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Michigan's Historic Preservation Plan
Michigan’s state historic Preservation Plan 2014–2019 Michigan’s state historic Preservation Plan 2014–2019 Governor Rick Snyder Kevin Elsenheimer, Executive Director, Michigan State Housing Development Authority Brian D. Conway, State Historic Preservation Officer Written by Amy L. Arnold, Preservation Planner, Michigan State Historic Preservation Office with assistance from Alan Levy and Kristine Kidorf Goaltrac, Inc. For more information on Michigan’s historic preservation programs visit michigan.gov/SHPo. The National Park Service (NPS), U. S. Department of the Interior, requires each State Historic Preservation Office to develop and publish a statewide historic preservation plan every five years. (Historic Preservation Fund Grants Manual, Chapter 6, Section G) As required by NPS, Michigan’s Five-Year Historic Preservation Plan was developed with public input. The contents do not necessarily reflect the opinions of the Michigan State Housing Development Authority. The activity that is the subject of this project has been financed in part with Federal funds from the National Park Service, U.S. Department of the Interior, through the Michigan State Housing Development Authority. However, the contents and opinions herein do not necessarily reflect the views or policies of the Department of the Interior or the Michigan State Housing Development Authority, nor does the mention of trade names or commercial products herein constitute endorsement or recommendation by the Department of the Interior or the Michigan State Housing Development Authority. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Acts of 1964, Section 504 of the Rehabilita- tion Act of 1973 and the Age Discrimination Act of 1975, as amended, the U.S. -
An Analysis of the 50-Year Rule, 1966-2010
Copyright by Emily Jeanne Koller 2011 The Report Committee for Emily Jeanne Koller Certifies that this is the approved version of the following report: Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Michael Holleran Monica Penick Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 by Emily Jeanne Koller, B.A.; MA Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Community and Regional Planning The University of Texas at Austin May 2011 Abstract Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 Emily Jeanne Koller, MSCRP The University of Texas at Austin, 2011 Supervisor: Michael Holleran The report evolves from previous work in the field that questions the efficacy of the 50-year rule, or criterion consideration G, of the National Register of Historic Places program to register and protect modern and recent past resources. Proponents of the recent past argue that by restricting evaluation of historic architecture to only that which is 50-years or older is leading to widespread endangerment and demolition of buildings and sites with periods of significance from the postwar era. This report studies the use of criterion G in-depth since the inception of the National Register program and attempts to identify and quantify the resources lost through continued adherence to the 50-year rule. The analysis is done in two parts. -
Architecture, Design and Engineering
COLLECTIONS OVERVIEWS ARCHITECTURE, DESIGN AND ENGINEERING I. SCOPE The subjects of architecture, design, and engineering occur across all formats and can be found throughout the General Collections and in various Special Format and Area Studies divisions in the Library, including Geography and Map, Manuscript, Rare Books & Special Collections, the American Folklife Center, Recorded Sound, Performing Arts (stage and set design), and Motion Picture & Television. However, the primary custodian of special format materials in these subject areas at the Library of Congress is the Prints and Photographs (P&P) Division. P&P collections in these subject areas further intersect with nearly every Library of Congress collecting area, including American History, European, African, Middle Eastern, Portuguese, Hispanic and Hispanic American Studies, Decorative Arts, Fine Arts, Science and Technology, Business, and Local History and Genealogy. This overview focuses on the subjects of architecture, design, and engineering in the Prints and Photographs Division, and includes both documentary materials and those produced as the original creative works of practicioners in these fields, as well as photography and printmaking. Included are measured drawings and field notes and drawings; original, theoretical, design, working, and construction drawings; job files, correspondence, photographs and documents; record, documentary, journalistic, commercial and master photographic prints, negatives, and transparencies; posters, fine and historical prints, master drawings, cartoon and caricature, illustration, and graphic design; and written historical and descriptive data. P&P’s substantial holdings of Photography and Graphic Arts are covered in separate Collection Overviews. II. SIZE Over 2,000,000 items, including multiple formats (based upon the P&P Stewardship Report) III. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
Blueprintsvolume XXVII, No
blueprintsVolume XXVII, No. 1–2 NATIONAL BUILDING MUSEUM In Between: The Other Pieces of the Green Puzzle in this issue: HEALTHY Communities, GREEN Communities Word s ,Word s ,Word s Winter & Spring 2008/2009 The Lay of the Landscape Annual Report 2008 in this issue... 2 8 13 18 19 21 23 In Between: The Other Pieces of the Green Puzzle The exhibition Green Community calls attention to important aspects of sustainable design and planning that are sometimes overshadowed by eye-catching works of architecture. The environmental implications of transportation systems, public services, recreational spaces, and other elements of infrastructure must be carefully considered in order to create responsible and livable communities. This issue of Blueprints focuses on the broad environmental imperative from the standpoints of public health, urban and town planning, and landscape architecture. Contents Healthy Communities, ! 2 Green Communities M Cardboard Reinvented Physician Howard Frumkin, of the Centers for Disease Cardboard: one person’s trash is another Control and Prevention, brings his diverse expertise as B an internist, an environmental and occupational health N person’s decorative sculpture, pen and pencil expert, and an epidemiologist to bear on the public health holder, vase, bowl, photo and business card holder, above: Beaverton Round, in suburban Portland, Oregon, was built as part of the metropolitan area’s Transit-Oriented Development Program. implications of community design and planning. p Photo courtesy of the American Planning Association and Portland Metro. stress toy, or whatever you can imagine. Bring out your o Creating Sustainable Landscapes creativity with these durable, versatile, eco-friendly LIQUID h CARDBOARD vases that can be transformed into a myriad from the executive director 8 In an interview, landscape architect Len Hopper discusses s his profession’s inherent commitment to sustainability and of shapes for a variety of uses in your home. -
Saarinen Family Papers Ca. 1880-1989 5 Linear Ft
ARCHIVES Saarinen Family Papers ca. 1880-1989 5 linear ft. Acquisition Number: 1990-08 Acquisition: Gift of Robert S. and Ronald S. Swanson, 1989-1990. In 1988, Matthew Ginal donated copies of materials on Kleinhans to the Archives and these were incorporated into this collection. Access: Access to the collection is unrestricted Copyright: Copyright to this collection is held by the Cranbrook Educational Community, except for some of the Kleinhans materials (see specific folders). Preferred Citation: Saarinen Family Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: In Photograph Special File and Scrapbooks (Series VI) Audio/Video: 16 mm films are in Series VI, Box 10 Index: The correspondence series is indexed (see end of finding aid) Processing: Betsy Wagner; James Luzenski, 1991; Ryan Wieber, 1998 PROVENANCE Between December 1989 and September 1990, Ronald Saarinen Swanson and Robert Saarinen Swanson donated five lots of Saarinen and Swanson family papers to the Cranbrook Archives. The brothers’ gift included a core grouping of archival materials relating to Eliel, Loja, and Eero Saarinen that had been held by Loja Saarinen until her death and later by Pipsan Saarinen Swanson. This grouping of material constitutes the majority of the Saarinen Family papers. Materials relating to Pipsan Saarinen Swanson and her husband, J. Robert S. Swanson, were organized into the Swanson Family papers (1990-1). Other non-aligned Archives holdings pertaining to the Saarinens and Swansons were subsequently added to both collections. The inventories of the Swansons’ gift have been kept and can be consulted. Not all of the Saarinen Family papers were donated to Cranbrook. After Eliel’s death, Loja Saarinen donated a cache of his honorary degrees and awards, drawings, and photographs to the Museum of Finnish Architecture in Helsinki. -
The Concept of the Architectural Corporation
1914 MICHAEL KUBO The Concept of the Architectural Corporation Despite the increasing presence of large, team-based offices within US architectural practice over the last century, a history of how architects and critics have understood these offices has yet to be written. The nature of group practice has changed from the big businesses and large organiza- tions that accompanied the merger movement at the turn of the twentieth century to the factory producers of the industrial expansion in the 1910s and 1920s, the bureaucratic firms of the postwar boom, and the multina- tional conglomerates of the neoliberal present. Only after World War II did the term “corporate” come to constitute a topos of architectural discourse, one that refers at once to a specific mode of production, the mentality of its producers, and the perceived qualities of the work produced. Through- out these changes in the scope of architectural organization, architects and historians have speculated on the implications of the large-scale office for the status of architecture as a business, a profession, and a field of cultural production. A convenient place to enter this history of critical reception is in midstream, in the years immediately after the World War II, when numerous authors looked to the largest firms of the early twentieth century to comprehend the implications of team-based practices for postwar architectural production. Among the earliest attempts was Henry-Russell Hitchcock’s 1947 article, “The Architecture of Bureaucracy and the Architecture of Genius,” in which he predicted that the major categories of 1983 postwar architecture would be distinguished not by style, but by economy of production.1 Hitchcock noted that the prewar terms of debate, centered Q on avant-garde themes of advance or regression, had given way to a Henry-Russell Hitchcock, “The Architecture of “clarification of the architectural picture” in which “it came about that there Bureaucracy and the was at last only one contemporary way of building,” namely modernism. -
ARCHIVES Maurice B. Allen Collection of Eero Saarinen and Associates Material 1954-1962 1.5 Linear Ft. Acquisition Number
ARCHIVES Maurice B. Allen Collection of Eero Saarinen and Associates Material 1954-1962 1.5 linear ft. Acquisition Number: 1996-34 Acquisition: Gift of Maurice B. Allen Access: Access to the collection is unrestricted Copyright: Copyright to this collection is held by the Cranbrook Educational Community Photographs: In Photograph Special File Processing: Ryan Wieber, 1996. Finding aid was updated in Nov 2004 by Leslie S. Edwards. History Maurice B. Allen was born in Lansing, MI and attended Western Michigan University and Notre Dame University before enlisting in the US Navy from 1944-1947. He graduated with a BA in Architecture from the University of Michigan in 1950. Upon graduation, Allen worked for Smith, Hinchman & Grylls before working for Eero Saarinen & Associates from 1952-1962. Significant projects include the GM Technical Center (Warren, MI), Yale University: Stiles and Morse Colleges and the Ingalls Hockey Rink, Lincoln Center for the Performing Arts in New York, North Christian Church (Columbus, IN), and the U.S. Embassy in Oslo. In 1962, Allen joined TMP Associates as a principal and Vice President of Design and Planning. He was a member of the Environmental Arts Advisory Panel of the Michigan Council for the Arts. He taught design at the University of Michigan College of Architecture and Urban Planning. He has served on the AIA National Architecture for the Arts & Recreation Task Force (1982) and on AIA National Committee on Architecture for Justice. Scope and Content of Collection This collection contains items related to Eero Saarinen & Associates and projects undertaken by that firm, and consist primarily of published articles and project presentation portfolios. -
Architecture
February 8 OTHER WAYS OF DOING THINGS: ARCHITECTURE AND URBAN ACTIVISM Architecture: Shaping Buildings, Shaping Us Anya Sirota “We shape our buildings, and afterwards our buildings shape us.” Winston Churchill’s Anya Sirota is an Assistant Professor at the University of Michigan’s Taubman College of well-known quote is the starting point for our look at the relationship between architecture Architecture and Urban Planning. Her interdisciplinary research focuses on contemporary and our way of living. We start with the early 20th Century, when modern technology and cultural production and its relationship to architecture and urbanism. Sirota is principal of changing social/political relationships in Western Europe led to new thinking about the forms the award-winning design studio Akoaki and director of the Detroit-based Michigan and shapes of the built environment. WWII brought many of the most innovative European Architecture Prep program. She holds a Master in Architecture from Harvard’s Graduate designers to the United States. Michigan played a large, and underappreciated, role in the School of Design and a B.A. in Modern Culture and Media from Brown University. development of “Mid-Century Modern.” Stimulated by the auto industry, Scandinavian Speaker’s Synopsis: In the aftermath of Modernism’s perceived urban failures, a cadre of architects, and Americans like Frank Lloyd Wright, Michigan became the center for an organic architects is becoming increasingly aware that a building might not always be the best design philosophy that rejected the classical forms from ancient Greece and Rome. New solution to a spatial problem. The lecture will explore how certain practices are reinventing thinking in the design of furniture, buildings, and cities both reflected and encouraged the the architectural profession, replacing the model of the heroic visionary with a more changes in lifestyle that persist today. -
Art in Architecture Acknowledgments
art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition. -
Annual Report 2015-2016
Annual Report 2015-2016 UNIVERSITY OF MICHIGAN TAUBMAN COLLEGE OF ARCHITECTURE AND URBAN PLANNING Table of Contents 02 Building Addition Update 04 Feature: National Museum of African American History and Culture 06 Faculty News 10 New and Noteworthy Scholarships 16 2016 Venice Architecture Biennale 23 Distinguished Alumna Award 26 Career Support 30 In Memoriam 2016 Fall Calendar September 9 Taubman College at the 2016 Venice October 22 Taubman College Homecoming & Architecture Biennale: U.S. Pavilion Alumni Reunion Presentations by Dean Robert Fishman, October 24-26 ACADIA 2016: Workshops Ellie Abrons, Adam Fure, and Mitch McEwen (Registration Required) September 12 Flint Water Crisis: Fixing It October 27-29 ACADIA 2016: Conference Presentation by Marty Kaufman followed by (Registration Required) a panel discussion October 27 ACADIA Conference Keynote Lecture: September 16 Taubman College at the 2016 Venice Iris van Herpen in conversation with Architecture Biennale: Canadian and Philip Beesley Kuwaiti Pavilions October 27 ACADIA 2016: Exhibition Presentations by Architecture Chair Exhibition runs October 27 - November 4 Sharon Haar, Geoffrey Thün, Kathy Velikov, October 28 ACADIA Conference Keynote Lecture: and El Hadi Jazairy Elizabeth Diller September 20 Booth Fellowship Exhibition Presentation October 29 ACADIA Conference Keynote Lecture: and Opening Reception: James Wilson, Mario Carpo “Hygge: Dwelling Poetically” Exhibition runs through October 5 November 11 Distinguished University Professor Lecture: September 22 Lecture: Anne Spirn June Thomas November 12 Exhibition Opening Brunch: Terry Sargent October 4 The Case for Regional Transit Retrospective, “TRIPTYCHS” Presentation by Dr. Catherine Ross followed Exhibition runs through December 18 by a panel discussion November 18 Lecture: Gary Bates October 7 Practice Session No. -
John Comazzi: Cv 2018
JOHN COMAZZI: CV 2018 Associate Professor of Architecture University of Virginia – School of Architecture Partial appointments in Curry School of Education and School of Nursing Office: Campbell Hall, Office 318, 110 Bayly Drive, Charlottesville VA, 22903 [email protected] work: 434-243-4322 1.00_BIOGRAPHICAL INFORMATION 1.01_EDUCATION University of Michigan: Taubman College of Architecture and Urban Planning Master of Science in Architectural History and Theory, 1999 Thesis: (re)Moving History – The Statue Park of Socialist Statuary in Budapest, Hungary University of Michigan: Taubman College of Architecture and Urban Planning Master of Architecture, 1998 Thesis: From Site to (In)sight – Architecture as Optical Device University of Virginia: School of Architecture B.S. in Architecture, 1993 1.02_ACACEMIC EXPERIENCE University of Virginia: School of Architecture 2017-Present: Associate Professor of Architecture Director of Design Thinking Program, 2017 - present Appointments in the Curry School of Education and the School of Nursing University of Minnesota: College of Design – School of Architecture 2012-2017: Associate Professor of Architecture Director of B.S. Degree Program (Architecture), 2012-15 2006-2012: Assistant Professor of Architecture College Readiness Consortium, Faculty Fellow, 2010 Metropolitan Design Center, Dayton-Hudson Fellow, 2007-08 2009-2017: Affiliate Faculty of Landscape Architecture University of Michigan: Taubman College of Architecture and Urban Planning 2001-2006: Lecturer