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Atom Smashersrel
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit itvs.org/pressroom/photos/ For the program companion website, visit pbs.org/independentlens/atomsmashers “THE ATOM SMASHERS,” AN EXCITING INSIDE LOOK AT THE FRONTIER OF SCIENTIFIC RESEARCH, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY ® AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, NOVEMBER 25, AT 10 PM “Finding this Higgs particle will help scientists figure out why the universe is made of something instead of nothing, why there are atoms, people, planets, stars and galaxies. But it also will do much more than that. It will open a door to a hidden world of physics, where scientists hope to find unimagined wonders that will make relativity and quantum mechanics seem like Tinker Toys.” —Ronald Kotulak, Chicago Tribune (San Francisco, CA)—Physicists at Fermilab, the world’s most powerful particle accelerator laboratory, are closing in on one of the universe’s best-kept secrets, the Holy Grail of physics: why everything has mass. With the Tevatron, an underground particle accelerator buried deep beneath the Illinois prairie, Fermilab scientists smash matter together, accelerating protons and antiprotons in a four-mile-long ring at nearly the speed of light, to find a particle—the Higgs boson—whose existence was theorized nearly 40 years ago by Scottish scientist Peter Higgs. The physicists searching for the Higgs boson are excited; they may be approaching the discovery of a lifetime, and there’s almost certainly a Nobel Prize for whoever finally finds it. -
WSRC3290 ASCP 2018 Conference Program FA.Indd
AUSTRALASIAN SOCIETY FOR CONTINENTAL PHILOSOPHY ANNUAL CONFERENCE 2018 AUSTRALASIAN SOCIETY FOR CONTINENTAL PHILOSOPHY ANNUAL CONFERENCE 2018 ACKNOWLEDGMENT OF COUNTRY THANKS TO Western Sydney University would like to acknowledge the ≥ Professor Peter Hutchings, Dean of the School of Humanities Burramattagal people of the Darug tribe, who are the traditional and Communication Arts custodians of the land on which Western Sydney University at Jacinta Sassine and the student volunteers Parramatta stands. We respectfully acknowledge the Burramattagal ≥ people’s Ancestors and Elders, past and present and acknowledge ≥ Hannah Stark, Timothy Laurie and student volunteers their 60,000 year unceded occupation of these lands. who organized the PG event ≥ Panel organisers: Dr Suzi Adams and Dr Jeremy Smith; Professor WELCOME Thomas M. Besch; Professor Francesco Borghesi; Dr Sean Bowden; Associate Professor Diego Bubbio; Dr Millicent Churcher; Dr Richard The Conference Organising Committee for 2018 extends a warm Colledge; Dr Ingo Farin; Associate Professor Chris Fleming; Dr John welcome to all our international and Australian participants, and all Hadley; Professor Vanessa Lemm; Professor Li Zhi; Associate Professor others associated with the conference. The ASCP conference is this year hosted by Western Sydney University, at our new Parramatta David Macarthur; Associate Professor Sally Macarthur; Dr Jennifer City campus. The event has been planned and developed across Mensch; Professor Nick Mansfield; Dr Talia Morag; Associate Professor this year by members of the Philosophy Research Initiative. Eric S. Nelson; Professor Ping He; Dr Rebecca Hill; Associate Professor Janice Richardson and Dr Jon Rubin; Dr Marilyn Stendera; Dr Omid Tofighian; Professor Miguel Vatter and Dr Nicholas Heron; Dr Allison CONFERENCE ORGANIZING COMMITTEE Weir; Dr Magdalena Zolkos. -
Nature of Elliot Goldenthal's Music
The Nature of Elliot Goldenthal’s Music & A Focus on Alien 3 (& other scores) There is “something different” about Elliot Goldenthal’s music. There is also considerable brain and brawn in Elliot Goldenthal’s film music. His style is difficult to label because his approach is so eclectic depending on the project. Sometimes I feel he is fundamentally an independent art-house composer (perhaps Frida, say, and The Good Thief) although he can demonstrate thrilling orchestral power in scores such as Sphere and the Batman movies that I personally quite enjoyed. Overall he shows a Late Modernist temperament, musically an American Bohemian, but nevertheless grounded somewhat in the mainstream traditions (certainly at least traditional notation). His polystylism (eclectism) is a postmodern characteristic. An excellent example of polystylism is his score for Titus (and Good Thief to a lesser extent, and even an example or two in Alien 3) with the diverse or even odd juxtaposition of genres (symphonic-classical, rock, etc.) that represents in one score the type of projects he collectively undertook over the last fifteen years or so. There is not one clear-cut musical voice, in other words, but a mixture or fusion of different styles. It is, in part, his method of organization. Loosely speaking, his music is avant-garde but certainly not radically so--as in the case of John Cage with his aleatoric (random) music and quite non-traditional notation (although Goldenthal’s music can at select times be aleatoric in effect when he utilizes electronic music, quarter-toning, and other devices). He is experimental and freewheeling but certainly this tendency is not overblown and expanded into the infinite! He definitely takes advantage of what technology has to offer (MIDI applications, timbre sampling, synthesizer usage, etc.) but does not discard what traditions are useful for him to express his vision of musical art. -
Dive 010 - Sea Docs
Dive 010 - Sea Docs Our last collection of Sea Genre films focusing on the watery realms of The Soundtrack Zone may be classified as films in the Sea Documentary genre or, for short, Sea Docs. Two early examples of scores for a Sea Doc film were those composed by Paul J. Smith for two Walt Disney’s True-Life Adventures films: Beaver Valley (1950) and Prowlers of the Everglades (1953). A Disneyland LP (WDL-4011 – released in 1975) included the following tracks from those two films: Beaver Valley (7:15) - Beaver Valley Theme - Baby Ducks - Beaver Romance - Salmon Run – Otters Prowlers of the Everglades (4:09) - Alligators - Swamp Deluge - Otters And Gators LP In 1956, Walt Disney’s Disneyland WDL-4006 LP presented Paul J. Smith’s score for another True-Life Adventure film, Secrets of Life. One of the album’s suites, “Under The Sea And Along The Shore,” includes several underwater-related tracks: Decorator Crab, Jellyfish, Angler Fish, and Fiddler Crabs (04:21) LP Three years later, in 1959, Walt Disney released a short film titled Mysteries of the Deep (23:55). Three of these films – Beaver Valley, Prowlers of the Everglades, and Mysteries of the Deep are available on DVD (see DVD 1 photo below). Secrets of Life is included on DVD 2 (see photo below). DVD 1 DVD 2 Unfortunately none of the scores for these Walt Disney underwater-related films have been commercially issued on CD. Fortunately, the scores of many subsequent Sea Docs films have been released over the years on LP and/or CD. -
Mikey Minden Concerts/Tours/Events
Mikey Minden Concerts/Tours/Events: Pitbull Choreographer Planet Hollywood/ Las Vegas Residency Pussycat Dolls Live at Choreographer Interscope Records Wembley / London Carmen Electra Promo Tour Choreographer Citrusonic Records GRL Promo Tour Choreographer Kemosabe Records / RCA Porcelain Black Tour Choreographer Choreographer Havana Brown World Tour Choreographer Universal Republic Records Amber Rose Promo Tour Choreographer Paris Hilton Promo Tour Co-Choreographer WB Records Keyshia Cole Promo Tour Choreographer A&M Records Tynisha Keli World Tours Choreographer Warner Brothers Records Paradiso Girls Promo Tour Choreographer Interscope Records Nikki Flores Promo Tour Choreographer Sony Records Jessi Malay Promo Tour Choreographer Reprise Records Jo De La Rosa Promo Tour Choreographer Grayson Entertainment Nick Lachey Promo Tour Choreographer Universal Records Clay Aiken "Jukebox" Tour Choreographer Usher Promo Tour Asst. Choreographer Erika Jayne World Tour Choreographer Girlicious / Opening for Britney Choreographer Geffen Records Spears Tour & Backstreet Boys Tour The Pussycat Dolls 2005- Artistic Interscope Records 2009 World Tours Director/Choreographer The Pussycat Dolls Lounge at Choreographer Planet Hollywood / Las Vegas Caesar's Palace & Planet Hollywood The Pussycat Dolls Live Choreographer No Doubt Tour Assoc. Choreographer Bathwater Sting "Sacred Love" Tour Assoc. Choreographer 101 Dalmations Live Event Choreographer Disney Productions Nickelodeon's Big Help-A- Nickelodeon Thon / Opening Number Television: The Real Housewives -
Tim Young, Adam Fine, Tricia Southard.Pdf
\ earn name here TRASHMASTERS 2004 - UT-CHATTANOOGA ) Tim Young, Adam Fine, and Tricia Southard , J t-/ILJjl£; // / He led the American League in hits in his rookie season of 1942, but then spent three years fighting in World War / /fI. While with Detroit in 1952, he helped Virgil Trucks record his second no-hitter of the season after admitting that he ,/' misplayed a Phil Rizzuto ball originally called a hit. The goat of the 1946 World Series when he allowed Enos Slaughter / to score, FrP name this Red Sox shortstop, born John Paveskovich, the namesake of the right field foul pole in Fenway Park. Answer: Johnny Pesky 2. The title came about as a catch phrase among band members about what they hoped would happen to people "behaving in a shitty way." The piano riff in the chorus echoes another song about someone acting badly, the Beatles' "Sexy Sadie." The lyrics decry a man who "buzzes like a detuned radio" and a girl with a "Hitler hairdo," and hope that the titular entity will arrest them. We are told in the coda that the narrator "For a minute there . .I lost myself' over and over. FTPname this 1997 song, the third single from "OK Computer," a major hit for Radiohead. Answer: Karma Police 3. A 1979 graduate of Davidson College, this woman won an investigative reporting honor from the North Carolina Press Association for a series of articles about crime and prostitution in Charlotte. Her first book, An Uncommon Friend, was a biography of Billy Graham's wife, but her six years of work for the Virginia Chief Medical Examiner's Office inspired her best know series of a dozen novels. -
JULIANNE “JUJU” WATERS Choreographer
JULIANNE “JUJU” WATERS Choreographer COMMERCIAL CHOREOGRAPHY EXPENSIFY // Expensify This // Dir: Andreas Nilsson KLARNA // The Coronation of Smooth Dogg // Dir: Traktor Frontier // Dream Job // Dir: The Perlorian Wish // Amazing Things // Dir: Filip Engstrom Vitamin Water // Drink Outside the Lines // Dir: Traktor Old Navy // Holiyay, Rockstar Jeans // Dir: Joel Kefali Money Supermarket // Bootylicious // Dir: Fredrik Bond LG // Jason Stathum // Dir: Fredrik Bond Dannon // Stayin Alive // Dir: Fredrik Bond Ritz // Putting on the Ritz // Dir: Fredrik Bond FILM Bring It On Cinco // Dir:Billy Woodruff American Carol // Dir: David Zucker Spring Breakdown // Dir: Ryan Shiraki A Cinderella Story// Dir: M. Rosman Bring It On Again // Dir: D. Santostafano TELEVISION Super Bowl XXXVIII // JANET JACKSON feat. JUSTIN TIMBERLAKE Super Bowl XLV // THE BLACK EYED PEAS feat. USHER Fashion Rocks // “Candyman” // CHRISTINA AGUILERA Good Morning America // “Touch my Body” & “That Chick” // MARIAH CAREY Good Morning America // “With Love” // HILARY DUFF Soul Train Awards // "I Like The Way You Move" // OUTKAST feat. SLEEPY BROWN Dancing with the Stars // KYLIE MINOGUE Dancing with the Stars // FATIMA ROBINSON TRIBUTE American Music Awards // 2009, 2010, 2011 // THE BLACK EYED PEAS American Music Awards // “Better in Time” // LEONA LEWIS American Music Awards // “Fergalicious” // FERGIE American Music Awards // "Lights, Camera, Action" // P DIDDY feat. MR. CHEEKS & SNOOP DOGG Teen Choice Awards // "Promiscuous" // NELLY FURTATO feat. TIMBERLAND Teen Nick // “With Love” // HILARY DUFF Billboard Music Awards // “Fergilicious” // FERGIE VH1 Big in ’06 // “London Bridge & Fergilicious” // FERGIE VIBE Music Awards // “This is How We Do” // THE GAME & 50 CENT Ellen Show // Special Birthday Performance // ELLEN DEGENERES Ellen Show // “With Love” // HILARY DUFF Jay Leno // “With Love” // HILARY DUFF Jay Leno // "She Bangs" // WILLIAM HUNG Jimmey Kimmel // “With Love & Stranger” // HILARY DUFF BET Awards // “Come Watch Me” // JILL SCOTT feat. -
Kelly Clarkson American Idol 2004
Kelly clarkson american idol 2004 Since U Been Gone Live on The Christmas Special of American Idol: Kelly, Ruben & Fantasia: Home for. Kelly Clarkson performing Breakaway Live On the American Idol Christmas Special. Kelly Clarkson - Breakaway (Live American Idol Christmas Special) . This is my favourite song and. Kelly's emotions run as high as her vocals while performing her intimately personal song "Piece by Piece. Kelly Brianne Clarkson (born April 1, ) is an American pop-rock of her multi-platinum second album, Breakaway (), Clarkson moved to a more pop. 1 on two charts, Kelly Clarkson is the first American Idol contestant to earn reign on the Top Independent Albums chart on April 24, When American Idol premiered on Fox-TV on June 11, , it was far Then along came Kelly Clarkson, though the singer from Burleson, Texas, .. , "Idol" executive producers Nigel Lythgoe and Ken Warwick were. Kelly Clarkson performs on The Tonight Show with Jay Leno on August 9, in Burbank, California. Her second album, Breakaway, came. (CNN) Season 1 "American Idol" winner and breakout star Kelly Clarkson returned to the stage that made her famous Thursday night to mark. 'American Idol' is returning from the dead, but its top dawgs, Kelly Clarkson and Simon Cowell aren't coming along for the ride. Jennifer Hudson — who was on American Idol back in — will be a coach on Season 13 of. Kelly Brianne Clarkson was born in Fort Worth, Texas, to Jeanne Ann (Rose) She was the first winner of the series American Idol, in American Idol (TV Series) (performer - 20 episodes, - ) (writer - 4 episodes, - ). -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Click to Download
Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress. -
Adding Links to a Web Page
INTERNET BASICS & BEYOND MRS. WILSON Adding Links To A Web Page Adding Links To A Web Page Introduction What are hyperlinks? A hyperlink is a word, phrase or graphic that when clicked on it sends the reader to a different web page or a section of a web page. It can also send the reader to an e-mail address window. Why are hyperlinks important? Hyperlinks are important because they make web pages unique. They allow readers to navigate web pages in a non-linear fashion. When reading print based material readers can only move through the document in one direction. What are the different kinds of hyperlinks? 1. Relative & Absolute links • Absolute pathnames – Refers to the full URL designation for a file. – <a href=“http://yahoo.com“> • Relative pathnames – Refers to file name construction based on the relationship of the file being linked from to the file being linked to. – <a href="page1.html“> 2. E-mail links E-mail links are different to other types of hyperlink in that they do not lead to a web page. When users click on an e-mail link on a web page, a new window opens up on the screen. This window is an e-mail new message box which allows the reader to send an e-mail directly to the e-mail address that appeared in the e-mail link on the web page and now appears in the ‘To’ field in the new e-mail message box. How do I create hyperlinks? 1. Creating links to other web pages The HTML tags that are used for linking web pages and non-web pages (e.g.