. 6. The Kieslinger Inventory. 7. The Schenker Inventory. 8. Evidence of Nazi Confiscation or Spoliation. 9. Absence of Documentation Indicates that Mathilde Lukacs Never Recovered Artworks. 10. Eberhard Kornfeld’s Acquisition of Grünbaum’s Artworks. 11. Otto Kallir’s Knowledge that He was Acquiring Fritz Grünbaum’s Artworks from Kornfeld. 12. Schiele in the United States. 13. “Red flags” Preceding Sotheby’s 2005 Bakalar Consignment. 14. Previous Scholarly Sources 15. The Arc of Understanding. 16. Ownership of Artwork. 17. Evidence of Nazi Control of Schenker & Co. 1 DBM005862 18. Confiscation or spoliation of Artwork. 19. The Reich Flight Tax. 20. Jewish Property Declarations. 21. Direct Evidence of Confiscation or Spoliation. 22. Grünbaum Payments of Atonement Tax. 23. Problems in Interpreting Documents Designed to Facilitate Looting. 24. Schenker & Co. Control as Evidence of Spoliation. 25. Circumstantial Evidence that Mathilde Lukacs Had No Possibility of Obtaining or Recovering the Artworks. 26. Endemic Nazi Corruption and Schenker. 27. Kieslinger’s Motive and Opportunity to Loot the Grünbaum Collection. 28. Rochlitzer’s Motives, Power, and Opportunity to Loot the Grünbaum Art Collection. 29. Theft by Corruption. 30. Theory that Mathilde Lukacs Recovered Grünbaum Art Collection. 31. Conclusions about the Grünbaum Art Collection during the Third Reich. 32. -
The University of Vermont History Review, Volume XXIX 2018-2019
The University of Vermont History Review Volume XXIX 2018-2019 The UVM History Review is an annual publication of the University of Vermont History Department. It seeks to publish scholarly essays and book reviews of a historical nature written by UVM students and alumni. EDITORIAL BOARD Co – Editor Kiara Day Co – Editor Samantha Sullivan Faculty Advisor Susanna Schrafstetter Faculty Advisor Felicia Kornbluh Kaleigh Calvao Michael Diambri Jason Goldfarb Drew Harrington Madeline Hunter Alice Matthews For ordering information, please contact the UVM History Department 201 Wheeler House 133 South Prospect Street Burlington, Vermont 05405 802-656-3180 Cover: Miscellaneous Events, Campus Events: Photos, UVM Students and Campus Events Photos, Silver Special Collections, Billings Library. 2 Upon their well-deserved retirements, this edition of the History Review is dedicated to Kathy Carolin and Kathleen Truax. The history department faculty and students have greatly benefited from their years of service. We hope they enjoy this new chapter! Kathy Carolin’s Farewell Message: Well, this is a bittersweet time for me. I am retiring from UVM after working here for 25 years. I have been the Department Administrator for History since 2000, so I am leaving with many fond memories. It’s been a wonderful 19 years here and the faculty have been terrific. I’ve seen faculty get hired, get married, have children and write many, many books. It has been such a wonderful ride… BUT, I am retiring so that I can follow my passion – working with children and animals. I would like to spend more time with my four grandchildren and volunteer more in schools. -
Glorify the Empire Japanese Avant-Garde Propaganda in Manchukuo
Annika A. Culver Glorify the Empire Japanese Avant-Garde Propaganda in Manchukuo Sample Material © 2013 UBC Press Contents List of Figures / vii Acknowledgments / ix Introduction: Propaganda in the Manchukuo Context, 1932-45 / 1 1 Laying the Groundwork for the Japanese Avant-Garde Propagandists / 11 2 Literature in Service of the State: Yamada Seizaburô and Right-Wing Proletarianism, 1931-43 / 34 3 Surrealism in Service of the State: Fukuzawa Ichirô and Associates, 1935-36 / 51 4 The Lure of Artistic Vision and Commercial Prerogative: Ai Mitsu and the Burden of Representation, 1935 and 1943 / 76 5 Reflections of Labour and the Construction of the New State: Fuchikami Hakuyô and Manchuria Graph, 1933-41 / 100 6 The Manchukuo Publicity and News Bureau’s War of Words and Images: Mutô Tomio and the Discourse of Culture, 1938-43 / 134 7 The Legitimization of a Multi-Ethnic Literary Culture in Manchukuo: Kawabata Yasunari’s Promotion of “Manchurian Literature,” 1941-44 / 168 Conclusion: The Reflected Utopia Darkens: Manchukuo, Imperial Japan’s Surrender, and Postwar Concerns / 193 Notes / 201 Bibliography / 238 Index / 248 Sample Material © 2013 UBC Press Figures 1 Carrying the light of civilization / 17 2 Yamato Hotel façade / 19 3 Manchu Girl / 55 4 Development of Manchuria and Mongolia proceeds from plough to hoe / 59 5 A Mongolian Saving a Bird / 65 6 Oxen / 66 7 Manchurian native / 69 8 Constructing the capital / 71 9 Mongolian Scene (Steppes. Woman. Horse) / 73 10 Beijing Autumn / 94 11 Manchurian Scene / 97 12 Still Life on Road Surface -
Istanbul Technical University Graduate School of Arts
ISTANBUL TECHNICAL UNIVERSITY ★ GRADUATE SCHOOL OF ARTS AND SOCIAL SCIENCES PARTICIPATION AND POWER AN OUTLINE OF CONTEMPORARY PARTICIPATORY ART M.A. THESIS Çiğdem ÇAĞLAYAN KOLAIN 402101003 Art History Department Art History Program Thesis Advisor: Dr. Aslıhan ERKMEN BİRKANDAN APRIL 2018 ii İSTANBUL TEKNİK ÜNİVERSİTESİ ★ SOSYAL BİLİMLER ENSTİTÜSÜ KATILIM VE GÜÇ ÇAĞDAŞ KATILIMCI SANATIN ANA HATLARI YÜKSEK LİSANS TEZİ Çiğdem ÇAĞLAYAN KOLAIN 402101003 Sanat Tarihi Anabilim Dalı Sanat Tarihi Programı Tez Danışmanı: Öğr. Gör. Dr. Aslıhan ERKMEN BİRKANDAN NİSAN 2018 iv İTÜ, Sosyal Bilimler Enstitüsü’nün 402101003 numaralı Yüksek Lisans Öğrencisi Çiğdem ÇAĞLAYAN KOLAIN, ilgili yönetmeliklerin belirlediği gerekli tüm şartları yerine getirdikten sonra hazırladığı “PARTICIPATION AND POWER AND OUTLINE OF CONTEMPORARY PARTICIPATORY ART” başlıklı tezini aşağıda imzaları olan jüri önünde başarı ile sunmuştur. Tez Danışmanı : Öğr. Gör. Dr. Aslıhan ERKMEN BİRKANDAN .................... İstanbul Teknik Üniversitesi İstanbul Teknik Üniversitesi Jüri Üyeleri : Doç. Dr. Ebru YETİŞKİN ....................... İstanbul Teknik Üniversitesi Doç. Dr. Burcu PELVANOĞLU ....................... Mimar Sinan Güzel Sanatlar Üniversitesi Savunma Tarihi : 21 Mart 2018 Teslim Tarihi : 26 Şubat 2018 v vi FOREWORD I sincerely thank to my thesis supervisor Aslıhan Erkmen Birkandan for guiding me throughout my scientific research process. Without her guidance and feedback, this thesis would not have been completed as is now. I also would like to thank to my thesis committee Ebru Yetişkin and Burcu Pelvanoğlu for their time and advices, also to my lecturers Deniz Çalışır Pençe and Enis Ali Yurtsever for the helpful lessons I have taken along this journey. I am also thankful to Gizem Mater and Verda Bingöl for their friendly collaboration and assistance. I thank to my friend Kevser Güler who supported me for deciding my thesis subject and sharing her books, to Johannes Wagner who read my thesis, commented on it and motivated me, to Ercan Karasu for his help and kindness. -
Report of Professor Jonathan Petropoulos Claremont Mckenna College
Report of Professor Jonathan Petropoulos Claremont McKenna College Department of History 850 Columbia Avenue Claremont McKenna College Claremont, CA 91711-6420 fax 909-621-8419 tel. 909-607-2775 e-mail: [email protected] 14 July 2005 TABLE OF CONTENTS REPORT OF PROFESSOR JONATHAN PETROPOULOS ..................................................................... 1 PRELIMINARY OBSERVATIONS ................................................................................................................ 1 I. PORTRAIT OF ADELE BLOCH-BAUER I (1907)................................................................................ 24 II. PORTRAIT OF ADELE BLOCH-BAUER II (1912)............................................................................. 28 III. APPLE TREE I (APFELBAUM I) (1912).............................................................................................. 29 IV. BIRKENWALD/ BUCHENWALD (BIRCH/BEECH FOREST) (1903) .......................................... 30 V. SEEUFER MIT HÄUSER IN KAMMER AM ATTERSEE (1916) .................................................... 34 VI. SCHLOSS KAMMER AM ATTERSEE III (1910) .............................................................................. 36 VII. PORTRAIT OF AMALIE ZUCKERKANDL (1917-18).................................................................... 38 CONCLUDING OBSERVATIONS ............................................................................................................... 47 SUMMARY ....................................................................................................................................................... -
Discriminating Thieves: Nazi-Looted Art and Restitution Library Guide
Library Guide Discriminating Thieves: Nazi-Looted Art and Restitution Resource List | 2019 During World War II, the Nazis waged a cultural battle as well as a physical one. One aspect of the cultural war was the looting of art on a large scale from German institutions, individuals and occupied countries. Looted works might be deemed “degenerate” and sold or destroyed or valued because Hitler believed they reinforced the Nazi’s ideological beliefs. After the war, many looted works of art were found and returned to their owners by the Allies while the complex histories of others are still being researched today. This bibliography, compiled to accompany the exhibition Discriminating Thieves: Nazi-Looted Art and Restitution, includes books about art and World War II, the Monuments Men, and titles on provenance research. Also included are relevant materials held by the Museum Archives. If you have questions, please contact the reference staff at the Spencer Art Reference Library (telephone: 816.751.1216). Library hours and services are listed on the Museum’s website at www.nelson-atkins.org Selected by: Roberta Wagener | Library Assistant, Public Services & Tara Laver | Archivist Items in the Exhibition The Nelson-Atkins Museum of Art. Dresler, Adolf. Deutsche Kunst und entartete Discriminating Thieves: Nazi-Looted Art and “Kunst”: Kunstwerk und Zerrbild als Spiegel der Restitution. January 26, 2019–January 26, 2020. Weltanschauung. München: Deutscher Accessed December 7, 2018. Volksverlag, 1938. https://www.nelson- Call No: A13 D816 1938 atkins.org/events/discriminating-thieves/ Library Resource List 2019 | Discriminating Thieves | 1 Nationalsozialistische Deutsche Arbeiter-Partei. Farmer, Walter I., Klaus Goldmann.